Straight, No Chaser

~ Release by Thelonious Monk (see all versions of this release, 1 available)

Tracklist

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1▼CD: Round Midnight
#TitleLength
1Abide With Me
alto saxophone:
Gigi Gryce (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
arranger:
Thelonious Monk
publisher:
Thelonious Music
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
instrumental recording of:
Abide With Me (set to tune ‘Eventide’) (on 1957-06-26)
lyricist:
Henry Francis Lyte (in 1847)
composer:
William Henry Monk (in 1861)
is based on:
Abide With Me (hymn without specified tune)
0:58
2Crepuscule With Nellie
recorded in:
New York, New York, United States (on 1957-06-26)
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Crepuscule With Nellie (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Thelonious Music
4:48
3Trinkle, Tinkle
recording engineer:
Jack Higgins (in 1957-07)
producer:
Orrin Keepnews
double bass:
Wilbur Ware (in 1957-07)
drums (drum set):
Shadow Wilson (in 1957-07)
piano:
Thelonious Monk (in 1957-07)
tenor saxophone:
John Coltrane (in 1957-07)
phonographic copyright (℗) by:
Concord Music Group, Inc. (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1957-07)
recording of:
Trinkle Tinkle (in 1957-07)
composer:
Thelonious Monk (in 1952)
publisher:
Thelonious Music
6:42
4Functional
engineer:
Jack Higgins (on 1957-04-16)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-16)
phonographic copyright (℗) by:
Concord Music Group, Inc. (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-04-16)
recording of:
Functional (on 1957-04-16)
composer:
Thelonious Monk
9:48
5Jackie-Ing
recorded in:
New York, New York, United States (on 1959-06-04)
recording engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (on 1959-06-04)
cornet:
Thad Jones (on 1959-06-04)
drums (drum set):
Art Taylor (on 1959-06-04)
piano:
Thelonious Monk (on 1959-06-04)
tenor saxophone:
Charlie Rouse (on 1959-06-04)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-06-04)
recording of:
Jackie‐ing (on 1959-06-04)
composer:
Thelonious Monk
publisher:
Thelonious Music
6:12
6Played Twice
recorded in:
New York, New York, United States (on 1959-06-01)
recording engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (on 1959-06-01)
cornet:
Thad Jones (on 1959-06-01)
drums (drum set):
Art Taylor (on 1959-06-01)
piano:
Thelonious Monk (on 1959-06-01)
tenor saxophone:
Charlie Rouse (on 1959-06-01)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-06-01)
recording of:
Played Twice (on 1959-06-01)
composer:
Thelonious Monk
8:04
7I Mean You
recorded in:
New York, New York, United States (on 1959-06-02)
recording engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (on 1959-06-02)
cornet:
Thad Jones (on 1959-06-02)
drums (drum set):
Art Taylor (on 1959-06-02)
piano:
Thelonious Monk (on 1959-06-02)
tenor saxophone:
Charlie Rouse (on 1959-06-02)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-06-02)
recording of:
I Mean You (on 1959-06-02)
composer:
Coleman Hawkins and Thelonious Monk
9:53
8Ask Me Now
recorded in:
New York, New York, United States (on 1959-06-02)
recording engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (on 1959-06-02)
cornet:
Thad Jones (on 1959-06-02)
drums (drum set):
Art Taylor (on 1959-06-02)
piano:
Thelonious Monk (on 1959-06-02)
tenor saxophone:
Charlie Rouse (on 1959-06-02)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-06-02)
recording of:
Ask Me Now (on 1959-06-02)
composer:
Thelonious Monk
publisher:
Thelonious Music Corporation
10:49
9Straight, No Chaser
alto saxophone:
Sahib Shihab (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Straight, No Chaser (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music
2:57
10Round Midnight
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud
solo piano:
Thelonious Monk (on 1954-06-07)
instrumental recording of:
’Round Midnight (on 1954-06-07)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
is based on:
I Need You So
