Mstislav Rostropovich Plays Cello Works

~ Release by Mstislav Rostropovich (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistLength
1Toccata
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Toccata "After Frescobaldi" (in 1993-05)
composer:
Gaspar Cassadó (in 1925)
previously attributed to:
Girolamo Frescobaldi
Girolamo Frescobaldi4:48
2Adagio
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio (catch all for arrangements) (in 1993-05)
composer:
Johann Sebastian Bach and Alessandro Marcello
arrangement of:
Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio (transcription for cembalo by J.S. Bach)
Alessandro Marcello5:09
3Three Chorale Preludes: Ach, was ist doch unser Leben, BWV 743
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Three Chorale Preludes: I. Ach was ist doch unser Leben (in 1993-05)
composer:
Johann Sebastian Bach
arranger:
Kodály Zoltán
arrangement of:
Ach, was ist doch unser Leben, BWV 743
part of:
Three Chorale Preludes
Johann Sebastian Bach5:16
4Three Chorale Preludes: Vater unser im Himmelreich, BWV 762
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Three Chorale Preludes: II. Vater unser im Himmelreich (in 1993-05)
composer:
Johann Sebastian Bach
arranger:
Kodály Zoltán
arrangement of:
Vater unser im Himmelreich, BWV 762
part of:
Three Chorale Preludes
Johann Sebastian Bach4:17
5Three Chorale Preludes: Christus, der uns selig macht, BWV 747
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Three Chorale Preludes: III. Christus der uns selig macht (in 1993-05)
composer:
Johann Sebastian Bach
arranger:
Kodály Zoltán
arrangement of:
Christus, der uns selig macht, BWV 747
part of:
Three Chorale Preludes
Johann Sebastian Bach5:17
6Aria
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Te Deum in D major, HWV 283 "Dettingen": Aria "Vouchsafe, O Lord" (catch-all for arrangements) (in 1993-05)
composer:
George Frideric Handel
arrangement of:
Te Deum, HWV 283: XVII. Vouchsafe, o Lord
George Frideric Handel3:48
7Toccata, Adagio and Fugue, for organ in C major, BWV 564: Adagio
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (catch-all for arrangements) (in 1993-05)
composer:
Johann Sebastian Bach
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564 (catch all for arrangements)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio
Johann Sebastian Bach4:09
8Altfranzösische Mädchenbilder: I. La Florentine
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
7 altfranzösische Mädchenbilder: No. 1. La Florentine (in 1993-05)
composer:
Louis de Caix d’Hervelois
part of:
7 altfranzösische Mädchenbilder
Louis de Caix d’Hervelois4:42
9Altfranzösische Mädchenbilder: II. La Provencale
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
7 altfranzösische Mädchenbilder: No. 2. La Provencale (in 1993-05)
composer:
Louis de Caix d’Hervelois
part of:
7 altfranzösische Mädchenbilder
Louis de Caix d’Hervelois2:04
10Altfranzösische Mädchenbilder: III. La Lionnoise
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
7 altfranzösische Mädchenbilder: No. 3. La Lionnoise (in 1993-05)
composer:
Louis de Caix d’Hervelois
part of:
7 altfranzösische Mädchenbilder
Louis de Caix d’Hervelois2:24
11Altfranzösische Mädchenbilder: IV. La Bavaroise
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
7 altfranzösische Mädchenbilder: No. 4. La Bavaroise (in 1993-05)
composer:
Louis de Caix d’Hervelois
part of:
7 altfranzösische Mädchenbilder
Louis de Caix d’Hervelois1:35
12Altfranzösische Mädchenbilder: V. La Russienne
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
7 altfranzösische Mädchenbilder: No. 5. La Russienne (in 1993-05)
composer:
Louis de Caix d’Hervelois
part of:
7 altfranzösische Mädchenbilder
Louis de Caix d’Hervelois1:47
13Altfranzösische Mädchenbilder: VI. La Siciliene
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
7 altfranzösische Mädchenbilder: No. 6. La Siciliene (in 1993-05)
composer:
Louis de Caix d’Hervelois
part of:
7 altfranzösische Mädchenbilder
Louis de Caix d’Hervelois1:55
14Altfranzösische Mädchenbilder: VII. La Milaneze
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
7 altfranzösische Mädchenbilder: No. 7. La Milaneze (in 1993-05)
composer:
Louis de Caix d’Hervelois
part of:
7 altfranzösische Mädchenbilder
Louis de Caix d’Hervelois2:13
15Three Pieces, from op. 150: No. 2. Abendlied
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Sechs Stücke für Violine und Orgel, op. 150: No. 2. Abendlied (in 1993-05)
composer:
Josef Gabriel Rheinberger
part of:
Sechs Stücke für Violine und Orgel, op. 150
Josef Gabriel Rheinberger4:19
16Three Pieces, from op. 150: No. 4. Pastorale
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Sechs Stücke für Violine und Orgel, op. 150: No. 4. Pastorale (in 1993-05)
composer:
Josef Gabriel Rheinberger
part of:
Sechs Stücke für Violine und Orgel, op. 150
Josef Gabriel Rheinberger3:47
17Three Pieces. from op. 150: No. 5. Élégie
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Sechs Stücke für Violine und Orgel, op. 150: No. 5. Élégie (in 1993-05)
composer:
Josef Gabriel Rheinberger
part of:
Sechs Stücke für Violine und Orgel, op. 150
Josef Gabriel Rheinberger4:14
18Prière, op. 158
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1993-05)
organ:
Herbert Tachezi (in 1993-05)
balance engineer:
Eberhard Sengpiel (in 1993-05)
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1993-05)
recording of:
Prière, op. 158 (Prayer, op. 158) (in 1993-05)
composer:
Camille Saint‐Saëns (in 1919)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 158)
Camille Saint‐Saëns5:29
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1Concerto in D minor, RV 406: I. Allegro non molto
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1992-09)
cello [cello continuo]:
Peter Howard (in 1992-09)
double bass [double bass continuo]:
Christopher Brown (in 1992-09)
harpsichord [harpsichord continuo]:
Layton James (in 1992-09)
orchestra:
Saint Paul Chamber Orchestra (in 1992-09)
conductor:
Hugh Wolff (in 1992-09)
balance engineer:
Eberhard Sengpiel (in 1992-09)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1992-09)
recording of:
Concerto for Cello in D minor, RV 406: I. Allegro non molto (in 1992-09)
composer:
Antonio Vivaldi
part of:
Concerto for Cello in D minor, RV 406
Antonio Vivaldi3:11
2Concerto in D minor, RV 406: II. Andante
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1992-09)
cello [cello continuo]:
Peter Howard (in 1992-09)
double bass [double bass continuo]:
Christopher Brown (in 1992-09)
harpsichord [harpsichord continuo]:
Layton James (in 1992-09)
orchestra:
Saint Paul Chamber Orchestra (in 1992-09)
conductor:
Hugh Wolff (in 1992-09)
balance engineer:
Eberhard Sengpiel (in 1992-09)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1992-09)
recording of:
Concerto for Cello in D minor, RV 406: II. Andante (in 1992-09)
composer:
Antonio Vivaldi
part of:
Concerto for Cello in D minor, RV 406
Antonio Vivaldi2:55
3Concerto in D minor, RV 406: III. Minuetto
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1992-09)
cello [cello continuo]:
Peter Howard (in 1992-09)
double bass [double bass continuo]:
Christopher Brown (in 1992-09)
harpsichord [harpsichord continuo]:
Layton James (in 1992-09)
orchestra:
Saint Paul Chamber Orchestra (in 1992-09)
conductor:
Hugh Wolff (in 1992-09)
balance engineer:
Eberhard Sengpiel (in 1992-09)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1992-09)
recording of:
Concerto for Cello in D minor, RV 406: III. Minuetto (in 1992-09)
composer:
Antonio Vivaldi
part of:
Concerto for Cello in D minor, RV 406
Antonio Vivaldi3:37
4Concerto in D major: I. Largo
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1992-09)
cello [cello continuo]:
Peter Howard (in 1992-09)
double bass [double bass continuo]:
Christopher Brown (in 1992-09)
harpsichord [harpsichord continuo]:
Layton James (in 1992-09)
orchestra:
Saint Paul Chamber Orchestra (in 1992-09)
conductor:
Hugh Wolff (in 1992-09)
balance engineer:
Eberhard Sengpiel (in 1992-09)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1992-09)
recording of:
Cello Concerto in D major: I. Largo (in 1992-09)
composer:
Giuseppe Tartini
part of:
Cello Concerto in D major
Giuseppe Tartini6:30
5Concerto in D major: II. Allegro
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1992-09)
cello [cello continuo]:
Peter Howard (in 1992-09)
double bass [double bass continuo]:
Christopher Brown (in 1992-09)
harpsichord [harpsichord continuo]:
Layton James (in 1992-09)
orchestra:
Saint Paul Chamber Orchestra (in 1992-09)
conductor:
Hugh Wolff (in 1992-09)
balance engineer:
Eberhard Sengpiel (in 1992-09)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1992-09)
recording of:
Cello Concerto in D major: II. Allegro (in 1992-09)
composer:
Giuseppe Tartini
part of:
Cello Concerto in D major
Giuseppe Tartini5:18
6Concerto in D major: III. Grave
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1992-09)
cello [cello continuo]:
Peter Howard (in 1992-09)
double bass [double bass continuo]:
Christopher Brown (in 1992-09)
harpsichord [harpsichord continuo]:
Layton James (in 1992-09)
orchestra:
Saint Paul Chamber Orchestra (in 1992-09)
conductor:
Hugh Wolff (in 1992-09)
balance engineer:
Eberhard Sengpiel (in 1992-09)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1992-09)
recording of:
Cello Concerto in D major: III. Grave (in 1992-09)
composer:
Giuseppe Tartini
part of:
Cello Concerto in D major
Giuseppe Tartini4:54
7Concerto in D major: IV. Allegro
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1992-09)
cello [cello continuo]:
Peter Howard (in 1992-09)
double bass [double bass continuo]:
Christopher Brown (in 1992-09)
harpsichord [harpsichord continuo]:
Layton James (in 1992-09)
orchestra:
Saint Paul Chamber Orchestra (in 1992-09)
conductor:
Hugh Wolff (in 1992-09)
balance engineer:
Eberhard Sengpiel (in 1992-09)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1992-09)
recording of:
Cello Concerto in D major: IV. Allegro (in 1992-09)
composer:
Giuseppe Tartini
part of:
Cello Concerto in D major
Giuseppe Tartini3:08
8Concerto no. 2 in B flat major, Wq171/H436: I. Allegro
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1992-09)
cello [cello continuo]:
Peter Howard (in 1992-09)
double bass [double bass continuo]:
Christopher Brown (in 1992-09)
harpsichord [harpsichord continuo]:
Layton James (in 1992-09)
orchestra:
Saint Paul Chamber Orchestra (in 1992-09)
conductor:
Hugh Wolff (in 1992-09)
balance engineer:
Eberhard Sengpiel (in 1992-09)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1992-09)
recording of:
Cello Concerto in B-flat major, Wq 171, H 436: I. Allegro (in 1992-09)
composer:
Carl Philipp Emanuel Bach
arrangement of:
Keyboard Concerto in B-flat major, Wq. 28, H. 434: I. Allegretto
part of:
Cello Concerto in B-flat major, Wq. 171, H. 436
Carl Philipp Emanuel Bach7:34
9Concerto no. 2 in B flat major, Wq171/H436: II. Adagio
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1992-09)
cello [cello continuo]:
Peter Howard (in 1992-09)
double bass [double bass continuo]:
Christopher Brown (in 1992-09)
harpsichord [harpsichord continuo]:
Layton James (in 1992-09)
