Berliner Philharmoniker, Claudio Abbado – Edition Vol. 1

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistLength
1Schicksalslied for Chorus and Orchestra, op.54Johannes Brahms16:01
2Drei Hymnen for Voice and Orchestra, op. 71: I. Hymne an die Liebe
soprano vocals:
Karita Mattila
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Drei Hymnen, op. 71: I. Hymne an die Liebe
lyricist:
Friedrich Hölderlin
composer:
Richard Strauss (in 1921)
part of:
Drei Hymnen (op. 71; TrV 240)
Richard Strauss7:33
3Drei Hymnen for Voice and Orchestra, op. 71: II. Rückkehr in die Heimat
soprano vocals:
Karita Mattila
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Drei Hymnen, op. 71: II. Rückkehr in die Heimat
lyricist:
Friedrich Hölderlin
composer:
Richard Strauss (in 1921)
part of:
Drei Hymnen (op. 71; TrV 240)
Richard Strauss6:33
4Drei Hymnen for Voice and Orchestra, op. 71: III. Die Liebe
soprano vocals:
Karita Mattila
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Drei Hymnen, op. 71: III. Die Liebe
lyricist:
Friedrich Hölderlin
composer:
Richard Strauss (in 1921)
part of:
Drei Hymnen (op. 71; TrV 240)
Richard Strauss6:40
5An die Hoffnung for Voice and Orchestra, op. 124
soprano vocals:
Karita Mattila
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
An die Hoffnung, op. 124
lyricist:
Friedrich Hölderlin
composer:
Max Reger (in 1912-03)
dedicated to:
Anna Erler-Schnaudt
part of:
Works of Max Reger by opus number (number: op. 124)
Max Reger11:46
6Hölderlin Fragmente for Voice and Orchestra: Fragment 57
baritone vocals:
Johannes M. Kösters
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Hölderlin-Fragmente: Fragment 57 (for voice and orchestra)
lyricist:
Friedrich Hölderlin
composer:
Wolfgang Rihm (in 1977)
part of:
Hölderlin-Fragmente (for voice and orchestra)
Wolfgang Rihm0:55
7Hölderlin Fragmente for Voice and Orchestra: Fragment 92
baritone vocals:
Johannes M. Kösters
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Hölderlin-Fragmente: Fragment 92 (for voice and orchestra)
lyricist:
Friedrich Hölderlin
composer:
Wolfgang Rihm (in 1977)
part of:
Hölderlin-Fragmente (for voice and orchestra)
Wolfgang Rihm0:53
8Hölderlin Fragmente for Voice and Orchestra: Fragment 19 - An meine Schwester
baritone vocals:
Johannes M. Kösters
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Hölderlin-Fragmente: Fragment 19 – An meine Schwester (for voice and orchestra)
lyricist:
Friedrich Hölderlin
composer:
Wolfgang Rihm (in 1977)
part of:
Hölderlin-Fragmente (for voice and orchestra)
Wolfgang Rihm1:16
9Hölderlin Fragmente for Voice and Orchestra: Fragment 14
baritone vocals:
Johannes M. Kösters
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Hölderlin-Fragmente: Fragment 14 (for voice and orchestra)
lyricist:
Friedrich Hölderlin
composer:
Wolfgang Rihm (in 1977)
part of:
Hölderlin-Fragmente (for voice and orchestra)
Wolfgang Rihm1:17
10Hölderlin Fragmente for Voice and Orchestra: Fragment 27
baritone vocals:
Johannes M. Kösters
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Hölderlin-Fragmente: Fragment 27 (for voice and orchestra)
lyricist:
Friedrich Hölderlin
composer:
Wolfgang Rihm (in 1977)
part of:
Hölderlin-Fragmente (for voice and orchestra)
Wolfgang Rihm0:16
11Hölderlin Fragmente for Voice and Orchestra: Fragment 17 - Empedokles auf dem Ätna
baritone vocals:
Johannes M. Kösters
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Hölderlin-Fragmente: Fragment 17 – Empedokles auf dem Ätna (for voice and orchestra)
lyricist:
