The History of Classical Music, Part 5: Modern: From Sibelius to Glass

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media: Sibelius: Symphony no. 5 / Valse triste / Finlandia / Tapiola
#	Title	Artist	Length
1	Symphony no. 5 in E‐flat, op. 82: Ia. Tempo molto moderato – Largamente producer: Otto Ernst Wohlert orchestra: Berliner Philharmoniker (from 1965-02-22 until 1965-02-24) conductor: Herbert von Karajan (from 1965-02-22 until 1965-02-24) balance engineer: Günter Hermanns (from 1965-02-22 until 1965-02-24) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-02-22 until 1965-02-24) partial recording of: Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più presto (from 1965-02-22 until 1965-02-24) composer: Jean Sibelius (from 1915 until 1919) part of: Symphony no. 5 in E-flat major, op. 82	Jean Sibelius	9:35
2	Symphony no. 5 in E‐flat, op. 82: Ib. Allegro moderato – Presto producer: Otto Ernst Wohlert orchestra: Berliner Philharmoniker (from 1965-02-22 until 1965-02-24) conductor: Herbert von Karajan (from 1965-02-22 until 1965-02-24) balance engineer: Günter Hermanns (from 1965-02-22 until 1965-02-24) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-02-22 until 1965-02-24) partial recording of: Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più presto (from 1965-02-22 until 1965-02-24) composer: Jean Sibelius (from 1915 until 1919) part of: Symphony no. 5 in E-flat major, op. 82	Jean Sibelius	4:40
3	Symphony no. 5 in E‐flat, op. 82: II. Andante mosso, quasi allegretto producer: Otto Ernst Wohlert orchestra: Berliner Philharmoniker (from 1965-02-22 until 1965-02-24) conductor: Herbert von Karajan (from 1965-02-22 until 1965-02-24) balance engineer: Günter Hermanns (from 1965-02-22 until 1965-02-24) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-02-22 until 1965-02-24) recording of: Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto (from 1965-02-22 until 1965-02-24) composer: Jean Sibelius (from 1915 until 1919) part of: Symphony no. 5 in E-flat major, op. 82	Jean Sibelius	8:24
4	Symphony no. 5 in E‐flat, op. 82: III. Allegro molto producer: Otto Ernst Wohlert orchestra: Berliner Philharmoniker (from 1965-02-22 until 1965-02-24) conductor: Herbert von Karajan (from 1965-02-22 until 1965-02-24) balance engineer: Günter Hermanns (from 1965-02-22 until 1965-02-24) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-02-22 until 1965-02-24) recording of: Symphony no. 5 in E-flat major, op. 82: III. Allegro molto (from 1965-02-22 until 1965-02-24) composer: Jean Sibelius (from 1915 until 1919) part of: Symphony no. 5 in E-flat major, op. 82	Jean Sibelius	8:58
5	Valse triste, op. 44 producer: Otto Gerdes and Hans Weber orchestra: Berliner Philharmoniker (on 1967-01-30) conductor: Herbert von Karajan (in 1967, on 1967-01-30) balance engineer: Günter Hermanns (on 1967-01-30) phonographic copyright (℗) by: Polydor International GmbH (in 1967) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1967-01-30) recording of: Valse triste, op. 44 no. 1 (for orchestra) (on 1967-01-30) composer: Jean Sibelius (in 1903) revised by: Jean Sibelius (in 1904) premiered at: Konsertti premiered at: Svenska Teatern in Helsinki, Uusimaa, Finland (on 1904-04-25) part of: 2 Pieces from Kuolema, op. 44 revision of: Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)	Jean Sibelius	6:15
6	Finlandia, op. 26 no. 7: Andante sostenuto – Allegro moderato – Allegro executive producer: Otto Gerdes producer: Hans Weber and Otto Ernst Wohlert orchestra: Berliner Philharmoniker (on 1964-10-28) conductor: Herbert von Karajan (on 1964-10-28) balance engineer: Günter Hermanns (on 1964-10-28) phonographic copyright (℗) by: Polydor International GmbH (in 1965) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1964-10-28) recording of: Finlandia, op. 26 (for orchestra) (on 1964-10-28) premiered in: Helsinki, Uusimaa, Finland (on 1900-07-02) composer: Jean Sibelius (in 1899) revised by: Jean Sibelius (in 1900) premiered at: Konsertti publisher: Breitkopf & Härtel (in 1905) part of: Works of Jean Sibelius by opus number (number: op. 26) version of: Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes	Jean Sibelius	9:27
7	Tapiola, op. 112 executive producer: Otto Gerdes producer: Hans Weber and Otto Ernst Wohlert orchestra: Berliner Philharmoniker (on 1964-10-30) conductor: Herbert von Karajan (on 1964-10-30) balance engineer: Günter Hermanns (on 1964-10-30) phonographic copyright (℗) by: Polydor International GmbH (in 1965) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1964-10-30) recording of: Tapiola, op. 112 (on 1964-10-30) composer: Jean Sibelius (until 1926-08) was commissioned by: Walter Damrosch premiered at: [concert] publisher: Breitkopf & Härtel (in 1926) part of: Works of Jean Sibelius by opus number (number: op. 112)	Jean Sibelius	20:13