orchestra:
Saint Paul Chamber Orchestra (in 1992-09)
conductor:
Hugh Wolff (in 1992-09)
balance engineer:
Eberhard Sengpiel (in 1992-09)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1992-09)
recording of:
Cello Concerto in B-flat major, Wq 171, H 436: II. Adagio (in 1992-09)
composer:
Carl Philipp Emanuel Bach
arrangement of:
Keyboard Concerto in B-flat major, Wq. 28, H. 434: II. Adagio
part of:
Cello Concerto in B-flat major, Wq. 171, H. 436
Carl Philipp Emanuel Bach9:14
10Concerto no. 2 in B flat major, Wq171/H436: III. Allegro assai
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (in 1992-09)
cello [cello continuo]:
Peter Howard (in 1992-09)
double bass [double bass continuo]:
Christopher Brown (in 1992-09)
harpsichord [harpsichord continuo]:
Layton James (in 1992-09)
orchestra:
Saint Paul Chamber Orchestra (in 1992-09)
conductor:
Hugh Wolff (in 1992-09)
balance engineer:
Eberhard Sengpiel (in 1992-09)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1992-09)
recording of:
Cello Concerto in B-flat major, Wq 171, H 436: III. Allegro assai (in 1992-09)
composer:
Carl Philipp Emanuel Bach
arrangement of:
Keyboard Concerto in B-flat major, Wq. 28, H. 434: III. Allegro assai alla polacca
part of:
Cello Concerto in B-flat major, Wq. 171, H. 436
Carl Philipp Emanuel Bach6:17
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1Cello Concerto in B minor: I. Allegro
producer:
Michel Garcin
editor:
Françoise Garcin
cello:
Mstislav Rostropovich (on 1985-12-02)
orchestra:
Boston Symphony Orchestra (on 1985-12-02)
conductor:
Seiji Ozawa (on 1985-12-02)
balance engineer:
John Newton (on 1985-12-02)
phonographic copyright (℗) by:
Erato Disques S.A. (in 1987) and Parlophone Records Ltd. (in 2017)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (on 1985-12-02)
recording of:
Cello Concerto in B minor, op. 104: I. Allegro (on 1985-12-02)
composer:
Antonín Dvořák (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák14:45
2Cello Concerto in B minor: II. Adagio ma non troppo
producer:
Michel Garcin
editor:
Françoise Garcin
cello:
Mstislav Rostropovich (on 1985-12-02)
orchestra:
Boston Symphony Orchestra (on 1985-12-02)
conductor:
Seiji Ozawa (on 1985-12-02)
balance engineer:
John Newton (on 1985-12-02)
phonographic copyright (℗) by:
Erato Disques S.A. (in 1987) and Parlophone Records Ltd. (in 2017)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (on 1985-12-02)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (on 1985-12-02)
composer:
Antonín Dvořák (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák11:50
3Cello Concerto in B minor: III. Finale: Allegro moderato
producer:
Michel Garcin
editor:
Françoise Garcin
cello:
Mstislav Rostropovich (on 1985-12-02)
orchestra:
Boston Symphony Orchestra (on 1985-12-02)
conductor:
Seiji Ozawa (on 1985-12-02)
balance engineer:
John Newton (on 1985-12-02)
phonographic copyright (℗) by:
Erato Disques S.A. (in 1987) and Parlophone Records Ltd. (in 2017)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (on 1985-12-02)
recording of:
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo (on 1985-12-02)
composer:
Antonín Dvořák (from 1894-11-08 until 1895-06-11)
part of:
Cello Concerto in B minor, op. 104
revision of:
Cello Concerto in B minor, op. 104: III. Finale (original finale (not the one usually played))
Antonín Dvořák12:25
4Variations on a Rococo theme, op. 33
cello:
Mstislav Rostropovich (in 1985-12)
orchestra:
Boston Symphony Orchestra (in 1985-12)
conductor:
Seiji Ozawa (in 1985-12)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1985-12)
compilation of:
Variations on a Rococo Theme, op. 33: Introduction & Thema by Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa, Variations on a Rococo Theme, op. 33: Variations I & II – Tempo della Thema by Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa, Variations on a Rococo Theme, Op. 33: Variation III. Andante sostenuto by Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich, Variations on a Rococo Theme, Op. 33: Variation IV. Andante grazioso by Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich, Variations on a Rococo Theme, Op. 33: Variation V. Allegro moderato by Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich, Variations on a Rococo Theme, op. 33: Variation VI – Andante by Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa and Variations on a Rococo Theme, Op. 33: Variation VII - Coda. Allegro vivo by Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version) (in 1985-12)
premiered in:
Moscow, Russia (on 1877-11-30)
composer:
Пётр Ильич Чайковский (in 1877)
revised by:
Wilhelm Fitzenhagen
dedicated to:
Wilhelm Fitzenhagen
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 33)
version of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
Pyotr Ilyich Tchaikovsky17:33
4▼CD
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1Symphony-Concerto in E minor: I. Andante
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1987-10-30 until 1987-11-01)
orchestra:
London Symphony Orchestra (from 1987-10-30 until 1987-11-01)
conductor:
Seiji Ozawa (from 1987-10-30 until 1987-11-01)
balance engineer:
John Rushby-Smith (from 1987-10-30 until 1987-11-01)
phonographic copyright (℗) by:
Erato Disques (in 1988) and Parlophone Records Ltd. (in 2017)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1987-10-30 until 1987-11-01)
recording of:
Symphony-Concerto for Cello and Orchestra in E minor, op. 125: I. Andante (from 1987-10-30 until 1987-11-01)
additional composer:
Mstislav Rostropovich
composer:
Сергей Сергеевич Прокофьев (in 1952)
