Black Sunday: Music From the Motion Picture (Remastered Limited Edition)

~ Release by John Williams (see all versions of this release, 4 available)

Annotation

Initial pressings had an issue where ~20 seconds of track 7 were silence.

Tracklist

1▼CD
#TitleLength
1Beirut
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Beirut (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
0:38
2Commandos Arrive
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Commandos Arrive (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:16
3Commando Raid
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Commando Raid (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
5:33
4It Was Good / Dahlia Arrives / The Unloading
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
It Was Good / Dahlia Arrives / The Unloading (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
3:14
5Speed Boat Chase
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Speed Boat Chase (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:53
6The Telephone Man / The Captain Returns
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Telephone Man / The Captain Returns (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:16
7Nurse Dahlia / Kabakov’s Card / The Hypodermic
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Nurse Dahlia / Kabakov’s Card / The Hypodermic (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
3:32
8Moshevsky’s Dead
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Moshevsky’s Dead (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:00
9The Test
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Test (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:58
10Building the Bomb
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Building the Bomb (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:57
11Miami / Dahlia’s Call
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Miami / Dahlia’s Call (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:30
12The Last Night
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Last Night (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:31
13Preparations
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Preparations (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:45
14Passed
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Passed (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
0:33
15The Flight Check
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Flight Check (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:52
16Airborne / Bomb Passes Stadium
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Airborne / Bomb Passes Stadium (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:47
17Farley’s Dead
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Farley’s Dead (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:35
18The Blimp and the Bomb
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Blimp and the Bomb (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
3:13
19The Take Off
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Take Off (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:44
20Underway
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Underway (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
0:41
21Air Chase (Part 1)
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Air Chase (Part 1) (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:15
22Air Chase (Parts 2 and 3) / The Blimp Hits
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Air Chase (Parts 2 and 3) / The Blimp Hits (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
7:21
23The Explosion
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Explosion (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:40
24The End (Theme From ‘Black Sunday’)
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
End Title (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:21
25Hotel Lobby (source)
1:49
26Fight Song No. 1 (source)
0:52
27Fight Song No. 2 (source)
1:48
28The End (alternate mix)
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
2:18
29The Explosion (revised ending) / End Title (film edit)
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
2:11