Handel in Hamburg

~ Release by Handel; The Parley of Instruments, Peter Holman (see all versions of this release, 2 available)

Annotation

The Parley of Instruments

violin 1 Elizabeth Wallfisch (leader), Theresa Caudle, Adrian Butterfield, Stephen Jones
violin 2 Judy Tarling, William Thorp, Helen Orsler, Fiona Duncan
viola Duncan Druce, Paul Denley bass violin Mark Caudle, Katherine Sharman, Helen Gough, Richard Campbell
oboe Frank de Bruine, Gail Hennessy bassoon Sally Jackson
theorbo, archlute & guitar Elizabeth Kenny, William Carter harpsichord Peter Holman, Gary Cooper

Tracklist

1▼CD
#TitleArtistLength
1Suite from the opera Almira, HWV 1: Ouverture
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel3:59
2Suite from the opera Almira, HWV 1: Courante
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel1:16
3Suite from the opera Almira, HWV 1: Bourree
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel0:36
4Suite from the opera Almira, HWV 1: Menuet
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel0:44
5Suite from the opera Almira, HWV 1: Rigaudon
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel0:56
6Suite from the opera Almira, HWV 1: Rondeau
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel1:19
7Suite from the opera Almira, HWV 1: Sarabande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel2:13
8Suite from the opera Almira, HWV 1: Gigue
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel0:59
9Suite from the opera Almira, HWV 1: Chaconne
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel1:32
10Suite in G minor, possibly from the opera Nero, HWV 453: Ouverture
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite in G minor, HWV 453 (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
arrangement of:
Suite in G minor, HWV 453
George Frideric Handel2:28
11Suite in G minor, possibly from the opera Nero, HWV 453: Entree
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite in G minor, HWV 453 (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
arrangement of:
Suite in G minor, HWV 453
George Frideric Handel1:44
12Suite in G minor, possibly from the opera Nero, HWV 453: Menuet 1 / Menuet 2 / Menuet 1
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite in G minor, HWV 453 (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
arrangement of:
Suite in G minor, HWV 453
George Frideric Handel2:48
13Suite in G minor, possibly from the opera Nero, HWV 453: Chaconne
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite in G minor, HWV 453 (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
arrangement of:
Suite in G minor, HWV 453
George Frideric Handel2:28
14Oboe Concerto in G minor, HWV 287: Grave
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
oboe:
Frank de Bruine (from 1997-12-03 until 1997-12-05)
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: I. Grave (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Oboe Concerto no. 3 in G minor, HWV 287
George Frideric Handel2:34
15Oboe Concerto in G minor, HWV 287: Allegro
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
oboe:
Frank de Bruine (from 1997-12-03 until 1997-12-05)
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: II. Allegro (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Oboe Concerto no. 3 in G minor, HWV 287
George Frideric Handel1:44
16Oboe Concerto in G minor, HWV 287: Sarabande (Largo)
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
oboe:
Frank de Bruine (from 1997-12-03 until 1997-12-05)
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Oboe Concerto no. 3 in G minor, HWV 287
George Frideric Handel1:50
17Oboe Concerto in G minor, HWV 287: Allegro
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
oboe:
Frank de Bruine (from 1997-12-03 until 1997-12-05)
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: IV. Allegro (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Oboe Concerto no. 3 in G minor, HWV 287
George Frideric Handel1:54
18Suite from the operas Florindo and Daphne, HWV 336, 352-4: Ouverture
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel3:33
19Suite from the operas Florindo and Daphne, HWV 336, 352-4: Sarabande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:59
20Suite from the operas Florindo and Daphne, HWV 336, 352-4: Gavotte
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel0:41
21Suite from the operas Florindo and Daphne, HWV 336, 352-4: Menuet
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:20
22Suite from the operas Florindo and Daphne, HWV 336, 352-4: Allemande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel0:42
23Suite from the operas Florindo and Daphne, HWV 336, 352-4: Bourree – Allemande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:10
24Suite from the operas Florindo and Daphne, HWV 336, 352-4: Menuet
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:24
25Suite from the operas Florindo and Daphne, HWV 336, 352-4: Allemande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:03
26Suite from the operas Florindo and Daphne, HWV 336, 352-4: Coro
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:18
27Suite from the operas Florindo and Daphne, HWV 336, 352-4: Allemande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel0:54
28Suite from the operas Florindo and Daphne, HWV 336, 352-4: Rigaudon – Allemande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:57
29Overture in B-flat major from the opera Rodrigo, HWV 5: Ouverture
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel3:37
30Overture in B-flat major from the opera Rodrigo, HWV 5: Gigue
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel0:57
31Overture in B-flat major from the opera Rodrigo, HWV 5: Sarabande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel2:07
32Overture in B-flat major from the opera Rodrigo, HWV 5: Matelot
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel1:17
33Overture in B-flat major from the opera Rodrigo, HWV 5: Menuet
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel1:15
34Overture in B-flat major from the opera Rodrigo, HWV 5: Bourree
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel1:06
35Overture in B-flat major from the opera Rodrigo, HWV 5: [Air]
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel1:04
36Overture in B-flat major from the opera Rodrigo, HWV 5: Menuet
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel1:08
37Overture in B-flat major from the opera Rodrigo, HWV 5: Passacaille
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel4:00

Credits

Release

liner notes:Peter Holman
liner notes translator:Sylvia Pätsch
graphic design:Terry Shannon
executive producer:Edward Perry
Simon Perry
illustration:[anonymous]
booklet editor:Nick Flower
copyrighted (©) by:Hyperion Records Ltd, London (in 1998)
Discogs:https://www.discogs.com/release/4707173 [info]
ASIN:UK: B00000DLY5 [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67053 [info]