| # | Title | Artist | Length |
|---|
| 1 | Don’t Be Cruel | Elvis Presley | 2:04 |
| 2 | Baby Love | The Supremes | 2:36 |
| 3 | Mama Loo (album version) | Les Humphries Singers | 3:46 |
| 4 | Ain’t No Mountain High Enough | Marvin Gaye & Tammi Terrell | 2:28 |
| 5 | You’re the First, the Last, My Everything- engineer:
- Frank Kejmar
- producer:
- Barry White
- arranger:
- Gene Page and Barry White
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1974)
- recording of:
- You’re the First, the Last, My Everything
- writer:
- Peter Sterling Radcliffe, Tony Sepe and Barry White
- publisher:
- Chappell & Co., Inc., January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
| Barry White | 3:25 |
| 6 | Yesterday Man | Chris Andrews | 2:33 |
| 7 | Yummy, Yummy, Yummy | Ohio Express | 2:21 |
| 8 | Hippy Hippy Shake | The Swinging Blue Jeans | 1:45 |
| 9 | Simon Says | 1910 Fruitgum Company | 2:16 |
| 10 | Sealed With a Kiss | Bobby Vinton | 2:50 |
| 11 | Bye Bye Baby | Bay City Rollers | 2:47 |
| 12 | It’s My Party | Lesley Gore | 2:13 |
| 13 | I Will Follow Him (Chariot) | Peggy March | 2:28 |
| 14 | Banana Boat Song (Day‐O)- producer:
- Herman Diaz, Jr.
- congas:
- Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
- double bass:
- Milt Hinton (on 1955-10-20)
- drums (drum set):
- Osie Johnson (on 1955-10-20)
- flute:
- Herbert Levy (on 1955-10-20)
- guitar:
- Millard Thomas (on 1955-10-20)
- choir vocals:
- Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
- lead vocals:
- Harry Belafonte (on 1955-10-20)
- vocals:
- Harry Belafonte
- orchestra:
- Tony Scott's Orchestra & Chorus (on 1955-10-20)
- conductor:
- Tony Scott (on 1955-10-20)
- recorded at:
- Webster Hall in East Village, New York, New York, United States (on 1955-10-20)
- recording of:
- Day‐O (The Banana Boat Song) (on 1955-10-20)
- additional lyricist:
- William Attaway (in 1955) and Irving Burgie (in 1955)
- composer:
- [traditional]
- publisher:
- Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp and Reservoir Media Music
- version of:
- Day‐O (The Banana Boat Song)
| Harry Belafonte | 3:06 |
| 15 | What a Wonderful World- recorded in:
- New York, New York, United States (on 1970-05-26)
- producer:
- Bob Thiele
- cello:
- Charles McCracken (on 1970-05-26), Kermit Moore (on 1970-05-26) and George Ricci (on 1970-05-26)
- double bass:
- Richard Davis (on 1970-05-26) and George Duvivier (on 1970-05-26)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1970-05-26)
- electric bass guitar:
- John Williams Jr. (on 1970-05-26)
- flute:
- James Spaulding (on 1970-05-26)
- guitar:
- Sam Brown (on 1970-05-26) and Kenny Burrell (on 1970-05-26)
- instruments:
- Allan Schulman (on 1970-05-26)
- piano:
- Frank Owens (on 1970-05-26)
- viola:
- Julien Barber (on 1970-05-26), Alfred Brown (on 1970-05-26), David Schwartz (on 1970-05-26) and Emanuel Vardi (on 1970-05-26)
- violin:
- Arnold Black (on 1970-05-26), Winston Collymore (on 1970-05-26), Paul Gershman (on 1970-05-26), Harry Lookofsky (on 1970-05-26), Joe Malin (on 1970-05-26), Manny Green (on 1970-05-26), Gene Orloff (on 1970-05-26), Max Pollikoff (on 1970-05-26) and Selwart Richard Clarke (on 1970-05-26)
- vocals:
- Louis Armstrong (on 1970-05-26)
- conductor:
- Oliver Nelson (on 1970-05-26)
- arranger:
- Oliver Nelson
- phonographic copyright (℗) by:
- BMG Music (in 1970)
- recording of:
- What a Wonderful World (on 1970-05-26)
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control, Memory Lane Music, Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
| Louis Armstrong | 3:21 |
| 16 | That's Amore (That’s Love) | Dean Martin | 3:08 |
| 17 | Rhythm of the Rain | The Cascades | 2:32 |
| 18 | Here Comes My Baby | The Tremeloes | 3:06 |
| 19 | With a Girl Like You | The Troggs | 2:07 |
| 20 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music, PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd., MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3:37 |
| 21 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music, Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros., Warner Bros. Music Ltd., Warner Chappell Music, Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 2:42 |
