Sketches of Spain

~ Release by Miles Davis (see all versions of this release, 46 available)

Tracklist

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1▼CD
#TitleLength
1Concierto de Aranjuez (adagio)
bass clarinet:
Danny Bank (on 1959-11-15, on 1959-11-20)
clarinet:
Harold Feldman (on 1959-11-15, on 1959-11-20)
double bass [bass]:
Paul Chambers (on 1959-11-15, on 1959-11-20)
drums (drum set):
Jimmy Cobb (on 1959-11-20)
drums (drum set) [drums]:
Jimmy Cobb (on 1959-11-15)
flugelhorn:
Al Block and Miles Davis (on 1959-11-15, on 1959-11-20)
flute:
Albert Block (on 1959-11-15, on 1959-11-20) and Eddie Caine (on 1959-11-15, on 1959-11-20)
French horn:
John Barrows (on 1959-11-15, on 1959-11-20), Earl Chapin (on 1959-11-15, on 1959-11-20) and Jim Buffington (on 1959-11-15, on 1959-11-20)
harp:
Janet Putnam (on 1959-11-15, on 1959-11-20)
oboe:
Romeo Penque and Harold Feldman (on 1959-11-15, on 1959-11-20)
percussion:
José Mangual and Elvin Jones (on 1959-11-15, on 1959-11-20)
trombone:
Dick Hixson (on 1959-11-15, on 1959-11-20) and Frank Rehak (on 1959-11-15, on 1959-11-20)
trumpet:
Miles Davis (on 1959-11-15, on 1959-11-20), Bernie Glow (on 1959-11-15, on 1959-11-20), Taft Jordan (on 1959-11-15, on 1959-11-20), Louis Mucci (on 1959-11-15, on 1959-11-20) and Ernie Royal (on 1959-11-15, on 1959-11-20)
tuba:
Jimmy McAllister (on 1959-11-15) and Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (on 1959-11-15, on 1959-11-20)
arranger:
Gil Evans
recorded at:
Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1959-11-15) and Columbia Studios in New York, New York, United States (on 1959-11-20)
remaster of:
Concierto de Aranjuez by Miles Davis
recording of:
Concierto de Aranjuez: II. Adagio (on 1959-11-15)
composer:
Joaquín Rodrigo (in 1939)
part of:
Concierto de Aranjuez
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (in 1939)
16:24
2Will o' the Wisp
bass clarinet:
Danny Bank (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (on 1960-03-11)
double bass [bass]:
Paul Chambers (on 1960-03-11)
drums (drum set):
Jimmy Cobb (on 1960-03-11)
flute:
Albert Block (on 1960-03-11) and Harold Feldman (on 1960-03-11)
French horn:
Jim Buffington (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putnam (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
instrumental recording of:
El amor brujo: X. Canción del fuego fatuo (on 1960-03-11)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla
part of:
El amor brujo (for symphony orchestra)
3:52
3The Pan Piper
bass clarinet:
Danny Bank (on 1960-03-10)
bassoon:
Jack Knitzer (on 1960-03-10)
brass:
Miles Davis (on 1960-03-10)
double bass [bass]:
Paul Chambers (on 1960-03-10)
drums (drum set):
Jimmy Cobb (on 1960-03-10)
flute:
Albert Block (on 1960-03-10) and Harold Feldman (on 1960-03-10)
French horn:
Jim Buffington (on 1960-03-10), Joe Singer (on 1960-03-10) and Tony Miranda (on 1960-03-10)
harp:
Janet Putnam (on 1960-03-10)
oboe:
Romeo Penque (on 1960-03-10)
percussion:
José Mangual and Elvin Jones (on 1960-03-10)
trombone:
Dick Hixson (on 1960-03-10) and Frank Rehak (on 1960-03-10)
trumpet:
Johnny Coles (on 1960-03-10), Bernie Glow (on 1960-03-10) and Ernie Royal (on 1960-03-10)
tuba:
Bill Barber (on 1960-03-10)
conductor:
Gil Evans (on 1960-03-10)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-10)
recording of:
The Pan Piper (on 1960-03-10)
composer:
Gil Evans
3:59
4Saeta
recording of:
Saeta
composer:
Gil Evans
5:05
5Solea
bass clarinet:
Danny Bank (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (on 1960-03-11)
double bass [bass]:
Paul Chambers (on 1960-03-11)
drums (drum set):
Jimmy Cobb (on 1960-03-11)
flute:
Albert Block (on 1960-03-11) and Harold Feldman (on 1960-03-11)
French horn:
Jim Buffington (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putnam (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Solea (on 1960-03-11)
composer:
Gil Evans
12:21
6Song of Our Country
bass clarinet:
Danny Bank (on 1960-03-11)
double bass [bass]:
Paul Chambers (on 1960-03-11)
drums (drum set):
Jimmy Cobb (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans (on 1960-03-11)
recording of:
Song of Our Country (on 1960-03-11)
composer:
Heitor Villa‐Lobos
arranger:
Gil Evans
is based on:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra) (for orchestra)
3:22
2▼CD
#TitleLength
1Maids of Cádiz
alto saxophone:
Lee Konitz (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (on 1957-05-06)
clarinet and flute:
Sid Cooper (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (on 1957-05-06), Jimmy Cleveland (on 1957-05-06) and Frank Rehak (on 1957-05-06)
trumpet:
John Carisi (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements) (on 1957-05-06)
lyricist:
Alfred de Musset
composer:
Léo Delibes
arrangement of:
Les Filles de Cadix (Chanson espagnole)
3:48
2Concierto de Aranjuez (adagio) (rehearsal take, incomplete, w/o Miles Davis)
recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (in 1939)
7:24
3Concierto de Aranjuez, Part One (adagio) (alternate take)
bass clarinet:
Danny Bank
double bass [bass]:
Paul Chambers
drums (drum set):
Jimmy Cobb
oboe:
Romeo Penque
percussion:
Elvin Jones and José Mangual
trombone:
Dick Hixson and Frank Rehak
trumpet:
Johnny Coles, Bernie Glow and Ernie Royal
tuba:
Bill Barber
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (in 1939)
part of:
Concierto de Aranjuez
12:06
4Concierto de Aranjuez, Part Two (adagio) (alternate take)
bass clarinet:
Danny Bank
double bass [bass]:
Paul Chambers
drums (drum set):
Jimmy Cobb
flugelhorn:
Al Block and Miles Davis
French horn:
John Barrows, Earl Chapin and Jim Buffington
oboe:
Romeo Penque
percussion:
Elvin Jones and José Mangual
trombone:
Dick Hixson and Frank Rehak
trumpet:
Taft Jordan and Louis R. Mucci
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (in 1939)
part of:
Concierto de Aranjuez
3:35
5Concierto de Aranjuez (adagio) (alternate ending)
recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (in 1939)
1:04
6The Pan Piper (take 1)
instrumental cover recording of:
The Pan Piper
composer:
Gil Evans
recording of:
The Pan Piper
composer:
Gil Evans
3:13
7Song of Our Country (take 9, w/o intro)
recording of:
Song of Our Country
composer:
Heitor Villa‐Lobos
arranger:
Gil Evans
is based on:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra) (for orchestra)
3:00
8Song of Our Country (take 14, slower tempo, w/o intro)
recording of:
Song of Our Country
composer:
Heitor Villa‐Lobos
arranger:
Gil Evans
is based on:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra) (for orchestra)
3:10
9Saeta (full version of master)
recording of:
Saeta
composer:
Gil Evans
6:03
10Concierto de Aranjuez (adagio) (live)
live cover recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (in 1939)
part of:
Concierto de Aranjuez
17:07
11Teo
recording of:
Teo
writer:
Miles Davis
9:35