Everybody Digs Bill Evans

~ Release by Bill Evans (see all versions of this release, 20 available)

Annotation

Reissue, 45 RPM, 180 gram Vinyl.

Tracklist

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1▼12" Vinyl
#TitleLength
A1Minority
recorded in:
New York, New York, United States (on 1958-12-15)
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Minority (on 1958-12-15)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
5:20
A2Young and Foolish
recording engineer:
Jack Higgins (on 1958-12-15)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Young and Foolish (on 1958-12-15)
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music
5:48
B1Lucky to Be Me
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
On the Town: Lucky to Be Me (on 1958-12-15)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB, Warner Bros. and Warner Bros. Music
part of:
On the Town
3:35
B2Night and Day
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1958-12-15)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
7:12
B3Epilogue
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
recording of:
Epilogue (on 1958-12-15)
composer:
Bill Evans
publisher:
Folkways Music and TRO-Acorn Music
0:38
2▼12" Vinyl
#TitleLength
C1Tenderly
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Tenderly (on 1958-12-15)
lyricist:
Jack Lawrence (in 1946)
composer:
Walter Gross (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:29
C2Peace Piece
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-15)
recording of:
Peace Piece (on 1958-12-15)
composer:
Bill Evans
publisher:
Acorn Music Corp., Folkways Music and TRO-Acorn Music
6:37
D1What Is There to Say?
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
What Is There to Say? (on 1958-12-15)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
4:49
D2Oleo
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Oleo (on 1958-12-15)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs
4:04
D3Epilogue
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
recording of:
Epilogue (on 1958-12-15)
composer:
Bill Evans
publisher:
Folkways Music and TRO-Acorn Music
0:38