2▼Digital Media: Ives: “Concord” Sonata / Central Park in the Dark / Three Places in New England / Barber: Adagio for Strings
#	Title	Artist	Length
1	Piano Sonata no. 2 “Concord, Mass., 1840–1860”: I. “Emerson”. Slowly - Slowly and quietly recording engineer: Hans‐Rudolf Müller and Gernot Westhäuser executive producer: Karl Faust producer: Werner Mayer (task: recording producer) piano: Roberto Szidon (in 1971-05) viola: Walter Stangl (in 1971-05) balance engineer: Klaus Scheibe recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1971-05) recording of: Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: I. Emerson. Slowly (in 1971-05) composer: Charles Ives (from 1916 until 1919) part of: Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”	Charles Ives	14:19
2	Piano Sonata no. 2 “Concord, Mass., 1840–1860”: II. “Hawthorne”. Very fast recording engineer: Hans‐Rudolf Müller and Gernot Westhäuser executive producer: Karl Faust producer: Werner Mayer (task: recording producer) piano: Roberto Szidon (in 1971-05) balance engineer: Klaus Scheibe recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1971-05) recording of: Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: II. Hawthorne. Very fast (in 1971-05) composer: Charles Ives (from 1916 until 1919) part of: Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”	Charles Ives	12:55
3	Piano Sonata no. 2 “Concord, Mass., 1840–1860”: III. “The Alcotts” recording engineer: Hans‐Rudolf Müller and Gernot Westhäuser executive producer: Karl Faust producer: Werner Mayer (task: recording producer) piano: Roberto Szidon (in 1971-05) balance engineer: Klaus Scheibe recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1971-05) recording of: Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: III. The Alcotts. Moderately (in 1971-05) composer: Charles Ives (from 1916 until 1919) part of: Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”	Charles Ives	5:25
4	Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. “Thoreau”. Starting slowly and quietly recording engineer: Hans‐Rudolf Müller and Gernot Westhäuser executive producer: Karl Faust producer: Werner Mayer (task: recording producer) flute: Dieter Sonntag (in 1971-05) piano: Roberto Szidon (in 1971-05) balance engineer: Klaus Scheibe recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1971-05) recording of: Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: IV. Thoreau. Starting slowly and quietly (in 1971-05) composer: Charles Ives (from 1916 until 1919) part of: Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”	Charles Ives	11:28
5	Central Park in the Dark producer: Thomas W. Mowrey orchestra: Boston Symphony Orchestra (in 1976-02) conductor: Seiji Ozawa (in 1976-02) balance engineer: Hans‐Peter Schweigmann (in 1976-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1976-02) recording of: Central Park in the Dark, S. 34 (in 1976-02) composer: Charles Ives (in 1906) part of: A Descriptive Catalogue of the Music of Charles Ives (number: S. 34) quotes music from: Hello! Ma Baby	Charles Ives	7:41
6	Three Places in New England, S 7: I. The “St. Gaudens” in Boston Common (Col. Shaw and His Colored Regiment) recording engineer and editor: Joachim Niss executive producer: Karl Faust producer: Rainer Brock orchestra: Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24) conductor: Michael Tilson Thomas (from 1970-01-26 until 1970-03-24) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24) recording of: Orchestral Set No. 1, S. 7 "Three Places in New England": I. The "St. Gaudens" in Boston Common (from 1970-01-26 until 1970-03-24) composer: Charles Ives part of: Orchestral Set No. 1, S. 7 "Three Places in New England"	Charles Ives	8:35
7	Three Places in New England, S 7: II. Putnam’s Camp, Redding, Connecticut recording engineer and editor: Joachim Niss executive producer: Karl Faust producer: Rainer Brock orchestra: Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24) conductor: Michael Tilson Thomas (from 1970-01-26 until 1970-03-24) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24) recording of: Orchestral Set No. 1, S. 7 "Three Places in New England": II. Putnam's Camp, Redding, Connecticut (from 1970-01-26 until 1970-03-24) composer: Charles Ives part of: Orchestral Set No. 1, S. 7 "Three Places in New England"	Charles Ives	6:01
8	Three Places in New England, S 7: III. The Housatonic at Stockbridge recording engineer and editor: Joachim Niss executive producer: Karl Faust producer: Rainer Brock orchestra: Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24) conductor: Michael Tilson Thomas (from 1970-01-26 until 1970-03-24) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-24) recording of: Orchestral Set No. 1, S. 7 "Three Places in New England": III. The Housatonic at Stockbridge (from 1970-01-26 until 1970-03-24) composer: Charles Ives part of: Orchestral Set No. 1, S. 7 "Three Places in New England"	Charles Ives	3:49
9	String Quartet, op. 11: Adagio for Strings engineer: Simon Eadon producer: Chris Hazell orchestra: Baltimore Symphony Orchestra (from 1991-09-30 until 1991-10-01) conductor: David Zinman (from 1991-09-30 until 1991-10-01) balance engineer: Simon Eadon (from 1991-09-30 until 1991-10-01) phonographic copyright (℗) by: Decca Music Group Limited (in 1992) and The Decca Record Company Limited (in 1992) recorded at: Joseph Meyerhoff Symphony Hall in Baltimore, Maryland, United States (from 1991-09-30 until 1991-10-01) recording of: Adagio for Strings (from 1991-09-30 until 1991-10-01) orchestrator: Samuel Barber (in 1938) composer: Samuel Barber (in 1936) premiered by: NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (on 1938-11-05) premiered at: [radio broadcast] publisher: Chappell and G. Schirmer Inc. arrangement of: String Quartet, op. 11: II. Molto adagio	Samuel Barber	8:46

