The Greatest Opera Show on Earth

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistLength
1Carmen: Prelude
orchestra:
London Philharmonic Orchestra (from 1975-07 until 1975-12)
conductor:
Sir Georg Solti (from 1975-07 until 1975-12)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1975-07 until 1975-12)
recording of:
Carmen : Prélude (from 1975-07 until 1975-12)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:21
2La Traviata: Brindisi
assistant producer:
Andrew Cornall (in 1979-11)
producer:
Christopher Raeburn (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (in 1979-11)
orchestra:
National Philharmonic Orchestra (in 1979-11)
conductor:
Richard Bonynge (in 1979-11)
balance engineer:
James Lock (in 1979-11) and Kenneth Wilkinson (in 1979-11)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1979-11)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:56
3La Bohème: Che gelida manina
engineer:
James Lock, Colin Moorfoot and Gordon Parry
producer:
James Mallinson and Ray Minshull
tenor vocals [Rodolfo]:
Luciano Pavarotti (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1973)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:45
4Lakmé: Flower Duet
mezzo-soprano vocals [Mallika]:
Jane Berbié (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (on 1967-10-12)
orchestra:
Orchestre national de l'Opéra de Monte-Carlo (on 1967-10-12)
conductor:
Richard Bonynge (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1968)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes5:11
5Fedora: Amor ti vieta
tenor vocals:
Jussi Björling
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Alberto Erede
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)
composer:
Umberto Giordano (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
Umberto Giordano2:04
6Carmen: Habanera
choir vocals:
The John Alldis Choir
mezzo-soprano vocals:
Tatiana Troyanos
orchestra:
London Philharmonic Orchestra
conductor:
Sir Georg Solti
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:28
7Nabucco: Chorus of the Hebrew slaves
choir vocals:
Chicago Symphony Chorus
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti
chorus master:
Margaret Hillis
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:42
8Le nozze di Figaro: Dove sono
producer:
Christopher Raeburn
soprano vocals:
Kiri Te Kanawa (in 1981-06)
orchestra:
London Philharmonic Orchestra (in 1981-06)
conductor:
Sir Georg Solti (in 1981-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:03
9Rigoletto: La donna è mobile
sound engineer:
Stanley Goodall and Kenneth Wilkinson
producer:
David Harvey and Michael Woolcock
tenor vocals [Duca]:
Luciano Pavarotti (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (on 1971-06-28)
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:27
10Lohengrin: Bridal Chorus - Lohengrin
choir vocals:
Konzertvereinigung Wiener Staatsopernchor
orchestra:
Wiener Philharmoniker
conductor:
Sir Georg Solti
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (from 1846 until 1848)
librettist:
Richard Wagner
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner5:24
11Gianni Schicchi: O mio babbino caro
soprano vocals [Lauretta]:
Renata Tebaldi (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (in 1962-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1962)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1962-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1962-07)
composer:
Giacomo Puccini
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:14
12Il barbiere di Siviglia: Largo al factotum
baritone vocals [Figaro]:
Leo Nucci
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Giuseppe Patanè
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:07
13La Wally: Ebben? … Ne andrò lontana
soprano vocals:
Angela Gheorghiu
orchestra:
Orchestra del Teatro Regio di Torino
conductor:
John Mauceri
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1996)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
composer:
Alfredo Catalani
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani3:46
14Madama Butterfly: Humming Chorus
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
chorus master:
Norbert Balatsch (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:06
15Carmen: Flower Song
mezzo-soprano vocals [Carmen]:
Tatiana Troyanos (from 1975-07 until 1975-12)
tenor vocals [Don José]:
Plácido Domingo (from 1975-07 until 1975-12)
vocals:
Plácido Domingo (from 1975-07 until 1975-12), The John Alldis Choir (from 1975-07 until 1975-12) and Tatiana Troyanos (from 1975-07 until 1975-12)
orchestra:
London Philharmonic Orchestra (from 1975-07 until 1975-12)
conductor:
Sir Georg Solti (from 1975-07 until 1975-12)
chorus master:
John Alldis (from 1975-07 until 1975-12)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1975-07 until 1975-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1975-07 until 1975-12)
composer:
Georges Bizet (in 1875)
librettist:
Ludovic Halévy (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:58
16Les Contes d'Hoffmann: Barcarolle
producer:
John Mordler and Michael Woolcock
choir vocals:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (in 1972-06)
soprano vocals:
Joan Sutherland (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (in 1972-06)
