How Blue Can You Get? Classic Live Performances

~ Release by B.B. King (see all versions of this release, 3 available)

Tracklist

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1▼CD: 1964-1971
#TitleLength
1Everyday I Have the Blues
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live cover recording of:
Everyday I Have the Blues (on 1964-11-21)
writer:
Aaron ‘Pinetop’ Sparks (in 1935) and Milton Sparks (in 1935)
revised by:
Peter Chatman
publisher:
Arc Music, Arc Music Corp., BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd., Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
3:08
2Sweet Little Angel
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
Sweet Little Angel (on 1964-11-21)
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control, Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd.
is based on:
Black Angel Blues
3:45
3Please Love Me
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
Please Love Me (on 1964-11-21)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
2:58
4You Upset Me
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
You Upset Me Baby (on 1964-11-21)
writer:
Riley B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Copyright Control
2:25
5Gambler's Blues
producer:
Johnny Pate and Louis Zito
bass:
Louis Satterfield (on 1966-11-05)
drums (drum set):
Sonny Freeman (on 1966-11-05)
guitar:
B.B. King (on 1966-11-05)
organ:
Duke Jethro (on 1966-11-05)
tenor saxophone:
Bobby Forte (on 1966-11-05)
trumpet:
Kenny Sands (on 1966-11-05)
vocals:
B.B. King (on 1966-11-05)
recorded at:
International Club in Chicago, Illinois, United States (on 1966-11-05)
live recording of:
Gambler's Blues (on 1966-11-05)
writer:
King and Taub
publisher:
LZMC
4:45
6Buzz Me
producer:
Johnny Pate and Louis Zito
bass:
Louis Satterfield (on 1966-11-05)
drums (drum set):
Sonny Freeman (on 1966-11-05)
guitar:
B.B. King (on 1966-11-05)
organ:
Duke Jethro (on 1966-11-05)
tenor saxophone:
Bobby Forte (on 1966-11-05)
trumpet:
Kenny Sands (on 1966-11-05)
vocals:
B.B. King (on 1966-11-05)
recorded at:
International Club in Chicago, Illinois, United States (on 1966-11-05)
live cover recording of:
Buzz Me (on 1966-11-05)
writer:
Dave Dexter, Jr. and Fleecie Moore
publisher:
Cherio Corp.
4:10
7Baby Get Lost
producer:
Johnny Pate and Louis Zito
bass:
Louis Satterfield (on 1966-11-05)
drums (drum set):
Sonny Freeman (on 1966-11-05)
guitar:
B.B. King (on 1966-11-05)
organ:
Duke Jethro (on 1966-11-05)
tenor saxophone:
Bobby Forte (on 1966-11-05)
trumpet:
Kenny Sands (on 1966-11-05)
vocals:
B.B. King (on 1966-11-05)
recorded at:
International Club in Chicago, Illinois, United States (on 1966-11-05)
live cover recording of:
Baby Get Lost (on 1966-11-05)
writer:
Leonard Feather and Billy Moore, Jr.
publisher:
Modern Age Music Co.
4:09
8Blind Love
producer:
Johnny Pate and Louis Zito
bass:
Louis Satterfield (on 1966-11-05)
drums (drum set):
Sonny Freeman (on 1966-11-05)
guitar:
B.B. King (on 1966-11-05)
organ:
Duke Jethro (on 1966-11-05)
tenor saxophone:
Bobby Forte (on 1966-11-05)
trumpet:
Kenny Sands (on 1966-11-05)
vocals:
B.B. King (on 1966-11-05)
recorded at:
International Club in Chicago, Illinois, United States (on 1966-11-05)
live recording of:
Blind Love (on 1966-11-05)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Sounds Of Lucille, Inc.