dedicated to:
Rostropovich
part of:
Symphony-Concerto for Cello and Orchestra in E minor, op. 125
Sergey Prokofiev10:18
2Symphony-Concerto in E minor: II. Allegro giusto
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1987-10-30 until 1987-11-01)
orchestra:
London Symphony Orchestra (from 1987-10-30 until 1987-11-01)
conductor:
Seiji Ozawa (from 1987-10-30 until 1987-11-01)
balance engineer:
John Rushby-Smith (from 1987-10-30 until 1987-11-01)
phonographic copyright (℗) by:
Erato Disques (in 1988) and Parlophone Records Ltd. (in 2017)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1987-10-30 until 1987-11-01)
recording of:
Symphony-Concerto for Cello and Orchestra in E minor, op. 125: II. Allegro giusto (from 1987-10-30 until 1987-11-01)
additional composer:
Mstislav Rostropovich
composer:
Сергей Сергеевич Прокофьев (in 1952)
dedicated to:
Rostropovich
part of:
Symphony-Concerto for Cello and Orchestra in E minor, op. 125
Sergey Prokofiev17:03
3Symphony-Concerto in E minor: III. Andante con moto
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1987-10-30 until 1987-11-01)
orchestra:
London Symphony Orchestra (from 1987-10-30 until 1987-11-01)
conductor:
Seiji Ozawa (from 1987-10-30 until 1987-11-01)
balance engineer:
John Rushby-Smith (from 1987-10-30 until 1987-11-01)
phonographic copyright (℗) by:
Erato Disques (in 1988) and Parlophone Records Ltd. (in 2017)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1987-10-30 until 1987-11-01)
recording of:
Symphony-Concerto for Cello and Orchestra in E minor, op. 125: III. Andante con moto (standard finale) (from 1987-10-30 until 1987-11-01)
additional composer:
Mstislav Rostropovich
composer:
Сергей Сергеевич Прокофьев (in 1952)
dedicated to:
Rostropovich
part of:
Symphony-Concerto for Cello and Orchestra in E minor, op. 125
Sergey Prokofiev9:44
4Cello Concerto no. 2 “No queda más que el silencio”: I. El grito deja en el viento une sombra de ciprés
producer:
Jacques Boisgallais
cello:
Mistislav Rostropovitch (in 1986-09)
orchestra:
Orchestre national de France (in 1986-09)
conductor:
Cristóbal Halffter (in 1986-09)
balance engineer:
Alain Duchemin
recorded at:
Studio 104, Radio France in Paris, Île-de-France, France (in 1986-09)
recording of:
Cello Concerto no. 2 “No queda más que el silencio”: I. El grito deja en el viento une sombra de ciprés (in 1986-09)
composer:
Cristóbal Halffter
part of:
Cello Concerto no. 2 “No queda más que el silencio”
Cristóbal Halffter11:07
5Cello Concerto no. 2 “No queda más que el silencio”: II. Vine a esti mundo con ojos y me voy sin ellos
producer:
Jacques Boisgallais
cello:
Mistislav Rostropovitch (in 1986-09)
orchestra:
Orchestre national de France (in 1986-09)
conductor:
Cristóbal Halffter (in 1986-09)
balance engineer:
Alain Duchemin
recorded at:
Studio 104, Radio France in Paris, Île-de-France, France (in 1986-09)
recording of:
Cello Concerto no. 2 “No queda más que el silencio”: II. Vine a este mundo con ojos y me voy sin ellos (in 1986-09)
composer:
Cristóbal Halffter
part of:
Cello Concerto no. 2 “No queda más que el silencio”
Cristóbal Halffter16:36
6Cello Concerto no. 2 “No queda más que el silencio”: III. Si muero, dejad el balcón abierto
producer:
Jacques Boisgallais
cello:
Mistislav Rostropovitch (in 1986-09)
orchestra:
Orchestre national de France (in 1986-09)
conductor:
Cristóbal Halffter (in 1986-09)
balance engineer:
Alain Duchemin
recorded at:
Studio 104, Radio France in Paris, Île-de-France, France (in 1986-09)
recording of:
Cello Concerto no. 2 “No queda más que el silencio”: III. Si muero, dejad el balcón abierto (in 1986-09)
composer:
Cristóbal Halffter
part of:
Cello Concerto no. 2 “No queda más que el silencio”
Cristóbal Halffter10:24
5▼CD
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1Cello Concerto no. 2: I. Allant – Vivement – Cadence
producer:
Guy Chesnais, Ivan Devries, Bernard Leroux and Geneviève Nguyễn
cello:
Mstislav Rostropovich (in 1969-04) and Gilbert Zanlonghi (in 1969-04)
double bass:
Edmond Primetens (in 1969-04)
viola:
Micheline Lemoine (in 1969-04)
violin:
Jean Emanuelle (in 1969-04) and Robert Quattrochi (in 1969-04)
orchestra:
Orchestre national de l’ORTF (in 1969-04)
conductor:
André Jolivet (in 1969-04)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1969-04)
recording of:
Concerto pour violoncelle et orchestre n°2: I. Allant - Vivement - Cadence (in 1969-04)
composer:
André Jolivet (in 1966)
part of:
Concerto pour violoncelle et orchestre n°2
André Jolivet15:40
2Cello Concerto no. 2: II. Aria –
producer:
Guy Chesnais, Ivan Devries, Bernard Leroux and Geneviève Nguyễn
cello:
Mstislav Rostropovich (in 1969-04) and Gilbert Zanlonghi (in 1969-04)
double bass:
Edmond Primetens (in 1969-04)
viola:
Micheline Lemoine (in 1969-04)
violin:
Jean Emanuelle (in 1969-04) and Robert Quattrochi (in 1969-04)
orchestra:
Orchestre national de l’ORTF (in 1969-04)
conductor:
André Jolivet (in 1969-04)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1969-04)
recording of:
Concerto pour violoncelle et orchestre n°2: II. Aria (in 1969-04)
composer:
André Jolivet (in 1966)
part of:
Concerto pour violoncelle et orchestre n°2
André Jolivet3:54
3Cello Concerto no. 2: III. Animé
producer:
Guy Chesnais, Ivan Devries, Bernard Leroux and Geneviève Nguyễn
cello:
Mstislav Rostropovich (in 1969-04) and Gilbert Zanlonghi (in 1969-04)
double bass:
Edmond Primetens (in 1969-04)
viola:
Micheline Lemoine (in 1969-04)
violin:
Jean Emanuelle (in 1969-04) and Robert Quattrochi (in 1969-04)
orchestra:
Orchestre national de l’ORTF (in 1969-04)
conductor:
