| # | Title | Artist | Length |
|---|
| 1 | Temptation (edit) | Heaven 17 | 3:34 |
| 2 | Smalltown Boy- recording of:
- Smalltown Boy
- writer:
- Steve Bronski, Jimmy Somerville and Larry Steinbachek
- publisher:
- BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd., Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd., Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- Gotcha!
| Bronski Beat | 3:56 |
| 3 | Blue Monday ’88 | New Order | 4:07 |
| 4 | You Spin Me Round (Like a Record) | Dead or Alive | 3:15 |
| 5 | The Look of Love, Pt. 1- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Mark Lickley
- keyboard:
- Mark White
- lead vocals:
- Martin Fry
- strings arranger:
- Anne Dudley
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London, England, United Kingdom (in 1982)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 4), VH1: 100 Greatest Songs of the 80’s (number: 43) and The Downloader’s Music Source Book (number: 73)
- partial recording of:
- The Look of Love
- writer:
- Martin Fry, David Palmer, Stephen Singleton and Mark White
- publisher:
- 10 Music Ltd., Copyright Control, Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc.
- part of:
- Mantrap
| ABC | 3:29 |
| 6 | Tainted Love | Soft Cell | 2:41 |
| 7 | Sunglasses at Night | Corey Hart | 5:17 |
| 8 | It’s My Life | Talk Talk | 3:55 |
| 9 | Don’t You Want Me | The Human League | 3:57 |
| 10 | Love & Pride | King | 3:21 |
| 11 | Fade to Grey- engineer:
- John Hudson
- producer:
- Midge Ure and Visage
- performer:
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange and Midge Ure
- arranger:
- Visage
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and Universal Records (in 1980)
- recorded at:
- Genetic Studios in West Berkshire, England, United Kingdom
- mixed at:
- Mayfair Sound in London, England, United Kingdom
- recording of:
- Fade to Grey
- writer:
- Billy Currie, Chris Payne and Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. and Performance Music Ltd
| Visage | 3:50 |
| 12 | Pump Up the Volume | M/A/R/R/S | 4:11 |
| 13 | Sleeper in Metropolis | Anne Clark | 4:04 |
| 14 | Axel F (from “Beverly Hills Cop”) | Harold Faltermeyer | 3:01 |
| 15 | The Race | Yello | 3:20 |
| 16 | Relax | Frankie Goes to Hollywood | 3:57 |
| 17 | Don’t You (Forget About Me) | Simple Minds | 4:19 |
| 18 | She Drives Me Crazy | Fine Young Cannibals | 3:37 |
| 19 | Big in Japan | Alphaville | 3:53 |
| 20 | The Safety Dance (extended version) | Men Without Hats | 4:34 |
| 21 | Everybody Wants to Rule the World | Tears for Fears | 4:09 |
| 22 | Hypnotic Tango (7″ version) | My Mine | 3:49 |
| 23 | Let the Music Play (radio edit) | Shannon | 3:32 |
| 24 | Push It | Salt‐N‐Pepa | 4:29 |
| 25 | Rock It | Herbie Hancock | 5:23 |
| 26 | I.O.U. (7″ version) | Freeez | 3:48 |
| 27 | Precious Little Diamond | Fox the Fox | 3:56 |
| 28 | Happy Station (scratch version) | Fun Fun | 5:56 |
| 29 | So Many Men, So Little Time | Miquel Brown | 3:25 |
| 30 | Do You Wanna Funk (radio edit) | Patrick Cowley feat. Sylvester | 3:30 |
| 31 | High Energy (vocal) | Evelyn Thomas | 3:53 |
| 32 | Angel Eyes (radio edit) | Lime | 4:49 |
| 33 | Body Work | Hot Streak | 4:13 |
| 34 | 8:15 to Nowhere / Great Balls of Fire | Vicious Pink | 4:57 |
| 35 | Native Love (Step by Step) | Divine | 4:02 |
| 36 | In the Bottle | C.O.D. | 6:05 |
| 37 | West End Girls (Bobby Orlando single mix) | Pet Shop Boys | 3:24 |
| 38 | Fotonovela | Iván | 4:36 |
| 39 | Another Life (radio version) | Kano | 4:10 |
| 40 | I’ll Be Good | René & Angela | 4:10 |
| 41 | I Can’t Wait | Nu Shooz | 5:26 |