3▼Digital Media: Janáček: Taras Bulba / Concertino / Sinfonietta
#	Title	Artist	Length
1	Taras Bulba: I. Der Tod des Andrej orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Rafael Kubelík recording of: Taras Bulba: I. Death of Andrey composer: Leoš Janáček (in 1918) part of: Taras Bulba	Leoš Janáček	8:20
2	Taras Bulba: II. Der Tod des Ostap orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Rafael Kubelík recording of: Taras Bulba: II. Death of Ostap composer: Leoš Janáček (in 1918) part of: Taras Bulba	Leoš Janáček	5:08
3	Taras Bulba: III. Prophezeiung und Tod des Taras Bulba orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Rafael Kubelík recording of: Taras Bulba: III. Prophecy and Death of Taras Bulba composer: Leoš Janáček (in 1918) part of: Taras Bulba	Leoš Janáček	9:07
4	Concertino für Klavier, 2 Violinen, Viola, Klarinette, Horn und Fagott: I. Moderato orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Rafael Kubelík recording of: Concertino for Piano & Chamber Orchestra, JW 7/11: I. Moderato composer: Leoš Janáček part of: Concertino for Piano & Chamber Orchestra, JW 7/11	Leoš Janáček	5:54
5	Concertino für Klavier, 2 Violinen, Viola, Klarinette, Horn und Fagott: II. Più mosso orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Rafael Kubelík recording of: Concertino for Piano & Chamber Orchestra, JW 7/11: II. Più mosso composer: Leoš Janáček part of: Concertino for Piano & Chamber Orchestra, JW 7/11	Leoš Janáček	3:08
6	Concertino für Klavier, 2 Violinen, Viola, Klarinette, Horn und Fagott: III. Con moto orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Rafael Kubelík recording of: Concertino for Piano & Chamber Orchestra, JW 7/11: III. Con moto composer: Leoš Janáček part of: Concertino for Piano & Chamber Orchestra, JW 7/11	Leoš Janáček	3:08
7	Concertino für Klavier, 2 Violinen, Viola, Klarinette, Horn und Fagott: IV. Allegro orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: Rafael Kubelík recording of: Concertino for Piano & Chamber Orchestra, JW 7/11: IV. Allegro composer: Leoš Janáček part of: Concertino for Piano & Chamber Orchestra, JW 7/11	Leoš Janáček	4:17
8	Sinfonietta: I. Allegretto - Allegro - Maestoso orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1970-05) conductor: Rafael Kubelík (in 1970-05) recorded at: Herkulessaal in München, Bayern, Germany (in 1970-05) recording of: Sinfonietta: I. Allegretto - Allegro - Maestoso (Fanfares) (in 1970-05) composer: Leoš Janáček (in 1926) part of: Sinfonietta	Leoš Janáček	2:14
9	Sinfonietta: II. Andante - Allegretto orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1970-05) conductor: Rafael Kubelík (in 1970-05) recorded at: Herkulessaal in München, Bayern, Germany (in 1970-05) recording of: Sinfonietta: II. Andante - Allegretto (The Castle) (in 1970-05) composer: Leoš Janáček (in 1926) part of: Sinfonietta	Leoš Janáček	5:22
10	Sinfonietta: III. Moderato orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1970-05) conductor: Rafael Kubelík (in 1970-05) recorded at: Herkulessaal in München, Bayern, Germany (in 1970-05) recording of: Sinfonietta: III. Moderato (The Queen's Monastery) (in 1970-05) composer: Leoš Janáček (in 1926) part of: Sinfonietta	Leoš Janáček	4:59
11	Sinfonietta: IV. Allegretto orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1970-05) conductor: Rafael Kubelík (in 1970-05) recorded at: Herkulessaal in München, Bayern, Germany (in 1970-05) recording of: Sinfonietta: IV. Allegretto (The Street) (in 1970-05) composer: Leoš Janáček (in 1926) part of: Sinfonietta	Leoš Janáček	2:37
12	Sinfonietta: V. Andante con moto orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1970-05) conductor: Rafael Kubelík (in 1970-05) recorded at: Herkulessaal in München, Bayern, Germany (in 1970-05) recording of: Sinfonietta: V. Andante con moto (The Town Hall) (in 1970-05) composer: Leoš Janáček (in 1926) part of: Sinfonietta	Leoš Janáček	6:40