André Jolivet (in 1969-04)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1969-04)
recording of:
Concerto pour violoncelle et orchestre n°2: III. Animé (in 1969-04)
composer:
André Jolivet (in 1966)
part of:
Concerto pour violoncelle et orchestre n°2
André Jolivet2:07
4Cello Concerto no. 1 in E flat major, op. 107: I. Allegretto
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1987-10-30 until 1987-11-01)
orchestra:
London Symphony Orchestra (from 1987-10-30 until 1987-11-01)
conductor:
Seiji Ozawa (from 1987-10-30 until 1987-11-01)
balance engineer:
John Rushby-Smith (from 1987-10-30 until 1987-11-01)
phonographic copyright (℗) by:
Erato Disques (in 1988) and Parlophone Records Ltd. (in 2017)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1987-10-30 until 1987-11-01)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto (from 1987-10-30 until 1987-11-01)
composer:
Дмитрий Дмитриевич Шостакович (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich6:22
5Cello Concerto no. 1 in E flat major, op. 107: II. Moderato
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1987-10-30 until 1987-11-01)
orchestra:
London Symphony Orchestra (from 1987-10-30 until 1987-11-01)
conductor:
Seiji Ozawa (from 1987-10-30 until 1987-11-01)
balance engineer:
John Rushby-Smith (from 1987-10-30 until 1987-11-01)
phonographic copyright (℗) by:
Erato Disques (in 1988) and Parlophone Records Ltd. (in 2017)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1987-10-30 until 1987-11-01)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato (from 1987-10-30 until 1987-11-01)
composer:
Дмитрий Дмитриевич Шостакович (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich9:59
6Cello Concerto no. 1 in E flat major, op. 107: III. Cadenza
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1987-10-30 until 1987-11-01)
orchestra:
London Symphony Orchestra (from 1987-10-30 until 1987-11-01)
conductor:
Seiji Ozawa (from 1987-10-30 until 1987-11-01)
balance engineer:
John Rushby-Smith (from 1987-10-30 until 1987-11-01)
phonographic copyright (℗) by:
Erato Disques (in 1988) and Parlophone Records Ltd. (in 2017)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1987-10-30 until 1987-11-01)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza (from 1987-10-30 until 1987-11-01)
composer:
Дмитрий Дмитриевич Шостакович (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich5:04
7Cello Concerto no. 1 in E flat major, op. 107: IV. Allegro con moto
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1987-10-30 until 1987-11-01)
orchestra:
London Symphony Orchestra (from 1987-10-30 until 1987-11-01)
conductor:
Seiji Ozawa (from 1987-10-30 until 1987-11-01)
balance engineer:
John Rushby-Smith (from 1987-10-30 until 1987-11-01)
phonographic copyright (℗) by:
Erato Disques (in 1988) and Parlophone Records Ltd. (in 2017)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1987-10-30 until 1987-11-01)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto (from 1987-10-30 until 1987-11-01)
composer:
Дмитрий Дмитриевич Шостакович (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich4:45
8Cello Concerto: I. Chanson pour passer le temps
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1989-11)
orchestra:
Collegium Musicum Zürich (in 1989-11)
conductor:
Paul Sacher (in 1989-11)
balance engineer:
Martial Gülaz (in 1989-11)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Radio DRS, Studio 1 in Zurich, Zürich, Switzerland (in 1989-11)
recording of:
Cello Concerto: I. Chanson pour passer le temps (in 1989-11)
composer:
Norbert Moret
part of:
Cello Concerto
Norbert Moret9:04
9Cello Concerto: II. Chanson d'amour
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1989-11)
orchestra:
Collegium Musicum Zürich (in 1989-11)
conductor:
Paul Sacher (in 1989-11)
balance engineer:
Martial Gülaz (in 1989-11)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Radio DRS, Studio 1 in Zurich, Zürich, Switzerland (in 1989-11)
recording of:
Cello Concerto: II. Chanson d'amour (in 1989-11)
composer:
Norbert Moret
part of:
Cello Concerto
Norbert Moret8:41
10Cello Concerto: III. Chanson du vent d'ouest
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1989-11)
orchestra:
Collegium Musicum Zürich (in 1989-11)
conductor:
Paul Sacher (in 1989-11)
balance engineer:
Martial Gülaz (in 1989-11)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Radio DRS, Studio 1 in Zurich, Zürich, Switzerland (in 1989-11)
recording of:
Cello Concerto: III. Chanson du vent d'ouest (in 1989-11)
composer:
Norbert Moret
part of:
Cello Concerto
Norbert Moret8:31
6▼CD
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1Cello Concerto no. 1, op. 136: I. Nonchalant
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1989-10-28 until 1989-10-29)
orchestra:
London Symphony Orchestra (from 1989-10-28 until 1989-10-29)
conductor:
Kent Nagano (from 1989-10-28 until 1989-10-29)
balance engineer:
Michael Sheady (from 1989-10-28 until 1989-10-29)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1989-10-28 until 1989-10-29)
recording of:
Cello Concerto no. 1, op. 136: I. Nonchalant (from 1989-10-28 until 1989-10-29)
composer:
Darius Milhaud (in 1934)
part of:
Cello Concerto no. 1, op. 136
Darius Milhaud5:15
2Cello Concerto no. 1, op. 136: II. Grave
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1989-10-28 until 1989-10-29)
orchestra:
London Symphony Orchestra (from 1989-10-28 until 1989-10-29)
conductor:
Kent Nagano (from 1989-10-28 until 1989-10-29)
balance engineer:
Michael Sheady (from 1989-10-28 until 1989-10-29)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1989-10-28 until 1989-10-29)
recording of:
Cello Concerto no. 1, op. 136: II. Grave (from 1989-10-28 until 1989-10-29)
composer:
Darius Milhaud (in 1934)
part of:
Cello Concerto no. 1, op. 136
Darius Milhaud6:16
3Cello Concerto no. 1, op. 136: III. Joyeux
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1989-10-28 until 1989-10-29)
orchestra:
London Symphony Orchestra (from 1989-10-28 until 1989-10-29)
conductor:
Kent Nagano (from 1989-10-28 until 1989-10-29)
balance engineer:
Michael Sheady (from 1989-10-28 until 1989-10-29)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1989-10-28 until 1989-10-29)
recording of:
Cello Concerto no. 1, op. 136: III. Joyeux (from 1989-10-28 until 1989-10-29)
composer:
Darius Milhaud (in 1934)
part of:
Cello Concerto no. 1, op. 136
Darius Milhaud3:11
4Noctis Equi, op. 132: I. Andante – Presto – Andante –
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1989-10-28 until 1989-10-29)
orchestra:
London Symphony Orchestra (from 1989-10-28 until 1989-10-29)
conductor:
Kent Nagano (from 1989-10-28 until 1989-10-29)
balance engineer:
Michael Sheady (from 1989-10-28 until 1989-10-29)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1989-10-28 until 1989-10-29)
recording of:
Noctis Equi, op. 132: I. Andante – Presto – Andante (from 1989-10-28 until 1989-10-29)
composer:
Alun Hoddinott (in 1989)
part of:
Noctis Equi, op. 132
Alun Hoddinott9:57
5Noctis Equi, op. 132: II. Presto – Cadenza – Andante – Adagio
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1989-10-28 until 1989-10-29)
orchestra:
London Symphony Orchestra (from 1989-10-28 until 1989-10-29)
conductor:
Kent Nagano (from 1989-10-28 until 1989-10-29)
balance engineer:
Michael Sheady (from 1989-10-28 until 1989-10-29)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1989-10-28 until 1989-10-29)
recording of:
Noctis Equi, op. 132: II. Presto – Cadenza – Andante – Adagio (from 1989-10-28 until 1989-10-29)
composer:
Alun Hoddinott (in 1989)
part of:
Noctis Equi, op. 132
Alun Hoddinott11:07
6Cello Concerto no. 2
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1986-02-13 until 1986-02-14)
orchestra:
Philharmonia Orchestra (from 1986-02-13 until 1986-02-14)
conductor:
Krzysztof Penderecki (from 1986-02-13 until 1986-02-14)
balance engineer:
John Rushby-Smith (from 1986-02-13 until 1986-02-14)
phonographic copyright (℗) by:
Erato Disques (in 1987)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1986-02-13 until 1986-02-14)
recording of:
Cello Concerto no. 2 (from 1986-02-13 until 1986-02-14)
composer:
Krzysztof Penderecki (in 1982)
dedicated to:
Мстислав Ростропович
was commissioned by:
Berliner Philharmoniker
premiered at:
[concert]
publisher:
B. Schott's Söhne (in 1983)
Krzysztof Penderecki33:34
7▼CD
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1Cello Concerto: I. Andante –
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1989-10-28 until 1989-10-29)
orchestra:
London Symphony Orchestra (from 1989-10-28 until 1989-10-29)
conductor:
Kent Nagano (from 1989-10-28 until 1989-10-29)
balance engineer:
Michael Sheady (from 1989-10-28 until 1989-10-29)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1989-10-28 until 1989-10-29)
recording of:
Cello Concerto: I. Andante (from 1989-10-28 until 1989-10-29)
composer:
Arthur Honegger (in 1929)
part of:
Cello Concerto
Arthur Honegger5:53
2Cello Concerto: II. Lento –
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1989-10-28 until 1989-10-29)
orchestra:
London Symphony Orchestra (from 1989-10-28 until 1989-10-29)
conductor:
Kent Nagano (from 1989-10-28 until 1989-10-29)
balance engineer:
Michael Sheady (from 1989-10-28 until 1989-10-29)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1989-10-28 until 1989-10-29)
recording of:
Cello Concerto: II. Lento (from 1989-10-28 until 1989-10-29)
composer:
Arthur Honegger (in 1929)
part of:
Cello Concerto
Arthur Honegger4:10
3Cello Concerto: III. Allegro marcato
producer:
Michel Garcin
cello:
Mstislav Rostropovich (from 1989-10-28 until 1989-10-29)
orchestra:
London Symphony Orchestra (from 1989-10-28 until 1989-10-29)
conductor:
Kent Nagano (from 1989-10-28 until 1989-10-29)
balance engineer:
Michael Sheady (from 1989-10-28 until 1989-10-29)
phonographic copyright (℗) by:
Erato Disques (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1989-10-28 until 1989-10-29)
recording of:
Cello Concerto: III. Allegro marcato - Lento - Presto (from 1989-10-28 until 1989-10-29)
composer:
Arthur Honegger (in 1929)
part of:
Cello Concerto
Arthur Honegger5:27
4Triptyque: I. Premier mouvement
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (from 1994-11-09 until 1994-11-10)
orchestra:
London Symphony Orchestra (from 1994-11-09 until 1994-11-10)
conductor:
Seiji Ozawa (from 1994-11-09 until 1994-11-10)
balance engineer:
Eberhard Sengpiel (from 1994-11-09 until 1994-11-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1994-11-09 until 1994-11-10)
recording of:
Triptyque, op. 24: I. (from 1994-11-09 until 1994-11-10)
composer:
Renaud Gagneux (in 1989)
part of:
Triptyque, op. 24
Renaud Gagneux4:51
5Triptyque: II. Deuxième mouvement
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (from 1994-11-09 until 1994-11-10)
orchestra:
London Symphony Orchestra (from 1994-11-09 until 1994-11-10)
conductor:
Seiji Ozawa (from 1994-11-09 until 1994-11-10)
balance engineer:
Eberhard Sengpiel (from 1994-11-09 until 1994-11-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1994-11-09 until 1994-11-10)
recording of:
Triptyque, op. 24: II. (from 1994-11-09 until 1994-11-10)
composer:
Renaud Gagneux (in 1989)
part of:
Triptyque, op. 24
Renaud Gagneux8:57
6Triptyque: III. Troisième mouvement
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (from 1994-11-09 until 1994-11-10)
orchestra:
London Symphony Orchestra (from 1994-11-09 until 1994-11-10)
conductor:
Seiji Ozawa (from 1994-11-09 until 1994-11-10)
balance engineer:
Eberhard Sengpiel (from 1994-11-09 until 1994-11-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1994-11-09 until 1994-11-10)
recording of:
Triptyque, op. 24: III. (from 1994-11-09 until 1994-11-10)
composer:
Renaud Gagneux (in 1989)
part of:
Triptyque, op. 24
Renaud Gagneux3:54
7Sotto voce concerto: I. Sostenuto –
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (from 1994-11-09 until 1994-11-10)
orchestra:
London Symphony Orchestra (from 1994-11-09 until 1994-11-10)
conductor:
Seiji Ozawa (from 1994-11-09 until 1994-11-10)
balance engineer:
Eberhard Sengpiel (from 1994-11-09 until 1994-11-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1994-11-09 until 1994-11-10)
recording of:
Sotto voce concerto: I. Sostenuto – (from 1994-11-09 until 1994-11-10)
composer:
Родион Щедрин (in 1994)
part of:
Sotto voce concerto
Rodion Shchedrin7:06
8Sotto voce concerto: II. Allegretto moderato
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (from 1994-11-09 until 1994-11-10)
orchestra:
London Symphony Orchestra (from 1994-11-09 until 1994-11-10)
conductor:
Seiji Ozawa (from 1994-11-09 until 1994-11-10)
balance engineer:
Eberhard Sengpiel (from 1994-11-09 until 1994-11-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1994-11-09 until 1994-11-10)
recording of:
Sotto voce concerto: II. Allegretto moderato (from 1994-11-09 until 1994-11-10)
composer:
Родион Щедрин (in 1994)
part of:
Sotto voce concerto
Rodion Shchedrin14:33
9Sotto voce concerto: III. Scherzo: Cadenza –
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (from 1994-11-09 until 1994-11-10)
orchestra:
London Symphony Orchestra (from 1994-11-09 until 1994-11-10)
conductor:
Seiji Ozawa (from 1994-11-09 until 1994-11-10)
balance engineer:
Eberhard Sengpiel (from 1994-11-09 until 1994-11-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1994-11-09 until 1994-11-10)
recording of:
Sotto voce concerto: III. Scherzo: Cadenza – (from 1994-11-09 until 1994-11-10)
composer:
Родион Щедрин (in 1994)
part of:
Sotto voce concerto
Rodion Shchedrin3:52
10Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto
producer:
Martin Fouqué
cello:
Mstislav Rostropovich (from 1994-11-09 until 1994-11-10)
orchestra:
London Symphony Orchestra (from 1994-11-09 until 1994-11-10)
conductor:
Seiji Ozawa (from 1994-11-09 until 1994-11-10)
balance engineer:
Eberhard Sengpiel (from 1994-11-09 until 1994-11-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1994-11-09 until 1994-11-10)
recording of:
Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto (from 1994-11-09 until 1994-11-10)
composer:
Родион Щедрин (in 1994)
part of:
Sotto voce concerto
Rodion Shchedrin12:23
8▼CD
#TitleArtistLength
1Un enfant appelle: I. Un enfant appelle, loin, très loin
producer:
Guy Chesnais
soprano vocals:
Galina Vishnevskaya (on 1982-05-09)
orchestra:
Orchestre national de France (on 1982-05-09)
conductor:
Mstislav Rostropovich (on 1982-05-09)
balance engineer:
Michel Lepage (on 1982-05-09)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (on 1982-05-09)
recording of:
Un enfant appelle: I. Un enfant appelle, loin, très loin (on 1982-05-09)
composer:
Marcel Landowski (in 1979)
part of:
Un enfant appelle
Marcel Landowski8:36
2Un enfant appelle: II. Je crois très bas
producer:
Guy Chesnais
soprano vocals:
Galina Vishnevskaya (on 1982-05-09)
orchestra:
Orchestre national de France (on 1982-05-09)
conductor:
Mstislav Rostropovich (on 1982-05-09)
balance engineer:
Michel Lepage (on 1982-05-09)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (on 1982-05-09)
recording of:
Un enfant appelle: II. Je crois très bas (on 1982-05-09)
composer:
Marcel Landowski (in 1979)
part of:
Un enfant appelle
Marcel Landowski6:11
3Un enfant appelle: III. La nuit même où Il fut livré
producer:
Guy Chesnais
soprano vocals:
Galina Vishnevskaya (on 1982-05-09)
orchestra:
Orchestre national de France (on 1982-05-09)
conductor:
Mstislav Rostropovich (on 1982-05-09)
balance engineer:
Michel Lepage (on 1982-05-09)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (on 1982-05-09)
recording of:
Un enfant appelle: III. La nuit même où Il fut livré (on 1982-05-09)
composer:
Marcel Landowski (in 1979)
part of:
Un enfant appelle
Marcel Landowski8:51
4La Prison: I. L'attente
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1983-08)
soprano vocals:
Galina Vishnevskaya (in 1983-08)
orchestra:
Orchestre national de Lille (in 1983-08)
conductor:
Marcel Landowski (in 1983-08)
balance engineer:
Pierre Verany (in 1983-08)
recorded at:
Chapelle du Collège Mignet in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1983-08)
recording of:
La Prison: I. L'attente (in 1983-08)
composer:
Marcel Landowski (in 1981)
part of:
La Prison
Marcel Landowski9:05
5La Prison: II. L'interrogatoire
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1983-08)
soprano vocals:
Galina Vishnevskaya (in 1983-08)
orchestra:
Orchestre national de Lille (in 1983-08)
conductor:
Marcel Landowski (in 1983-08)
balance engineer:
Pierre Verany (in 1983-08)
recorded at:
Chapelle du Collège Mignet in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1983-08)
recording of:
La Prison: II. L'interrogatoire (in 1983-08)
composer:
Marcel Landowski (in 1981)
part of:
La Prison
Marcel Landowski12:41
6La Prison: III. La Prison
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1983-08)
soprano vocals:
Galina Vishnevskaya (in 1983-08)
orchestra:
Orchestre national de Lille (in 1983-08)
conductor:
Marcel Landowski (in 1983-08)
balance engineer:
Pierre Verany (in 1983-08)
recorded at:
Chapelle du Collège Mignet in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1983-08)
recording of:
La Prison: III. La Prison (in 1983-08)
composer:
Marcel Landowski (in 1981)
part of:
La Prison
Marcel Landowski14:19
9▼CD
#TitleArtistLength
1Chapter Eight: Canticum Canticorum: “Who is coming up from the wilderness…” – Stanzas I–VI
assistant engineer:
Jens Schünemann (in 1995-04)
engineer:
Mark Huffman (in 1995-04: task: consulting engineer)
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1995-04)
choir vocals:
The Choral Arts Society of Washington (in 1995-04), National Cathedral School Lower School Chorus (in 1995-04) and Washington National Cathedral Choristers (in 1995-04)
additional conductor:
Thomas Beveridge (in 1995-04) and Douglas Major (in 1995-04)
conductor:
Norman Scribner (in 1995-04)
balance engineer:
Eberhard Sengpiel (in 1995-04)
recorded at:
Washington Cathedral in Washington, D.C., United States (in 1995-04)
live partial recording of:
Chapter Eight - Canticum Canticorum (in 1995-04)
composer:
Александр Кнайфель (in 1993)
Alexander Knaifel11:37
2Chapter Eight: Canticum Canticorum: “O that you were like a brother to me…” – Stanzas VII–XI
assistant engineer:
Jens Schünemann (in 1995-04)
engineer:
Mark Huffman (in 1995-04: task: consulting engineer)
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1995-04)
choir vocals:
The Choral Arts Society of Washington (in 1995-04), National Cathedral School Lower School Chorus (in 1995-04) and Washington National Cathedral Choristers (in 1995-04)
additional conductor:
Thomas Beveridge (in 1995-04) and Douglas Major (in 1995-04)
conductor:
Norman Scribner (in 1995-04)
balance engineer:
Eberhard Sengpiel (in 1995-04)
recorded at:
Washington Cathedral in Washington, D.C., United States (in 1995-04)
live partial recording of:
Chapter Eight - Canticum Canticorum (in 1995-04)
composer:
Александр Кнайфель (in 1993)
Alexander Knaifel11:22
3Chapter Eight: Canticum Canticorum: “Make haste, my beloved…” – Stanzas XII–XV
assistant engineer:
Jens Schünemann (in 1995-04)
engineer:
Mark Huffman (in 1995-04: task: consulting engineer)
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1995-04)
choir vocals:
The Choral Arts Society of Washington (in 1995-04), National Cathedral School Lower School Chorus (in 1995-04) and Washington National Cathedral Choristers (in 1995-04)
additional conductor:
Thomas Beveridge (in 1995-04) and Douglas Major (in 1995-04)
conductor:
Norman Scribner (in 1995-04)
balance engineer:
Eberhard Sengpiel (in 1995-04)
recorded at:
Washington Cathedral in Washington, D.C., United States (in 1995-04)
live partial recording of:
Chapter Eight - Canticum Canticorum (in 1995-04)
composer:
Александр Кнайфель (in 1993)
Alexander Knaifel8:25
4Chapter Eight: Canticum Canticorum: “You who dwell in the gardens…” – Stanzas XVI–XXII
assistant engineer:
Jens Schünemann (in 1995-04)
engineer:
Mark Huffman (in 1995-04: task: consulting engineer)
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1995-04)
choir vocals:
The Choral Arts Society of Washington (in 1995-04), National Cathedral School Lower School Chorus (in 1995-04) and Washington National Cathedral Choristers (in 1995-04)
additional conductor:
Thomas Beveridge (in 1995-04) and Douglas Major (in 1995-04)
conductor:
Norman Scribner (in 1995-04)
balance engineer:
Eberhard Sengpiel (in 1995-04)
recorded at:
Washington Cathedral in Washington, D.C., United States (in 1995-04)
live partial recording of:
Chapter Eight - Canticum Canticorum (in 1995-04)
composer:
Александр Кнайфель (in 1993)
Alexander Knaifel10:53
5Chapter Eight: Canticum Canticorum: “Set me as a seal upon your heart…” – Stanzas XXIII–XXVIII
assistant engineer:
Jens Schünemann (in 1995-04)
engineer:
Mark Huffman (in 1995-04: task: consulting engineer)
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1995-04)
choir vocals:
The Choral Arts Society of Washington (in 1995-04), National Cathedral School Lower School Chorus (in 1995-04) and Washington National Cathedral Choristers (in 1995-04)
additional conductor:
Thomas Beveridge (in 1995-04) and Douglas Major (in 1995-04)
conductor:
Norman Scribner (in 1995-04)
balance engineer:
Eberhard Sengpiel (in 1995-04)
recorded at:
Washington Cathedral in Washington, D.C., United States (in 1995-04)
live partial recording of:
Chapter Eight - Canticum Canticorum (in 1995-04)
composer:
Александр Кнайфель (in 1993)
Alexander Knaifel10:53
6Chapter Eight: Canticum Canticorum: “His left hand is under my head…” – Stanzas XXIX–XXXII
assistant engineer:
Jens Schünemann (in 1995-04)
engineer:
Mark Huffman (in 1995-04: task: consulting engineer)
producer:
Michel Garcin
cello:
Mstislav Rostropovich (in 1995-04)
choir vocals:
The Choral Arts Society of Washington (in 1995-04), National Cathedral School Lower School Chorus (in 1995-04) and Washington National Cathedral Choristers (in 1995-04)
additional conductor:
Thomas Beveridge (in 1995-04) and Douglas Major (in 1995-04)
conductor:
Norman Scribner (in 1995-04)
balance engineer:
Eberhard Sengpiel (in 1995-04)
recorded at:
Washington Cathedral in Washington, D.C., United States (in 1995-04)
live partial recording of:
Chapter Eight - Canticum Canticorum (in 1995-04)
composer:
Александр Кнайфель (in 1993)
Alexander Knaifel6:46