3:32
9Don't Answer the Door
producer:
Bill Szymczyk
bass:
Val Patillo (in 1969-03)
drums (drum set):
Sonny Freeman (in 1969-03)
guitar:
B.B. King (in 1969-03)
organ:
Charles Bowles (in 1969-03)
saxophone:
Lee Gatling (in 1969-03)
trumpet:
Patrick Williams (in 1969-03)
vocals:
B.B. King (in 1969-03)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1969-03)
live cover recording of:
Don’t Answer the Door (in 1969-03)
writer:
Jimmy Johnson
publisher:
Fordyce Publishing Co and Mercedes Music
5:59
10Please Accept My Love
producer:
Bill Szymczyk
bass:
Val Patillo (in 1969-03)
drums (drum set):
Sonny Freeman (in 1969-03)
guitar:
B.B. King (in 1969-03)
organ:
Charles Bowles (in 1969-03)
saxophone:
Lee Gatling (in 1969-03)
trumpet:
Patrick Williams (in 1969-03)
vocals:
B.B. King (in 1969-03)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1969-03)
live cover recording of:
Please Accept My Love (in 1969-03)
lyricist and composer:
Clarence Garlow
publisher:
Kamar Music and Universal Music Careers
2:39
11Worry, Worry
engineer:
Aaron Baron
producer:
Bill Szymczyk
alto saxophone:
Booker Walker (on 1970-09-10)
bass:
Wilbert Freeman (on 1970-09-10)
drums (drum set):
Sonny Freeman (on 1970-09-10)
guitar and lead vocals:
B.B. King (on 1970-09-10)
piano:
Ron Levy (on 1970-09-10)
tenor saxophone:
Louis Hubert (on 1970-09-10)
trumpet:
John Browning (on 1970-09-10)
phonographic copyright (℗) by:
Geffen Records (in 1971)
recorded at:
Cook County Jail in Chicago, Illinois, United States (on 1970-09-10)
live recording of:
Worry, Worry (on 1970-09-10)
writer:
Davis Plumber and Jules Taub
publisher:
Copyright Control
9:52
12How Blue Can You Get?
engineer:
Aaron Baron
producer:
Bill Szymczyk
alto saxophone:
Booker Walker (on 1970-09-10)
bass:
Wilbert Freeman (on 1970-09-10)
drums (drum set):
Sonny Freeman (on 1970-09-10)
guitar and lead vocals:
B.B. King (on 1970-09-10)
piano:
Ron Levy (on 1970-09-10)
tenor saxophone:
Louis Hubert (on 1970-09-10)
trumpet:
John Browning (on 1970-09-10)
phonographic copyright (℗) by:
Geffen Records (in 1971)
recorded at:
Cook County Jail in Chicago, Illinois, United States (on 1970-09-10)
live cover recording of:
How Blue Can You Get? (on 1970-09-10)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
5:14
13Eyesight to the Blind
alto saxophone:
Earl Turbinton, Jr. (on 1971-03-06)
bass:
Wilton Freeman (on 1971-03-06)
drums (drum set):
Sonny Freeman (on 1971-03-06)
guitar:
B.B. King (on 1971-03-06)
piano:
Ron Levy (on 1971-03-06)
tenor saxophone:
Louis Hubert (on 1971-03-06)
trombone:
Joseph Burton (on 1971-03-06)
trumpet:
John Browning (on 1971-03-06)
vocals:
B.B. King (on 1971-03-06)
recorded at:
Sankei Hall in Kōjimachi, Chiyoda, Tokyo, Japan (on 1971-03-06)
live cover recording of:
Eyesight to the Blind (on 1971-03-06)
lyricist and composer:
Sonny Boy Williamson
publisher:
Algonquin Music Inc., Arc Music Corp., EMI Music Publishing Ltd. and Screen Gems–EMI Music, Inc.
4:05
14Chains and Things
alto saxophone:
Earl Turbinton, Jr. (on 1971-03-06)
bass:
Wilton Freeman (on 1971-03-06)
drums (drum set):
Sonny Freeman (on 1971-03-06)
guitar:
B.B. King (on 1971-03-06)
piano:
Ron Levy (on 1971-03-06)
tenor saxophone:
Louis Hubert (on 1971-03-06)
trombone:
Joseph Burton (on 1971-03-06)
trumpet:
John Browning (on 1971-03-06)
vocals:
B.B. King (on 1971-03-06)
recorded at:
Sankei Hall in Kōjimachi, Chiyoda, Tokyo, Japan (on 1971-03-06)
live recording of:
Chains and Things (on 1971-03-06)
writer:
Dave Clark and B.B. King
publisher:
Duchess Music Corporation, MCA, Inc., Pamco Music Inc. and Sounds Of Lucille, Inc.
5:42
15Sweet Sixteen
alto saxophone:
Earl Turbinton, Jr. (on 1971-03-06)
bass:
Wilton Freeman (on 1971-03-06)
drums (drum set):
Sonny Freeman (on 1971-03-06)
guitar:
B.B. King (on 1971-03-06)
piano:
Ron Levy (on 1971-03-06)
tenor saxophone:
Louis Hubert (on 1971-03-06)
trombone:
Joseph Burton (on 1971-03-06)
trumpet:
John Browning (on 1971-03-06)
vocals:
B.B. King (on 1971-03-06)
recorded at:
Sankei Hall in Kōjimachi, Chiyoda, Tokyo, Japan (on 1971-03-06)
live recording of:
Sweet Sixteen (on 1971-03-06)
writer:
Joe Bihari and B.B. King
publisher:
Modern Music Publishing Co., Inc., Progressive Music and Sidney A. Seidenberg Music Ltd.
5:58
16The Thrill Is Gone
alto saxophone:
Earl Turbinton, Jr. (on 1971-03-06)
bass:
Wilton Freeman (on 1971-03-06)
drums (drum set):
Sonny Freeman (on 1971-03-06)
guitar:
B.B. King (on 1971-03-06)
piano:
Ron Levy (on 1971-03-06)
tenor saxophone:
Louis Hubert (on 1971-03-06)
trombone:
Joseph Burton (on 1971-03-06)
trumpet:
John Browning (on 1971-03-06)
vocals:
B.B. King (on 1971-03-06)
recorded at:
Sankei Hall in Kōjimachi, Chiyoda, Tokyo, Japan (on 1971-03-06)
live recording of:
The Thrill Is Gone (1951 blues song) (on 1973-03-06)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
5:51
2▼CD: 1976-1994
#TitleArtistLength
1Let the Good Times Roll
producer:
Esmond Edwards
baritone saxophone:
Jerome Richardson (in 1976-03)
bass:
Rudy Aikels (in 1976-03) and Louis Villery (in 1976-03)
drums (drum set):
Harold Potier (in 1976-03) and John Starks (in 1976-03)
guitar:
Milton Hopkins (in 1976-03), Johnny Jones (in 1976-03), B.B. King (in 1976-03) and Ray Parker Jr. (in 1976-03)
organ:
James Toney (in 1976-03)
piano:
Robert Anderson (in 1976-03)
tenor saxophone:
Red Holloway (in 1976-03)
trombone:
Garnett Brown (in 1976-03) and Benny Powell (in 1976-03)
trumpet:
Albert Aarons (in 1976-03), Oscar Brashear (in 1976-03) and Snooky Young (in 1976-03)
vocals:
Bobby Bland (in 1976-03) and B.B. King (in 1976-03)
performer:
Bobby “Blue” Bland
arranger:
Johnny Pate
phonographic copyright (℗) by:
Geffen Records (in 1976) and MCA Records, Inc. (in 1976)
recorded at:
Cocoanut Grove in Los Angeles, California, United States (in 1976-03)
mixed at:
ABC Recording Studios in Los Angeles, California, United States
live cover recording of:
Let the Good Times Roll (in 1976-03)
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
cover recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
live recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
B.B. King feat. Bobby Bland5:33
2I Got Some Help I Don't Need
co-producer:
Howie Leder
executive producer:
Sidney A. Seidenberg
baritone saxophone:
Edgar Synigal (on 1979-11-30)
bass:
Russell Jackson (on 1979-11-30)
drums (drum set):
Calep Emphrey (on 1979-11-30)
guitar:
Leonard Gill (on 1979-11-30), Jon Jones (on 1979-11-30) and B.B. King (on 1979-11-30)
keyboard:
Phil Blackman (on 1979-11-30)
percussion:
Naná Vasconcelos (on 1979-11-30)
tenor saxophone:
Hilton Joseph (on 1979-11-30)
trombone:
Steve Sherard (on 1979-11-30)
trumpet:
Willie Cook (on 1979-11-30), Larry Lalanne (on 1979-11-30) and Calvin Owens (on 1979-11-30)
vocals:
B.B. King (on 1979-11-30)
phonographic copyright (℗) by:
MCA Records, Inc. (in 1980)
recorded at:
University of Mississippi in Oxford, Mississippi, United States (on 1979-11-30)
live recording of:
I Got Some Help I Don’t Need (on 1979-11-30)
writer:
Dave Clark and B.B. King
publisher:
Pamco Music Inc.