4▼Digital Media: Ravel: Boléro / Piano Concerto / Pavane / Ma mère l’oye
#	Title	Artist	Length
1	Boléro, M 81: Tempo di Bolero – Moderato assai producer: Rainer Brock orchestra: London Symphony Orchestra (in 1985-06) conductor: Claudio Abbado (in 1985-06) balance engineer: Klaus Hiemann phonographic copyright (℗) by: Polydor International GmbH (in 1986) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-06) recording of: Boléro (in 1985-06) composer: Maurice Ravel (in 1928) publisher: Ed. Durand & Cie and Soc. Arima premiered at: Palais Garnier in Paris, Île-de-France, France (on 1928-11-22) part of: Classic 100: Music of France (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)	Maurice Ravel	14:26
2	Piano Concerto in G major, M 83: I. Allegramente recording engineer: Klaus Hiemann executive producer: Rainer Brock and Hanno Rinke producer: Rainer Brock piano: Martha Argerich (in 1984-02) orchestra: London Symphony Orchestra (in 1984-02) conductor: Claudio Abbado (in 1984-02) recorded at: St John’s, Smith Square in London, England, United Kingdom (in 1984-02) live recording of: Piano Concerto in G major: I. Allegramente (in 1984-02) composer: Maurice Ravel (from 1929 until 1931) part of: Piano Concerto in G major	Maurice Ravel	8:44
3	Piano Concerto in G major, M 83: II. Adagio assai recording engineer: Klaus Hiemann executive producer: Rainer Brock and Hanno Rinke producer: Rainer Brock piano: Martha Argerich (in 1984-02) orchestra: London Symphony Orchestra (in 1984-02) conductor: Claudio Abbado (in 1984-02) recorded at: St John’s, Smith Square in London, England, United Kingdom (in 1984-02) live recording of: Piano Concerto in G major: II. Adagio assai (in 1984-02) composer: Maurice Ravel (from 1929 until 1931) part of: Piano Concerto in G major	Maurice Ravel	9:33
4	Piano Concerto in G major, M 83: III. Presto recording engineer: Klaus Hiemann executive producer: Rainer Brock and Hanno Rinke producer: Rainer Brock piano: Martha Argerich (in 1984-02) orchestra: London Symphony Orchestra (in 1984-02) conductor: Claudio Abbado (in 1984-02) recorded at: St John’s, Smith Square in London, England, United Kingdom (in 1984-02) live recording of: Piano Concerto in G major: III. Presto (in 1984-02) composer: Maurice Ravel (from 1929 until 1931) part of: Piano Concerto in G major	Maurice Ravel	3:54
5	Pavane pour une infante défunte, M.19: Lent producer: Rainer Brock orchestra: London Symphony Orchestra (in 1985-06) conductor: Claudio Abbado (in 1985-06) balance engineer: Klaus Hiemann recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-06) recording of: Pavane pour une infante défunte (orchestrated version) (in 1985-06) orchestrator: Maurice Ravel (in 1910) composer: Maurice Ravel (in 1899) publisher: Editions Max Eschig part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a) orchestration of: Pavane pour une infante défunte (original version for solo piano)	Maurice Ravel	6:37
6	Ma mère l’oye: Prélude producer: Rainer Brock solo violin: Michael Davis (in 1985-06) orchestra: London Symphony Orchestra (in 1985-06) conductor: Claudio Abbado (in 1985-06) balance engineer: Klaus Hiemann recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-06) recording of: Ma mère l’Oye : Prélude: Très lent (in 1985-06) orchestrator and composer: Maurice Ravel (in 1912) publisher: Ed. Durand & Cie and Soc. Arima part of: Ma mère l’Oye (ballet)	Maurice Ravel	3:28
7	Ma mère l’oye: Danse du rouet et scène – Interlude producer: Rainer Brock solo violin: Michael Davis (in 1985-06) orchestra: London Symphony Orchestra (in 1985-06) conductor: Claudio Abbado (in 1985-06) balance engineer: Klaus Hiemann recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-06) recording of: Ma mère l’Oye : Tableau I : Danse du rouet et scène (in 1985-06) orchestrator and composer: Maurice Ravel (in 1912) publisher: Ed. Durand & Cie and Soc. Arima part of: Ma mère l’Oye (ballet)	Maurice Ravel	3:31
8	Ma mère l’oye: Pavane de la Belle au bois dormant producer: Rainer Brock solo violin: Michael Davis (in 1985-06) orchestra: London Symphony Orchestra (in 1985-06) conductor: Claudio Abbado (in 1985-06) balance engineer: Klaus Hiemann recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-06) recording of: Ma mère l’Oye : Tableau II : Pavane de la Belle au bois dormant (in 1985-06) orchestrator: Maurice Ravel (in 1911) composer: Maurice Ravel (from 1908 until 1910) publisher: Ed. Durand & Cie and Soc. Arima version of: Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains) part of: Ma mère l’Oye (ballet)	Maurice Ravel	2:47
9	Ma mère l’oye: Les entretiens de la Belle et de la Bête producer: Rainer Brock solo violin: Michael Davis (in 1985-06) orchestra: London Symphony Orchestra (in 1985-06) conductor: Claudio Abbado (in 1985-06) balance engineer: Klaus Hiemann recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-06) recording of: Ma mère l’Oye : Tableau III : Les Entretiens de la Belle et de la Bête (in 1985-06) orchestrator: Maurice Ravel (in 1911) composer: Maurice Ravel (from 1908 until 1910) publisher: Ed. Durand & Cie and Soc. Arima version of: Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains) part of: Ma mère l’Oye (ballet)	Maurice Ravel	5:14
10	Ma mère l’oye: Petit Poucet producer: Rainer Brock solo violin: Michael Davis (in 1985-06) orchestra: London Symphony Orchestra (in 1985-06) conductor: Claudio Abbado (in 1985-06) balance engineer: Klaus Hiemann recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-06) recording of: Ma mère l’Oye : Tableau IV : Petit Poucet (in 1985-06) orchestrator: Maurice Ravel (in 1911) composer: Maurice Ravel (from 1908 until 1910) publisher: Ed. Durand & Cie and Soc. Arima version of: Ma mère l’Oye: II. Petit poucet (pour piano à quatre mains) part of: Ma mère l’Oye (ballet)	Maurice Ravel	4:44
11	Ma mère l’oye: Laideronnette, Impératrice des Pagodes producer: Rainer Brock solo violin: Michael Davis (in 1985-06) orchestra: London Symphony Orchestra (in 1985-06) conductor: Claudio Abbado (in 1985-06) balance engineer: Klaus Hiemann recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-06) recording of: Ma mère l’Oye : Tableau V : Laideronnette, impératrice des pagodes (in 1985-06) orchestrator: Maurice Ravel (in 1911) composer: Maurice Ravel (from 1908 until 1910) publisher: Ed. Durand & Cie and Soc. Arima version of: Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains) part of: Ma mère l’Oye (ballet)	Maurice Ravel	4:48
12	Ma mère l’oye: Apothéose: Le jardin féerique producer: Rainer Brock solo violin: Michael Davis (in 1985-06) orchestra: London Symphony Orchestra (in 1985-06) conductor: Claudio Abbado (in 1985-06) balance engineer: Klaus Hiemann recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-06) recording of: Ma mère l’Oye : Tableau VI : Le Jardin féerique (in 1985-06) composer: Maurice Ravel publisher: Ed. Durand & Cie and Soc. Arima part of: Ma mère l’Oye (ballet)	Maurice Ravel	3:43

