The Complete Blue Note and Roost Recordings

~ Release by Bud Powell (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1I'll Remember April
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
I’ll Remember April (on 1947-01-10)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. and Universal Music Corp.
2:53
2Indiana
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1947-01-10)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd.
2:45
3Somebody Loves Me
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Somebody Loves Me (on 1947-01-10)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
2:55
4I Should Care
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
I Should Care (on 1947-01-10)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation, Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック
3:01
5Bud's Bubble
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
recording of:
Bud's Bubble (on 1947-01-10)
composer:
Bud Powell
2:36
6Off Minor
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
recording of:
Off Minor (on 1947-01-10)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
2:23
7Nice Work If You Can Get It
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Nice Work If You Can Get It (on 1947-01-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:20
8Everything Happens to Me
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Everything Happens to Me (on 1947-01-10)
lyricist:
Tom Adair
composer:
Matt Dennis
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation
sub-publisher:
ミュージック・セールス
2:41
9Bouncing With Bud (alternate take #1)
piano:
Bud Powell (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:05
10Bouncing With Bud (alternate take #2)
piano:
Bud Powell (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:14
11Bouncing With Bud
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:03
12Wail (alternate take)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Wail (on 1949-08-08)
composer:
Kenny Dorham and Bud Powell
publisher:
Patricia Music Publishing Corp
2:43
13Wail
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Wail (on 1949-08-08)
composer:
Kenny Dorham and Bud Powell
publisher:
Patricia Music Publishing Corp
3:06
14Dance of Infidels (alternate take)
piano:
Bud Powell (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:51
15Dance of Infidels
recorded in:
New York, New York, United States (on 1949-08-08)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:54
1652nd Street Theme
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
52nd Street Theme (on 1949-08-08)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
2:49
17You Go to My Head
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
instrumental recording of:
You Go to My Head (on 1949-08-08)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co., B. Feldman & Co. Ltd., EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros., Warner Bros. Music and Warner Bros. Music Corp.
3:15
18Ornithology
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker
publisher:
Marada Music Ltd.
2:23
19Ornithology (alternate take)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker
publisher:
Marada Music Ltd.
3:10
20Un Poco Loco (alternate take #1)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
3:50
21Un Poco Loco (alternate take #2)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:31
22Un Poco Loco
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:45
23Over the Rainbow
recording engineer:
Doug Hawkins
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1951-05-01)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music, EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
香港商百代音樂股份有限公司台灣分公司, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
2:56
2▼CD
#TitleLength
1A Night In Tunisia
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Night in Tunisia (instrumental) (on 1951-05-01)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing
4:16
2A Night in Tunisia (alternate take)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Night in Tunisia (instrumental) (on 1951-05-01)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing
3:52
3It Could Happen to You (alternate take)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
It Could Happen to You (on 1951-05-01)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
2:24
4It Could Happen To You
recording engineer:
Doug Hawkins
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
It Could Happen to You (on 1951-05-01)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
3:15
5Parisian Thoroughfare
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Parisian Thoroughfare (on 1951-05-01)
composer:
Bud Powell
3:26
6Autumn In New York
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
Autumn in New York (1934) (on 1953-08-14)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc.
2:55
7Reets And I
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Reets and I (on 1953-08-14)
composer:
Benny Harris
3:22
8Reets and I (alternate take)
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Reets and I (on 1953-08-14)
composer:
Benny Harris
2:33
9Sure Thing
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Sure Thing (on 1953-08-14)
composer:
Bud Powell
2:41
10Collard Greens and Black Eyed Peas (alternate take)
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Collard Greens and Black-Eyed Peas (on 1953-08-14)
composer:
Bud Powell
2:12
11Collard Greens and Black Eyed Peas
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Collard Greens and Black-Eyed Peas (on 1953-08-14)
composer:
Bud Powell
3:04
12Polka Dots And Moonbeams
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
Polka Dots and Moonbeams (on 1953-08-14)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
ABC Music Co., Bourne Co., Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation, My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部
4:03
13I Want To Be Happy
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1953-08-14)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
2:52
14Audrey
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Audrey (on 1953-08-14)
composer:
Bud Powell
2:57
15Glass Enclosure
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Glass Enclosure (on 1953-08-14)
composer:
Bud Powell
2:23
16Embraceable You
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
instrumental recording of:
Embraceable You (in 1953-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:51
17Burt Covers Bud
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
recording of:
Bean and the Boys (in 1953-09)
composer:
Coleman Hawkins
3:06
18My Heart Stood Still
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
instrumental recording of:
My Heart Stood Still (in 1953-09)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros., Warner Bros., Inc. and Warner Chappell Music Ltd.
part of:
One Dam Thing After Another
3:19
19You'd Be So Nice To Come Home To
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
instrumental recording of:
You’d Be So Nice to Come Home To (in 1953-09)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:40
20Bag's Groove
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
recording of:
Bags’ Groove (in 1953-09)
composer:
Milt Jackson
2:14
21My Devotion
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
instrumental recording of:
My Devotion (in 1953-09)
writer:
Roc Hillman and John Napton
3:04
22Stella By Starlight
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
instrumental recording of:
Stella by Starlight (in 1953-09)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young
composer:
Victor Young (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
2:09
23Woody 'n You
double bass:
George Duvivier (in 1953-09)
drums (drum set):
Art Taylor (in 1953-09)
piano:
Bud Powell (in 1953-09)
recording of:
Woody ’n’ You (in 1953-09)
composer:
Dizzy Gillespie
2:59
3▼CD
#TitleLength
1Blue Pearl
double bass:
Paul Chambers (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Blue Pearl (on 1957-08-03)
composer:
Bud Powell
3:49
2Blue Pearl (alternate take)
double bass:
Paul Chambers (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
recording of:
Blue Pearl (on 1957-08-03)
composer:
Bud Powell
4:04
3Keepin' In The Groove
double bass:
Paul Chambers (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Keepin’ in the Groove (on 1957-08-03)
composer:
Bud Powell
2:55
4Some Soul
double bass:
Paul Chambers (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Some Soul (on 1957-08-03)
composer:
Bud Powell
6:59
5Frantic Fancies
double bass:
Paul Chambers (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Frantic Fancies (on 1957-08-03)
composer:
Bud Powell
4:54
6Bud On Bach
piano:
Bud Powell (on 1957-08-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Bud on Bach (on 1957-08-03)
composer:
Bud Powell
2:31
7Idaho
double bass:
Paul Chambers (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
trombone:
Curtis Fuller (on 1957-08-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Idaho (on 1957-08-03)
lyricist and composer:
Jesse Stone
5:17
8Don't Blame Me
double bass:
Paul Chambers (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
trombone:
Curtis Fuller (on 1957-08-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-08-03)
instrumental recording of:
Don’t Blame Me (on 1957-08-03)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
EMI Robbins Catalog Inc. and Ireneadele Publishing
7:32
9Moose The Mooche
double bass:
Paul Chambers (on 1957-08-03)
drums (drum set):
Art Taylor (on 1957-08-03)
piano:
Bud Powell (on 1957-08-03)
trombone:
Curtis Fuller (on 1957-08-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-08-03)
recording of:
Moose the Mooche (on 1957-08-03)
composer:
Charlie Parker
publisher:
Atlantic Music Corp.
