Columbia Jazz: 25 Original Albums

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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6▼CD: Tony Bennett ‎• The Beat of My Heart
#TitleArtistLength
1Let’s Begin
recorded in:
New York, New York, United States (on 1957-10-14)
double bass:
Milt Hinton (on 1957-10-14)
drums (drum set):
Art Blakey (on 1957-10-14)
piano:
Ralph Sharon (on 1957-10-14)
tenor saxophone:
Al Cohn (on 1957-10-14)
trumpet:
Nat Adderley (on 1957-10-14)
vocals:
Tony Bennett (on 1957-10-14)
conductor:
Ralph Sharon (on 1957-10-14)
arranger:
Ralph Sharon
cover recording of:
Let’s Begin (from "Roberta") (on 1957-10-14)
lyricist:
Dorothy Fields and Otto Harbach (in 1933)
composer:
Jerome Kern (in 1933)
part of:
Roberta
Tony Bennett2:03
2Lullaby of Broadway
recorded in:
New York, New York, United States (on 1957-10-21)
double bass:
Eddie Safranski (on 1957-10-21)
drums (drum set):
Jo Jones (on 1957-10-21)
piano:
Ralph Sharon (on 1957-10-21)
trombone:
Robert Alexander (on 1957-10-21), Jim Dahl (on 1957-10-21) and Kai Winding (on 1957-10-21)
vibraphone:
Eddie Costa (on 1957-10-21)
vocals:
Tony Bennett (on 1957-10-21)
conductor:
Ralph Sharon (on 1957-10-21)
arranger:
Ralph Sharon
cover recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”) (on 1957-10-21)
lyricist:
Al Dubin
composer:
Harry Warren (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 winner)
part of:
42nd Street (full musical)
Tony Bennett2:27
3Let There Be Love
recorded in:
New York, New York, United States (on 1957-10-25)
congas:
Candido (on 1957-10-25) and Louis “Sabu” Martinez (on 1957-10-25)
drums (drum set):
William "Billy" Exiner (on 1957-10-25)
flute:
Herbie Mann (on 1957-10-25) and Spence Sinatra (on 1957-10-25)
piano:
Ralph Sharon (on 1957-10-25)
vocals:
Tony Bennett (on 1957-10-25)
conductor:
Ralph Sharon (on 1957-10-25)
arranger:
Ralph Sharon
cover recording of:
Let There Be Love (on 1957-10-25)
lyricist:
Ian Grant
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. and Warner Chappell Music Publishing
Tony Bennett2:06
4Love for Sale
recorded in:
New York, New York, United States (on 1957-10-24)
congas:
Candido (on 1957-10-24) and Louis “Sabu” Martinez (on 1957-10-24)
drums (drum set):
William "Billy" Exiner (on 1957-10-24)
flute:
Herbie Mann (on 1957-10-24) and Spence Sinatra (on 1957-10-24)
piano:
Ralph Sharon (on 1957-10-24)
vocals:
Tony Bennett (on 1957-10-24)
conductor:
Ralph Sharon (on 1957-10-24)
arranger:
Ralph Sharon
cover recording of:
Love for Sale (on 1957-10-24)
lyricist and composer:
Cole Porter (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
Tony Bennett3:11
5Crazy Rhythm
recorded in:
New York, New York, United States (on 1957-06-27)
drums (drum set):
Chico Hamilton (on 1957-06-27)
guitar:
John Pisano (on 1957-06-27)
piano:
Ralph Sharon (on 1957-06-27)
vocals:
Tony Bennett (on 1957-06-27)
conductor:
Ralph Sharon (on 1957-06-27)
arranger:
Ralph Sharon
cover recording of:
Crazy Rhythm (on 1957-06-27)
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer
Tony Bennett2:10
6The Beat of My Heart
recorded in:
New York, New York, United States (in 1957)
drums (drum set):
Chico Hamilton (in 1957)
guitar:
John Pisano (in 1957)
piano:
Ralph Sharon (in 1957)
vocals:
Tony Bennett (in 1957)
conductor:
Ralph Sharon (in 1957)
arranger:
Ralph Sharon
cover recording of:
The Beat of My Heart (in 1957)
lyricist:
Johnny Burke
composer:
Harold Spina
Tony Bennett2:27
7So Beats My Heart for You
recorded in:
New York, New York, United States (on 1957-10-25)
congas:
Candido (on 1957-10-25) and Louis “Sabu” Martinez (on 1957-10-25)
drums (drum set):
William "Billy" Exiner (on 1957-10-25)
flute:
Herbie Mann (on 1957-10-25) and Spence Sinatra (on 1957-10-25)
piano:
Ralph Sharon (on 1957-10-25)
vocals:
Tony Bennett (on 1957-10-25)
conductor:
Ralph Sharon (on 1957-10-25)
arranger:
Ralph Sharon
cover recording of:
So Beats My Heart for You (on 1957-10-25)
writer:
Pat Ballard, Charles Henderson and Tom Waring
Tony Bennett2:52
8Blues in the Night
recorded in:
New York, New York, United States (on 1957-10-21)
double bass:
Eddie Safranski (on 1957-10-21)
drums (drum set):
Jo Jones (on 1957-10-21)
piano:
Ralph Sharon (on 1957-10-21)
trombone:
Robert Alexander (on 1957-10-21), Jim Dahl (on 1957-10-21) and Kai Winding (on 1957-10-21)
vibraphone:
Eddie Costa (on 1957-10-21)
vocals:
Tony Bennett (on 1957-10-21)
conductor:
Ralph Sharon (on 1957-10-21)
arranger:
Ralph Sharon
cover recording of:
Blues in the Night (My Mama Done Tol’ Me) (on 1957-10-21)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. and WB Music Corp.