conductor:
Richard Bonynge (in 1972-06)
balance engineer:
James Lock
recorded at:
Victoria Hall in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:20
17Tosaca: È lucevan le stelle
recording engineer:
James Lock (on 1990-07-07), John Pellowe (on 1990-07-07) and Philip Siney (on 1990-07-07)
producer:
Christopher Raeburn
editor:
Nigel Gayler
tenor vocals:
Plácido Domingo (on 1990-07-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1990-07-07) and Orchestra del Teatro dell’Opera di Roma (on 1990-07-07)
conductor:
Zubin Mehta (on 1990-07-07)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1990)
recorded at:
Terme di Caracalla in Roma, Roma, Lazio, Italy (on 1990-07-07)
live recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1990-07-07)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:34
18Madama Butterfly: Un bel dì
recording engineer:
Jack Law (on 1974-01-31), James Lock (on 1974-01-31) and Gordon Parry (on 1974-01-31)
assistant producer:
Michael Woolcock
producer:
Christopher Raeburn
soprano vocals [Butterfly]:
Mirella Freni (on 1974-01-31)
orchestra:
Vienna Philharmonic Orchestra (on 1974-01-31)
conductor:
Herbert von Karajan (on 1974-01-31)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (on 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1974-01-31)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:40
19Les Pêcheurs de perles: Au fond du temple saint
baritone vocals:
Gregory Cross and Gino Quilico
baritone vocals [Zurga]:
Gino Quilico
tenor vocals and tenor vocals [Nadir]:
Gregory Cross
orchestra:
Montréal Symphony Orchestra
conductor:
Charles Dutoit
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1993)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (in 1992)
composer:
Georges Bizet (from 1863-04 until 1863-08)
librettist:
Michel Carré and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Récit « C’est toi, toi qu’enfin je revois ! » (Zurga, Nadir)
composer:
Georges Bizet (from 1863-04 until 1863-08)
librettist:
Michel Carré and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet7:32
2▼CD
#TitleArtistLength
1Die Walküre: The Ride of the Valkyries
engineer:
James Lock
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
conductor:
Sir Georg Solti (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1982-10-11 until 1982-10-12)
composer:
Richard Wagner (from 1854 until 1856)
publisher:
Schott Music International
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1982-10-14 until 1982-10-15)
composer:
Richard Wagner (from 1854 until 1856)
publisher:
Schott Music International
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner3:09
2Le Nozze di Figaro: Voi che sapete
mezzo-soprano vocals [Cherubino]:
Cecilia Bartoli
orchestra:
Wiener Kammerorchester
conductor:
György Fischer
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:56
3Pagliacci: Vesti la giubba
recording engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:11
4La Bohème: O soave fanciulla
engineer:
James Lock, Colin Moorfoot and Gordon Parry
producer:
James Mallinson and Ray Minshull
baritone vocals [Marcello]:
Rolando Panerai (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1973)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1972-10)
edit of:
La Bohème: Atto I. “O soave fanciulla” (Love Duet) by Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
composer:
Giacomo Puccini (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:18
5Il trovatore: Anvil Chorus
choir vocals:
Chicago Symphony Chorus
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti
chorus master:
Margaret Hillis
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:54
6Manon Lescaut: Donna non vidi mai
tenor vocals [Des Grieux]:
José Carreras
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux)
composer:
Giacomo Puccini (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:16
7Don Giovanni: Là ci darem la mano
recording engineer:
Gordon Parry (in 1971-10)
producer:
Christopher Raeburn
baritone vocals [Don Giovanni]:
Tom Krause (on 1971-10-06)
soprano vocals [Zerlina]:
Lucia Popp (on 1971-10-06)
orchestra:
Vienna Haydn Orchestra (on 1971-10-06)
conductor:
István Kertész (on 1971-10-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (on 1971-10-06)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (on 1971-10-06)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:25
8Mattinata
tenor vocals:
Andrea Bocelli
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Leone Magiera
recording of:
Mattinata
lyricist and composer:
Ruggero Leoncavallo
Ruggero Leoncavallo2:23
9Faust: Soldiers' Chorus
choir vocals:
Ambrosian Opera Chorus
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge
recording of:
Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus) (in 1966)
composer:
Charles Gounod
part of:
Faust : Acte IV
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Charles‐François Gounod3:19
10L'elisir d'amore: Una furtiva lagrima
tenor vocals:
Roberto Alagna
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Evelino Pidò
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (in 1832)
librettist:
Felice Romani
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:48
11Turandot: Signore, ascolta!
