Nobody Else But Me / Blue & Sentimental (mono)

~ Release by Betty Bennett / Lurlean Hunter (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistLength
1Nobody Else But Me
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
John Palladino (in 1955-10)
bass clarinet:
Dave Pell (in 1955-10)
clarinet:
Gus Bivona (in 1955-10)
double bass [bass]:
Ralph Peña (in 1955-10)
flute:
Arthur Gleghorn (in 1955-10) and Harry Klee (in 1955-10)
French horn:
John Cave (in 1955-10)
harp:
Katherine Johnk (in 1955-10)
oboe:
Philip Memoli (in 1955-10)
piano:
André Previn (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
André Previn
recording of:
Nobody Else but Me (in 1955-10)
lyricist:
Oscar Hammerstein II
composer:
Jerome Kern
publisher:
Harms, Inc.
Betty Bennett3:37
2You’re Driving Me Crazy
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
John Palladino (in 1955-10)
alto saxophone:
Harry Klee (in 1955-10)
baritone saxophone:
Jimmy Giuffre (in 1955-10)
brass:
Shorty Rogers (in 1955-10)
double bass [bass]:
Ralph Peña (in 1955-10)
drums (drum set):
Shelly Manne (in 1955-10)
guitar:
Barney Kessel (in 1955-10)
piano:
André Previn (in 1955-10)
tenor saxophone:
Bob Cooper (in 1955-10)
trombone:
Frank Rosolino (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
Shorty Rogers (in 1955-10)
recording of:
You’re Driving Me Crazy (in 1955-10)
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
Betty Bennett2:53
3My Man’s Gone Now
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
John Palladino (in 1955-10)
alto saxophone:
Harry Klee (in 1955-10)
baritone saxophone:
Jimmy Giuffre (in 1955-10)
brass:
Shorty Rogers (in 1955-10)
double bass [bass]:
Ralph Peña (in 1955-10)
drums (drum set):
Shelly Manne (in 1955-10)
guitar:
Barney Kessel (in 1955-10)
piano:
André Previn (in 1955-10)
tenor saxophone:
Bob Cooper (in 1955-10)
trombone:
Frank Rosolino (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
André Previn (in 1955-10)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (in 1955-10)
lyricist:
Ira Gershwin, Dorothy Heyward and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
Betty Bennett3:26
4Island in the West Indies
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
John Palladino (in 1955-10)
alto saxophone:
Harry Klee (in 1955-10)
baritone saxophone:
Jimmy Giuffre (in 1955-10)
brass:
Shorty Rogers (in 1955-10)
double bass [bass]:
Ralph Peña (in 1955-10)
drums (drum set):
Irv Cottler (in 1955-10)
guitar:
Barney Kessel (in 1955-10)
piano:
André Previn (in 1955-10)
tenor saxophone:
Bob Cooper (in 1955-10)
trombone:
Frank Rosolino (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
André Previn (in 1955-10)
recording of:
Island in the West Indies (in 1955-10)
lyricist:
Ira Gershwin
composer:
Vernon Duke
Betty Bennett2:56
5The Next Time I Care
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
John Palladino (in 1955-10)
bass clarinet:
Dave Pell (in 1955-10)
clarinet:
Gus Bivona (in 1955-10)
double bass [bass]:
Ralph Peña (in 1955-10)
flute:
Arthur Gleghorn (in 1955-10) and Harry Klee (in 1955-10)
French horn:
John Cave (in 1955-10)
harp:
Katherine Johnk (in 1955-10)
oboe:
Philip Memoli (in 1955-10)
piano:
André Previn (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
André Previn (in 1955-10)
recording of:
The Next Time I Care (in 1955-10)
writer:
Bronisław Kaper and John Latouche
Betty Bennett3:13
6Tomorrow Mountain
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
John Palladino (in 1955-10)
alto saxophone:
Harry Klee (in 1955-10)
baritone saxophone:
Jimmy Giuffre (in 1955-10)
brass:
Shorty Rogers (in 1955-10)
double bass [bass]:
Ralph Peña (in 1955-10)
drums (drum set):
Irv Cottler (in 1955-10)
guitar:
Barney Kessel (in 1955-10)
piano:
André Previn (in 1955-10)
tenor saxophone:
Bob Cooper (in 1955-10)
trombone:
Frank Rosolino (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
Shorty Rogers (in 1955-10)
recording of:
Tomorrow Mountain (in 1955-10)
writer:
Duke Ellington and John Latouche
Betty Bennett3:27
7Treat Me Rough
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
John Palladino (in 1955-10)
alto saxophone:
Harry Klee (in 1955-10)
baritone saxophone:
Jimmy Giuffre (in 1955-10)
brass:
Shorty Rogers (in 1955-10)
double bass [bass]:
Ralph Peña (in 1955-10)
drums (drum set):
Irv Cottler (in 1955-10)
guitar:
Barney Kessel (in 1955-10)
piano:
André Previn (in 1955-10)
tenor saxophone:
Bob Cooper (in 1955-10)
trombone:
Frank Rosolino (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
André Previn (in 1955-10) and Shorty Rogers (in 1955-10)
recording of:
Treat Me Rough (in 1955-10)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
part of:
Girl Crazy (1930 Musical)
Betty Bennett2:49
8Mountain Greenery
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
John Palladino (in 1955-10)