Friedrich Hölderlin
composer:
Wolfgang Rihm (in 1977)
part of:
Hölderlin-Fragmente (for voice and orchestra)
Wolfgang Rihm1:21
12Hölderlin Fragmente for Voice and Orchestra: Fragment 38
baritone vocals:
Johannes M. Kösters
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Hölderlin-Fragmente: Fragment 38 (for voice and orchestra)
lyricist:
Friedrich Hölderlin
composer:
Wolfgang Rihm (in 1977)
part of:
Hölderlin-Fragmente (for voice and orchestra)
Wolfgang Rihm0:58
13Hölderlin Fragmente for Voice and Orchestra: Fragment 22 - Gestalt und Geist
baritone vocals:
Johannes M. Kösters
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Hölderlin-Fragmente: Fragment 22 – Gestalt und Geist (for voice and orchestra)
lyricist:
Friedrich Hölderlin
composer:
Wolfgang Rihm (in 1977)
part of:
Hölderlin-Fragmente (for voice and orchestra)
Wolfgang Rihm1:36
14Hölderlin Fragmente for Voice and Orchestra: Fragment 4 - Lied des Schweden
baritone vocals:
Johannes M. Kösters
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado
recording of:
Hölderlin-Fragmente: Fragment 4 – Lied des Schweden (for voice and orchestra)
lyricist:
Friedrich Hölderlin
composer:
Wolfgang Rihm (in 1977)
part of:
Hölderlin-Fragmente (for voice and orchestra)
Wolfgang Rihm0:39
2CD
#TitleArtistLength
1The Noonday Witch, op. 108, B. 196
engineer:
Toni Fiedler
producer:
Michael Haas
orchestra:
Berliner Philharmoniker (from 1993-11-16 until 1993-11-19)
conductor:
Claudio Abbado (from 1993-11-16 until 1993-11-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1993-11-16 until 1993-11-19)
live recording of:
Polednice, op. 108, B. 196 (The Noon Witch, op. 108, B. 196) (from 1993-11-16 until 1993-11-19)
premiered in:
London, England, United Kingdom (on 1896-11-21)
composer:
Antonín Dvořák (from 1896-01-11 until 1896-02-27)
premiered at:
[private concert]
publisher:
N. Simrock (in 1896)
part of:
Works of Antonín Dvořák by opus number (number: op. 108) and Antonín Dvořák: Thematický katalog (number: B. 196)
recording of:
Polednice, op. 108, B. 196 (The Noon Witch, op. 108, B. 196)
premiered in:
London, England, United Kingdom (on 1896-11-21)
composer:
Antonín Dvořák (from 1896-01-11 until 1896-02-27)
premiered at:
[private concert]
publisher:
N. Simrock (in 1896)
part of:
Works of Antonín Dvořák by opus number (number: op. 108) and Antonín Dvořák: Thematický katalog (number: B. 196)
Modest Mussorgsky13:23
2Symphony no. 8 in G Major, op. 88, B. 163: I. Allegro con brio
engineer:
Toni Fiedler
producer:
Michael Haas
orchestra:
Berliner Philharmoniker (from 1993-11-16 until 1993-11-19)
conductor:
Claudio Abbado (from 1993-11-16 until 1993-11-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1993-11-16 until 1993-11-19)
live recording of:
Symphony no. 8 in G major, op. 88: I. Allegro con brio (from 1993-11-16 until 1993-11-19)
composer:
Antonín Dvořák (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Modest Mussorgsky10:26
3Symphony no. 8 in G Major, op. 88, B. 163: II. Adagio
engineer:
Toni Fiedler
producer:
Michael Haas
orchestra:
Berliner Philharmoniker (from 1993-11-16 until 1993-11-19)
conductor:
Claudio Abbado (from 1993-11-16 until 1993-11-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1993-11-16 until 1993-11-19)
live recording of:
Symphony no. 8 in G major, op. 88: II. Adagio (from 1993-11-16 until 1993-11-19)
composer:
Antonín Dvořák (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Modest Mussorgsky10:22
4Symphony no. 8 in G Major, op. 88, B. 163: III. Allegretto grazioso - Molto vivace
engineer:
Toni Fiedler
producer:
Michael Haas
orchestra:
Berliner Philharmoniker (from 1993-11-16 until 1993-11-19)
conductor:
Claudio Abbado (from 1993-11-16 until 1993-11-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1993-11-16 until 1993-11-19)
live recording of:
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace (from 1993-11-16 until 1993-11-19)
composer:
Antonín Dvořák (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Modest Mussorgsky5:56
5Symphony no. 8 in G Major, op. 88, B. 163: IV. Allegro ma non troppo
engineer:
Toni Fiedler
producer:
Michael Haas
orchestra:
Berliner Philharmoniker (from 1993-11-16 until 1993-11-19)
conductor:
Claudio Abbado (from 1993-11-16 until 1993-11-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1993-11-16 until 1993-11-19)
live recording of:
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo (from 1993-11-16 until 1993-11-19)
composer:
Antonín Dvořák (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Modest Mussorgsky9:50
3CD
#TitleArtistLength
1"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: Sofia, Zentralgefängnis 22. Juli 1942
spoken vocals [reciter]:
Bruno Ganz (from 1992-12-09 until 1992-12-11) and Susanne Lothar (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
Luigi Nono3:50
2"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: I. Orchestra
orchestra:
Berliner Philharmoniker (from 1992-12-09 until 1992-12-11)
conductor:
Claudio Abbado (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
live recording of:
Il canto sospeso: I. Orchestra (from 1992-12-09 until 1992-12-11)
composer:
Luigi Nono (from 1955 until 1956)
part of:
Il canto sospeso
Luigi Nono5:03
3"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: II. Coro a capella "...muoio per un mondo"
choir vocals:
Rundfunkchor Berlin (from 1992-12-09 until 1992-12-11)
orchestra:
Berliner Philharmoniker (from 1992-12-09 until 1992-12-11)
conductor:
Claudio Abbado (from 1992-12-09 until 1992-12-11)
chorus master:
Dietrich Knothe (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
live recording of:
Il canto sospeso: II. Coro a capella (from 1992-12-09 until 1992-12-11)
composer:
Luigi Nono (from 1955 until 1956)
part of:
Il canto sospeso
Luigi Nono2:20
4"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: III. Soprano, alto e tenore soli e orchestra "mi portano e Kessariani per l'esecuzione"
mezzo-soprano vocals:
Susanne Otto (from 1992-12-09 until 1992-12-11)
soprano vocals:
Barbara Bonney (from 1992-12-09 until 1992-12-11)
tenor vocals:
Marek Torzewski (from 1992-12-09 until 1992-12-11)
orchestra:
Berliner Philharmoniker (from 1992-12-09 until 1992-12-11)
conductor:
Claudio Abbado (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
live recording of:
Il canto sospeso: III. Soprano, contralto e tenore soli e orchestra (from 1992-12-09 until 1992-12-11)
composer:
Luigi Nono (from 1955 until 1956)
part of:
Il canto sospeso
Luigi Nono2:04
5"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: IV. Orchestra
orchestra:
Berliner Philharmoniker (from 1992-12-09 until 1992-12-11)
conductor:
Claudio Abbado (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
live recording of:
Il canto sospeso: IV. Orchestra (from 1992-12-09 until 1992-12-11)
composer:
Luigi Nono (from 1955 until 1956)
part of:
Il canto sospeso
Luigi Nono2:40
6"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: Meine lieben Eltern! - Die Tore öffnen sich - Leb wohl, Mutter - Lieber Onkel! - Nach wenigen Stunden - Mein lieber Kamerad!