soprano vocals [Liù]:
Montserrat Caballé (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (from 1972-08-10 until 1972-08-25)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1974)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:49
12Don Giovanni: Champagne Aria
producer:
Michael Woolcock
baritone vocals [Don Giovanni]:
Bryn Terfel (from 1996-10-05 until 1996-10-07)
orchestra:
London Philharmonic Orchestra (from 1996-10-05 until 1996-10-07)
conductor:
Sir Georg Solti (from 1996-10-05 until 1996-10-07)
balance engineer:
Neil Hutchinson (from 1996-10-05 until 1996-10-07) and James Lock (from 1996-10-05 until 1996-10-07)
recorded at:
Royal Festival Hall in Lambeth, London, England, United Kingdom (from 1996-10-05 until 1996-10-07)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1996-10-05 until 1996-10-07)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
13Così fan tutte: Trio - Soave sia il vento
bass vocals [Don Alfonso]:
Michele Pertusi (from 1994-05-03 until 1994-05-05)
mezzo-soprano vocals [Dorabella]:
Anne Sofie von Otter (from 1994-05-03 until 1994-05-05)
soprano vocals [Fiordiligi]:
Renée Fleming (from 1994-05-03 until 1994-05-05)
orchestra:
Chamber Orchestra of Europe (from 1994-05-03 until 1994-05-05)
conductor:
Sir Georg Solti (from 1994-05-03 until 1994-05-05)
balance engineer:
Neil Hutchinson (from 1994-05-03 until 1994-05-05) and James Lock (from 1994-05-03 until 1994-05-05)
recorded at:
Royal Festival Hall in Lambeth, London, England, United Kingdom (from 1994-05-03 until 1994-05-05)
live recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1994-05-03 until 1994-05-05)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:53
14Il Trovatore: Di quella pira
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Richard Beswick and Ray Minshull
choir vocals:
London Opera Chorus
soprano vocals [Leonora]:
Joan Sutherland (from 1976-09-08 until 1977-03-26)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (in 1976-09)
tenor vocals [Ruiz]:
Graham Clark
vocals:
Graham Clark, Joan Sutherland and Luciano Pavarotti
orchestra:
National Philharmonic Orchestra (in 1976-09)
conductor:
Richard Bonynge (in 1976-09)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1976-09)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:25
15Tosca: Vissi d'arte
soprano vocals [Tosca]:
Kiri Te Kanawa (in 1984-05)
orchestra:
National Philharmonic Orchestra (in 1984-05)
conductor:
Sir Georg Solti (in 1984-05)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (in 1984-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1984-05)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:24
16Carmen: Toreador Song
baritone vocals:
José van Dam
choir vocals:
The John Alldis Choir
orchestra:
London Philharmonic Orchestra
conductor:
Sir Georg Solti
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:27
17Madama Butterfly: Love Duet
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Butterfly]:
Mirella Freni (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:58
18Cavalleria rusticana: Intermezzo
recording engineer:
Colin Moorfoot
producer:
Michael Woolcock
orchestra:
National Philharmonic Orchestra (from 1976-06-10 until 1976-06-16)
conductor:
Gianandrea Gavazzeni (from 1976-06-10 until 1976-06-16)
balance engineer:
Kenneth Wilkinson (in 1976-06)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1978)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1976-06-10 until 1976-06-16)
recording of:
Cavalleria rusticana: Intermezzo (from 1976-06-10 until 1976-06-16)
composer:
Pietro Mascagni (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:20
19Rusalka: O Silver Moon
soprano vocals:
Renée Fleming (from 1996-12-16 until 1996-12-21)
orchestra:
London Symphony Orchestra (from 1996-12-16 until 1996-12-21)
conductor:
Sir Georg Solti (from 1996-12-16 until 1996-12-21)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (from 1996-12-16 until 1996-12-21)
composer:
Antonín Dvořák (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák6:49
20La Bohème: Sì. Mi chiamano Mimì
soprano vocals:
Angela Gheorghiu
orchestra:
Orchestra del Teatro Regio di Torino
conductor:
John Mauceri
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:53
21Turandot: Nessun dorma
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1973)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:00