Essential Aaron Copland

~ Release by Aaron Copland (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleLength
1Fanfare for the Common Man
producer:
Ray Minshull
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-08)
conductor:
Zubin Mehta (in 1977-08)
balance engineer:
Simon Eadon (in 1977-08) and James Lock (in 1977-08)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-08)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (in 1977-08)
composer:
Aaron Copland (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc.
2:53
2Appalachian Spring (Suite 1945): Very Slowly
producer:
Ray Minshull
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (in 1976-04)
balance engineer:
James Lock (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: I. Very Slowly (in 1976-04)
composer:
Aaron Copland (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
2:55
3Appalachian Spring (Suite 1945): Allegro
producer:
Ray Minshull
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (in 1976-04)
balance engineer:
James Lock (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: II. Allegro (in 1976-04)
composer:
Aaron Copland (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
2:49
4Appalachian Spring (Suite 1945): Moderato: The Bride and her Intended
producer:
Ray Minshull
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (in 1976-04)
balance engineer:
James Lock (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: III. Moderato: The Bride and Her Intended (in 1976-04)
composer:
Aaron Copland (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:30
5Appalachian Spring (Suite 1945): Fast: The Revivalist and his Flock
producer:
Ray Minshull
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (in 1976-04)
balance engineer:
James Lock (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: IV. Fast: The Revivalist and His Flock (in 1976-04)
composer:
Aaron Copland (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:30
6Appalachian Spring (Suite 1945): Allegro: Solo Dance of the Bride
producer:
Ray Minshull
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (in 1976-04)
balance engineer:
James Lock (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: V. Subito allegro: Solo Dance of the Bride (in 1976-04)
composer:
Aaron Copland (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
2:54
7Appalachian Spring (Suite 1945): Meno mosso
producer:
Ray Minshull
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (in 1976-04)
balance engineer:
James Lock (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: VI. As at First (Slowly) (in 1976-04)
composer:
Aaron Copland (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
1:58
8Appalachian Spring (Suite 1945): Doppio Movimento: Variations on a Shaker Hymn
producer:
Ray Minshull
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (in 1976-04)
balance engineer:
James Lock (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn (Simple Gifts) (in 1976-04)
composer:
Aaron Copland (from 1943 until 1944)
is based on:
Simple Gifts
part of:
Appalachian Spring Suite (for full orchestra, 1945)
2:44
9Appalachian Spring (Suite 1945): Moderato: Coda
producer:
Ray Minshull
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (in 1976-04)
balance engineer:
James Lock (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: VIII. Moderato: Coda (in 1976-04)
composer:
Aaron Copland (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
3:10
10Rodeo: Buckaroo Holiday
producer:
James Mallinson
orchestra:
Detroit Symphony Orchestra (from 1981-05-11 until 1981-05-13)
conductor:
Antal Doráti (from 1981-05-11 until 1981-05-13)
balance engineer:
James Lock
phonographic copyright (℗) by:
Universal Music Operations Ltd. (in 1982)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1981-05-11 until 1981-05-13)
recording of:
Rodeo: I. Buckaroo Holiday (from 1981-05-11 until 1981-05-13)
composer:
Aaron Copland (in 1942)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
8:38
11Rodeo: Corral Nocturne
producer:
James Mallinson
orchestra:
Detroit Symphony Orchestra (from 1981-05-11 until 1981-05-13)
conductor:
Antal Doráti (from 1981-05-11 until 1981-05-13)
balance engineer:
James Lock
phonographic copyright (℗) by:
Universal Music Operations Ltd. (in 1982)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1981-05-11 until 1981-05-13)
recording of:
Rodeo: II. Corral Nocturne (from 1981-05-11 until 1981-05-13)
composer:
Aaron Copland (in 1942)
publisher:
Boosey & Hawkes
part of:
Four Dance Episodes from Rodeo (version for orchestra)
3:34
12Rodeo: Saturday Night Waltz
producer:
James Mallinson
orchestra:
Detroit Symphony Orchestra (from 1981-05-11 until 1981-05-13)
conductor:
Antal Doráti (from 1981-05-11 until 1981-05-13)
balance engineer:
James Lock
phonographic copyright (℗) by:
Universal Music Operations Ltd. (in 1982)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1981-05-11 until 1981-05-13)
recording of:
Rodeo: III. Saturday Night Waltz (from 1981-05-11 until 1981-05-13)
composer:
Aaron Copland (in 1942)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
4:17
13Rodeo: Hoe-Down
producer:
James Mallinson
orchestra:
Detroit Symphony Orchestra (from 1981-05-11 until 1981-05-13)
conductor:
Antal Doráti (from 1981-05-11 until 1981-05-13)
balance engineer:
James Lock
phonographic copyright (℗) by:
Universal Music Operations Ltd. (in 1982)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1981-05-11 until 1981-05-13)
recording of:
Rodeo: IV. Hoedown (from 1981-05-11 until 1981-05-13)
composer:
Aaron Copland (in 1942)
publisher:
Boosey & Hawkes, Inc.