part of:
The 14th Academy Award for Best Original Song (number: 2)
Tony Bennett2:53
9Lazy Afternoon
recorded in:
New York, New York, United States (on 1957-06-27)
drums (drum set):
Chico Hamilton (on 1957-06-27)
guitar:
John Pisano (on 1957-06-27)
piano:
Ralph Sharon (on 1957-06-27)
vocals:
Tony Bennett (on 1957-06-27)
conductor:
Ralph Sharon (on 1957-06-27)
arranger:
Ralph Sharon
cover recording of:
Lazy Afternoon (The Golden Apple, 1954) (on 1957-06-27)
orchestrator and composer:
Jerome Moross
lyricist:
John Latouche
publisher:
Chappell & Co., Inc., Sony/ATV Tunes LLC and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
Tony Bennett2:24
10Let’s Face the Music and Dance
recorded in:
New York, New York, United States (on 1957-10-25)
congas:
Candido (on 1957-10-25) and Louis “Sabu” Martinez (on 1957-10-25)
drums (drum set):
William "Billy" Exiner (on 1957-10-25)
flute:
Herbie Mann (on 1957-10-25) and Spence Sinatra (on 1957-10-25)
piano:
Ralph Sharon (on 1957-10-25)
vocals:
Tony Bennett (on 1957-10-25)
conductor:
Ralph Sharon (on 1957-10-25)
arranger:
Ralph Sharon
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1957-10-25)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Tony Bennett2:50
11Just One of Those Things
recorded in:
New York, New York, United States (on 1957-10-14)
double bass:
Milt Hinton (on 1957-10-14)
drums (drum set):
Art Blakey (on 1957-10-14)
piano:
Ralph Sharon (on 1957-10-14)
tenor saxophone:
Al Cohn (on 1957-10-14)
trumpet:
Nat Adderley (on 1957-10-14)
vocals:
Tony Bennett (on 1957-10-14)
conductor:
Ralph Sharon (on 1957-10-14)
arranger:
Ralph Sharon
cover recording of:
Just One of Those Things (on 1957-10-14)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Tony Bennett2:06
12It’s So Peaceful in the Country
recorded in:
New York, New York, United States (on 1957-06-27)
piano:
Ralph Sharon (on 1957-06-27)
vocals:
Tony Bennett (on 1957-06-27)
conductor:
Ralph Sharon (on 1957-06-27)
arranger:
Ralph Sharon
cover recording of:
It’s So Peaceful in the Country (on 1957-06-27)
lyricist and composer:
Alec Wilder
Tony Bennett2:47
13In Sandy’s Eyes
recorded in:
New York, New York, United States (on 1957-06-27)
piano:
Ralph Sharon (on 1957-06-27)
vocals:
Tony Bennett (on 1957-06-27)
conductor:
Ralph Sharon (on 1957-06-27)
arranger:
Ralph Sharon
recording of:
In Sandy’s Eyes (on 1957-06-27)
lyricist and composer:
T. Borelli
Tony Bennett2:45
14I Get a Kick Out of You
recorded in:
New York, New York, United States (on 1957-10-14)
piano:
Ralph Sharon (on 1957-10-14)
vocals:
Tony Bennett (on 1957-10-14)
conductor:
Ralph Sharon (on 1957-10-14)
arranger:
Ralph Sharon
cover recording of:
I Get a Kick Out of You (on 1957-10-14)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Tony Bennett3:08
15You Go to My Head
recorded in:
New York, New York, United States (on 1957-10-14)
piano:
Ralph Sharon (on 1957-10-14)
vocals:
Tony Bennett (on 1957-10-14)
conductor:
Ralph Sharon (on 1957-10-14)
arranger:
Ralph Sharon
cover recording of:
You Go to My Head (on 1957-10-14)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co., B. Feldman & Co. Ltd., EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros., Warner Bros. Music and Warner Bros. Music Corp.
Tony Bennett2:43
16I Only Have Eyes for You
recorded in:
New York, New York, United States (on 1957-10-25)
piano:
Ralph Sharon (on 1957-10-25)
vocals:
Tony Bennett (on 1957-10-25)
conductor:
Ralph Sharon (on 1957-10-25)
arranger:
Ralph Sharon
cover recording of:
I Only Have Eyes for You (on 1957-10-25)
lyricist:
Al Dubin
composer:
Harry Warren
publisher:
B. Feldman & Co., B. Feldman & Co. Ltd., B. Feldman Ltd., EMI Music Publishing, Remick Music Corp., Warner Bros. Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Tony Bennett2:16
17Begin the Beguine
recorded in:
New York, New York, United States (on 1957-10-21)
piano:
Ralph Sharon (on 1957-10-21)
vocals:
Tony Bennett (on 1957-10-21)
conductor:
Ralph Sharon (on 1957-10-21)
arranger:
Ralph Sharon
cover recording of:
Begin the Beguine (on 1957-10-21)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc., Warner Chappell Music Ltd., Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Tony Bennett4:22
8▼CD: Duke Ellington • Black, Brown and Beige
#TitleArtistLength
1Part I (Work Song)
alto saxophone:
Bill Graham (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-04)
composer:
Duke Ellington
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra8:21
2Part II (Come Sunday)
alto saxophone:
Bill Graham (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (in 1958-02)
composer:
Duke Ellington
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra6:18
3Part III (Work Song and Come Sunday)
alto saxophone:
Bill Graham (on 1958-02-12)
baritone saxophone:
Harry Carney (on 1958-02-12)
double bass:
Jimmy Woode (on 1958-02-12)
drums (drum set):
Sam Woodyard (on 1958-02-12)
piano:
Duke Ellington (on 1958-02-12)
tenor saxophone:
Paul Gonsalves (on 1958-02-12)
trombone:
Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
trumpet:
William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (on 1958-02-12)
valve trombone:
John Sanders (on 1958-02-12)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-04)
composer:
Duke Ellington
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-12)
composer:
Duke Ellington
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra6:24
4Part IV (Come Sunday)
recorded in:
New York, New York, United States (on 1958-02-11)
producer:
Irving Townsend
alto saxophone:
Russell Procope and Bill Graham (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
bass:
Jimmy Woode (on 1958-02-11)
clarinet:
Russell Procope and Jimmy Hamilton (on 1958-02-11)
drums (drum set) [drums]:
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (on 1958-02-11)
reeds:
Russell Procope
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
Cat Anderson (on 1958-02-11), Harold Baker (on 1958-02-11) and Clark Terry (on 1958-02-11)
trumpet and violin:
Ray Nance (on 1958-02-11)
valve trombone:
John Sanders (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-05)
lyricist and composer:
Duke Ellington
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-11)
lyricist and composer:
Duke Ellington
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (in 1958-02)
lyricist and composer:
Duke Ellington
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson7:59
5Part V (Come Sunday Interlude)
alto saxophone:
Bill Graham (on 1958-02-12)
baritone saxophone:
Harry Carney (on 1958-02-12)
double bass:
Jimmy Woode (on 1958-02-12)
drums (drum set):
Sam Woodyard (on 1958-02-12)
piano:
Duke Ellington (on 1958-02-12)
solo violin:
Ray Nance (on 1958-02-12)
tenor saxophone:
Paul Gonsalves (on 1958-02-12)
trombone:
Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
trumpet:
William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (on 1958-02-12)
valve trombone:
John Sanders (on 1958-02-12)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-12)
composer:
Duke Ellington
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (in 1958-02)
composer:
Duke Ellington
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Ray Nance3:46