spoken vocals [reciter]:
Bruno Ganz (from 1992-12-09 until 1992-12-11) and Susanne Lothar (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
Luigi Nono5:18
7"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: V. Tenore solo e orchestra "..se il cielo fosse carta"
tenor vocals:
Marek Torzewski (from 1992-12-09 until 1992-12-11)
orchestra:
Berliner Philharmoniker (from 1992-12-09 until 1992-12-11)
conductor:
Claudio Abbado (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
live recording of:
Il canto sospeso: V. Tenore solo e orchestra (from 1992-12-09 until 1992-12-11)
composer:
Luigi Nono (from 1955 until 1956)
part of:
Il canto sospeso
Luigi Nono2:24
8"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: VI. Coro e orchestra a) "...le porto s'aprono"
choir vocals:
Rundfunkchor Berlin (from 1992-12-09 until 1992-12-11)
orchestra:
Berliner Philharmoniker (from 1992-12-09 until 1992-12-11)
conductor:
Claudio Abbado (from 1992-12-09 until 1992-12-11)
chorus master:
Dietrich Knothe (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
live partial recording of:
Il canto sospeso: VIa. Coro e orchestra / VIb. Coro e orchestra (from 1992-12-09 until 1992-12-11)
composer:
Luigi Nono (from 1955 until 1956)
part of:
Il canto sospeso
Luigi Nono1:24
9"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: VI. Coro e orchestra b) "Com' e duro dire addio per sempre"
choir vocals:
Rundfunkchor Berlin (from 1992-12-09 until 1992-12-11)
orchestra:
Berliner Philharmoniker (from 1992-12-09 until 1992-12-11)
conductor:
Claudio Abbado (from 1992-12-09 until 1992-12-11)
chorus master:
Dietrich Knothe (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
live partial recording of:
Il canto sospeso: VIa. Coro e orchestra / VIb. Coro e orchestra (from 1992-12-09 until 1992-12-11)
composer:
Luigi Nono (from 1955 until 1956)
part of:
Il canto sospeso
Luigi Nono2:07
10"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: VII. Soprano solo, coro femminile e orch "..addio mamma"
choir vocals:
Rundfunkchor Berlin (from 1992-12-09 until 1992-12-11)
soprano vocals:
Barbara Bonney (from 1992-12-09 until 1992-12-11)
orchestra:
Berliner Philharmoniker (from 1992-12-09 until 1992-12-11)
conductor:
Claudio Abbado (from 1992-12-09 until 1992-12-11)
chorus master:
Dietrich Knothe (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
live recording of:
Il canto sospeso: VII. Soprano solo, coro femminile e orchestra (from 1992-12-09 until 1992-12-11)
composer:
Luigi Nono (from 1955 until 1956)
part of:
Il canto sospeso
Luigi Nono4:46
11"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: VIII. Orchestra
orchestra:
Berliner Philharmoniker (from 1992-12-09 until 1992-12-11)
conductor:
Claudio Abbado (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
live recording of:
Il canto sospeso: VIII. Orchestra (from 1992-12-09 until 1992-12-11)
composer:
Luigi Nono (from 1955 until 1956)
part of:
Il canto sospeso
Luigi Nono2:19
12"Il canto sospeso" for Soprano, Contralto and Tenor Solo, Mixed Chorus and Orchestra: IX. Coro e timpani "..non ho paura della morte.."
choir vocals:
Rundfunkchor Berlin (from 1992-12-09 until 1992-12-11)
orchestra:
Berliner Philharmoniker (from 1992-12-09 until 1992-12-11)
conductor:
Claudio Abbado (from 1992-12-09 until 1992-12-11)
chorus master:
Dietrich Knothe (from 1992-12-09 until 1992-12-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-12-09 until 1992-12-11)
live recording of:
Il canto sospeso: IX. Coro e timpani (from 1992-12-09 until 1992-12-11)
composer:
Luigi Nono (from 1955 until 1956)
part of:
Il canto sospeso
Luigi Nono2:59
13Kindertotenlieder "Song Cycle on Poems by Friedrich Rückert": I. Nun will die Sonn so hell aufgehn
mezzo-soprano vocals:
Marjana Lipovšek (from 1992-09-03 until 1992-09-04)
orchestra:
Berliner Philharmoniker (from 1992-09-03 until 1992-09-04)
conductor:
Claudio Abbado (from 1992-09-03 until 1992-09-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-09-03 until 1992-09-04)
live recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (from 1992-09-03 until 1992-09-04)
composer:
Gustav Mahler (in 1901)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:57
14Kindertotenlieder "Song Cycle on Poems by Friedrich Rückert": II. Nun seh ich wohl, warum so dunkle Flammen
mezzo-soprano vocals:
Marjana Lipovšek (from 1992-09-03 until 1992-09-04)
orchestra:
Berliner Philharmoniker (from 1992-09-03 until 1992-09-04)
conductor:
Claudio Abbado (from 1992-09-03 until 1992-09-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-09-03 until 1992-09-04)
live recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (from 1992-09-03 until 1992-09-04)
composer:
Gustav Mahler (in 1904)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:05
15Kindertotenlieder "Song Cycle on Poems by Friedrich Rückert": III. Wenn dein Mütterlein
mezzo-soprano vocals:
Marjana Lipovšek (from 1992-09-03 until 1992-09-04)
orchestra:
Berliner Philharmoniker (from 1992-09-03 until 1992-09-04)
conductor:
Claudio Abbado (from 1992-09-03 until 1992-09-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-09-03 until 1992-09-04)
live recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (from 1992-09-03 until 1992-09-04)
composer:
Gustav Mahler (in 1901)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:59
16Kindertotenlieder "Song Cycle on Poems by Friedrich Rückert": IV. Oft denk ich, sie sind nur ausgegangen
mezzo-soprano vocals:
Marjana Lipovšek (from 1992-09-03 until 1992-09-04)
orchestra:
Berliner Philharmoniker (from 1992-09-03 until 1992-09-04)
conductor:
Claudio Abbado (from 1992-09-03 until 1992-09-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-09-03 until 1992-09-04)
live recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (from 1992-09-03 until 1992-09-04)
composer:
Gustav Mahler (in 1901)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler3:04
17Kindertotenlieder "Song Cycle on Poems by Friedrich Rückert": V. In diesem Wetter, in diesem Braus
mezzo-soprano vocals:
Marjana Lipovšek (from 1992-09-03 until 1992-09-04)
orchestra:
Berliner Philharmoniker (from 1992-09-03 until 1992-09-04)
conductor:
Claudio Abbado (from 1992-09-03 until 1992-09-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-09-03 until 1992-09-04)
live recording of:
Kindertotenlieder: V. “In diesem Wetter” (from 1992-09-03 until 1992-09-04)
composer:
Gustav Mahler (in 1904)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler7:04
18Kindertotenlieder "Song Cycle on Poems by Friedrich Rückert": Ich bin der Welt abhanden gekommen
mezzo-soprano vocals:
Marjana Lipovšek (from 1992-09-03 until 1992-09-04)
orchestra:
Berliner Philharmoniker (from 1992-09-03 until 1992-09-04)
conductor:
Claudio Abbado (from 1992-09-03 until 1992-09-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1992-09-03 until 1992-09-04)
live recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (from 1992-09-03 until 1992-09-04)
lyricist:
Friedrich Rückert
composer:
Gustav Mahler
premiered at:
[concert]
part of:
Rückert-Lieder
Gustav Mahler6:39
4CD
#TitleArtistLength
1Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: Ouvertüre - Allegro di molto
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre (on 1995-12-31)
composer:
Felix Mendelssohn (in 1826)
part of:
Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn11:43
2Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: No. 1 Scherzo - Allegro vivace
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
choir vocals:
Damen des Ernst‐Senff‐Chores (on 1995-12-31)
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
chorus master:
Sigurd Brauns (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace (on 1995-12-31)
composer:
Felix Mendelssohn (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:21
3Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: No. 2 L'istesso tempo: "He, Geist! Wo geht die Reise hin?"
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
choir vocals:
Damen des Ernst‐Senff‐Chores (on 1995-12-31)
mezzo-soprano vocals:
Angelika Kirchschlager (on 1995-12-31)
soprano vocals:
Sylvia McNair (on 1995-12-31)
spoken vocals:
Barbara Sukowa
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
chorus master:
Sigurd Brauns (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live partial recording of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61) (on 1995-12-31)
composer:
Felix Mendelssohn (in 1842)
dedicated to:
Friedrich Wilhelm IV. von Preußen
part of:
Works of Felix Mendelssohn by opus number (number: op. 61), Classic 100: Piano (number: 97) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV M 13)
is based on:
A Midsummer Night’s Dream
Felix Mendelssohn2:10
4Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: Elfenmarsch - Allegro vivace - "Schlimm treffen wir bei Mondenlicht"
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
spoken vocals:
Barbara Sukowa
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Ein Sommernachtstraum, op. 61: 2. Elfenreigen. Allegro vivace (on 1995-12-31)
composer:
Felix Mendelssohn (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn3:12
5Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: No. 3 Lied mit Chor - Allegro ma non troppo - "Kommt! Einen Ringel, einen Feensang! ... Bunte Schlangen, zweigezüngt!"
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
choir vocals:
Damen des Ernst‐Senff‐Chores (on 1995-12-31)
mezzo-soprano vocals:
Angelika Kirchschlager (on 1995-12-31)
soprano vocals:
Sylvia McNair (on 1995-12-31)
spoken vocals:
Barbara Sukowa
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
chorus master:
Sigurd Brauns (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Ein Sommernachtstraum, op. 61: 3. Lied mit Chor "Bunte Schlangen". Allegro ma non troppo (on 1995-12-31)
composer:
Felix Mendelssohn (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:16
6Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: No. 4 Andante: "Was du wirst erwachend sehn"
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
choir vocals:
Damen des Ernst‐Senff‐Chores (on 1995-12-31)
mezzo-soprano vocals:
Angelika Kirchschlager (on 1995-12-31)
soprano vocals:
Sylvia McNair (on 1995-12-31)
spoken vocals:
Barbara Sukowa
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
chorus master:
Sigurd Brauns (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live partial recording of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61) (on 1995-12-31)
composer:
Felix Mendelssohn (in 1842)
dedicated to:
Friedrich Wilhelm IV. von Preußen
part of:
Works of Felix Mendelssohn by opus number (number: op. 61), Classic 100: Piano (number: 97) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV M 13)
is based on:
A Midsummer Night’s Dream
Felix Mendelssohn1:07
7Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: No. 5 Intermezzo - Allegro appassionato - "Stets irrst du dich"
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Ein Sommernachtstraum, op. 61: 5. Intermezzo. Allegro appassionato (on 1995-12-31)
composer:
Felix Mendelssohn (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn3:18
8Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: No. 7 Notturno - Con moto tranquillo
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo (on 1995-12-31)
composer:
Felix Mendelssohn (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:39
9Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: No. 8 Andante: "Nun, da der Knabe mein ist"
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
choir vocals:
Damen des Ernst‐Senff‐Chores (on 1995-12-31)
mezzo-soprano vocals:
Angelika Kirchschlager (on 1995-12-31)
soprano vocals:
Sylvia McNair (on 1995-12-31)
spoken vocals:
Barbara Sukowa
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
chorus master:
Sigurd Brauns (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live partial recording of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61) (on 1995-12-31)
composer:
Felix Mendelssohn (in 1842)
dedicated to:
Friedrich Wilhelm IV. von Preußen
part of:
Works of Felix Mendelssohn by opus number (number: op. 61), Classic 100: Piano (number: 97) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV M 13)
is based on:
A Midsummer Night’s Dream
Felix Mendelssohn2:08
10Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: No. 9 Hochzeitsmarsch - Allegro vivace - "Jetzt beheult der Wolf den Mond"
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) (on 1995-12-31)
composer:
Felix Mendelssohn (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn6:15
11Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, op. 21 & Schauspielmusik, op. 61: Finale - Allegro di molto - "Bei des Feuers mattem Flimmern"
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
choir vocals:
Damen des Ernst‐Senff‐Chores (on 1995-12-31)
mezzo-soprano vocals:
Angelika Kirchschlager (on 1995-12-31)
soprano vocals:
Sylvia McNair (on 1995-12-31)
spoken vocals:
Barbara Sukowa
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
chorus master:
Sigurd Brauns (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Ein Sommernachtstraum, op. 61: Finale. Allegro di molto (on 1995-12-31)
composer:
Felix Mendelssohn (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:15
12Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (on 1995-12-31)
composer:
Felix Mendelssohn (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn10:33
13Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (on 1995-12-31)
composer:
Felix Mendelssohn (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:15
14Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato (on 1995-12-31)
composer:
Felix Mendelssohn (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:23
15Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello - Presto
recording engineer:
Ulrich Schneider (on 1995-12-31)
miscellaneous support:
Olaf Schmeizer
engineer:
Mike Ross-Trevor
producer:
Pauline Heister
editor:
Johannes Müller
orchestra:
Berliner Philharmoniker (on 1995-12-31)
conductor:
Claudio Abbado (on 1995-12-31)
phonographic copyright (℗) by:
Sony Classical GmbH (in 1996) and Sony Music Direct (Japan) Inc. (in 1996)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (on 1995-12-31)
live recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (on 1995-12-31)
composer:
Felix Mendelssohn (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:31
5CD
#TitleArtistLength
1St. John's Night on the Bare Mountain (version for choir & orchestra)
recording engineer:
Ulrich Schneider (from 1995-09-20 until 1995-09-21)
producer:
Pauline Heister
editor:
Matthew Cocker and Pauline Heister
bass-baritone vocals:
Анатолій Іванович Кочерга (from 1995-09-20 until 1995-09-21)
choir vocals:
Rundfunkchor Berlin (from 1995-09-20 until 1995-09-21) and Südtiroler Kinderchor (from 1995-09-20 until 1995-09-21)
orchestra:
Berliner Philharmoniker (from 1995-09-20 until 1995-09-21)
conductor:
Claudio Abbado (from 1995-09-20 until 1995-09-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1995-09-20)
recording of:
St. John’s Night on the Bare Mountain (original version) (from 1995-09-20 until 1995-09-21)
composer:
Modest Petrovich Mussorgsky
publisher:
Internationale Musikverlage Hans Sikorski
Modest Mussorgsky11:41
2Khovanshchina: PreludeModest Mussorgsky6:28
3Khovanshchina: Aria of Shaklovity
assistant recording engineer:
Johannes Müller (on 1996-04-27)
recording engineer:
Ulrich Schneider (on 1996-04-27)
producer:
Pauline Heister
editor:
Matthew Cocker and Pauline Heister
bass-baritone vocals:
Анатолій Іванович Кочерга (on 1996-04-27)
orchestra:
Berliner Philharmoniker (on 1996-04-27)
conductor:
Claudio Abbado (on 1996-04-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1996-04-27)
recording of:
Khovanshchina: The lair of the Streltsy is sunk in sleep (on 1996-04-27)
composer:
Модест Петрович Мусоргский (from 1872 until 1880)
publisher:
Internationale Musikverlage Hans Sikorski
Modest Mussorgsky5:50
4Khovanshchina: The Departure of Prince Golizyn
recording engineer:
Ulrich Schneider (on 1996-04-27)
producer:
Pauline Heister
editor:
Matthew Cocker and Pauline Heister
orchestra:
Berliner Philharmoniker (on 1996-04-27)
conductor:
Claudio Abbado (on 1996-04-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1996-04-27)
recording of:
Khovanshchina: Galitsyn's Journey (on 1996-04-27)
composer:
Модест Петрович Мусоргский (from 1872 until 1880)
publisher:
Internationale Musikverlage Hans Sikorski
part of:
Хованщина: Действие 4
Modest Mussorgsky4:24
5Khovanshchina: Aria of Maria
recording engineer:
Ulrich Schneider (on 1996-04-27)
producer:
Pauline Heister
editor:
Matthew Cocker and Pauline Heister
mezzo-soprano vocals:
Marianna Tarasova (on 1996-04-27)
orchestra:
Berliner Philharmoniker (on 1996-04-27)
conductor:
Claudio Abbado (on 1996-04-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1996-04-27)
recording of:
Khovanshchina: Mysterious forces "Marfa's prophecy" (on 1996-04-27)
composer:
Модест Петрович Мусоргский (from 1872 until 1880)
publisher:
Internationale Musikverlage Hans Sikorski
Modest Mussorgsky6:22
6Khovanshchina: Dance of the Persian Slaves
assistant recording engineer:
Johannes Müller (on 1996-04-27)
recording engineer:
Ulrich Schneider (on 1996-04-27)
producer:
Pauline Heister
editor:
Matthew Cocker and Pauline Heister
orchestra:
Berliner Philharmoniker (on 1996-04-27)
conductor:
Claudio Abbado (on 1996-04-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1996-04-27)
recording of:
Khovanshchina: Act IV, Scene I. Dance of the Persian Slave Girls (on 1996-04-27)
composer and librettist:
Modest Mussorgsky
part of:
Хованщина: Действие 4
Modest Mussorgsky7:08
7Scherzo in B-flat major
recording engineer:
Ulrich Schneider (from 1995-09-02 until 1995-09-04)
producer:
Pauline Heister
editor:
Matthew Cocker and Pauline Heister
orchestra:
Berliner Philharmoniker (from 1995-09-02 until 1995-09-04)
conductor:
Claudio Abbado (from 1995-09-02 until 1995-09-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1995-09-02 until 1995-09-04)
recording of:
Scherzo in B-flat major (orchestrated by Mussorgsky) (from 1995-09-02 until 1995-09-04)
orchestrator:
Модест Петрович Мусоргский
composer:
Модест Петрович Мусоргский (in 1858)
publisher:
Internationale Musikverlage Hans Sikorski
orchestration of:
Scherzo in B-flat major (for piano)
Modest Mussorgsky3:34
8Intermezzo in modo classico (version for orchestra)
recording engineer:
Ulrich Schneider (from 1995-09-02 until 1995-09-04)
producer:
Pauline Heister
editor:
Matthew Cocker and Pauline Heister
orchestra:
Berliner Philharmoniker (from 1995-09-02 until 1995-09-04)
conductor:
Claudio Abbado (from 1995-09-02 until 1995-09-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1995-09-02 until 1995-09-04)
recording of:
Intermezzo in modo classico (for orchestra) (from 1995-09-02 until 1995-09-04)
composer:
Модест Петрович Мусоргский (from 1860 until 1861)
publisher:
Internationale Musikverlage Hans Sikorski
orchestration of:
Intermezzo in modo classico (for piano, 2nd version)
Modest Mussorgsky7:39
9Mlada: Festive March
recording engineer:
Ulrich Schneider (from 1995-09-02 until 1995-09-04)
producer:
Pauline Heister
editor:
Matthew Cocker and Pauline Heister
orchestra:
Berliner Philharmoniker (from 1995-09-02 until 1995-09-04)
conductor:
Claudio Abbado (from 1995-09-02 until 1995-09-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1995-09-02 until 1995-09-04)
recording of:
Mlada: Act II. March of the Princes and Priests (from 1995-09-02 until 1995-09-04)
composer:
Модест Петрович Мусоргский (in 1872)
publisher:
Breitkopf & Härtel
part of:
Mlada (unfinished collaborative opera)
Modest Mussorgsky5:18