Selection of Ella Fitzgerald

~ Release by Ella Fitzgerald (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1Night and Day
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-03-27) and Bud Shank (on 1956-03-27)
baritone saxophone:
Chuck Gentry (on 1956-03-27)
bass trombone:
George Roberts (on 1956-03-27)
cello:
Robert La Marchina (on 1956-03-27) and Edgar Lustgarten (on 1956-03-27)
double bass:
Joe Mondragon (on 1956-03-27)
drums (drum set):
Alvin Stoller (on 1956-03-27)
guitar:
Barney Kessel (on 1956-03-27)
harp:
Corky Hale (on 1956-03-27)
piano:
Paul Smith (on 1956-03-27)
tenor saxophone:
Bob Cooper (on 1956-03-27) and Ted Nash (on 1956-03-27)
trombone:
Milt Bernhart (on 1956-03-27), Joe Howard (on 1956-03-27) and Lloyd Ulyate (on 1956-03-27)
trumpet:
Pete Candoli (on 1956-03-27), Harry “Sweets” Edison (on 1956-03-27), Maynard Ferguson (on 1956-03-27) and Conrad Gozzo (on 1956-03-27)
lead vocals:
Ella Fitzgerald (on 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-03-27)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:07
2Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:48
3There’s a Small Hotel
cover recording of:
There’s a Small Hotel (from “On Your Toes”)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (in 1936)
part of:
On Your Toes
part of:
Pal Joey
2:48
4All the Things You Are
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1963)
conductor:
Nelson Riddle (in 1963)
performer:
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
All the Things You Are (from “Very Warm for May”) (from 1963-01-07 to present)
lyricist:
Oscar Hammerstein II (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc.
part of:
Broadway Rhythm (film)
3:18
5Spring Is Here
cover recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. and United Partnership Ltd.
3:39
6A Fine Romance
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1963)
conductor:
Nelson Riddle (in 1963)
performer:
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
A Fine Romance (from “Swing Time”) (in 1963)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:38
7Isn’t It Romantic
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Music Corporation and Sony/ATV Harmony
3:02
8Let’s Face the Music and Dance
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
2:58
9All Through the Night
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (on 1956-02-08)
cello:
Robert La Marchina (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
harp:
Corky Hale (on 1956-02-08)
piano:
Paul Smith (on 1956-02-08)
tenor saxophone:
Bob Cooper (on 1956-02-08) and Ted Nash (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (on 1956-02-08) and Lloyd Ulyate (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
All Through the Night (on 1956-02-08)
lyricist and composer:
Cole Porter (in 1934)
publisher:
WB Music Corp.
part of:
Anything Goes
3:18
10I Wish I Were in Love Again
cover recording of:
I Wish I Were in Love Again
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell Music
part of:
Babes in Arms (full musical)
2:38
11Begin the Beguine
cover recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc., Warner Chappell Music Ltd., Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
3:40
12Top Hat, White Tie and Tails
cover recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
2:36
13Yesterdays
cover recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
2:52
14All by Myself
cover recording of:
All by Myself
lyricist and composer:
Irving Berlin (in 1921)
2:29
15With the Song in My Heart
cover recording of:
With a Song in My Heart
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music, Warner Bros., Inc. and Warner Chappell Music Ltd.
2:47
16I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:04
17Love for Sale
cover recording of:
Love for Sale
lyricist and composer:
Cole Porter (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
5:58
18Where or When
cover recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
2:47
2▼CD
#TitleLength
1Blue Moon
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing, EMI Robbins Catalog Inc., EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions
part of:
New York, New York (1977 musical film soundtrack)
3:13
2This Can’t Be Love
cover recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
Warner/Chappell
2:56
3All of You
engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
George Roberts (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (on 1956-02-09) and Lloyd Ulyate (on 1956-02-09)
lead vocals:
Ella Fitzgerald (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
All of You (Silk Stockings musical) (on 1956-02-09)
lyricist and composer:
Cole Porter (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. and Chappell Music
part of:
Silk Stockings (1957 musical film)
1:45
4Alexander’s Ragtime Band
engineer:
Val Valentin (on 1958-03-19)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-19)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-19)
cover recording of:
Alexander’s Ragtime Band (on 1958-03-19)
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:43
5In the Still of Night
cover recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (in 1937)
publisher:
Chappell and Chappell & Co., Inc.
2:41
6Remember
cover recording of:
Remember
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
3:30
7Miss Otis Regrets
engineer:
Val Valentin
producer:
Norman Granz
piano:
Paul Smith (on 1956-02-07)
lead vocals:
Ella Fitzgerald (on 1956-02-07)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Miss Otis Regrets (on 1956-02-07)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Warner/Chappell and Warner Bros., Inc. (in 1934)
3:03
8How Deep Is the Ocean
engineer:
Val Valentin (on 1958-03-17)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-17)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-17)
cover recording of:
How Deep Is the Ocean? (on 1958-03-17)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:11
9Let Yourself Go
cover recording of:
Let Yourself Go (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
2:19
10You Can Have Him
engineer:
Val Valentin (on 1958-03-14)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-14)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-14)
cover recording of:
You Can Have Him (on 1958-03-14)
lyricist and composer:
Irving Berlin (in 1949)
3:46
11I Concentrate on You
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-09) and Bud Shank (on 1956-02-09)
baritone saxophone:
Chuck Gentry (on 1956-02-09)
bass trombone:
George Roberts (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (on 1956-02-09)
tenor saxophone:
Bob Cooper (on 1956-02-09) and Ted Nash (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (on 1956-02-09) and Lloyd Ulyate (on 1956-02-09)
trumpet:
Pete Candoli (on 1956-02-09), Harry “Sweets” Edison (on 1956-02-09), Maynard Ferguson (on 1956-02-09) and Conrad Gozzo (on 1956-02-09)
lead vocals:
Ella Fitzgerald (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I Concentrate on You (in 1956)
lyricist and composer:
Cole Porter (in 1939)
publisher:
Chappell & Co., Inc.
3:14
12The Lady Is a Tramp
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (on 1956-08-21)
tenor saxophone:
Bob Cooper (on 1956-08-21) and Ted Nash (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-08-21)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:23
13Puttin’ on the Ritz
cover recording of:
Puttin’ On the Ritz
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd.
part of:
Idiot’s Delight (film)
2:17
14The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc., Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
4:30
15Too Darn Hot
cover recording of:
Too Darn Hot (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
3:51
16Satin Doll
cover recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.
3:29
17From This Moment On
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (on 1956-02-07)
tenor saxophone:
Bob Cooper (on 1956-02-07) and Ted Nash (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (on 1956-02-07) and Lloyd Ulyate (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1956-02-07)
lyricist and composer:
Cole Porter (in 1950)
part of:
Kiss Me, Kate (musical)
3:19
18Always True to You in My Fashion
cover recording of:
Always True to You in My Fashion
lyricist and composer:
Cole Porter (in 1948)
part of:
Kiss Me, Kate (musical)
2:49

Credits

Release

ASIN:DE: B0002N8P16 [info]