6Part VI (23rd Psalm)
alto saxophone:
Bill Graham (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
double bass:
Jimmy Woode (on 1958-02-11)
drums (drum set):
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (on 1958-02-11)
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
William “Cat” Anderson (on 1958-02-11), Harold “Shorty” Baker (on 1958-02-11), Ray Nance (on 1958-02-11) and Clark Terry (on 1958-02-11)
valve trombone:
John Sanders (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Black, Brown, and Beige, Part VI (23rd Psalm) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-11)
composer:
Duke Ellington
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson3:03
12▼CD: Thelonious Monk ‎• Criss‐Cross
#TitleArtistLength
1Hackensack
recorded in:
New York, New York, United States (on 1962-11-06)
double bass:
John Ore (on 1962-11-06)
drums (drum set):
Frankie Dunlop (on 1962-11-06)
piano:
Thelonious Monk (on 1962-11-06)
tenor saxophone:
Charlie Rouse (on 1962-11-06)
recording of:
Hackensack (on 1962-11-06)
composer:
Thelonious Monk
Thelonious Monk4:17
2Tea for Two
recorded in:
New York, New York, United States (on 1963-02-26)
double bass:
John Ore (on 1963-02-26)
drums (drum set):
Frankie Dunlop (on 1963-02-26)
piano:
Thelonious Monk (on 1963-02-26)
instrumental recording of:
Tea for Two (No, No, Nanette) (on 1963-02-26)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc., Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
No, No, Nanette
Thelonious Monk3:53
3Criss‐Cross
recorded in:
New York, New York, United States (on 1963-02-26)
double bass:
John Ore (on 1963-02-26)
drums (drum set):
Frankie Dunlop (on 1963-02-26)
piano:
Thelonious Monk (on 1963-02-26)
tenor saxophone:
Charlie Rouse (on 1963-02-26)
recording of:
Criss‐Cross (on 1963-02-26)
composer:
Thelonious Monk
Thelonious Monk4:46
4Eronel
recorded in:
New York, New York, United States (on 1963-02-27)
double bass:
John Ore (on 1963-02-27)
drums (drum set):
Frankie Dunlop (on 1963-02-27)
piano:
Thelonious Monk (on 1963-02-27)
tenor saxophone:
Charlie Rouse (on 1963-02-27)
recording of:
Eronel (on 1963-02-27)
composer:
Thelonious Monk
Thelonious Monk4:36
5Rhythm‐A‐Ning
recorded in:
New York, New York, United States (on 1962-11-06)
double bass:
John Ore (on 1962-11-06)
drums (drum set):
Frankie Dunlop (on 1962-11-06)
piano:
Thelonious Monk (on 1962-11-06)
tenor saxophone:
Charlie Rouse (on 1962-11-06)
recording of:
Rhythm‐a‐ning (on 1962-11-06)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation
Thelonious Monk3:58
6Don’t Blame Me
recorded in:
New York, New York, United States (on 1963-02-27)
piano:
Thelonious Monk (on 1963-02-27)
recording of:
Don’t Blame Me
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
EMI Robbins Catalog Inc. and Ireneadele Publishing
Thelonious Monk7:11
7Think of One
recorded in:
New York, New York, United States (on 1963-02-28)
double bass:
John Ore (on 1963-02-28)
drums (drum set):
Frankie Dunlop (on 1963-02-28)
piano:
Thelonious Monk (on 1963-02-28)
tenor saxophone:
Charlie Rouse (on 1963-02-28)
edit of:
Think of One by Thelonious Monk
recording of:
Think of One (on 1963-02-28)
composer:
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk5:23
8Crepuscule With Nellie
recorded in:
New York, New York, United States (on 1963-03-29)
double bass:
John Ore (on 1963-03-29)
drums (drum set):
Frankie Dunlop (on 1963-03-29)
piano:
Thelonious Monk (on 1963-03-29)
tenor saxophone:
Charlie Rouse (on 1963-03-29)
recording of:
Crepuscule With Nellie (on 1963-03-29)
composer:
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk2:52
9Pannonica
recorded in:
New York, New York, United States (on 1963-03-29)
bass:
John Ore (on 1963-03-29)
drums (drum set):
Frankie Dunlop (on 1963-03-29)
piano:
Thelonious Monk (on 1963-03-29)
tenor saxophone:
Charlie Rouse (on 1963-03-29)
recording of:
Pannonica (on 1963-03-29)
composer:
Thelonious Monk
Thelonious Monk6:46