is based on:
Bonaparte’s Retreat
part of:
Four Dance Episodes from Rodeo (version for orchestra)
3:45
14Lincoln Portrait
producer:
Ray Minshull
spoken vocals:
Gregory Peck (in 1968-05)
orchestra:
Los Angeles Philharmonic (in 1968-05)
conductor:
Zubin Mehta (in 1968-05)
balance engineer:
James Lock (in 1968-05) and Gordon Parry (in 1968-05)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1968-05)
recording of:
Lincoln Portrait (in 1968-05)
premiered in:
Cincinnati, Ohio, United States (on 1942-05-14)
lyricist:
Abraham Lincoln
composer:
Aaron Copland (in 1942)
was commissioned by:
André Kostelanetz
premiered by:
Cincinnati Symphony Orchestra (on 1942-05-14) and André Kostelanetz (on 1942-05-14)
15:09
15Ceremonial Fanfare
producer:
Chris Hazell
performer:
Philip Jones Brass Ensemble (in 1976-02)
balance engineer:
John Dunkerley (in 1976-02)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-02)
recording of:
Ceremonial Fanfare (in 1976-02)
composer:
Aaron Copland
publisher:
Boosey & Hawkes Music Publishers, Ltd
3:40
2▼CD
#TitleLength
1Quiet City
engineer:
Simon Eadon and Stanley Goodall
producer:
Chris Hazell
cor anglais [cor anglais]:
Celia Nicklin (in 1976-10)
trumpet:
Michael Laird (in 1976-10)
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-10)
recording of:
Quiet City (suite for English horn, trumpet and string orchestra) (in 1976-10)
premiered in:
New York, New York, United States (on 1941-01-28)
composer:
Aaron Copland (in 1940)
premiered by:
Daniel Saidenberg (on 1941-01-28)
publisher:
Boosey & Hawkes
is based on:
Quiet City (incidental music)
8:52
2Music for Movies: New England Countryside
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London, England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: I. New England Countryside (originally from the 1939 documentary "The City") (in 1980-04)
composer:
Aaron Copland (in 1939)
part of:
Music for Movies Suite
6:14
3Music for Movies: Barley Wagons
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London, England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: II. Barley Wagons (originally from the 1939 film "Of Mice and Men") (in 1980-04)
composer:
Aaron Copland (in 1939)
part of:
Music for Movies Suite
2:14
4Music for Movies: Sunday Traffic
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London, England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: III. Sunday Traffic (originally from the 1939 documentary "The City") (in 1980-04)
composer:
Aaron Copland (in 1939)
part of:
Music for Movies Suite
2:31
5Music for Movies: Grovers Corners
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London, England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: IV. Grover’s Corners (originally from the 1940 film "Our Town") (in 1980-04)
composer:
Aaron Copland (in 1940)
part of:
Music for Movies Suite
2:59
6Music for Movies: Threshing Machines
producer:
Chris Hazell
orchestra:
London Sinfonietta (in 1980-04)
conductor:
Elgar Howarth (in 1980-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London, England, United Kingdom (in 1980-04)
recording of:
Music for Movies Suite: V. Threshing Machines (originally from the 1939 film "Of Mice and Men") (in 1980-04)
composer:
Aaron Copland (in 1939)
part of:
Music for Movies Suite
3:23
7El Salón México
producer:
James Mallinson
orchestra:
Detroit Symphony Orchestra (from 1981-05-11 until 1981-05-13)