5:14
2▼CD: Mysterioso
#TitleLength
1Blue Monk
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-21)
recording of:
Blue Monk (on 1959-10-21)
publisher:
Thelonious Monk
composer:
Thelonious Monk
3:48
2Ruby, My Dear
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-21)
recording of:
Ruby, My Dear (on 1959-10-21)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
4:00
3Round Lights
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-21)
recording of:
Round Lights (on 1959-10-21)
composer:
Thelonious Monk
3:40
4Everything Happens to Me
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-21)
instrumental cover recording of:
Everything Happens to Me (on 1959-10-21)
lyricist:
Tom Adair
composer:
Matt Dennis
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation
sub-publisher:
ミュージック・セールス
5:40
5You Took the Words Right Out of My Mouth
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-22)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-22)
instrumental cover recording of:
You Took the Words Right Out of My Heart (on 1959-10-22)
writer:
Ralph Rainger and Leo Robin
4:04
6Bluehawk
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-22)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-22)
recording of:
Bluehawk (on 1959-10-22)
composer:
Thelonious Monk
3:39
7Pannonica
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-21)
recording of:
Pannonica (on 1959-10-21)
composer:
Thelonious Monk
3:54
8Remember
recorded in:
San Francisco, California, United States (on 1959-10-22)
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-22)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-22)
instrumental cover recording of:
Remember (on 1959-10-22)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
2:45
9There’s Danger in Your Eyes, Cherie
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-21)
recording of:
There’s Danger in your Eyes, Cherie (Rich, Young and Pretty) (on 1959-10-21)
lyricist:
Jack Meskill and Pete Wendling
composer:
Jack Meskill, Harry Richman and Pete Wendling
4:22
10Reflections
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-22)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-22)
recording of:
Reflections (on 1959-10-22)
composer:
Thelonious Monk
5:09
11Thelonious
recording engineer:
Doug Hawkins
producer:
Alfred Lion
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Thelonious (on 1947-10-15)
composer:
Thelonious Monk
3:03
12Evidence
recorded in:
New York, New York, United States (on 1948-07-02)
bass and double bass:
John Simmons (on 1948-07-02)
drums (drum set) and drums (drum set) [drums]:
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recording of:
Evidence (on 1948-07-02)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation
2:37
13Mysterioso
recorded in:
New York, New York, United States (on 1948-07-02)
double bass [bass]:
John Simmons (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone and vibraphone [vibes]:
Milt Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02)
recording of:
Misterioso (on 1948-07-02)
composer:
Thelonious Monk
2:47
14Nice Work
bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
instrumental recording of:
Nice Work If You Can Get It (on 1947-10-24)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
3:03
15Bag’s Groove
recorded in:
New York, New York, United States (on 1954-12-24)
double bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-12-24)
recording of:
Bags’ Groove (on 1954-12-24)
composer:
Milt Jackson
11:15
3▼CD: Four in One
#TitleLength
1Four in One
alto saxophone:
Sahib Shihab (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Four in One (on 1951-07-23)
composer:
Thelonious Monk
3:30
2Eronel
alto saxophone:
Sahib Shihab (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Eronel (on 1951-07-23)
composer:
Thelonious Monk
3:03
3Willow Weep for Me
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
instrumental recording of:
Willow Weep for Me (on 1951-07-23)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co.