5▼Digital Media: Schönberg: Transfigured Night / Pierrot lunaire / Webern: 6 Pieces for Orchestra / Symphony, op. 21
#	Title	Artist	Length
1	Verklärte Nacht, op. 4: I. Sehr langsam (bar 1) engineer: Wolfgang Mitlehner producer: Rainer Brock cello: Lee Fiser (in 1982-11) and Jonathan Pegis (in 1982-11) string quartet: LaSalle Quartet (in 1982-11) viola: Peter Kamnitzer (in 1982-11) and Donald McInnes (in 1982-11) violin: Walter Levin (in 1982-11) and Henry Meyer (in 1982-11) recording of: Verklärte Nacht, op. 4: I. Sehr langsam (in 1982-11) composer: Arnold Schönberg (in 1899) part of: Verklärte Nacht, op. 4 (Transfigured Night, op. 4)	Arnold Schönberg	6:23
2	Verklärte Nacht, op. 4: II. Breiter (bar 200) engineer: Wolfgang Mitlehner producer: Rainer Brock cello: Lee Fiser (in 1982-11) and Jonathan Pegis (in 1982-11) string quartet: LaSalle Quartet (in 1982-11) viola: Peter Kamnitzer (in 1982-11) and Donald McInnes (in 1982-11) violin: Walter Levin (in 1982-11) and Henry Meyer (in 1982-11) recording of: Verklärte Nacht, op. 4: II. Etwas bewegter (in 1982-11) composer: Arnold Schönberg (in 1899) part of: Verklärte Nacht, op. 4 (Transfigured Night, op. 4)	Arnold Schönberg	5:27
3	Verklärte Nacht, op. 4: III. Schwer betont (bar 201) engineer: Wolfgang Mitlehner producer: Rainer Brock cello: Lee Fiser (in 1982-11) and Jonathan Pegis (in 1982-11) string quartet: LaSalle Quartet (in 1982-11) viola: Peter Kamnitzer (in 1982-11) and Donald McInnes (in 1982-11) violin: Walter Levin (in 1982-11) and Henry Meyer (in 1982-11) recording of: Verklärte Nacht, op. 4: III. Schwer betont (in 1982-11) composer: Arnold Schönberg (in 1899) part of: Verklärte Nacht, op. 4 (Transfigured Night, op. 4)	Arnold Schönberg	2:09
4	Verklärte Nacht, op. 4: IV. Sehr breit und langsam (bar 229) engineer: Wolfgang Mitlehner producer: Rainer Brock cello: Lee Fiser (in 1982-11) and Jonathan Pegis (in 1982-11) string quartet: LaSalle Quartet (in 1982-11) viola: Peter Kamnitzer (in 1982-11) and Donald McInnes (in 1982-11) violin: Walter Levin (in 1982-11) and Henry Meyer (in 1982-11) recording of: Verklärte Nacht, op. 4: IV. Sehr breit und langsam (in 1982-11) composer: Arnold Schönberg (in 1899) part of: Verklärte Nacht, op. 4 (Transfigured Night, op. 4)	Arnold Schönberg	9:47
5	Verklärte Nacht, op. 4: V. Sehr ruhig (bar 370) engineer: Wolfgang Mitlehner producer: Rainer Brock cello: Lee Fiser (in 1982-11) and Jonathan Pegis (in 1982-11) string quartet: LaSalle Quartet (in 1982-11) viola: Peter Kamnitzer (in 1982-11) and Donald McInnes (in 1982-11) violin: Walter Levin (in 1982-11) and Henry Meyer (in 1982-11) recording of: Verklärte Nacht, op. 4: V. Sehr ruhig (in 1982-11) composer: Arnold Schönberg (in 1899) part of: Verklärte Nacht, op. 4 (Transfigured Night, op. 4)	Arnold Schönberg	3:51
6	Pierrot lunaire, op. 21: Part I: I. Mondestrunken instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 1. „Mondestrunken“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil	Arnold Schönberg	1:35
7	Pierrot lunaire, op. 21: Part I: II. Colombine instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 2. „Colombine“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil	Arnold Schönberg	1:38
8	Pierrot lunaire, op. 21: Part I: III. Der Dandy instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 3. „Der Dandy“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil	Arnold Schönberg	1:11
9	Pierrot lunaire, op. 21: Part I: IV. Eine blasse Wäscherin instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 4. „Eine blasse Wäscherin“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil	Arnold Schönberg	1:24
10	Pierrot lunaire, op. 21: Part I: V. Valse de Chopin instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 5. „Valse de Chopin“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil	Arnold Schönberg	1:17
11	Pierrot lunaire, op. 21: Part I: VI. Madonna instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 6. „Madonna“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil	Arnold Schönberg	1:53
12	Pierrot lunaire, op. 21: Part I: VII. Der kranke Mond instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 7. „Der kranke Mond“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil	Arnold Schönberg	2:12
13	Pierrot lunaire, op. 21: Part II: VIII. Die Nacht instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 8. „Nacht (Passacaglia)“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil	Arnold Schönberg	2:05
14	Pierrot lunaire, op. 21: Part II: IX. Gebet an Pierrot instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 9. „Gebet an Pierrot“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil	Arnold Schönberg	0:51
15	Pierrot lunaire, op. 21: Part II: X. Raub instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 10. „Raub“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil	Arnold Schönberg	1:07
16	Pierrot lunaire, op. 21: Part II: XI. Rote Messe instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 11. „Rote Messe“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil	Arnold Schönberg	1:46
17	Pierrot lunaire, op. 21: Part II: XII. Galgenlied instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 12. „Galgenlied“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil	Arnold Schönberg	0:17
18	Pierrot lunaire, op. 21: Part II: XIII. Enthauptung instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 13. „Enthauptung“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil	Arnold Schönberg	2:09
19	Pierrot lunaire, op. 21: Part II: XIV. Die Kreuze instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 14. „Die Kreuze“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil	Arnold Schönberg	2:12
20	Pierrot lunaire, op. 21: Part III: XV. Heimweh instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 15. „Heimweh“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg	2:03
21	Pierrot lunaire, op. 21: Part III: XVI. Gemeinheit! instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 16. „Gemeinheit!“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg	1:06
22	Pierrot lunaire, op. 21: Part III: XVII. Parodie instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 17. „Parodie“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg	1:20
23	Pierrot lunaire, op. 21: Part III: XVIII. Der Monfleck instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg	0:54
24	Pierrot lunaire, op. 21: Part III: XIX. Serenade instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 19. „Serenade“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (in 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg	2:23
25	Pierrot lunaire, op. 21: Part III: XX. Heimfahrt instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 20. „Heimfahrt (Barcarole)“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg	1:40
26	Pierrot lunaire, op. 21: Part III: XXI. O alter Duft instruments: Ensemble InterContemporain (in 1997-09) soprano vocals: Christine Schäfer (in 1997-09) conductor: Pierre Boulez (in 1997-09) recorded at: Espace de projection in Paris, Île-de-France, France (in 1997-09) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 21. „O alter Duft“ (in 1997-09) lyricist: Albert Giraud composer: Arnold Schönberg (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg	1:32
27	Six Pieces for Orchestra, op. 6: I. Etwas bewegt orchestra: Berliner Philharmoniker (in 1994-09) conductor: Pierre Boulez (in 1994-09) recorded at: Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09) recording of: Six Pieces for Orchestra, op. 6: I. Etwas bewegte Achtel (1909 version) (in 1994-09) composer: Anton Webern (in 1909) part of: Six Pieces for Orchestra, op. 6 (1909 version)	Anton Webern	1:05
28	Six Pieces for Orchestra, op. 6: II. Bewegt orchestra: Berliner Philharmoniker (in 1994-09) conductor: Pierre Boulez (in 1994-09) recorded at: Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09) recording of: Six Pieces for Orchestra, op. 6: II. Bewegt (1909 version) (in 1994-09) composer: Anton Webern (in 1909) part of: Six Pieces for Orchestra, op. 6 (1909 version)	Anton Webern	1:30
28	Six Pieces for Orchestra, op. 6: III. Zart bewegt orchestra: Berliner Philharmoniker (in 1994-09) conductor: Pierre Boulez (in 1994-09) recorded at: Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09) recording of: Six Pieces for Orchestra, op. 6: III. Zart bewegt (1909 version) (in 1994-09) composer: Anton Webern (in 1909) part of: Six Pieces for Orchestra, op. 6 (1909 version)	Anton Webern	0:50
30	Six Pieces for Orchestra, op. 6: IV. Langsam. Marcia funebre orchestra: Berliner Philharmoniker (in 1994-09) conductor: Pierre Boulez (in 1994-09) recorded at: Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09) recording of: Six Pieces for Orchestra, op. 6: IV. Langsam (1909 version) (in 1994-09) composer: Anton Webern (in 1909) part of: Six Pieces for Orchestra, op. 6 (1909 version)	Anton Webern	4:20
31	Six Pieces for Orchestra, op. 6: V. Sehr langsam orchestra: Berliner Philharmoniker (in 1994-09) conductor: Pierre Boulez (in 1994-09) recorded at: Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09) recording of: Six Pieces for Orchestra, op. 6: V. Sehr langsam (1909 version) (in 1994-09) composer: Anton Webern (in 1909) part of: Six Pieces for Orchestra, op. 6 (1909 version)	Anton Webern	2:22
32	Six Pieces for Orchestra, op. 6: VI. Zart bewegt orchestra: Berliner Philharmoniker (in 1994-09) conductor: Pierre Boulez (in 1994-09) recorded at: Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09) recording of: Six Pieces for Orchestra, op. 6: VI. Zart bewegt (1909 version) (in 1994-09) composer: Anton Webern (in 1909) part of: Six Pieces for Orchestra, op. 6 (1909 version)	Anton Webern	1:38
33	Symphony, op. 21: I. Ruhig schreitend producer: Christian Gansch orchestra: Berliner Philharmoniker (in 1994-09) conductor: Pierre Boulez (in 1994-09) balance engineer: Rainer Maillard (in 1994-09) recorded at: Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09) recording of: Symphony, op. 21: I. Ruhig schreitend (in 1994-09) composer: Anton Webern (from 1927 until 1928) part of: Symphony, op. 21	Anton Webern	6:30
34	Symphony, op. 21: II. Variationen producer: Christian Gansch orchestra: Berliner Philharmoniker (in 1994-09) conductor: Pierre Boulez (in 1994-09) balance engineer: Rainer Maillard (in 1994-09) recorded at: Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-09) recording of: Symphony, op. 21: II. Variationen (in 1994-09) composer: Anton Webern (from 1927 until 1928) part of: Symphony, op. 21	Anton Webern	3:12