5:46
10John's Abbey (alternate take)
double bass:
Sam Jones (on 1958-05-24)
drums (drum set):
Philly Joe Jones (on 1958-05-24)
piano:
Bud Powell
recording of:
John's Abbey (on 1958-05-24)
composer:
Bud Powell
2:26
11Sub City (alternate take)
double bass:
Sam Jones (on 1958-05-24)
drums (drum set):
Philly Joe Jones (on 1958-05-24)
piano:
Bud Powell
recording of:
Sub City (on 1958-05-24)
composer:
Bud Powell
2:34
12Sub City
double bass:
Sam Jones (on 1958-05-24)
drums (drum set):
Philly Joe Jones (on 1958-05-24)
piano:
Bud Powell (on 1958-05-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1958-05-24)
recording of:
Sub City (on 1958-05-24)
composer:
Bud Powell
4:33
13John's Abbey
double bass:
Sam Jones (on 1958-05-24)
drums (drum set):
Philly Joe Jones (on 1958-05-24)
piano:
Bud Powell
recording of:
John's Abbey (on 1958-05-24)
composer:
Bud Powell
5:38
14Buster Rides Again
double bass:
Sam Jones (on 1958-05-24)
drums (drum set):
Philly Joe Jones (on 1958-05-24)
piano:
Bud Powell
recording of:
Buster Rides Again (on 1958-05-24)
composer:
Bud Powell
5:29
4▼CD
#TitleLength
1Dry Soul
double bass:
Sam Jones (on 1958-05-24)
drums (drum set):
Philly Joe Jones (on 1958-05-24)
piano:
Bud Powell
recording of:
Dry Soul (on 1958-05-24)
composer:
Bud Powell
6:43
2Marmalade
double bass:
Sam Jones (on 1958-05-24)
drums (drum set):
Philly Joe Jones (on 1958-05-24)
piano:
Bud Powell (on 1958-05-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1958-05-24)
recording of:
Marmalade (on 1958-05-24)
composer:
Bud Powell
4:31
3Monopoly
double bass:
Sam Jones (on 1958-05-24)
drums (drum set):
Philly Joe Jones (on 1958-05-24)
piano:
Bud Powell
recording of:
Monopoly (on 1958-05-24)
composer:
Bud Powell
4:51
4Time Waits
double bass:
Sam Jones (on 1958-05-24)
drums (drum set):
Philly Joe Jones (on 1958-05-24)
piano:
Bud Powell
recording of:
Time Waits (on 1958-05-24)
composer:
Bud Powell
5:06
5The Scene Changes
double bass:
Paul Chambers (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
The Scene Changes (on 1958-12-28)
composer:
Bud Powell
4:04
6Down With It
double bass:
Paul Chambers (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Down With It (on 1958-12-28)
composer:
Bud Powell
4:01
7Comin' Up (alternate take)
double bass:
Paul Chambers (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Comin' Up (on 1958-12-28)
composer:
Bud Powell
5:30
8Comin' Up
double bass:
Paul Chambers (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Comin' Up (on 1958-12-28)
composer:
Bud Powell
8:00
9Duid Deed
double bass:
Paul Chambers (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Duid Deed (on 1958-12-28)
composer:
Bud Powell
5:09
10Cleopatra's Dream
double bass:
Paul Chambers (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Cleopatra’s Dream (on 1958-12-28)
composer:
Bud Powell
4:24
11Gettin' There
double bass:
Paul Chambers (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Gettin' There (on 1958-12-28)
composer:
Bud Powell
5:05
12Crossin' The Channel
double bass:
Paul Chambers (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Crossin' the Channel (on 1958-12-28)
composer:
Bud Powell
3:32
13Danceland
double bass:
Paul Chambers (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Danceland (on 1958-12-28)
composer:
Bud Powell
3:45
14Borderick
double bass:
Paul Chambers (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Borderick (on 1958-12-28)
composer:
Bud Powell
2:01
15Like Someone In Love
double bass:
Pierre Michelot (on 1963-05-23)
drums (drum set):
Kenny Clarke (on 1963-05-23)
piano:
Bud Powell (on 1963-05-23)
instrumental recording of:
Like Someone in Love (on 1963-05-23)
lyricist:
Johnny Burke (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co., Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
6:18

Credits

Release

ASIN:US: B000005GYC [info]