The Definitive Collection: The Dock of the Bay

~ Release by Otis Redding (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleLength
1Respect
recorded in:
Memphis, Tennessee, United States (on 1965-07-09)
recording engineer:
Tom Dowd
producer:
Steve Cropper and Jim Stewart
baritone saxophone:
Floyd Newman (on 1965-07-09)
bass guitar:
Donald “Duck” Dunn (on 1965-07-09)
drums (drum set):
Al Jackson, Jr. (on 1965-07-09)
guitar:
Steve Cropper (on 1965-07-09)
keyboard:
Booker T. Jones (in 1965-07) and Isaac Hayes (on 1965-07-09)
tenor saxophone:
Andrew Love (on 1965-07-09)
trumpet:
Gene “Bowlegs” Miller (in 1965-07) and Wayne Jackson (on 1965-07-09)
background vocals:
Earl Sims (on 1965-07-09)
recorded at:
Stax Studios in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
recording of:
Respect (in 1965-07)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
2:10
2Mr. Pitiful
recorded in:
Memphis, Tennessee, United States (on 1964-12-28)
producer:
Jim Stewart
baritone saxophone:
Floyd Newman (on 1964-12-28)
bass guitar [bass]:
Duck Dunn (on 1964-12-28)
drums (drum set) [drums]:
Al Jackson (on 1964-12-28)
guitar:
Steve Cropper (on 1964-12-28)
piano:
Booker T. Jones (on 1964-12-28)
tenor saxophone:
Charles “Packy” Axton (on 1964-12-28)
trumpet:
Sammy Coleman (on 1964-12-28)
vocals:
Otis Redding (on 1964-12-28)
recording of:
Mr. Pitiful (on 1964-12-28)
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
2:40
3Love Man
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn
drums (drum set):
Al Jackson, Jr.
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Love Man
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc.
2:20
4(I Can’t Get No) Satisfaction
recording engineer:
Tom Dowd
producer:
Jim Stewart
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (in 1965-07)
drums (drum set):
Al Jackson, Jr. (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (in 1965-07) and Gene “Bowlegs” Miller (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
cover recording of:
(I Can’t Get No) Satisfaction (in 1965-07)
writer:
Mick Jagger and Keith Richards
publisher:
ABKCO Music, Inc., BMG VM Music Ltd. and Essex Music International
2:48
5Security
producer:
Jim Stewart
baritone saxophone:
Floyd Newman
bass guitar:
Donald “Duck” Dunn
drums (drum set):
Al Jackson, Jr.
guitar:
Steve Cropper
organ and piano:
Booker T. Jones
tenor saxophone:
Charles “Packy” Axton
trumpet:
Wayne Jackson
vocals:
Otis Redding
recording of:
Security
lyricist and composer:
Otis Redding
2:35
6I Can’t Turn You Loose
producer:
Steve Cropper, Otis Redding and Jim Stewart
recording of:
I Can’t Turn You Loose
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc., Shapiro Bernstein & Co. Ltd., East/Memphis Music Corp. (from 1969 to ????) and Time Music (from 1969 to ????)
2:40
7Shake
cover recording of:
Shake (Sam Cooke song)
lyricist and composer:
Sam Cooke
publisher:
ABKCO Music Ltd.
2:41
8Hard to Handle
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn
drums (drum set):
Al Jackson, Jr.
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Hard to Handle
writer:
Allen Jones, Alvertis Isbell and Otis Redding
publisher:
Irving Music, Carlin Music Corporation (in 1968) and Irving Music, Inc. (in 1968)
2:21
9Tramp
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Steve Cropper and Jim Stewart
drums (drum set):
Al Jackson (from 1967-01 until 1967-02)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
keyboard:
Isaac Hayes (from 1967-01 until 1967-02) and Booker T. Jones (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (from 1967-01 until 1967-02)
background vocals:
Carla Thomas (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
performer:
Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Tramp (from 1967-01 until 1967-02)
writer:
Lowell Fulson and Jimmy McCracklin
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. and Powerforce Music
2:58
10Fa‐Fa‐Fa‐Fa‐Fa (Sad Song)
recording of:
Fa‐Fa‐Fa‐Fa‐Fa (Sad Song)
writer:
Steve Cropper and Otis Redding
2:43
11My Lover’s Prayer
recorded in:
Memphis, Tennessee, United States (on 1966-05-03)
producer:
Jim Stewart
baritone saxophone:
Floyd Newman (on 1966-05-03)
bass [electric bass]:
Donald “Duck” Dunn (on 1966-05-03)
drums (drum set):
Al Jackson (on 1966-05-03)
guitar:
Steve Cropper (on 1966-05-03)
keyboard [piano, organ]:
Isaac Hayes (on 1966-05-03)
tenor saxophone:
Charles Axton (on 1966-05-03)
trumpet:
Sammy Coleman (on 1966-05-03) and Gene “Bowlegs” Miller (on 1966-05-03)
vocals:
Otis Redding (on 1966-05-03)
recording of:
My Lover’s Prayer (on 1966-05-03)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc.
3:09
12These Arms of Mine
recorded in:
Memphis, Tennessee, United States (in 1962-10)
producer:
Jim Stewart
baritone saxophone:
Floyd Newman (in 1962-10)
bass guitar:
Lewie Steinberg (in 1962-10)
drums (drum set):
Al Jackson, Jr. (in 1962-10)
guitar:
Steve Cropper (in 1962-10) and Johnny Jenkins (in 1962-10)
organ:
Booker T. Jones (in 1962-10)
piano:
Steve Cropper (in 1962-10)
tenor saxophone:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc. and Regent Music Corp.
2:34
13That’s How Strong My Love Is
producer:
Jim Stewart
cover recording of:
That’s How Strong My Love Is
lyricist and composer:
Roosevelt Jamison
publisher:
Three Wise Boys Music LLC
2:29
14Cigarettes and Coffee
cover recording of:
Cigarettes and Coffee
writer:
Jerry Butler, Eddie Thomas and Jay Walker
publisher:
Gil Music Corporation and Warner–Tamerlane Publishing Corp.
4:02
15My Girl
recording engineer:
Tom Dowd
producer:
Jim Stewart
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (in 1965-07)
drums (drum set):
Al Jackson, Jr. (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (in 1965-07) and Gene “Bowlegs” Miller (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
cover recording of:
My Girl (in 1965-07)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa, Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
2:57
16A Change Is Gonna Come
cover recording of:
A Change Is Gonna Come
lyricist and composer:
Sam Cooke
publisher:
ABKCO Music, Inc. and Kags Music Corp.
4:20
17I’ve Been Loving You Too Long
recording engineer:
Tom Dowd
producer:
Jim Stewart
baritone saxophone:
Floyd Newman (in 1965-04)
bass guitar:
Donald “Duck” Dunn (in 1965-04)
drums (drum set):
Al Jackson, Jr. (in 1965-04)
guitar:
Steve Cropper (in 1965-04)
keyboard:
Isaac Hayes (in 1965-04) and Booker T. Jones (in 1965-04)
tenor saxophone:
Andrew Love (in 1965-04)
trumpet:
Wayne Jackson (in 1965-04) and Gene “Bowlegs” Miller (in 1965-04)
background vocals:
Earl Sims (in 1965-04)
recorded at:
Stax Studios in Memphis, Tennessee, United States (in 1965-04)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (in 1965) and Otis Redding (in 1965)
publisher:
East, Time and Wildwood Music Ltd.
3:16
18Try a Little Tenderness
recorded in:
Memphis, Tennessee, United States (on 1966-09-13)
producer:
Steve Cropper, Otis Redding and Jim Stewart
drums (drum set):
Al Jackson (on 1966-09-13)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (on 1966-09-13)
guitar:
Steve Cropper (on 1966-09-13)
tenor saxophone:
Gilbert Caples (on 1966-09-13) and Andrew Love (on 1966-09-13)
trumpet:
Wayne Jackson (on 1966-09-13)
vocals:
Otis Redding (on 1966-09-13)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 136) and Rolling Stone: 500 Greatest Songs of All Time (number: 204)
cover recording of:
Try a Little Tenderness (on 1966-09-13)
lyricist:
James Campbell and Reginald Connelly
composer:
Harry M. Woods
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc., Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
3:51
19Pain in My Heart
producer:
Jim Stewart
baritone saxophone:
Floyd Newman
bass guitar:
Lewie Steinberg
drums (drum set):
Al Jackson, Jr.
guitar:
Steve Cropper
organ and piano:
Booker T. Jones
tenor saxophone:
Charles “Packy” Axton
trumpet:
Wayne Jackson
vocals:
Otis Redding
recording of:
Pain in My Heart (soul ballad performed by Otis Redding, The Rolling Stones)
lyricist and composer:
Naomi Neville
publisher:
Arc Music Corp.
is based on:
Ruler of My Heart
2:25
20(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson
bass guitar:
Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. and Atlantic Recording Corporation (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music, Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros., Warner Bros. Music Ltd., Warner Chappell Music, Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
2:42