6▼Digital Media: Berg: Violin Concerto / Lyric Suite / 3 Pieces for Orchestra
#	Title	Artist	Length
1	3 Pieces for Orchestra, op. 6: I. Präludium. Langsam producer: Hans Weber orchestra: Berliner Philharmoniker (from 1972-12-08 until 1972-12-09) conductor: Herbert von Karajan (from 1972-12-08 until 1972-12-09) balance engineer: Günter Hermanns (from 1972-12-08 until 1972-12-09) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1972-12-08 until 1972-12-09) recording of: Drei Orchesterstücke, op. 6: I. Präludium (Three Pieces for Orchestra, op. 6: I. Prelude) (from 1972-12-08 until 1972-12-09) composer: Alban Berg (from 1913 until 1915) part of: Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)	Alban Berg	5:30
2	3 Pieces for Orchestra, op. 6: II. Reigen. Anfangs etwas zögernd – Leicht beschwingt producer: Hans Weber orchestra: Berliner Philharmoniker (from 1972-12-08 until 1972-12-09) conductor: Herbert von Karajan (from 1972-12-08 until 1972-12-09) balance engineer: Günter Hermanns (from 1972-12-08 until 1972-12-09) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1972-12-08 until 1972-12-09) recording of: Drei Orchesterstücke, op. 6: II. Reigen (Three Pieces for Orchestra, op. 6: II. Round Dance) (from 1972-12-08 until 1972-12-09) composer: Alban Berg (from 1913 until 1915) part of: Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)	Alban Berg	5:32
3	3 Pieces for Orchestra, op. 6: III. Marsch. Mäßiges Marschtempo producer: Hans Weber orchestra: Berliner Philharmoniker (from 1972-12-08 until 1972-12-09) conductor: Herbert von Karajan (from 1972-12-08 until 1972-12-09) balance engineer: Günter Hermanns (from 1972-12-08 until 1972-12-09) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1972-12-08 until 1972-12-09) recording of: Drei Orchesterstücke, op. 6: III. Marsch (Three Pieces for Orchestra, op. 6: III. March) (from 1972-12-08 until 1972-12-09) composer: Alban Berg (from 1913 until 1915) part of: Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)	Alban Berg	10:02
4	Violin Concerto: I. Andante – Allegretto violin: Henryk Szeryng (in 1968-05) orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1968-05) conductor: Rafael Kubelík (in 1968-05) recorded at: Herkulessaal in München, Bayern, Germany (in 1968-05) recording of: Violinkonzert „Dem Andenken eines Engels“: I. Andante – Allegretto (in 1968-05) composer: Alban Berg (in 1935-08) part of: Violinkonzert „Dem Andenken eines Engels“ (Violin Concerto "To the memory of an angel")	Alban Berg	10:36
5	Violin Concerto: II. Allegro, ma sempre rubato, frei wie eine Kadenz – Adagio violin: Henryk Szeryng (in 1968-05) orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1968-05) conductor: Rafael Kubelík (in 1968-05) recorded at: Herkulessaal in München, Bayern, Germany (in 1968-05) recording of: Violinkonzert „Dem Andenken eines Engels“: II. Allegro – Adagio (in 1968-05) composer: Alban Berg (in 1935-08) part of: Violinkonzert „Dem Andenken eines Engels“ (Violin Concerto "To the memory of an angel")	Alban Berg	14:05
6	3 Pieces from the “Lyric Suite”: I. Andante amoroso producer: Hans Weber orchestra: Berliner Philharmoniker (from 1973-09-09 until 1973-12-06) conductor: Herbert von Karajan (from 1973-09-09 until 1973-12-06) balance engineer: Günter Hermanns (from 1973-09-09 until 1973-12-06) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-09 until 1973-12-06) recording of: Lyrische Suite: I. Andante amoroso (for string orchestra) (from 1973-09-09 until 1973-12-06) composer: Alban Berg (from 1925 until 1926) arranger: Alban Berg orchestration of: Lyrische Suite: II. Andante amoroso part of: Lyrische Suite (Lyric Suite, for string orchestra) recording of: Lyrische Suite: II. Andante amoroso composer: Alban Berg (from 1925 until 1926) part of: Lyrische Suite (Lyric Suite)	Alban Berg	6:43
7	3 Pieces from the “Lyric Suite”: II. Allegro misterioso producer: Hans Weber orchestra: Berliner Philharmoniker (from 1973-09-09 until 1973-12-06) conductor: Herbert von Karajan (from 1973-09-09 until 1973-12-06) balance engineer: Günter Hermanns (from 1973-09-09 until 1973-12-06) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-09 until 1973-12-06) recording of: Lyrische Suite: II. Allegro misterioso (for string orchestra) (from 1973-09-09 until 1973-12-06) composer: Alban Berg (from 1925 until 1926) arranger: Alban Berg orchestration of: Lyrische Suite: III. Allegro misterioso part of: Lyrische Suite (Lyric Suite, for string orchestra) recording of: Lyrische Suite: III. Allegro misterioso composer: Alban Berg (from 1925 until 1926) part of: Lyrische Suite (Lyric Suite)	Alban Berg	3:30
8	3 Pieces from the “Lyric Suite”: III. Adagio appassionato producer: Hans Weber orchestra: Berliner Philharmoniker (from 1973-09-09 until 1973-12-06) conductor: Herbert von Karajan (from 1973-09-09 until 1973-12-06) balance engineer: Günter Hermanns (from 1973-09-09 until 1973-12-06) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-09 until 1973-12-06) recording of: Lyrische Suite: III. Adagio appassionato (for string orchestra) (from 1973-09-09 until 1973-12-06) composer: Alban Berg (from 1925 until 1926) arranger: Alban Berg orchestration of: Lyrische Suite: IV. Adagio appassionato part of: Lyrische Suite (Lyric Suite, for string orchestra) recording of: Lyrische Suite: IV. Adagio appassionato composer: Alban Berg (from 1925 until 1926) part of: Lyrische Suite (Lyric Suite)	Alban Berg	7:08

7▶Digital Media: Stravinsky: Petrushka / Apollo / Circus Polka

8▶Digital Media: Stravinsky: The Rite of Spring / Pulcinella

9▶Digital Media: Prokofiev: Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé

10▶Digital Media: Bartók: Concerto for Orchestra / Music for Strings, Percussion & Celesta

11▶Digital Media: Hindemith: Symphony “Mathis der Maler” / Busoni: Doktor Faust / Pfitzner: Palestrina / Weill: Kleine Dreigroschenmusik

12▶Digital Media: Shostakovich: Symphony no. 5 / Cello Concerto no. 2

13▶Digital Media: Britten: Serenade for Tenor, Horn & Strings / Delius: 2 Pieces for Orchestra / Vaughan Williams: The Lark Ascending / Fantasia on “Greensleeves”

14▶Digital Media: Rodrigo: Concierto de Aranjuez / Falla: El amor brujo / Noches en los jardines de España

15▶Digital Media: Gershwin: Rhapsody in Blue / An American in Paris / Bernstein: “Candide” Overture / Symphonic Dances From “West Side Story”

16▶Digital Media: Messiaen: Turangalîla‐Symphonie

17▶Digital Media: Boulez: Le marteau sans maître / Stockhausen: Gruppen

18▶Digital Media: Lutosławski: Chain 3 / Novelette / Schnittke: Concerto grosso no. 1 / Ligeti: Chamber Concerto