B.B. King5:14
3Caladonia
co-producer:
Howie Leder
executive producer:
Sidney A. Seidenberg
baritone saxophone:
Edgar Synigal (on 1979-11-30)
bass:
Russell Jackson (on 1979-11-30)
drums (drum set):
Calep Emphrey (on 1979-11-30)
guitar:
Leonard Gill (on 1979-11-30), Jon Jones (on 1979-11-30) and B.B. King (on 1979-11-30)
keyboard:
Phil Blackman (on 1979-11-30)
percussion:
Naná Vasconcelos (on 1979-11-30)
tenor saxophone:
Hilton Joseph (on 1979-11-30)
trombone:
Steve Sherard (on 1979-11-30)
trumpet:
Willie Cook (on 1979-11-30), Larry Lalanne (on 1979-11-30) and Calvin Owens (on 1979-11-30)
vocals:
B.B. King (on 1979-11-30)
phonographic copyright (℗) by:
MCA Records, Inc. (in 1980)
recorded at:
University of Mississippi in Oxford, Mississippi, United States (on 1979-11-30)
live cover recording of:
Caldonia (What Makes Your Big Head Hard?) (on 1979-11-30)
lyricist and composer:
Louis Jordan and Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. and Edwin H. Morris & Co., Inc. (on 1945-04-16)
B.B. King2:48
4Night Life
executive producer:
Wilton Felder, Stix Hooper and Joe Sample
bass:
James Jamerson, Jr. (from 1981-09-09 until 1981-09-13)
drums (drum set):
Stix Hooper (from 1981-09-09 until 1981-09-13)
guitar:
Barry Finnerty (from 1981-09-09 until 1981-09-13), B.B. King (from 1981-09-09 until 1981-09-13) and David T. Walker (from 1981-09-09 until 1981-09-13)
keyboard:
Joe Sample (from 1981-09-09 until 1981-09-13)
percussion:
Efraim Logreira (from 1981-09-09 until 1981-09-13)
saxophone:
Wilton Felder (from 1981-09-09 until 1981-09-13)
vocals:
B.B. King (from 1981-09-09 until 1981-09-13)
performer:
The Crusaders (from 1981-09-09 until 1981-09-13)
recorded at:
Royal Festival Hall in Lambeth, London, England, United Kingdom (from 1981-09-09 until 1981-09-13)
live cover recording of:
Night Life (Willie Nelson) (from 1981-09-09 until 1981-09-13)
writer:
Walt Breeland, Paul Buskirk and Willie Nelson
publisher:
Glad Music Co., Pappy Daily Music, Sony/ATV Songs, Sony/ATV Tree Publishing and Glad Music Publishing (in 1962)
B.B. King feat. The Crusaders6:46
5Never Make a Move Too Soon
executive producer:
Wilton Felder, Stix Hooper and Joe Sample
bass:
James Jamerson, Jr. (from 1981-09-09 until 1981-09-13)
drums (drum set):
Stix Hooper (from 1981-09-09 until 1981-09-13)
guitar:
Barry Finnerty (from 1981-09-09 until 1981-09-13), B.B. King (from 1981-09-09 until 1981-09-13) and David T. Walker (from 1981-09-09 until 1981-09-13)
keyboard:
Joe Sample (from 1981-09-09 until 1981-09-13)
percussion:
Efraim Logreira (from 1981-09-09 until 1981-09-13)
saxophone:
Wilton Felder (from 1981-09-09 until 1981-09-13)
vocals:
B.B. King (from 1981-09-09 until 1981-09-13)
phonographic copyright (℗) by:
MCA Records, Inc. (in 1982)
recorded at:
Royal Festival Hall in Lambeth, London, England, United Kingdom (from 1981-09-09 until 1981-09-13)
live cover recording of:
Never Make a Move Too Soon (from 1981-09-09 until 1981-09-13)
writer:
Will Jennings and Nesbert Hooper, Jr.
