Best of the Song Books: The Collection

~ Release by Ella Fitzgerald (see all versions of this release, 1 available)

Tracklist

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1▼CD: The Best of the Song Books
#TitleLength
1Something’s Gotta Give
cover recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
2:36
2Love Is Here to Stay
cover recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin
publisher:
Chappell & Co Ltd., Chappell & Co., Inc., Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music, Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
3:55
3Bewitched, Bothered, and Bewildered
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc., Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited and Williamson Music Company
part of:
Pal Joey
7:05
4I’ve Got My Love to Keep Me Warm
engineer:
Val Valentin (on 1958-03-18)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (on 1958-03-18)
vocals:
Ella Fitzgerald (on 1958-03-18)
conductor:
Paul Weston (on 1958-03-18)
performer:
Paul Weston and His Orchestra (on 1958-03-18)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-18)
cover recording of:
I’ve Got My Love to Keep Me Warm (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:59
5The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:24
6I Got It Bad (and That Ain’t Good)
cover recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
6:16
7Miss Otis Regrets
engineer:
Val Valentin
producer:
Norman Granz
piano:
Paul Smith (on 1956-02-07)
lead vocals:
Ella Fitzgerald (on 1956-02-07)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Miss Otis Regrets (on 1956-02-07)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Warner/Chappell and Warner Bros., Inc. (in 1934)
3:03
8’S Wonderful
recorded in:
Hollywood, Los Angeles, California, United States (on 1959-07-16)
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Ronnie Lang (on 1959-07-16)
baritone saxophone:
Chuck Gentry (on 1959-07-16)
bass:
Joe Comfort (on 1959-07-16)
bass trombone:
George Roberts (on 1959-07-16)
cello:
Armand Kaproff (on 1959-07-16), Edgar Lustgarten (on 1959-07-16) and Kurt Reher (on 1959-07-16)
drums (drum set):
Alvin Stoller (on 1959-07-16)
guitar:
Herb Ellis (on 1959-07-16)
percussion:
Frank Flynn (on 1959-07-16)
piano:
Lou Levy (on 1959-07-16)
trombone:
James Priddy (on 1959-07-16), Richard Noel (on 1959-07-16) and Tommy Pederson (on 1959-07-16)
trumpet:
Pete Candoli (on 1959-07-16), Cappy Lewis (on 1959-07-16), Dale McMickle (on 1959-07-16) and Shorty Sherock (on 1959-07-16)
tuba:
Red Callender (on 1959-07-16)
viola:
Alvin Dinkin (on 1959-07-16), Lou Kievman (on 1959-07-16), Ralph Lane (on 1959-07-16) and Barbara Simons (on 1959-07-16)
violin:
Victor Bay (on 1959-07-16), Alex Beller (on 1959-07-16), Ben Gill (on 1959-07-16), Jacques Gasselin (on 1959-07-16), Joseph Livoti (on 1959-07-16), Dan Lube (on 1959-07-16), Misha Russell (on 1959-07-16), Paul Shure (on 1959-07-16), Marshall Sosson (on 1959-07-16) and Gerald Vinci (on 1959-07-16)
woodwind:
Buddy Collette (on 1959-07-16), Harry Klee (on 1959-07-16) and Champ Webb (on 1959-07-16)
vocals:
Ella Fitzgerald (on 1959-07-16)
conductor:
Nelson Riddle (on 1959-07-16)
performer:
Nelson Riddle and His Orchestra (on 1959-07-16)
arranger:
Nelson Riddle
cover recording of:
’S Wonderful (on 1959-07-16)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
cover recording of:
It’s Wonderful
lyricist:
Mitchell Parish (in 1937)
composer:
Stuff Smith (in 1937)
3:30
9Between the Devil and the Deep Blue Sea
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (on 1961-01-16)
conductor:
Billy May (on 1961-01-16)
performer:
Billy May & His Orchestra (on 1961-01-16)
arranger:
Billy May
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1961-01-16)
cover recording of:
Between the Devil and the Deep Blue Sea (on 1961-01-16)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
2:24
10Love for Sale
cover recording of:
Love for Sale
lyricist and composer:
Cole Porter (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
5:55
11They Can’t Take That Away From Me
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music, Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:12
12Midnight Sun
cover recording of:
Midnight Sun
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (in 1947) and Lionel Hampton (in 1947)
4:54
13Hooray for Love
cover recording of:
Hooray for Love
lyricist:
Leo Robin (in 1948)
composer:
Harold Arlen (in 1948)
2:45
14Why Was I Born?
cover recording of:
Why Was I Born?
lyricist:
Oscar Hammerstein II (in 1929)
composer:
Jerome Kern (in 1929)
3:47
15Cotton Tail
cover recording of:
Cotton Tail
lyricist and composer:
Duke Ellington
3:27
16Ev’ry Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc., Chappell Music Co. Inc. and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:32
2▼CD: The Best of the Song Books: The Ballads
#TitleLength
1Oh, Lady Be Good!
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1959)
conductor:
Nelson Riddle (in 1959)
performer:
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (from 1959-01 until 1959-03)
cover recording of:
Oh, Lady Be Good! (in 1959)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
4:00
2I’m Old Fashioned
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1963)
conductor:
Nelson Riddle (in 1963)
performer:
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (in 1963)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:27
3Laura
cover recording of:
Laura (1945 song)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc., EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
3:43
4Day‐Dream
engineer:
Val Valentin (on 1957-06-24)
producer:
Norman Granz
piano:
Duke Ellington (on 1957-06-24)
trumpet:
William “Cat” Anderson (on 1957-06-24), Willie Cook (on 1957-06-24), Dizzy Gillespie (on 1957-06-24) and Clark Terry (on 1957-06-24)
trumpet and violin:
Ray Nance (on 1957-06-24)
lead vocals:
Ella Fitzgerald (on 1957-06-24)
performer:
Duke Ellington and His Orchestra (on 1957-06-24)
cover recording of:
Day Dream (on 1957-06-24)
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (in 1941) and Billy Strayhorn (in 1941)
3:58
5Easy to Love
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (in 1956)
lead vocals:
Ella Fitzgerald (on 1956-02-07)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Easy to Love (on 1956-02-07)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell, Chappell & Co., Inc., Chappell Music Ltd. and Warner Chappell Music Ltd.
part of:
Anything Goes
part of:
Born to Dance
3:24
6It Was Written in the Stars
cover recording of:
It Was Written in the Stars
lyricist:
Leo Robin (in 1948)
composer:
Harold Arlen (in 1948)
5:08
7How Long Has This Been Going On?
producer:
Norman Granz
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
3:45
8Let’s Begin
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1963)
conductor:
Nelson Riddle (in 1963)
performer:
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
Let’s Begin (from "Roberta") (in 1963)
lyricist:
Dorothy Fields and Otto Harbach (in 1933)
composer:
Jerome Kern (in 1933)
part of:
Roberta
2:57
9Now It Can Be Told
engineer:
Val Valentin (on 1958-03-17)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-17)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-17)
cover recording of:
Now It Can Be Told (on 1958-03-17)
lyricist and composer:
Irving Berlin (in 1938)
part of:
The 11th Academy Award for Best Original Song (number: 2)
3:09
10There’s a Small Hotel
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (on 1956-08-29)
viola and violin:
[unknown] (on 1956-08-29)
vocals:
Ella Fitzgerald (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
There’s a Small Hotel (from “On Your Toes”) (on 1956-08-29)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (in 1936)
part of:
On Your Toes
part of:
Pal Joey
2:48
11Do Nothing Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (in 1943)
composer:
Duke Ellington (in 1943)
publisher:
Music Sales Corporation and Sony/ATV Harmony
version of:
Concerto for Cootie
7:40
12Ill Wind (You’re Blowin’ Me No Good)
cover recording of:
Ill Wind
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
3:51
13You’re Laughing at Me
cover recording of:
You’re Laughing at Me
lyricist and composer:
Irving Berlin (in 1937)
3:14
14A Ship Without a Sail
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (on 1956-08-30)
viola and violin:
[unknown] (on 1956-08-30)
vocals:
Ella Fitzgerald (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
A Ship Without a Sail (on 1956-08-30)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (in 1929)
4:07
15Trav’lin’ Light
cover recording of:
Trav’lin’ Light
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation, Rytvoc, Inc. and WB Music Corp.
3:47
16This Time the Dream’s on Me
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1960)
conductor:
Billy May (in 1960)
performer:
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
This Time the Dream’s on Me (in 1960)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
4:35
3▼CD: Love Songs: Best of the Verve Song Books
#TitleLength
1From This Moment On
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (on 1956-02-07)
tenor saxophone:
Bob Cooper (on 1956-02-07) and Ted Nash (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (on 1956-02-07) and Lloyd Ulyate (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1956-02-07)
lyricist and composer:
Cole Porter (in 1950)
part of:
Kiss Me, Kate (musical)
3:16
2Solitude
cover recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. and J. R. Lafleur & Son Ltd.
2:06
3Love You Madly
cover recording of:
Love You Madly
composer:
Duke Ellington
4:39
4All the Things You Are
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1963)
conductor:
Nelson Riddle (in 1963)
performer:
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
All the Things You Are (from “Very Warm for May”) (from 1963-01-07 to present)
lyricist:
Oscar Hammerstein II (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc.
part of:
Broadway Rhythm (film)
3:15
5I Concentrate on You
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-09) and Bud Shank (on 1956-02-09)
baritone saxophone:
Chuck Gentry (on 1956-02-09)
bass trombone:
George Roberts (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (on 1956-02-09)
tenor saxophone:
Bob Cooper (on 1956-02-09) and Ted Nash (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (on 1956-02-09) and Lloyd Ulyate (on 1956-02-09)
trumpet:
Pete Candoli (on 1956-02-09), Harry “Sweets” Edison (on 1956-02-09), Maynard Ferguson (on 1956-02-09) and Conrad Gozzo (on 1956-02-09)
lead vocals:
Ella Fitzgerald (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I Concentrate on You (in 1956)
lyricist and composer:
Cole Porter (in 1939)
publisher:
Chappell & Co., Inc.
3:11
6Out of This World
cover recording of:
Out of This World
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc.
2:42
7How About Me?
engineer:
Val Valentin (on 1958-03-17)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-17)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-17)
cover recording of:
How About Me? (on 1958-03-17)
lyricist and composer:
Irving Berlin (in 1928)
publisher:
Irving Berlin Music Corp.
3:14
8I’m Beginning to See the Light
cover recording of:
I’m Beginning to See the Light
lyricist:
Don George (in 1944)
writer:
Duke Ellington
composer:
Duke Ellington (in 1944), Johnny Hodges (in 1944) and Harry James (in 1944)
publisher:
Anne-Rachel Music Corp.
3:25
9The Man I Love
recorded in:
Hollywood, Los Angeles, California, United States (on 1959-01-05)
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Ted Nash (on 1959-01-05)
bass:
Joe Mondragon (on 1959-01-05)
bass trombone:
George Roberts (on 1959-01-05)
cello:
Armand Kaproff (on 1959-01-05), Kurt Reher (on 1959-01-05) and Eleanor Slatkin (on 1959-01-05)
drums (drum set):
Alvin Stoller (on 1959-01-05)
French horn:
Vincent DeRosa (on 1959-01-05)
guitar:
Herb Ellis (on 1959-01-05)
percussion:
Frank Flynn (on 1959-01-05)
piano:
Paul Smith (on 1959-01-05)
trombone:
Milt Bernhart (on 1959-01-05), Richard Noel (on 1959-01-05) and Tommy Pederson (on 1959-01-05)
trumpet:
Cappy Lewis (on 1959-01-05), Dale McMickle (on 1959-01-05), Shorty Sherock (on 1959-01-05) and Vito Mangano (on 1959-01-05)
viola:
Alvin Dinkin (on 1959-01-05), Stanley Harris (on 1959-01-05) and Barbara Simons (on 1959-01-05)
violin:
Victor Bay (on 1959-01-05), Alex Beller (on 1959-01-05), James Getzoff (on 1959-01-05), Ben Gill (on 1959-01-05), Jacques Gasselin (on 1959-01-05), Murray Kellner (on 1959-01-05), Nat Ross (on 1959-01-05), Eudice Shapiro (on 1959-01-05), Felix Slatkin (on 1959-01-05) and Marshall Sosson (on 1959-01-05)
woodwind:
Buddy Collette (on 1959-01-05), Harry Klee (on 1959-01-05), Joe Koch (on 1959-01-05) and Champ Webb (on 1959-01-05)
vocals:
Ella Fitzgerald (on 1959-01-05)
orchestra:
Nelson Riddle and His Orchestra (on 1959-01-05)
conductor:
Nelson Riddle (on 1959-01-05)
arranger:
Nelson Riddle
cover recording of:
The Man I Love (on 1959-01-05)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:50
10I Remember You
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Willie Smith (from 1964-10-19 until 1964-10-21)
clarinet:
Buddy DeFranco (from 1964-10-19 until 1964-10-21)
instruments:
Paul Smith (from 1964-10-19 until 1964-10-21)
tenor saxophone:
Plas Johnson (from 1964-10-19 until 1964-10-21)
vibraphone:
Frank Flynn (from 1964-10-19 until 1964-10-21)
lead vocals:
Ella Fitzgerald (from 1964-10-19 until 1964-10-21)
conductor:
Nelson Riddle (from 1964-10-19 until 1964-10-21)
performer:
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
I Remember You (in 1964)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control, Famous Music Corporation, Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
3:38
11I Let a Song Go Out of My Heart
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (from 1957-09-04 until 1957-09-16)
cover recording of:
I Let a Song Go Out of My Heart (from 1957-09-04 until 1957-09-16)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (in 1938)
composer:
Duke Ellington (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:09
12Always
engineer:
Val Valentin (on 1958-03-13)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-13)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-13)
cover recording of:
Always (on 1958-03-13)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
3:05
13Just One of Those Things
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (on 1956-02-07)
tenor saxophone:
Bob Cooper (on 1956-02-07) and Ted Nash (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (on 1956-02-07) and Lloyd Ulyate (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Just One of Those Things (on 1956-02-07)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:30
14Prelude to a Kiss
cover recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
5:27
15All Too Soon
cover recording of:
All Too Soon
lyricist:
Carl Sigman (in 1940)
composer:
Duke Ellington (in 1940)
4:22
16Lover
recorded in:
Los Angeles, California, United States (from 1956-08-21 until 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (from 1956-08-21 until 1956-08-31)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
bass trombone:
George Roberts (from 1956-08-21 until 1956-08-31)
drums (drum set):
Alvin Stoller (from 1956-08-21 until 1956-08-31)
flugelhorn:
Vince DeRosa (from 1956-08-21 until 1956-08-31)
flute and saxophone:
Bob Cooper (from 1956-08-21 until 1956-08-31), Ted Nash (from 1956-08-21 until 1956-08-31), Bud Shank (from 1956-08-21 until 1956-08-31) and Maurice Stein (from 1956-08-21 until 1956-08-31)
guitar:
Barney Kessel (from 1956-08-21 until 1956-08-31)
piano:
Paul Smith (from 1956-08-21 until 1956-08-31)
trombone:
Milt Bernhart (from 1956-08-21 until 1956-08-31), Joe Howard (from 1956-08-21 until 1956-08-31) and Lloyd Ulyate (from 1956-08-21 until 1956-08-31)
trumpet:
Pete Candoli (from 1956-08-21 until 1956-08-31), Maynard Ferguson (from 1956-08-21 until 1956-08-31), Conrad Gozzo (from 1956-08-21 until 1956-08-31) and Ray Linn (from 1956-08-21 until 1956-08-31)
vocals:
Ella Fitzgerald (from 1956-08-21 until 1956-08-31)
conductor:
Buddy Bregman (from 1956-08-21 until 1956-08-31)
arranger:
Buddy Bregman
cover recording of:
Lover (from 1956-08-21 until 1956-08-31)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Chappell and Famous Music Corporation
3:16