Messiah / Saul / Alexander's Feast / Ode on St Cecilia's day / Belshazzar

~ Release by Handel; Nikolaus Harnoncourt, Concentus Musicus Wien (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistLength
1Messiah, HWV 56: Part I: I. Symphony (Overture)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:37
2Messiah, HWV 56: Part I: II. Recitative "Comfort ye my people" (tenor)
tenor vocals:
Werner Hollweg (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:02
3Messiah, HWV 56: Part I: III. Air "Ev'ry valley shall be exalted" (tenor)
tenor vocals:
Werner Hollweg (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:47
4Messiah, HWV 56: Part I: IV. Chorus "And the glory of the Lord shall be revealed"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:31
5Messiah, HWV 56: Part I: V. Recitative "Thus saith the Lord" (bass)
bass vocals:
Roderick Kennedy (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:33
6Messiah, HWV 56: Part I: VI. Air "But who may abide the day of his coming" (alto)
alto vocals:
Marjana Lipovšek (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1982-11)
composer:
George Frideric Handel
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:08
7Messiah, HWV 56: Part I: VII. Chorus "And he shall purify the sons of Levi"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:13
8Messiah, HWV 56: Part I: VIII: Recitative "Behold, a virgin shall conceive, and bear a son" (alto)
alto vocals:
Marjana Lipovšek (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:32
9Messiah, HWV 56: Part I: IX: Air and Chorus "O though that tellest good tidings to Zion" (alto)
alto vocals:
Marjana Lipovšek (in 1982-11)
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:19
10Messiah, HWV 56: Part I: X: Recitative "For behold, darkness shall cover the earth" (bass)
bass vocals:
Roderick Kennedy (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:41
11Messiah, HWV 56: Part I: XI: Air "The people that walked in darknesshave seen a great light" (bass)
bass vocals:
Roderick Kennedy (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1982-11)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:27
12Messiah, HWV 56: Part I: XII: Chorus "For unto us a Child is born"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:08
13Messiah, HWV 56: Part I: XIII: Pifa (Pastoral Symphony)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:00
14Messiah, HWV 56: Part I: XIVa: Recitative "There were shepherds abiding in the field" (soprano)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
partial recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:14
15Messiah, HWV 56: Part I: XIVb: Recitative "And lo, the angel of the Lord came upon them" (soprano)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
partial recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:23
16Messiah, HWV 56: Part I: XV: Recitative "And the angel said unto them: Fear not" (soprano)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1982-11)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:37
17Messiah, HWV 56: Part I: XVI: Recitative "And suddenly there was with the angel a multitude of the heav'nly host" (soprano)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1982-11)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:18
18Messiah, HWV 56: Part I: XVII: Chorus "Glory to God in the highest"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:09
19Messiah, HWV 56: Part I: XVIII: Air "Rejoice greatly, o daughter of Zion" (soprano)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1982-11)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:44
20Messiah, HWV 56: Part I: XIX: Recitative "Then shall the eyes of the blind be opened" (alto)
alto vocals:
Marjana Lipovšek (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:36
21Messiah, HWV 56: Part I: XX: Air "He shall feed His flock like a shepherd" (soprano, alto)
alto vocals:
Marjana Lipovšek (in 1982-11)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1982-11)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:55
22Messiah, HWV 56: Part I: XXI: Chorus "His yoke is easy"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:54
23Messiah, HWV 56: Part II: XXII: Chorus "Behold the Lamb of God, that taketh away the sin of the world"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:49
24Messiah, HWV 56: Part II: XXIII: Air "He was despised and rejected of men" (alto)
alto vocals:
Marjana Lipovšek (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel11:55
2▼CD
#TitleArtistLength
1Messiah, HWV 56: Part II: XXIV: Chorus "Surely he hath borne our griefs and carried our sorrows"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:08
2Messiah, HWV 56: Part II: XXV: Chorus "And with his stripes we are healed"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:58
3Messiah, HWV 56: Part II: XXVI: Chorus "All we like sheep have gone astray"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:53
4Messiah, HWV 56: Part II: XXVII: Recitative "All they that see him laugh him to scorn" (tenor)
tenor vocals:
Werner Hollweg (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:52
5Messiah, HWV 56: Part II: XXVIII: Chorus "He trusted in God that he would deliver him"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:31
6Messiah, HWV 56: Part II: XXIX: Recitative "Thy rebuke hath broken his heart" (soprano)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:45
7Messiah, HWV 56: Part II: XXX: Air "Behold, and see if there be any sorrow like unto his sorrow" (soprano)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1982-11)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:29
8Messiah, HWV 56: Part II: XXXI: Recitative "He was cut off out of the land of the living" (tenor)
tenor vocals:
Werner Hollweg (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:31
9Messiah, HWV 56: Part II: XXXII: Air "But thou didst not leave his soul in hell" (tenor)
tenor vocals:
Werner Hollweg (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1982-11)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:45
10Messiah, HWV 56: Part II: XXXIII: Chorus "Lift up your heads, o ye gates"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:58
11Messiah, HWV 56: Part II: XXXIV: Recitative "Unto which of the angels said he at any time" (tenor)
