| # | Title | Artist | Length |
|---|
| 1 | Border Song | Eric Clapton | 4:21 |
| 2 | Rocket Man (I Think It’s Going to Be a Long, Long Time) | Kate Bush | 5:00 |
| 3 | Come Down in Time | Sting | 3:46 |
| 4 | Saturday Night’s Alright for Fighting | The Who | 4:34 |
| 5 | Crocodile Rock | The Beach Boys | 4:23 |
| 6 | Daniel- recording engineer and mixer:
- Francis Buckley
- assistant engineer:
- Charlie Paakkard, Chris Fogel, Mark Hagen and Randy Long
- producer:
- Glen Ballard
- bass:
- Neil Stubenhaus
- cymbal:
- John Robinson
- electric piano:
- Glen Ballard
- guitar:
- Michael Landau
- piano [acoustic piano]:
- Randy Kerber
- saxophone [sax]:
- Daniel Higgins
- synthesizer:
- Glen Ballard and Michael Boddicker
- instruments arranger:
- Glen Ballard
- strings [string] arranger:
- Jerry Hey
- vocals arranger:
- Glen Ballard and Wilson Phillips
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Westlake Audio in Los Angeles, California, United States
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Pacifique Recording Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- Daniel
- lyricist:
- Bernie Taupin
- composer:
- Elton John
- publisher:
- Songs of PolyGram International, Universal Music Publishing and Universal–Songs of PolyGram International, Inc.
| Wilson Phillips | 4:03 |
| 7 | Sorry Seems to Be the Hardest Word- recording engineer, producer and mixer:
- David Tickle
- assistant engineer:
- Dan Gellert and Gary Langan
- bass:
- T.M. Stevens
- drums (drum set):
- Steve Holley
- guitar:
- Phil Grande
- keyboard [keyboards]:
- Chris Stainton
- saxophone [sax]:
- Deric Dyer
- synthesizer:
- John Miles
- lead vocals:
- Joe Cocker
- recorded at:
- Metropolis in London, England, United Kingdom and Power Station Studios in Hell's Kitchen, New York, New York, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- cover recording of:
- Sorry Seems to Be the Hardest Word
- lyricist:
- Bernie Taupin
- composer:
- Elton John
- publisher:
- Big Pig Music Ltd, Chappell & Co Inc., Happenstance Limited, Intersong U.S.A. Inc., Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Joe Cocker | 3:59 |
| 8 | Levon | Jon Bon Jovi | 5:06 |
| 9 | The Bitch Is Back- assistant engineer:
- Michael Douglass, Brian Scheuble and Talley Sherwood
- engineer and mixer:
- Chris Lord‐Alge
- producer:
- Roger Davies, Chris Lord‐Alge and Tina Turner
- bass guitar:
- Bob Feit
- drums (drum set):
- Jack Bruno
- guitar:
- James Ralston
- guitar [lead guitar]:
- Gene Black
- horn [horn section], organ, solo saxophone [sax] and tambourine:
- Timmy Cappello
- keyboard [keyboards]:
- Ollie Marland
- piano:
- Kenny Moore
- background vocals:
- Gene Black, Bob Feit, Ollie Marland, Kenny Moore, James Ralston, Timmy Cappello and Tina Turner
- lead vocals:
- Tina Turner
- horn [horns] arranger:
- Timmy Cappello
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Image Recording Studios in Los Angeles, California, United States
- cover recording of:
- The Bitch Is Back
- lyricist:
- Bernie Taupin
- composer:
- Elton John
- publisher:
- HST Publishing Ltd, Rouge Booze, Inc. and Universal–Songs of PolyGram International, Inc.
| Tina Turner | 3:38 |
| 10 | Philadelphia Freedom | Hall & Oates | 5:10 |
| 11 | Your Song | Rod Stewart | 4:50 |
| 12 | Don’t Let the Sun Go Down on Me | Oleta Adams | 5:54 |
| 13 | Madman Across the Water | Bruce Hornsby | 6:12 |
| 14 | Sacrifice | Sinéad O’Connor | 5:10 |
| 15 | Burn Down the Mission | Phil Collins | 6:11 |
| 16 | Tonight | George Michael | 7:04 |