conductor:
Antal Doráti (from 1981-05-11 until 1981-05-13)
balance engineer:
James Lock
phonographic copyright (℗) by:
Universal Music Operations Ltd. (in 1982)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1981-05-11 until 1981-05-13)
recording of:
El Salón México (from 1981-05-11 until 1981-05-13)
premiered in:
Ciudad de México, Mexico (on 1937-08-27)
composer:
Aaron Copland (from 1932 until 1936)
premiered by:
Carlos Chávez (on 1937-08-27) and Orquesta Sinfónica Nacional de México (on 1937-08-27)
publisher:
Boosey & Hawkes
10:31
8Billy the Kid: The Open Prarie
orchestra:
Baltimore Symphony Orchestra
conductor:
David Zinman
recording of:
Billy the Kid: I. Introduction: The Open Prairie
composer:
Aaron Copland (in 1940)
part of:
Billy the Kid (ballet suite)
3:25
9Billy the Kid: Street in a Frontier Town
orchestra:
Baltimore Symphony Orchestra
conductor:
David Zinman
recording of:
Billy the Kid: II. Street in a Frontier Town
composer:
Aaron Copland (in 1940)
part of:
Billy the Kid (ballet suite)
3:22
10Billy the Kid: Celebration - Billy in Prison - Waltz
orchestra:
Baltimore Symphony Orchestra
conductor:
David Zinman
recording of:
Billy the Kid: VI. Celebration (After Billy’s Capture)
composer:
Aaron Copland (in 1940)
part of:
Billy the Kid (ballet suite)
9:45
11Danzón Cubano
orchestra:
Baltimore Symphony Orchestra
conductor:
David Zinman
recording of:
Danzón Cubano (for orchestra)
premiered in:
Baltimore, Maryland, United States (on 1946-02-17)
orchestrator:
Aaron Copland (in 1946)
composer:
Aaron Copland (in 1942)
premiered by:
Baltimore Symphony Orchestra (on 1946-02-17) and Reginald Stewart (on 1946-02-17)
publisher:
Boosey & Hawkes
orchestration of:
Danzón Cubano (for two pianos)
7:02
12Dance Symphony: Lento - molto allegro - adagio molto
producer:
James Mallinson
orchestra:
Detroit Symphony Orchestra (from 1981-05-11 until 1981-05-13)
conductor:
Antal Doráti (from 1981-05-11 until 1981-05-13)
balance engineer:
James Lock
phonographic copyright (℗) by:
Universal Music Operations Ltd. (in 1982)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1981-05-11 until 1981-05-13)
recording of:
Dance Symphony: I. Lento - Molto allegro - Adagio molto (from 1981-05-11 until 1981-05-13)
composer:
Aaron Copland (in 1925)
part of:
Dance Symphony
7:10
13Dance Symphony: Andante moderato
producer:
James Mallinson
orchestra:
Detroit Symphony Orchestra (from 1981-05-11 until 1981-05-13)
conductor:
Antal Doráti (from 1981-05-11 until 1981-05-13)
balance engineer:
James Lock
phonographic copyright (℗) by:
Universal Music Operations Ltd. (in 1982)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1981-05-11 until 1981-05-13)
recording of:
Dance Symphony: II. Andante moderato (from 1981-05-11 until 1981-05-13)
composer:
Aaron Copland (in 1925)
part of:
Dance Symphony
4:32
14Dance Symphony: Allegro vivo
producer:
James Mallinson
orchestra:
Detroit Symphony Orchestra (from 1981-05-11 until 1981-05-13)
conductor:
Antal Doráti (from 1981-05-11 until 1981-05-13)
balance engineer:
James Lock
phonographic copyright (℗) by:
Universal Music Operations Ltd. (in 1982)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1981-05-11 until 1981-05-13)
recording of:
Dance Symphony: III. Allegro vivo (from 1981-05-11 until 1981-05-13)
composer:
Aaron Copland (in 1925)
part of:
Dance Symphony
5:32