tenor vocals:
Werner Hollweg (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:15
12Messiah, HWV 56: Part II: XXXV: Chorus "Let all the angels of God worship him"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:35
13Messiah, HWV 56: Part II: XXXVI: Air "Though art gone up on high, thou hast led captivity captive" (alto)
alto vocals:
Marjana Lipovšek (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1982-11)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:18
14Messiah, HWV 56: Part II: XXXVII: Chorus "The Lord gave the word: great was the company of the preachers"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:15
15Messiah, HWV 56: Part II: XXXVIII: Air "How beautiful are the feet of them that preach the gospel of peace" (soprano)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1982-11)
composer:
George Frideric Handel (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:13
16Messiah, HWV 56: Part II: XXXIX: Chorus "Their sound is gone out into all lands"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:25
17Messiah, HWV 56: Part II: XL: Air "Why do the nations so furiously rage together" (bass)
bass vocals:
Roderick Kennedy (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:07
18Messiah, HWV 56: Part II: XLI: Chorus "Let us break their bonds asunder"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:44
19Messiah, HWV 56: Part II: XLII: Recitative "He that dwelleth in heaven shall laugh them to scorn" (tenor)
tenor vocals:
Werner Hollweg (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:14
20Messiah, HWV 56: Part II: XLIII: Air "Thou shalt break them with a rod of iron" (tenor)
tenor vocals:
Werner Hollweg (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1982-11)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:59
21Messiah, HWV 56: Part II: XLIV: Chorus "Hallelujah"
choir vocals:
Stockholms kammarkör (in 1982-11)
vocals and performer:
Concentus Musicus Wien
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1983)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1982-11)
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:42
22Messiah, HWV 56: Part III: XLV: Air "I know that my Redeemer liveth" (soprano)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:01
23Messiah, HWV 56: Part III: XLVI: Chorus "Since by man came death"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:59
24Messiah, HWV 56: Part III: XLVII: Recitative: "Behold, I tell you a mystery" (bass)
bass vocals:
Roderick Kennedy (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:38
25Messiah, HWV 56: Part III: XLVIII: Air "The trumpet shall sound" (bass)
bass vocals:
Roderick Kennedy (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel9:12
26Messiah, HWV 56: Part III: XLIX: Recitative"Then shall be brought to pass the saying that is written" (alto)
alto vocals:
Marjana Lipovšek (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1982-11)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:19
27Messiah, HWV 56: Part III: L: Duet "O death, where is thy sting?" (alto, tenor)
alto vocals:
Marjana Lipovšek (in 1982-11)
tenor vocals:
Werner Hollweg (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:00
28Messiah, HWV 56: Part III: LI: Chorus "But thanks be to God, who giveth us the victory"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:06
29Messiah, HWV 56: Part III: LII: Air "If God be for us, who can be against us?" (soprano)
soprano vocals:
Elizabeth Gale (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:54
30Messiah, HWV 56: Part III: LIII: Chorus "Worthy is the Lamb that was slain"
choir vocals:
Stockholms kammarkör (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1982-11)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:32
3▼CD
#TitleArtistLength
1Saul: Symphony (Allegro - Larghetto - Allegro - Andante larghetto)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Symphony
composer:
George Frideric Handel (in 1738)
part of:
Saul, HWV 53
George Frideric Handel4:01
2Saul: Act 1, Scene 1: (Chorus) How excellent thy name, oh Lord
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene I, no. 2a. Chorus "How excellent Thy name, o Lord" (1st)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:50
3Saul: Act 1, Scene 1: (Air) An infant rais'd by thy command
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene I, no. 3. Air "An infant raised by thy command" (Soprano)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel1:36
4Saul: Act 1, Scene 1: (Trio) Along the monster atheist strode
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene I, no. 4. Trio "Along the monster atheist strode" (Alto, Tenor, Bass)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel1:02
5Saul: Act 1, Scene 1: (Chorus) The youth inspir'd by Thee, oh Lord
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene I, no. 5. "The Youth inspired by Thee, o Lord" (Soprano, Alto, Tenor, Bass)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel4:17
6Saul: Act 1, Scene 2: (Recitative) He comes
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene II, no. 6. Recitative "He comes, he comes" (Michal)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 7. Air "O God-like youth!" (Michal)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:04
7Saul: Act 1, Scene 2: (Recitative) Behold, oh King, the brave, victorious youth
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene II, no. 8. Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 9. Air "O king, your favours with delight" (David)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:46
8Saul: Act 1, Scene 2: (Recitative) Oh early piety!
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene II, no. 10. Recitative "Oh early piety!" (Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel0:28
9Saul: Act 1, Scene 2: (Air) What abject thoughts a prince can have
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene II, no. 11. Air "What abject thoughts a prince can have!" (Merab)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 12. Recitative "Yet think, on whom this honour you bestow" (Merab)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:27
10Saul: Act 1, Scene 2 (Air) Birth and fortune I despise!
