The Symphonies

~ Release by Mahler; Chailly, Royal Concertgebouw Orchestra, RSO Berlin (see all versions of this release, 3 available)

Tracklist

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1▼CD
#TitleArtistLength
1Symphony no. 1 in D major: I. Langsam, schleppend · Im Anfang sehr gemächlich
recording engineer:
Jürgen Bulgrin (from 1995-05-19 until 1995-05-20) and Wolf‐Dieter Karwatky (from 1995-05-19 until 1995-05-20)
engineer:
Michael Miles
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Jenni Whiteside
orchestra:
Royal Concertgebouw Orchestra (from 1995-05-19 until 1995-05-20)
conductor:
Riccardo Chailly (from 1995-05-19 until 1995-05-20)
balance engineer:
John Pellowe
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1995-05-19 until 1995-05-20)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (from 1995-05-19 until 1995-05-20)
composer:
Gustav Mahler (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler16:35
2Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
recording engineer:
Jürgen Bulgrin (from 1995-05-19 until 1995-05-20) and Wolf‐Dieter Karwatky (from 1995-05-19 until 1995-05-20)
engineer:
Michael Miles
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Jenni Whiteside
orchestra:
Royal Concertgebouw Orchestra (from 1995-05-19 until 1995-05-20)
conductor:
Riccardo Chailly (from 1995-05-19 until 1995-05-20)
balance engineer:
John Pellowe
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1995-05-19 until 1995-05-20)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (from 1995-05-19 until 1995-05-20)
composer:
Gustav Mahler (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler8:30
3Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
recording engineer:
Jürgen Bulgrin (from 1995-05-19 until 1995-05-20) and Wolf‐Dieter Karwatky (from 1995-05-19 until 1995-05-20)
engineer:
Michael Miles
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Jenni Whiteside
orchestra:
Royal Concertgebouw Orchestra (from 1995-05-19 until 1995-05-20)
conductor:
Riccardo Chailly (from 1995-05-19 until 1995-05-20)
balance engineer:
John Pellowe
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1995-05-19 until 1995-05-20)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (from 1995-05-19 until 1995-05-20)
composer:
Gustav Mahler (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler11:02
4Symphony no. 1 in D major: IV. Stürmisch bewegt
recording engineer:
Jürgen Bulgrin (from 1995-05-19 until 1995-05-20) and Wolf‐Dieter Karwatky (from 1995-05-19 until 1995-05-20)
engineer:
Michael Miles
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Jenni Whiteside
orchestra:
Royal Concertgebouw Orchestra (from 1995-05-19 until 1995-05-20)
conductor:
Riccardo Chailly (from 1995-05-19 until 1995-05-20)
balance engineer:
John Pellowe
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1995-05-19 until 1995-05-20)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (from 1995-05-19 until 1995-05-20)
composer:
Gustav Mahler (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler21:07
5Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso: Mit durchaus ernstem und feierlichem Ausdruck
recording engineer:
Jürgen Bulgrin (from 2001-11-09 until 2001-11-13), Wolf‐Dieter Karwatky (from 2001-11-09 until 2001-11-13) and Graham Meek (from 2001-11-09 until 2001-11-13)
producer:
Andrew Cornall
editor:
Dagmar Birwe, Mark Buecker and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (from 2001-11-09 until 2001-11-13)
conductor:
Riccardo Chailly (from 2001-11-09 until 2001-11-13)
balance engineer:
Philip Siney
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2001-11-09 until 2001-11-13)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (from 2001-11-09 until 2001-11-13)
composer:
Gustav Mahler (from 1888 until 1894)
premiered at:
[concert]
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler23:11
2▼CD
#TitleArtistLength
1Symphony no. 2 in C minor “Resurrection”: II. Andante moderato: Sehr gemächlich
recording engineer:
Jürgen Bulgrin (from 2001-11-09 until 2001-11-13), Wolf‐Dieter Karwatky (from 2001-11-09 until 2001-11-13) and Graham Meek (from 2001-11-09 until 2001-11-13)
producer:
Andrew Cornall
editor:
Dagmar Birwe, Mark Buecker and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (from 2001-11-09 until 2001-11-13)
conductor:
Riccardo Chailly (from 2001-11-09 until 2001-11-13)
balance engineer:
Philip Siney
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2001-11-09 until 2001-11-13)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (from 2001-09-11 until 2001-09-13)
composer:
Gustav Mahler (from 1888 until 1894)
premiered at:
[concert]
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:52
2Symphony no. 2 in C minor “Resurrection”: III. In ruhig fliessender Bewegung
recording engineer:
Jürgen Bulgrin (from 2001-11-09 until 2001-11-13), Wolf‐Dieter Karwatky (from 2001-11-09 until 2001-11-13) and Graham Meek (from 2001-11-09 until 2001-11-13)
producer:
Andrew Cornall
editor:
Dagmar Birwe, Mark Buecker and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (from 2001-11-09 until 2001-11-13)
conductor:
Riccardo Chailly (from 2001-11-09 until 2001-11-13)
balance engineer:
Philip Siney
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2001-11-09 until 2001-11-13)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (from 2001-11-09 until 2001-11-13)
composer:
Gustav Mahler (from 1888 until 1894)
premiered at:
[concert]
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:48
3Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”: Sehr feierlich aber schlicht
recording engineer:
Jürgen Bulgrin (from 2001-11-09 until 2001-11-13), Wolf‐Dieter Karwatky (from 2001-11-09 until 2001-11-13) and Graham Meek (from 2001-11-09 until 2001-11-13)
producer:
Andrew Cornall
editor:
Dagmar Birwe, Mark Buecker and Ingmar Haas
mezzo-soprano vocals:
Petra Lang (from 2001-11-09 until 2001-11-13)
orchestra:
Royal Concertgebouw Orchestra (from 2001-11-09 until 2001-11-13)
conductor:
Riccardo Chailly (from 2001-11-09 until 2001-11-13)
balance engineer:
Philip Siney
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2001-11-09 until 2001-11-13)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (from 2001-11-09 until 2001-11-13)
composer:
Gustav Mahler (from 1888 until 1894)
librettist:
[anonymous]
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:35
4Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzos: Wild herausfahrend – Maestoso. Sehr zurückhaltend – Sehr langsam und gedehnt
recording engineer:
Jürgen Bulgrin (from 2001-11-09 until 2001-11-13), Wolf‐Dieter Karwatky (from 2001-11-09 until 2001-11-13) and Graham Meek (from 2001-11-09 until 2001-11-13)
producer:
Andrew Cornall
editor:
Dagmar Birwe, Mark Buecker and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (from 2001-11-09 until 2001-11-13)
conductor:
Riccardo Chailly (from 2001-11-09 until 2001-11-13)
balance engineer:
Philip Siney
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2001-11-09 until 2001-11-13)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 2001-11-09 until 2001-11-13)
composer:
Gustav Mahler (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler21:47
5Symphony no. 2 in C minor “Resurrection”: V. “Aufersteh’n, ja aufersteh’n wirst du”: Langsam, misterioso – “O glaube, mein Herz, o glaube”: Etwas bewegter
recording engineer:
Jürgen Bulgrin (from 2001-11-09 until 2001-11-13), Wolf‐Dieter Karwatky (from 2001-11-09 until 2001-11-13) and Graham Meek (from 2001-11-09 until 2001-11-13)
producer:
Andrew Cornall
editor:
Dagmar Birwe, Mark Buecker and Ingmar Haas
choir vocals:
Prague Philharmonic Chorus (from 2001-11-09 until 2001-11-13)
mezzo-soprano vocals:
Petra Lang (from 2001-11-09 until 2001-11-13)
soprano vocals:
Melanie Diener (from 2001-11-09 until 2001-11-13)
orchestra:
Royal Concertgebouw Orchestra (from 2001-11-09 until 2001-11-13)
conductor:
Riccardo Chailly (from 2001-11-09 until 2001-11-13)
chorus master:
Jaroslav Brych (from 2001-11-09 until 2001-11-13)
balance engineer:
Philip Siney
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2001-11-09 until 2001-11-13)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 2001-11-09 until 2001-11-13)
composer:
Gustav Mahler (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler15:46
3▼CD
#TitleArtistLength
1Symphony no. 3 in D minor: I. Kräftig – Entschieden
recording engineer:
Andrew Halifax (from 2003-05-05 until 2003-05-09)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Ian Watson and Jenni Whiteside
trombone:
Ivan Meylemans (from 2003-05-05 until 2003-05-09)
orchestra:
Royal Concertgebouw Orchestra (from 2003-05-05 until 2003-05-09)
conductor:
Riccardo Chailly (from 2003-05-05 until 2003-05-09)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2003-05-05 until 2003-05-09)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (from 2003-05-05 until 2003-05-09)
composer:
Gustav Mahler (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler35:01
2Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mässig
recording engineer:
Andrew Halifax (from 2003-05-05 until 2003-05-09)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Ian Watson and Jenni Whiteside
post horn:
Frits Damrow (from 2003-05-05 until 2003-05-09)
orchestra:
Royal Concertgebouw Orchestra (from 2003-05-05 until 2003-05-09)
conductor:
Riccardo Chailly (from 2003-05-05 until 2003-05-09)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2003-05-05 until 2003-05-09)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (from 2003-05-05 until 2003-05-09)
composer:
Gustav Mahler (from 1893 until 1896)
premiered at:
[concert]
part of:
Symphony no. 3 in D minor
Gustav Mahler9:45
3Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast
recording engineer:
Andrew Halifax (from 2003-05-05 until 2003-05-09)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Ian Watson and Jenni Whiteside
orchestra:
Royal Concertgebouw Orchestra (from 2003-05-05 until 2003-05-09)
conductor:
Riccardo Chailly (from 2003-05-05 until 2003-05-09)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2003-05-05 until 2003-05-09)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (from 2003-05-05 until 2003-05-09)
composer:
Gustav Mahler (from 1893 until 1896)
premiered at:
[concert]
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler17:18
4Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso: “O Mensch! Gib Acht”
recording engineer:
Andrew Halifax (from 2003-05-05 until 2003-05-09)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Ian Watson and Jenni Whiteside
mezzo-soprano vocals:
Petra Lang (from 2003-05-05 until 2003-05-09)
orchestra:
Royal Concertgebouw Orchestra (from 2003-05-05 until 2003-05-09)
conductor:
Riccardo Chailly (from 2003-05-05 until 2003-05-09)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2003-05-05 until 2003-05-09)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (from 2003-05-05 until 2003-05-09)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler10:09
5Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: “Bimm bamm … Es sungen drei Engel”
recording engineer:
Andrew Halifax (from 2003-05-05 until 2003-05-09)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Ian Watson and Jenni Whiteside
choir vocals:
Nationaal Kinderkoor (from 2003-05-05 until 2003-05-09) and Pražský filharmonický sbor (from 2003-05-05 until 2003-05-09)
mezzo-soprano vocals:
Petra Lang (from 2003-05-05 until 2003-05-09)
orchestra:
Royal Concertgebouw Orchestra (from 2003-05-05 until 2003-05-09)
conductor:
Riccardo Chailly (from 2003-05-05 until 2003-05-09)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2003-05-05 until 2003-05-09)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (from 2003-05-05 until 2003-05-09)
composer:
Gustav Mahler (from 1893 until 1896)
arrangement of:
Des Knaben Wunderhorn: Es sungen drei Engel
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:19
4▼CD
#TitleArtistLength
1Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden
recording engineer:
Andrew Halifax (from 2003-05-05 until 2003-05-09)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Ian Watson and Jenni Whiteside
choir vocals:
Pražský filharmonický sbor (from 2003-05-09 to present) and Nationaal Kinderkoor (from 2003-05-05 until 2003-05-09)
mezzo-soprano vocals:
Petra Lang (from 2003-05-05 until 2003-05-09)
orchestra:
Royal Concertgebouw Orchestra (from 2003-05-05 until 2003-05-09)
conductor:
Riccardo Chailly (from 2003-05-05 until 2003-05-09)
chorus master:
Wilma ten Wolde (from 2003-05-05 until 2003-05-09)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2003-05-05 until 2003-05-09)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (from 2003-05-05 until 2003-05-09)
composer:
Gustav Mahler (from 1893 until 1896)
premiered at:
[concert]
part of:
Symphony no. 3 in D minor
Gustav Mahler23:00
2Symphony no. 4 in G major: I. Bedächtig. Nicht eilen
recording engineer:
Jürgen Bulgrin (from 1999-09-06 until 1999-09-24), Stanley Goodall (from 1999-09-16 until 1999-09-24), Andrew Halifax (from 1999-09-16 until 1999-09-24), Wolf‐Dieter Karwatky (from 1999-09-16 until 1999-09-24) and Philip Siney (from 1999-09-16 until 1999-09-24)
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (from 1999-09-16 until 1999-09-24)
conductor:
Riccardo Chailly (from 1999-09-16 until 1999-09-24)
balance engineer:
Jonathan Stokes (from 1999-09-16 until 1999-09-24)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-09-16 until 1999-09-24)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (from 1999-09-16 until 1999-09-24)
composer:
Gustav Mahler (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler18:11
3Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
recording engineer:
Wolf‐Dieter Karwatky, Jürgen Bulgrin (from 1999-09-16 until 1999-09-24), Andrew Halifax (from 1999-09-16 until 1999-09-24), Philip Siney (from 1999-09-16 until 1999-09-24) and Stanley Goodall (from 1999-09-19 until 1999-09-24)
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (from 1999-09-16 until 1999-09-24)
conductor:
Riccardo Chailly (from 1999-09-16 until 1999-09-24)
balance engineer:
Jonathan Stokes (from 1999-09-16 until 1999-09-24)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-09-16 until 1999-09-24)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (from 1999-09-16 until 1999-09-24)
composer:
Gustav Mahler (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler9:39
4Symphony no. 4 in G major: III. Ruhevoll
recording engineer:
Jürgen Bulgrin (from 1999-09-16 until 1999-09-24), Stanley Goodall (from 1999-09-16 until 1999-09-24), Andrew Halifax (from 1999-09-16 until 1999-09-24), Wolf‐Dieter Karwatky (from 1999-09-16 until 1999-09-24) and Philip Siney (from 1999-09-16 until 1999-09-24)
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (from 1999-09-16 until 1999-09-24)
conductor:
Riccardo Chailly (from 1999-09-16 until 1999-09-24)
balance engineer:
Jonathan Stokes (from 1999-09-16 until 1999-09-24)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-09-16 until 1999-09-24)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (from 1999-09-16 until 1999-09-24)
composer:
Gustav Mahler (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler20:43
5Symphony no. 4 in G major: IV. Sehr behaglich “Das himmlische Leben”
recording engineer:
Jürgen Bulgrin (from 1999-09-16 until 1999-09-24), Stanley Goodall (from 1999-09-16 until 1999-09-24), Andrew Halifax (from 1999-09-16 until 1999-09-24), Wolf‐Dieter Karwatky (from 1999-09-16 until 1999-09-24) and Philip Siney (from 1999-09-16 until 1999-09-24)
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
solo violin and violin:
Alexander Kerr (from 1999-09-16 until 1999-09-24)
soprano vocals:
Barbara Bonney (from 1999-09-16 until 1999-09-24)
orchestra:
Royal Concertgebouw Orchestra (from 1999-09-16 until 1999-09-24)
conductor:
Riccardo Chailly (from 1999-09-16 until 1999-09-24)
balance engineer:
Jonathan Stokes (from 1999-09-16 until 1999-09-24)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-09-16 until 1999-09-24)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (from 1999-09-16 until 1999-09-24)
composer:
Gustav Mahler (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler9:43
5▼CD
#TitleArtistLength
1Symphony no. 5 in C‐sharp minor: Part I: I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt
recording engineer:
Jürgen Bulgrin (in 1997-10) and Wolf‐Dieter Karwatky (in 1997-10)
engineer:
Graham Meek
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Ian Watson
trumpet:
Peter Masseurs (in 1997-10)
orchestra:
Royal Concertgebouw Orchestra (in 1997-10)
conductor:
Riccardo Chailly (in 1997-10)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1997-10)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (in 1997-10)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:51
2Symphony no. 5 in C‐sharp minor: Part I: II. Stürmisch bewegt: Mit größter Vehemenz
recording engineer:
Jürgen Bulgrin (in 1997-10) and Wolf‐Dieter Karwatky (in 1997-10)
engineer:
Graham Meek
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Ian Watson
orchestra:
Royal Concertgebouw Orchestra (in 1997-10)
conductor:
Riccardo Chailly (in 1997-10)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1997-10)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (in 1997-10)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:11
3Symphony no. 5 in C‐sharp minor: Part II: III. Scherzo: Kräftig, nicht zu schnell
recording engineer:
Jürgen Bulgrin (in 1997-10) and Wolf‐Dieter Karwatky (in 1997-10)
engineer:
Graham Meek
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Ian Watson
horn:
Jacob Slagter (in 1997-10)
orchestra:
Royal Concertgebouw Orchestra (in 1997-10)
conductor:
Riccardo Chailly (in 1997-10)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1997-10)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (in 1997-10)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler17:55
4Symphony no. 5 in C‐sharp minor: Part III: IV. Adagietto: Sehr langsam
recording engineer:
Jürgen Bulgrin (in 1997-10) and Wolf‐Dieter Karwatky (in 1997-10)
engineer:
Graham Meek
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Ian Watson
orchestra:
Royal Concertgebouw Orchestra (in 1997-10)
conductor:
Riccardo Chailly (in 1997-10)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1997-10)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1997-10)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:20
5Symphony no. 5 in C‐sharp minor: Part III: V. Rondo‐Finale: Allegro
recording engineer:
Wolf‐Dieter Karwatky and Jürgen Bulgrin (in 1997-10)
engineer:
Graham Meek
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Ian Watson
orchestra:
Royal Concertgebouw Orchestra (in 1997-10)
conductor:
Riccardo Chailly (in 1997-10)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1997-10)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (in 1997-10)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:24
6▼CD
#TitleArtistLength
1Symphony no. 6 in A minor: I. Allegro energico, ma non troppo.
recording engineer:
Jürgen Bulgrin (in 1989-10) and Wolf‐Dieter Karwatky (in 1989-10)
engineer and balance engineer:
John Dunkerley
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Jenni Whiteside
orchestra:
Royal Concertgebouw Orchestra (in 1989-10)
conductor:
Riccardo Chailly (in 1989-10)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1989-10)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (in 1989-10)
composer:
Gustav Mahler (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler25:35
2Symphony no. 6 in A minor: II. Scherzo: Wuchtig
recording engineer:
Jürgen Bulgrin (in 1989-10) and Wolf‐Dieter Karwatky (in 1989-10)
engineer and balance engineer:
John Dunkerley
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Jenni Whiteside
orchestra:
Royal Concertgebouw Orchestra (in 1989-10)
conductor:
Riccardo Chailly (in 1989-10)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1989-10)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (in 1989-10)
composer:
Gustav Mahler (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler13:21
3Symphony no. 6 in A minor: III. Andante moderato
recording engineer:
Jürgen Bulgrin (in 1989-10) and Wolf‐Dieter Karwatky (in 1989-10)
engineer and balance engineer:
John Dunkerley
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Jenni Whiteside
orchestra:
Royal Concertgebouw Orchestra (in 1989-10)
conductor:
Riccardo Chailly (in 1989-10)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1989-10)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (in 1989-10)
composer:
Gustav Mahler (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler14:47
7▼CD
#TitleArtistLength
1Symphony no. 6 in A minor: IV. Finale: Allegro moderato
recording engineer:
Jürgen Bulgrin (in 1989-10) and Wolf‐Dieter Karwatky (in 1989-10)
engineer and balance engineer:
John Dunkerley
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas and Jenni Whiteside
orchestra:
Royal Concertgebouw Orchestra (in 1989-10)
conductor:
Riccardo Chailly (in 1989-10)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1989-10)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (in 1989-10)
composer:
Gustav Mahler (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler31:12
2Symphony no. 7 in E minor: I. Langsam – Allegro
recording engineer:
Jürgen Bulgrin (in 1994-04), John Dunkerley (in 1994-04) and Wolf‐Dieter Karwatky (in 1994-04)
producer:
Andrew Cornall
editor:
Dagmar Birwe, Sally Drew and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (in 1994-04)
conductor:
Riccardo Chailly (in 1994-04)
balance engineer:
John Dunkerley
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (in 1994-04)
composer:
Gustav Mahler (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler24:53
3Symphony no. 7 in E minor: II. Nachtmusik I: Allegro moderato
recording engineer:
Jürgen Bulgrin (in 1994-04), John Dunkerley (in 1994-04) and Wolf‐Dieter Karwatky (in 1994-04)
producer:
Andrew Cornall
editor:
Dagmar Birwe, Sally Drew and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (in 1994-04)
conductor:
Riccardo Chailly (in 1994-04)
balance engineer:
John Dunkerley
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (in 1994-04)
composer:
Gustav Mahler (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler16:19
8▼CD
#TitleArtistLength
1Symphony no. 7 in E minor: III. Scherzo: Schattenhaft
recording engineer:
Jürgen Bulgrin (in 1994-04), John Dunkerley (in 1994-04) and Wolf‐Dieter Karwatky (in 1994-04)
producer:
Andrew Cornall
editor:
Dagmar Birwe, Sally Drew and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (in 1994-04)
conductor:
Riccardo Chailly (in 1994-04)
balance engineer:
John Dunkerley
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04, in 1994-07)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (in 1994-04)
composer:
Gustav Mahler (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler10:31
2Symphony no. 7 in E minor: IV. Nachtmusik II: Andante amoroso
recording engineer:
Jürgen Bulgrin (in 1994-04), John Dunkerley (in 1994-04) and Wolf‐Dieter Karwatky (in 1994-04)
producer:
Andrew Cornall
editor:
Dagmar Birwe, Sally Drew and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (in 1994-04)
conductor:
Riccardo Chailly (in 1994-04)
balance engineer:
John Dunkerley
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (in 1994-04)
composer:
Gustav Mahler (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler13:40
3Symphony no. 7 in E minor: V. Rondo‐Finale: Allegro ordinario · Allegro moderato ma energico
recording engineer:
Jürgen Bulgrin (in 1994-04), John Dunkerley (in 1994-04) and Wolf‐Dieter Karwatky (in 1994-04)
engineer:
John Dunkerley
producer:
Andrew Cornall
editor:
Dagmar Birwe, Sally Drew and Ingmar Haas
orchestra:
Royal Concertgebouw Orchestra (in 1994-04)
conductor:
Riccardo Chailly (in 1994-04)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (in 1994-04)
composer:
Gustav Mahler (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler19:02
4Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Veni, creator spiritus
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
engineer:
Philip Siney
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:42
5Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Imple superna gratia
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
solo baritone vocals:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto I]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto II]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano I]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano II]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano III]:
Ruth Ziesak (in 2000-01)
solo tenor vocals:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:59
6Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Infirma nostri corporis
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
solo baritone vocals:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto I]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto II]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano I]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano II]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano III]:
Ruth Ziesak (in 2000-01)
solo tenor vocals:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler6:26
7Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Accende lumen sensibus
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20), Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
solo baritone vocals:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto I]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto II]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano I]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano II]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano III]:
Ruth Ziesak (in 2000-01)
solo tenor vocals:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler5:09
8Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Veni, creator spiritis
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Sacramentskoor Breda (in 2000-01), Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20), Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
mezzo-soprano vocals:
Sara Fulgoni (in 2000-01)
solo baritone vocals:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto I]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto II]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano I]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano II]:
Anne Schwanewilms (from 0200-01-17 until 2000-01-20)
solo soprano vocals [Soprano III]:
Ruth Ziesak (in 2000-01)
solo tenor vocals:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:24
9Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Gloria sit Patri Domino
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Kathedrale Koor St. Bavo (in 2000-01), Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20), Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
solo baritone vocals:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto I]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto II]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo tenor vocals:
Ben Heppner (from 2000-01-17 until 2000-01-20)
soprano vocals [Soprano I]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
soprano vocals [Soprano II]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
soprano vocals [Soprano III]:
Ruth Ziesak (in 2000-01)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:47
9▼CD
#TitleArtistLength
1Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Poco adagio – Waldung, sie schwant heran (Chor Und Echo)
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler14:07
2Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Ewiner Wonnebrand (Pater Ecstaticus)
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
solo baritone vocals [Pater Ecstaticus]:
Peter Mattei (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:33
3Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Wie Felsenabgrund mir zu Füßen (Pater Profundus)
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
solo bass vocals [Pater Profundus]:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:47
4Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Gerettet ist das edle Glied (Engel)
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall (from 2000-01-17 until 2000-01-20)
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
violin:
Веско Ешкенази (in 2000-01)
choir vocals:
Kathedrale Koor St. Bavo (in 2000-01), Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20), Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:33
5Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Uns bleibt ein Erdenrest – Hier ist die Aussicht frei (Die Vollendeteren Engel — Doctor Marianus, Die Jüngeren Engel)