| 42 | Come Into My Life | Joyce Sims | 4:15 |
| 43 | People Hold On (radio edit) | Coldcut feat. Lisa Stansfield | 3:59 |
| 44 | That’s the Way Love Is (Deep House mix extended version)- membranophone programming:
- Byron Burke
- producer:
- Marshall Jefferson and Ten City
- mixer:
- Steve “Silk” Hurley
- bass, piano and synthesizer:
- Byron Burke
- bongos, congas and percussion:
- David Josias
- guitar family:
- Herb Lawson
- membranophone:
- Earl Young
- saxophone:
- Hank Ford, Daniel J. Hesler and Darrell F. Pleasant
- trombone:
- Mark Ingram, Keith Jackson and Dave Stahlberg
- trumpet:
- Orbert Davis, Joseph Gross, Glenn Morimoto and David Spencer
- violin:
- Jennifer Juel, Jason Smith and Ingrid Teclaw
- background vocals:
- Kenny Bobien, Byron Burke, Herb Lawson and Eddie Stockley
- background vocals and lead vocals:
- Byron Stingily
- performer:
- Gino Lawson
- horn and strings arranger:
- Marshall Jefferson
- horn arranger:
- Byron Burke
- strings arranger:
- Byron Stingily
- recording of:
- That's the Way Love Is
- writer:
- Byron Burke, Herb Lawson and Byron Stingily
| Ten City | 6:47 |
| 45 | Wait | Kym MazelleRobert Howard | 3:13 |
| 46 | Tell It to My Heart | Taylor Dayne | 3:41 |
| 47 | Love Will Save the Day- drums (drum set) programming:
- Jellybean
- additional engineer:
- Dennis McKay
- assistant engineer:
- Nick Delre, Toni Greene, Jay Healy, Fernando Kral, Tony Maserati, Paul Pesce, Don Peterkofsky, Tim Reppert, Mark Roule and Craig Vogel
- engineer:
- Doc Dougherty and Michael Hutchinson
- producer:
- Jellybean
- mixer:
- Michael Hutchinson
- drums (drum set):
- Linden Aaron
- guitar:
- Paul Jackson, Jr.
- percussion:
- Paulinho da Costa, Sammy Figueroa and Bashiri Johnson
- synthesizer [synths]:
- Jack Waldman and Fred Zarr
- vibraphone [vibes]:
- Roy Ayers
- background vocals and lead vocals:
- Whitney Houston
- arranger:
- Toni C. and Jack Waldman
- phonographic copyright (℗) by:
- RCA Records (in 1987)
- produced for:
- Jellybean Productions, Inc.
- recorded at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States, Sigma Sound Studios in New York, New York, United States, Soundtrack Studios in New York, New York, United States, The Hit Factory in Manhattan, New York, New York, United States and Z Studio in Brooklyn, New York, New York, United States
- recording of:
- Love Will Save the Day
- lyricist and composer:
- Toni C.
- publisher:
- House of Fun Music, Inc (in 1988)
| Whitney Houston | 5:22 |
| 48 | I Feel for You | Chaka Khan | 5:46 |
| 49 | You’re the One for Me (radio edit) | D Train | 4:10 |
| 50 | Passion | The Flirts | 5:04 |
| 51 | Trapped (edit) | Colonel Abrams | 3:40 |
| 52 | She Can’t Love You (radio edit) | Chemise | 3:50 |
| 53 | Reachin (Brotherhood mix) | Phase II | 5:54 |
| 54 | It’s Alright | Sterling Void feat. Paris Brightledge | 6:50 |
| 55 | A Love Supreme (edit) | Will Downing | 3:49 |
| 56 | Promised Land | Joe Smooth | 5:32 |
| 57 | Teardrops | Womack & Womack | 5:01 |
| 58 | Big Fun 2017 | Inner City | 3:19 |
| 59 | Pump Up the Jam (edit) | Technotronic feat. Felly | 3:35 |
| 60 | I’ll House You | Jungle Brothers | 3:41 |
| 61 | Theme From S’Express | S’Express | 5:51 |
| 62 | Break 4 Love (12″ mix) | Raze | 5:27 |
| 63 | It Takes Two | Rob Base & D.J. E‐Z Rock | 5:00 |
| 64 | A Love Bizarre, Pt. 1 | Sheila E. | 3:47 |
| 65 | Kontor: Top of the Clubs: Electric 80s Mix (continuous mix 1) | [unknown] | 1:01:43 |
| 66 | Kontor: Top of the Clubs: Electric 80s Mix (continuous mix 2) | [unknown] | 49:20 |
| 67 | Kontor: Top of the Clubs: Electric 80s Mix (continuous mix 3) | [unknown] | 55:45 |