publisher:
Four Knights Music, Four Knights Music Co., Irving Music, Inc. and Status Cymbal Music
B.B. King feat. The Crusaders3:43
6All Over Again (I've Got a Mind to Give Up Living)
executive producer:
Wilton Felder, Stix Hooper and Joe Sample
bass:
James Jamerson, Jr. (from 1981-09-09 until 1981-09-13)
drums (drum set):
Stix Hooper (from 1981-09-09 until 1981-09-13)
guitar:
Barry Finnerty (from 1981-09-09 until 1981-09-13), B.B. King (from 1981-09-09 until 1981-09-13) and David T. Walker (from 1981-09-09 until 1981-09-13)
keyboard:
Joe Sample (from 1981-09-09 until 1981-09-13)
percussion:
Efraim Logreira (from 1981-09-09 until 1981-09-13)
saxophone:
Wilton Felder (from 1981-09-09 until 1981-09-13)
vocals:
B.B. King (from 1981-09-09 until 1981-09-13)
recorded at:
Royal Festival Hall in Lambeth, London, England, United Kingdom (from 1981-09-09 until 1981-09-13)
live recording of:
I’ve Got a Mind to Give Up Living (from 1981-09-09 until 1981-09-13)
lyricist and composer:
B.B. King
B.B. King feat. The Crusaders6:49
7Please Send Me Someone to Love
co-producer:
Tisha Fein
executive producer:
Ken Ehrlich and Sidney A. Seidenberg
producer:
Ken Ehrlich
baritone saxophone:
Edgar Synigal (on 1987-04-15)
bass:
Michael Doster (on 1987-04-15)
drums (drum set):
Calep Emphrey (on 1987-04-15)
guitar:
B.B. King (on 1987-04-15) and Leon Warren (on 1987-04-15)
harmonica:
Paul Butterfield (on 1987-04-15)
piano:
Eugene Carrier (on 1987-04-15)
tenor saxophone:
Walter King (on 1987-04-15)
trumpet:
James Bolden (on 1987-04-15)
vocals:
B.B. King (on 1987-04-15) and Gladys Knight (on 1987-04-15)
performer:
Gladys Knight
recorded at:
Ebony Showcase Theater in Los Angeles, California, United States (on 1987-04-15)
live cover recording of:
Please Send Me Someone to Love (on 1987-04-15)
lyricist and composer:
Percy Mayfield (until 1950)
publisher:
ATV Music
B.B. King feat. Gladys Knight4:11
8Nobody Loves Me but My Mother
executive producer:
Sidney A. Seidenberg
producer:
Trade Martin
baritone saxophone:
Edgar Synigal (on 1990-05-25)
bass:
Michael Doster (on 1990-05-25)
drums (drum set):
Calep Emphrey (on 1990-05-25)
guitar:
B.B. King (on 1990-05-25) and Leon Warren (on 1990-05-25)
piano:
Eugene Carrier (on 1990-05-25)
tenor saxophone:
Walter King (on 1990-05-25)
trumpet:
James Bolden (on 1990-05-25)
vocals:
B.B. King (on 1990-05-25)
phonographic copyright (℗) by:
MCA Records, Inc. (in 1990)
recorded at:
San Quentin State Prison in Marin County, California, United States (on 1990-05-25)
live recording of:
Nobody Loves Me but My Mother (on 1990-05-25)
writer:
B.B. King
publisher:
Pamco Music Inc.
B.B. King8:12
9When Love Comes to Town
executive producer:
Dave Grusin, Larry Rosen and Sidney A. Seidenberg
producer:
Josiah Gluck, Carl Griffin and Sidney A. Seidenberg
alto saxophone:
Jeff Clayton (on 1990-11-10) and Jerry Dodgion (on 1990-11-10)
bass:
Ray Brown (on 1990-11-10)
drums (drum set):
Harold Jones (on 1990-11-10)
guitar:
Kenny Burrell (on 1990-11-10) and B.B. King (on 1990-11-10)
piano:
Gene Harris (on 1990-11-10)
tenor saxophone:
Plas Johnson (on 1990-11-10), Ralph Moore (on 1990-11-10) and Gary Smulyan (on 1990-11-10)
trombone:
George Bohanon (on 1990-11-10), Robin Eubanks (on 1990-11-10), Paul Faulise (on 1990-11-10) and Urbie Green (on 1990-11-10)
trumpet:
Glenn Drewes (on 1990-11-10), Harry “Sweets” Edison (on 1990-11-10), James Morrison (on 1990-11-10) and Joe Mosello (on 1990-11-10)
vocals:
B.B. King (on 1990-11-10)
performer:
Gene Harris and the Philip Morris Superband (on 1990-11-10)
recorded at:
Apollo Theater in Harlem, New York, New York, United States (on 1990-11-10)
live cover recording of:
When Love Comes to Town (on 1990-11-10)
lyricist:
Bono
composer:
U2
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V. and Taiyo Music Inc.