recording engineer:
Jürgen Bulgrin (from 0200-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
violin:
Веско Ешкенази (in 2000-01)
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20), Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
solo alto vocals:
Sara Fulgoni (in 2000-01)
orchestra:
Royal Concertgebouw Orchestra (from 0200-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:11
6Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Höchste Herrscherin der Welt (Doctor Marianus)
recording engineer:
Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
violin:
Веско Ешкенази (in 2000-01)
choir vocals:
Pražský filharmonický sbor (in 2000-01, from 2000-01-17 until 2000-01-20) and Groot Omroepkoor (from 2000-01-17 until 2000-01-20)
solo tenor vocals [Doctor Marianus]:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2000-01, from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:34
7Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Dir, der Unberührbaren (Chor)
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
violin:
Веско Ешкенази (in 2000-01)
choir vocals:
Pražský filharmonický sbor (in 2000-01, from 2000-01-17 until 2000-01-20) and Groot Omroepkoor (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Una Poenitentium]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 2000-01-07 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:39
8Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Bei der Liebe, die den Fußen (Magna Peccatrix)
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
violin:
Веско Ешкенази (in 2000-01)
solo contralto vocals [Maria Aegyptiaca]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Mulier Samaritana]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Magna Peccatrix]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:39
9Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Neige, neige, du Ohnegleiche (Una Poenitentium (Gretchen))
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20) and Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Una Poenitentium]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:22
10Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Komm! Hebe dich (Mater Gloriosa)
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Mater Gloriosa]:
Ruth Ziesak (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:20
11Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Blicket auf zum Retterblick (Doctor Marianus, Chor)
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 0200-01-17 until 2000-01-20), Pražský filharmonický sbor (from 0200-01-17 until 2000-01-20), Sacramentskoor Breda (from 0200-01-17 until 2000-01-20) and Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20)
solo tenor vocals [Doctor Marianus]:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 0200-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Martin Wright (from 0200-01-17 until 2000-01-20) and Jaroslav Brych (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 0200-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:55
12Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Alles Vergängliche (Chorus Mysticus)
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Pražský filharmonický sbor (from 0200-01-17 until 2000-01-20), Sacramentskoor Breda (in 2000-01), Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20) and Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20)
solo baritone vocals [Pater Ecstaticus]:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals [Pater Profundus]:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Maria Aegyptica]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Mulier Samaritana]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Magna Peccatrix]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Una Poenitentium]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
solo tenor vocals [Doctor Marianus]:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:52
10▼CD
#TitleArtistLength
1Symphony no. 9 in D major: I. Andante comodo
recording engineer:
Jürgen Bulgrin (from 2004-06-14 until 2004-06-18), Stanley Goodall (from 2004-06-14 until 2004-06-18), Wolf‐Dieter Karwatky (from 2004-06-14 until 2004-06-18) and Philip Siney (from 2004-06-14 until 2004-06-18)
engineer:
Philip Siney
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe, Ingmar Haas, Ian Watson and Jenni Whiteside
orchestra:
Royal Concertgebouw Orchestra (from 2004-06-14 until 2004-06-18)
conductor:
Riccardo Chailly (from 2004-06-14 until 2004-06-18)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2004-06-14 until 2004-06-18)
recording of:
Symphony no. 9 in D major: I. Andante comodo (from 2004-06-14 until 2004-06-18)
composer:
Gustav Mahler (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler30:32
11▶CD
12▶CD