| # | Title | Length |
|---|
| 1 | Anthem Part Two- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Anthem, Part Two
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 3:48 |
| 2 | Online Songs- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Online Song
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 2:26 |
| 3 | First Date- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- First Date
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 2:52 |
| 4 | Happy Holidays, You Bastard- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Happy Holidays, You Bastard
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 0:42 |
| 5 | Story Of A Lonely Guy- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Story of a Lonely Guy
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 3:40 |
| 6 | The Rock Show- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- The Rock Show
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 2:52 |
| 7 | Stay Together For The Kids- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Stay Together for the Kids
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 3:59 |
| 8 | Roller Coaster- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Roller Coaster
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 2:48 |
| 9 | Reckless Abandon- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Reckless Abandon
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 3:06 |
| 10 | Everytime I Look For You- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Everytime I Look for You
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Goats, Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 3:05 |
| 11 | Give Me One Good Reason- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Give Me One Good Reason
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Goats, Fun With Guns and HMNIM Music
| 3:19 |
| 12 | Shut Up- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Shut Up
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 3:20 |
| 13 | Please Take Me Home- assistant engineer:
- Joe Marlett, Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- Please Take Me Home
- writer:
- Travis Barker, Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| 6:07 |
| 14 | Hold On | 3:04 |
| 15 | What Went Wrong | 1:36 |