19▶Digital Media: Górecki: Symphony no. 3

20▶Digital Media: Reich: Six Pianos / Adams: Shaker Loops / Glass: Violin Concerto

Credits

Release

purchase for download:	https://itunes.apple.com/de/album/id719677699 [info]
discography entry:	http://www.deutschegrammophon.com/en/cat/4792304 [info]

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includes:	Cello Concerto no. 2 / Symphony no. 5 by Shostakovich; Mstislav Rostropovich, National Symphony Orchestra, Boston Symphony Orchestra, Seiji Ozawa Concord Sonata / Three Places in New England / Central Park in the Dark by Charles Ives; Roberto Szidon, Boston Symphony Orchestra, Michael Tilson Thomas, Seiji Ozawa Le Sacre du printemps / Pulcinella by Igor Strawinsky; Teresa Berganza, Ryland Davies, John Shirley‐Quirk, London Symphony Orchestra, Claudio Abbado Music for Strings, Percussion and Celesta / Concerto for Orchestra by Bartók; Lorin Maazel, Seiji Ozawa Music from America by Gershwin, Bernstein; Gewandhausorchester Leipzig, Kurt Masur, San Francisco Symphony, Seiji Ozawa Musik aus England, II by Benjamin Britten, Frederick Delius, Ralph Vaughan Williams; Carlo Maria Giulini, Daniel Barenboim Musik des 20. Jahrhunderts, I by Hindemith, Weill, Pfitzner, Busoni; William Steinberg, David Atherton, Ferdinand Leitner Musik des 20. Jahrhunderts, II by Schnittke, Lutosławski, Ligeti; Heinrich Schiff, Witold Lutosławski, Pierre Boulez Petruschka / Apollon Musagète / Zirkuspolka by Igor Stravinsky; London Symphony Orchestra, Charles Dutoit, Berliner Philharmoniker, Herbert von Karajan Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé by Prokofiev; Martha Argerich, Shlomo Mintz, Claudio Abbado Rodrigo: Concierto de Aranjuez / Falla: Night in the Gardens of Spain / El amor brujo by Rodrigo, Falla; Narciso Yepes, Margrit Weber, Teresa Berganza Sinfonietta / Taras Bulba / Concertino by Janáček; Rudolf Firkušný, Bavarian Radio Symphony Orchestra, Rafael Kubelík Symphony no. 3 by Henryk Mikołaj Górecki; Joanna Kozłowska, Warsaw Philharmonic Orchestra, Kazimierz Kord Symphony no. 5 / Valse Triste / Finlandia / Tapiola by Jean Sibelius; Berliner Philharmoniker, Herbert von Karajan Turangalîla‐Symphonie by Messiaen; Yvonne Loriod, Jeanne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung Violin Concerto / 3 Pieces for Orchestra, op. 6 / Lyric Suite (excerpts) by Berg; Henryk Szeryng, Rafael Kubelík, Herbert von Karajan

includes:

Cello Concerto no. 2 / Symphony no. 5 by Shostakovich; Mstislav Rostropovich, National Symphony Orchestra, Boston Symphony Orchestra, Seiji Ozawa
Concord Sonata / Three Places in New England / Central Park in the Dark by Charles Ives; Roberto Szidon, Boston Symphony Orchestra, Michael Tilson Thomas, Seiji Ozawa
Le Sacre du printemps / Pulcinella by Igor Strawinsky; Teresa Berganza, Ryland Davies, John Shirley‐Quirk, London Symphony Orchestra, Claudio Abbado
Music for Strings, Percussion and Celesta / Concerto for Orchestra by Bartók; Lorin Maazel, Seiji Ozawa
Music from America by Gershwin, Bernstein; Gewandhausorchester Leipzig, Kurt Masur, San Francisco Symphony, Seiji Ozawa
Musik aus England, II by Benjamin Britten, Frederick Delius, Ralph Vaughan Williams; Carlo Maria Giulini, Daniel Barenboim
Musik des 20. Jahrhunderts, I by Hindemith, Weill, Pfitzner, Busoni; William Steinberg, David Atherton, Ferdinand Leitner
Musik des 20. Jahrhunderts, II by Schnittke, Lutosławski, Ligeti; Heinrich Schiff, Witold Lutosławski, Pierre Boulez
Petruschka / Apollon Musagète / Zirkuspolka by Igor Stravinsky; London Symphony Orchestra, Charles Dutoit, Berliner Philharmoniker, Herbert von Karajan
Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé by Prokofiev; Martha Argerich, Shlomo Mintz, Claudio Abbado
Rodrigo: Concierto de Aranjuez / Falla: Night in the Gardens of Spain / El amor brujo by Rodrigo, Falla; Narciso Yepes, Margrit Weber, Teresa Berganza
Sinfonietta / Taras Bulba / Concertino by Janáček; Rudolf Firkušný, Bavarian Radio Symphony Orchestra, Rafael Kubelík
Symphony no. 3 by Henryk Mikołaj Górecki; Joanna Kozłowska, Warsaw Philharmonic Orchestra, Kazimierz Kord
Symphony no. 5 / Valse Triste / Finlandia / Tapiola by Jean Sibelius; Berliner Philharmoniker, Herbert von Karajan
Turangalîla‐Symphonie by Messiaen; Yvonne Loriod, Jeanne Loriod, Orchestre de l’Opéra Bastille, Myung-Whun Chung
Violin Concerto / 3 Pieces for Orchestra, op. 6 / Lyric Suite (excerpts) by Berg; Henryk Szeryng, Rafael Kubelík, Herbert von Karajan

part of:	The History of Classical Music: From Gregorian Chant to Górecki (order: 5)

The History of Classical Music, Part 5: Modern: From Sibelius to Glass

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