Elisabeth Schwarzkopf chante Mozart

~ Release by Mozart; Elisabeth Schwarzkopf (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Les Noces de Figaro « Non so più » (Chérubin)
soprano vocals [Cherubino]:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:47
2Les Noces de Figaro « Voi che sapete » (Chérubin)
soprano vocals:
Elisabeth Schwarzkopf
orchestra:
Philharmonia Orchestra
conductor:
Sir John Pritchard
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:07
3Les Noces de Figaro « Porgi, amor » (la Comtesse)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:22
4Les Noces de Figaro « Dove sono » (la Comtesse)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-09-09 until 1952-09-16)
orchestra:
Philharmonia Orchestra (from 1952-09-09 until 1952-09-16)
conductor:
Sir John Pritchard (from 1952-09-09 until 1952-09-16)
balance engineer:
Douglas Larter (from 1952-09-09 until 1952-09-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-09-09 until 1952-09-16)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 1952-09-09 until 1952-09-16)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:03
5Les Noces de Figaro « Giunse alfin il momento... » (Susanne)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:25
6Don Giovanni « Batti, batti... » (Zerline)
soprano vocals [Zerlina]:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:40
7Don Giovanni « Vedrai, carino » (Zerline)
soprano vocals [Zerlina]:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:40
8Don Giovanni « In quali eccessi... » (Elvire)
soprano vocals:
Elisabeth Schwarzkopf
orchestra:
Philharmonia Orchestra
conductor:
Josef Krips
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart7:00
9La Betulia Liberata « Non hai cor » (Amital)
soprano vocals:
Elisabeth Schwarzkopf (in 1952)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1952)
conductor:
Mario Rossi (in 1952)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 3. Aria "Non hai cor" (Amital)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
Wolfgang Amadeus Mozart4:21
10Idoménée « Zeffiretti lusinghieri » (Illia)
soprano vocals [Ilia]:
Elisabeth Schwarzkopf (from 1952-09-09 until 1952-09-16)
orchestra:
Philharmonia Orchestra (from 1952-09-09 until 1952-09-16)
conductor:
Sir John Pritchard (from 1952-09-09 until 1952-09-16)
balance engineer:
Douglas Larter (from 1952-09-09 until 1952-09-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-09-09 until 1952-09-16)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) (from 1952-09-09 until 1952-09-16)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart6:05
11L'Enlèvement au sérail « Martern aller Arten » (Constance)
soprano vocals:
Elisabeth Schwarzkopf (on 1946-10-23)
orchestra:
Wiener Philharmoniker (on 1946-10-23)
conductor:
Herbert von Karajan (on 1946-10-23)
balance engineer:
Douglas Larter (on 1946-10-23)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1981)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (on 1946-10-23)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (on 1946-10-23)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:57
12Exultate, jubilate, K. 165: Allegro, [recitativo], andante, allegro
soprano vocals:
Elisabeth Schwarzkopf (from 1948-05-26 until 1948-05-28)
orchestra:
Philharmonia Orchestra
conductor:
Walter Süsskind
compilation of:
Exsultate, jubilate, K. 165: "Exsultate, jubilate" by Elisabeth Schwarzkopf, Sir George Thomas Thalben-Ball, Philharmonia Orchestra, Walter Süsskind, Exsultate, jubilate, K. 165: Recit. "Fulget amicadies" by Elisabeth Schwarzkopf, Sir George Thomas Thalben-Ball, Philharmonia Orchestra, Walter Süsskind, Exsultate, jubilate, K. 165: "Tu virginum corona" by Elisabeth Schwarzkopf, Sir George Thomas Thalben-Ball, Philharmonia Orchestra, Walter Süsskind and Exsultate, jubilate, K. 165: "Alleluja" by Elisabeth Schwarzkopf, Sir George Thomas Thalben-Ball, Philharmonia Orchestra, Walter Süsskind
recording of:
Exsultate, jubilate, K. 158a/165
composer:
Wolfgang Amadeus Mozart (in 1773)
part of:
Köchelverzeichnis (number: 165) and Köchelverzeichnis (number: 158a)
Wolfgang Amadeus Mozart16:37

Credits

Release

part of:Les Enregistrements Mythiques (number: 5) (order: 5)
Discogs:https://www.discogs.com/release/29429794 [info]