| # | Title | Length |
|---|
| 1 | Back Bay Shuffle | 3:16 |
| 2 | What Is This Thing Called Love | 3:16 |
| 3 | Traffic Jam | 2:15 |
| 4 | Indian Love Call | 3:10 |
| 5 | Comes Love | 3:17 |
| 6 | Frenesi | 3:04 |
| 7 | Oh, Lady Be Good! | 3:10 |
| 8 | Serenade to a Savage | 2:31 |
| 9 | Special Delivery Stomp | 2:45 |
| 10 | Star Dust- recorded in:
- Hollywood, Los Angeles, California, United States (on 1940-10-07)
- alto saxophone:
- Bus Bassey (on 1940-10-07) and Neely Plumb (on 1940-10-07)
- cello:
- F. Goerner (on 1940-10-07)
- clarinet:
- Artie Shaw (on 1940-10-07)
- double bass and double bass [bass]:
- Jud DeNaut (on 1940-10-07)
- drums (drum set):
- Nick Fatool (on 1940-10-07)
- electric guitar and guitar:
- Al Hendrickson (on 1940-10-07)
- piano:
- Johnny Guarnieri (on 1940-10-07)
- tenor saxophone:
- Jerry Jerome (on 1940-10-07) and Les Robinson (on 1940-10-07)
- trombone:
- Vernon Brown (on 1940-10-07) and Jack Jenney (on 1940-10-07)
- trumpet:
- Billy Butterfield (on 1940-10-07), J. Cathcart (on 1940-10-07) and George Wendt (on 1940-10-07)
- viola:
- A. Harshman (on 1940-10-07) and K. Collins (on 1940-10-07)
- violin:
- Al Beller (on 1940-10-07), B. Bower (on 1940-10-07), B. Morrow (on 1940-10-07), E. Lamas (on 1940-10-07), T. Boardman (on 1940-10-07) and T. Klages (on 1940-10-07)
- orchestra:
- Artie Shaw and His Orchestra (on 1940-10-07)
- conductor:
- Artie Shaw (on 1940-10-07)
- instrumental recording of:
- Stardust (on 1940-10-07)
- lyricist:
- Mitchell Parish (in 1929)
- composer:
- Hoagy Carmichael (in 1927)
- publisher:
- Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc., EMI Music Publishing Ltd., Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- American Splendor
| 3:33 |
| 11 | Summit Ridge River | 3:23 |
| 12 | Temptation | 3:06 |
| 13 | Moonglow | 3:33 |
| 14 | Nightmare | 2:51 |
| 15 | Deep Purple | 3:14 |
| 16 | Begin the Beguine- recorded in:
- New York, New York, United States (on 1938-07-24)
- alto saxophone:
- Hank Freeman (on 1938-07-24) and Les Robinson (on 1938-07-24)
- clarinet:
- Artie Shaw (on 1938-07-24)
- double bass:
- Sid Weiss (on 1938-07-24)
- drums (drum set):
- Cliff Leeman (on 1938-07-24)
- guitar:
- Al Avola (on 1938-07-24)
- piano:
- Les Burness (on 1938-07-24)
- tenor saxophone:
- Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
- trombone:
- George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (on 1938-07-24) and Ted Vesely (on 1938-07-24)
- trumpet:
- Claude Bowen (on 1938-07-24), John Best (on 1938-07-24) and Chuck Peterson (on 1938-07-24)
- orchestra:
- Artie Shaw and His Orchestra (on 1938-07-24)
- conductor:
- Artie Shaw (on 1938-07-24)
- engineered at:
- Victor Studio #2 in Manhattan, New York, New York, United States (on 1938-07-24)
- instrumental recording of:
- Begin the Beguine (on 1938-07-24)
- lyricist and composer:
- Cole Porter (in 1935)
- publisher:
- Chappell Music Ltd., Warner Bros., Inc., Warner Chappell Music Ltd., Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jubilee
| 3:14 |