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene II, no. 13. Air "Birth and fortune I despise" (Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 14. Recitative "Go on, illustrious pair!" (High Priest)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 15. Air "While yet thy tide of blood runs high" (High Priest)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel5:19
11Saul: Act 1, Scene 2: (Recitative) Though, Merab, first in birth
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene II, no. 16. Recitative "Thou, Merab, first in birth, be first in honour" (Saul, Merab)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 17. Air "My soul rejects the though with scorn" (Merab)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel1:50
12Saul: Act 1, Scene 2: (Air) See, with what a scornful air
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene II, no. 18. Air "See, with what a scornful air" (Michal)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 19. Air "Ah, lovely youth, wast thou designed" (Michal)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:04
13Saul: Act 1, Scene 2: Symphony
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene II, no. 20. Symphony: Andante Allegro
composer:
George Frideric Handel (in 1738)
part of:
Saul, HWV 53: Act I
George Frideric Handel1:08
14Saul: Act 1, Scene 3: (Recitative) Already see
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene II, no. 21. Recitative "Already see the daughters of the land" (Michal)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel0:16
15Saul: Act 1, Scene 3: (Chorus) Welcome, welcome mighty King!
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene III, no. 22. Chorus "Welcome, welcome, mighty king!"
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel1:34
16Saul: Act 1, Scene 3: (Accompagnato) What do I hear?
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene III, no. 23. Accompagnato "What do I hear?" (Saul)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 24. Chorus "David his ten thousands slew"
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 25. Accompagnato "To him ten thousands" (Saul)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 26. Air "With rage I shall start burst his praises to hear" (Saul)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:46
17Saul: Act 1, Scene 4: (Recitative) Imprudent women!
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene IV, no. 27. Recitative "Imprudent women!" (Jonathan, Michal)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene IV, no. 28. Air "Fell rage and black despair possessed" (Michal)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene IV, no. 29. Recitative "This but the smallest part of Harmony" (High Priest)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene IV, no. 30. Accompagnato "By thee this universal frame" (High Priest)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:40
18Saul: Act 1, Scene 5: (Recitative) Rack'd with infernal pains
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene V, no. 31. Recitative "Racked with infernal pains" (Abner)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel0:19
19Saul: Act 1, Scene 5: (Air) Oh Lord, whose mercies numberless
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene V, no. 32. Air "Oh Lord, whose mercies numberless" (David)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 33. Symphony: Largo
composer:
George Frideric Handel (in 1738)
part of:
Saul, HWV 53: Act I
George Frideric Handel3:20
20Saul: Act 1, Scene 5: (Recitative) T is all in vain
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene V, no. 34. Recitative "'Tis All In Vain, his fury still continues" (Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel0:19
21Saul: Act 1, Scene 5: (Air) A serpent, in my bosom warm'd
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene V, no. 35. Air "A serpent, in my bosom warned" (Saul)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 36. Recitative "Has he escaped my rage?" (Saul)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:36
22Saul: Act 1, Scene 5: (Air) Capricious man
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene V, no. 37. Air "Capricious man" (Merab)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel4:12
23Saul: Act 1, Scene 6: (Accompagnato) Oh filial piety!
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene VI, no. 38. Accompagnato "O filial piety!" (Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene VI, no. 39. Air "No, cruel father, no!" (Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene VI, no. 40. Air "O Lord, whose providence" (High Priest)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:13
24Saul: Act 1, Scene 6: (Chorus) Preserve him for the glory of thy name
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act I, Scene VI, no. 41. Chorus "Preserve him for the glory of Thy name"
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:36
25Saul: Act 2, Scene 1: (Chorus) Envy! eldest born of hell!
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act II, Scene I, no. 42. Chorus "Envy! Eldest born of hell!"
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel2:07
26Saul: Act 2, Scene 2: (Recitative) Ah! dearest friend
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act II, Scene II, no. 43. Recitative "Ah! Dearest friend" (Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene II, no. 44. Air "But sooner Jordan's stream, I swear" (Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene II, no. 45. Recitative "Oh strange vicissitude!" (David, Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene II, no. 46. Air "Such haughy beauties" (David)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene II, no. 47. Recitative "My father comes" (Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel3:23
27Saul: Act 2, Scene 3: (Recitative) Hast thou obey'd my orders
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act II, Scene III, no. 48. Recitative "Hast thou obeyed my orders" (Saul, Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene III, no. 49. Air "Sin not, o king, against the youth" (Jonathan)
lyricist:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel1:56
28Saul: Act 2, Scene 3: (Air) As great Jehovah lives
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act II, Scene III, no. 50. Air "As great Jehovah lives (Saul)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel1:16
29Saul: Act 2, Scene 3: (Air) From cities storm'd, and battles won
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt
recording of:
Saul, HWV 53: Act II, Scene III, no. 51. Air "From cities stormed, and battles won" (Jonathan)
composer:
George Frideric Handel (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel2:07
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD