| # | Title | Length |
|---|
| 1 | Gods of Second Chance- engineer and mixer:
- Thom Panunzio
- producer:
- Kenny Laguna and Thom Panunzio
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guest guitar:
- Jerry Cantrell (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Gods of Second Chance (from 1992 until 1993)
- writer:
- Mike Howe, Paul O’Neill and Kurdt Vanderhoof
| 5:23 |
| 2 | Losers in the Game- engineer and mixer:
- Thom Panunzio
- producer:
- Kenny Laguna and Thom Panunzio
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Losers in the Game (from 1992 until 1993)
- writer:
- Mike Howe and Kurdt Vanderhoof
| 5:08 |
| 3 | Hypnotized- engineer and mixer:
- Thom Panunzio
- producer:
- Kenny Laguna and Thom Panunzio
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Hypnotized (from 1992 until 1993)
- writer:
- Mike Howe, John Marshall and Kurdt Vanderhoof
| 4:42 |
| 4 | No Friend of Mine- engineer and mixer:
- Thom Panunzio
- producer:
- Kenny Laguna and Thom Panunzio
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- No Friend of Mine (from 1992 until 1993)
- writer:
- Mike Howe and Kurdt Vanderhoof
| 3:57 |
| 5 | Waiting for a Savior- engineer and mixer:
- Thom Panunzio
- assistant producer:
- Kenny Laguna and Thom Panunzio
- producer:
- Paul O’Neill
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Waiting for a Savior (from 1992 until 1993)
- writer:
- Mike Howe, Paul O’Neill and Kurdt Vanderhoof
| 5:48 |
| 6 | Conductor- engineer and mixer:
- Thom Panunzio
- producer:
- Kenny Laguna, Paul O’Neill and Thom Panunzio
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guest guitar:
- Randy Hansen (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Conductor (from 1992 until 1993)
- writer:
- Kurdt Vanderhoof and Craig Wells
| 4:09 |
| 7 | Little Boy- engineer and mixer:
- Thom Panunzio
- producer:
- Kenny Laguna and Thom Panunzio
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Little Boy (from 1992 until 1993)
- writer:
- John Marshall and Kurdt Vanderhoof
| 8:13 |
| 8 | Down to the River- engineer and mixer:
- Thom Panunzio
- producer:
- Kenny Laguna and Thom Panunzio
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Down to the River (from 1992 until 1993)
- writer:
- Mike Howe and Kurdt Vanderhoof
| 5:00 |
| 9 | End of the Age- engineer and mixer:
- Thom Panunzio
- producer:
- Kenny Laguna and Thom Panunzio
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- End of the Age (from 1992 until 1993)
- writer:
- Mike Howe and Kurdt Vanderhoof
| 7:16 |
| 10 | Lovers and Madmen- engineer and mixer:
- Thom Panunzio
- assistant producer:
- Kenny Laguna and Thom Panunzio
- producer:
- Paul O’Neill
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Lovers and Madmen (from 1992 until 1993)
- composer:
- John Marshall
| 2:51 |
| 11 | A Subtle War- engineer and mixer:
- Thom Panunzio
- producer:
- Kenny Laguna and Thom Panunzio
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- A Subtle War (from 1992 until 1993)
- writer:
- John Marshall and Kurdt Vanderhoof
| 4:12 |
| 12 | Low to Overdrive- engineer and mixer:
- Thom Panunzio
- producer:
- Kenny Laguna and Thom Panunzio
- additional guitar:
- Kurdt Vanderhoof (from 1992 until 1993)
- bass guitar:
- Duke Erickson (from 1992 until 1993)
- guitar:
- John Marshall (from 1992 until 1993) and Craig Wells (from 1992 until 1993)
- membranophone:
- Kirk Arrington (from 1992 until 1993)
- lead vocals:
- Mike Howe (from 1992 until 1993)
- recorded at:
- Music Storage Studios in Aberdeen, Washington, United States (from 1992 until 1993), Studio 900 in New York, New York, United States (from 1992 until 1993) and Studio Works Two in Long Island, New York, United States (from 1992 until 1993)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Low to Overdrive (from 1992 until 1993)
- writer:
- Kurdt Vanderhoof
| 4:27 |