B.B. King4:47
10Paying the Cost to Be the Boss
executive producer:
Dave Grusin, Larry Rosen and Sidney A. Seidenberg
producer:
Josiah Gluck, Carl Griffin and Sidney A. Seidenberg
alto saxophone:
Jeff Clayton (on 1990-11-10) and Jerry Dodgion (on 1990-11-10)
bass:
Ray Brown (on 1990-11-10)
drums (drum set):
Harold Jones (on 1990-11-10)
guitar:
Kenny Burrell (on 1990-11-10) and B.B. King (on 1990-11-10)
piano:
Gene Harris (on 1990-11-10)
tenor saxophone:
Plas Johnson (on 1990-11-10), Ralph Moore (on 1990-11-10) and Gary Smulyan (on 1990-11-10)
trombone:
George Bohanon (on 1990-11-10), Robin Eubanks (on 1990-11-10), Paul Faulise (on 1990-11-10) and Urbie Green (on 1990-11-10)
trumpet:
Glenn Drewes (on 1990-11-10), Harry “Sweets” Edison (on 1990-11-10), James Morrison (on 1990-11-10) and Joe Mosello (on 1990-11-10)
vocals:
B.B. King (on 1990-11-10)
performer:
Gene Harris and the Philip Morris Superband (on 1990-11-10)
recorded at:
Apollo Theater in Harlem, New York, New York, United States (on 1990-11-10)
live recording of:
Paying the Cost to Be the Boss (on 1990-11-10)
lyricist and composer:
B.B. King
publisher:
Duchess Music Corporation, Songs of Universal, Inc. and Universal Music Careers
B.B. King2:27
11Ain't Nobody's Business
executive producer:
Steve Galloway and Sidney A. Seidenberg
producer:
Denny Diante
mixer:
Elliot Scheiner
bass:
Michael Doster (on 1993-02-18)
drums (drum set):
Calep Emphrey (on 1993-02-18)
guitar:
B.B. King (on 1993-02-18) and Leon Warren (on 1993-02-18)
keyboard:
James Toney (on 1993-02-18)
percussion:
Tony Coleman (on 1993-02-18)
saxophone:
Melvin Jackson (on 1993-02-18) and Walter King (on 1993-02-18)
trumpet:
James Bolden (on 1993-02-18)
vocals:
Ruth Brown (on 1993-02-18) and B.B. King (on 1993-02-18)
performer:
Ruth Brown
recorded at:
B.B. King’s Blues Club in Memphis, Tennessee, United States (on 1993-02-18)
live cover recording of:
Ain’t Nobody’s Business (Porter Grainger/Everett Robbins song) (on 1993-02-18)
writer:
Porter Grainger and Everett Robbins
B.B. King feat. Ruth Brown9:23
12T-Bone Shuffle
executive producer:
Steve Galloway and Sidney A. Seidenberg
producer:
Denny Diante
mixer:
Elliot Scheiner
bass:
Michael Doster (on 1993-02-18)
drums (drum set):
Calep Emphrey (on 1993-02-18)
guitar:
B.B. King (on 1993-02-18), Joe Louis Walker (on 1993-02-18) and Leon Warren (on 1993-02-18)
keyboard:
James Toney (on 1993-02-18)
percussion:
Tony Coleman (on 1993-02-18)
saxophone:
Melvin Jackson (on 1993-02-18) and Walter King (on 1993-02-18)
trumpet:
James Bolden (on 1993-02-18)
vocals:
B.B. King (on 1993-02-18) and Joe Louis Walker (on 1993-02-18)
performer:
Joe Louis Walker
recorded at:
B.B. King’s Blues Club in Memphis, Tennessee, United States (on 1993-02-18)
live cover recording of:
T-Bone Shuffle (on 1993-02-18)
lyricist and composer:
T‐Bone Walker
publisher:
Progressive Music
B.B. King feat. Joe Louis Walker6:41
13Rock Me Baby
bass:
Michael Doster (on 1994-03-27)
drums (drum set):
Calep Emphrey (on 1994-03-27)
guitar:
B.B. King (on 1994-03-27) and Leon Warren (on 1994-03-27)
keyboard:
James Toney (on 1994-03-27)
percussion:
Tony Coleman (on 1994-03-27)
saxophone:
Melvin Jackson (on 1994-03-27) and Walter King (on 1994-03-27)
trumpet:
James Boland (on 1994-03-27)
vocals:
B.B. King (on 1994-03-27)
recorded at:
Rosengarten in Mannheim, Baden-Württemberg, Germany (on 1994-03-27)
live recording of:
Rock Me Baby (on 1994-03-27)
writer:
Joe Josea and B.B. King
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Australia Pty Ltd, Powerforce Music, Sidney A. Seidenberg Music Ltd., Universal Music Careers, BMG Music (in 1994) and Modern Sparta Music Ltd. (in 1994)
is based on:
Rockin’ and Rollin’
B.B. King6:21