sub-publisher:
日音 Synch事業部
3:02
4Skippy
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Skippy (on 1952-05-30)
composer:
Thelonious Monk
3:00
5Sixteen
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Sixteen (on 1952-05-30)
composer:
Thelonious Monk
3:30
6Carolina Moon
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
instrumental recording of:
Carolina Moon (1928 song) (on 1952-05-30)
lyricist:
Benny Davis
composer:
Joe Burke
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc., Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music and Redwood Music
3:27
7I’ll Follow You
recorded in:
New York, New York, United States (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
instrumental recording of:
I’ll Follow You (on 1952-05-30)
lyricist:
Roy Turk
composer:
Fred Ahlert
3:47
8Friday the 13th
recorded in:
New Jersey, United States (on 1953-11-13)
recording engineer:
Rudy van Gelder
producer:
Ira Gitler
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Friday the 13th (on 1953-11-13)
composer:
Thelonious Monk
10:33
9Work
recorded in:
New York, New York, United States (on 1954-09-22)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Percy Heath (on 1954-09-22)
drums (drum set):
Art Blakey (on 1954-09-22)
piano:
Thelonious Monk (on 1954-09-22)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-10-25)
recording of:
Work (on 1954-09-22)
composer:
Thelonious Monk
5:17
10Nutty
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Percy Heath (on 1954-09-22)
drums (drum set):
Art Blakey
piano:
Thelonious Monk (on 1954-09-22)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-09-22)
recording of:
Nutty (on 1954-09-22)
composer:
Thelonious Monk (in 1954)
publisher:
Thelonious Music Corp.
5:16
11The Way You Look Tonight
recorded in:
New York, New York, United States (on 1954-10-25)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1954-10-25)
drums (drum set):
Art Taylor (on 1954-10-25)
piano:
Thelonious Monk (on 1954-10-25)
tenor saxophone:
Sonny Rollins (on 1954-10-25)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-10-25)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1954-10-25)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc., Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
5:12
12I Want to Be Happy
recorded in:
New York, New York, United States (on 1954-10-25)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1954-10-25)
drums (drum set):
Art Taylor (on 1954-10-25)
piano:
Thelonious Monk (on 1954-10-25)
tenor saxophone:
Sonny Rollins (on 1954-10-25)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-10-25)
instrumental cover recording of:
I Want to Be Happy (No, No, Nanette) (on 1954-10-25)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
7:42
4▼CD: Monk’s Dream
#TitleLength
1Hornin’ In
recorded in:
New York, New York, United States (on 1952-05-30)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Hornin’ In (on 1952-05-30)
composer:
Thelonious Monk
3:16
2Let’s Cool One
recorded in:
New York, New York, United States (on 1952-05-30)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Let’s Cool One (on 1952-05-30)
composer:
Thelonious Monk
3:47
3Little Rootie Tootie
recorded in:
New York, New York, United States (on 1952-10-15)
double bass:
Gary Mapp (on 1952-10-15)
drums (drum set):
Art Blakey (on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
recording of:
Little Rootie Tootie (on 1952-10-15)
composer:
Thelonious Monk
3:06
4Monk’s Dream
recorded in:
New York, New York, United States (on 1952-10-15)
double bass:
Gary Mapp (on 1952-10-15)
drums (drum set):
Art Blakey (on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
recording of:
Monk’s Dream (on 1952-10-15)
composer:
Thelonious Monk
3:07
5Bemsha Swing
recorded in:
New York, New York, United States (on 1952-12-18)
double bass:
Gary Mapp (on 1952-12-18)
drums (drum set):
Max Roach (on 1952-12-18)
piano:
Thelonious Monk (on 1952-12-18)
recording of:
Bemsha Swing (instrumental) (on 1952-12-18)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス and 日音 Synch事業部
3:11
6Reflections
recorded in:
New York, New York, United States (on 1952-12-18)
double bass:
Gary Mapp (on 1952-12-18)
drums (drum set):
Max Roach (on 1952-12-18)
piano:
Thelonious Monk (on 1952-12-18)
recording of:
Reflections (on 1952-12-18)
composer:
Thelonious Monk
2:48
7Let’s Call This
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Let’s Call This (on 1953-11-13)
composer:
Thelonious Monk
5:08
8Off Minor
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Off Minor (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
5:13
9Epistrophy
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Epistrophy (on 1957-06-26)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation
11:00
10Well You Needn’t
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Well, You Needn’t (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Regent Music
part of:
The Real Book (compilation of jazz standards, Volume I)
11:38
11Ruby, My Dear
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
Coleman Hawkins (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Ruby, My Dear (on 1957-06-26)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
5:34