alto saxophone:
Harry Klee (in 1955-10)
baritone saxophone:
Jimmy Giuffre (in 1955-10)
brass:
Shorty Rogers (in 1955-10)
double bass [bass]:
Ralph Peña (in 1955-10)
drums (drum set):
Shelly Manne (in 1955-10)
guitar:
Barney Kessel (in 1955-10)
piano:
André Previn (in 1955-10)
tenor saxophone:
Bob Cooper (in 1955-10)
trombone:
Frank Rosolino (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
Shorty Rogers (in 1955-10)
recording of:
Mountain Greenery (in 1955-10)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (in 1926)
Betty Bennett2:35
9This Is the Moment
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
John Palladino (in 1955-10)
bass clarinet:
Dave Pell (in 1955-10)
clarinet:
Gus Bivona (in 1955-10)
double bass [bass]:
Ralph Peña (in 1955-10)
flute:
Arthur Gleghorn (in 1955-10) and Harry Klee (in 1955-10)
French horn:
John Cave (in 1955-10)
harp:
Katherine Johnk (in 1955-10)
oboe:
Philip Memoli (in 1955-10)
piano:
André Previn (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
André Previn (in 1955-10)
recording of:
This Is the Moment (Hollander/Robin song) (in 1955-10)
lyricist:
Leo Robin
composer:
Frederick Hollander
part of:
The 21st Academy Award for Best Original Song (number: 2)
Betty Bennett3:19
10You Took Advantage of Me
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
John Palladino (in 1955-10)
alto saxophone:
Harry Klee (in 1955-10)
baritone saxophone:
Jimmy Giuffre (in 1955-10)
brass:
Shorty Rogers (in 1955-10)
double bass [bass]:
Ralph Peña (in 1955-10)
drums (drum set):
Shelly Manne (in 1955-10)
guitar:
Barney Kessel (in 1955-10)
piano:
André Previn (in 1955-10)
tenor saxophone:
Bob Cooper (in 1955-10)
trombone:
Frank Rosolino (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
André Previn (in 1955-10) and Shorty Rogers (in 1955-10)
recording of:
You Took Advantage of Me (in 1955-10)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (in 1928)
publisher:
Chappell’s • Sydney
Betty Bennett2:49
11Have Yourself a Merry Little ChristmasBetty Bennett3:38
12Sidewalks of Cuba
recorded in:
Hollywood, Los Angeles, California, United States (in 1955-10)
recording engineer:
John Palladino (in 1955-10)
alto saxophone:
Harry Klee (in 1955-10)
baritone saxophone:
Jimmy Giuffre (in 1955-10)
brass:
Shorty Rogers
double bass [bass]:
Ralph Peña (in 1955-10)
drums (drum set):
Irv Cottler (in 1955-10)
guitar:
Barney Kessel (in 1955-10)
piano:
André Previn (in 1955-10)
tenor saxophone:
Bob Cooper (in 1955-10)
trombone:
Frank Rosolino (in 1955-10)
vocals:
Betty Bennett (in 1955-10)
arranger:
André Previn (in 1955-10) and Shorty Rogers (in 1955-10)
recording of:
Sidewalks of Cuba (in 1955-10)
writer:
Irving Mills, Ben Oakland and Mitchell Parish
Betty Bennett2:34
13Blue Turning Grey over You
recorded in:
New York, New York, United States (on 1960-08-12)
recording engineer:
Tom Dowd and Phil Iehle
producer:
Jerry Wexler
clarinet:
Rudy Rutherford (on 1960-08-12)
double bass [bass]:
George Duvivier (on 1960-08-12)
drums (drum set):
Don Lamond (on 1960-08-12)
guitar:
Jim Hall (on 1960-08-12)
piano:
Jimmy Jones (on 1960-08-12)
tenor saxophone:
Bud Freeman (on 1960-08-12)
trumpet:
Harry “Sweets” Edison (on 1960-08-12)
vocals:
Lurlean Hunter (on 1960-08-12)
conductor:
Jimmy Giuffre (on 1960-08-12)
arranger:
Jimmy Giuffre
cover recording of:
Blue, Turning Grey Over You (on 1960-08-12)
lyricist:
Andy Razaf
composer:
Thomas Waller
Lurlean Hunter3:05
14If You Could See Me Now
recorded in:
New York, New York, United States (on 1960-08-12)
recording engineer:
Tom Dowd and Phil Iehle
producer:
Jerry Wexler
clarinet:
Rudy Rutherford (on 1960-08-12)
double bass [bass]:
George Duvivier (on 1960-08-12)
drums (drum set):
Don Lamond (on 1960-08-12)
guitar:
Jim Hall (on 1960-08-12)
piano:
Jimmy Jones (on 1960-08-12)
tenor saxophone:
Bud Freeman (on 1960-08-12)
trumpet:
Harry “Sweets” Edison (on 1960-08-12)
vocals:
Lurlean Hunter (on 1960-08-12)
conductor:
Jimmy Giuffre (on 1960-08-12)
arranger:
Jimmy Giuffre
cover recording of:
If You Could See Me Now (jazz standard) (on 1960-08-12)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc., Music Sales Corporation and Robbins Music
Lurlean Hunter2:47
15My Kinda Love
recorded in:
New York, New York, United States (on 1960-08-23)
recording engineer:
Tom Dowd and Phil Iehle
producer:
Jerry Wexler
clarinet:
Rudy Rutherford (on 1960-08-23)
double bass [bass]:
Trigger Alpert (on 1960-08-23)
drums (drum set):
Don Lamond (on 1960-08-23)
guitar:
Jim Hall (on 1960-08-23)
piano:
Jimmy Jones (on 1960-08-23)
tenor saxophone:
Bud Freeman (on 1960-08-23)
trumpet:
Harry “Sweets” Edison (on 1960-08-23)
vocals:
Lurlean Hunter (on 1960-08-23)
conductor:
Jimmy Giuffre (on 1960-08-23)
arranger:
Jimmy Giuffre
cover recording of:
My Kinda Love (on 1960-08-23)
lyricist:
Jo Trent
composer:
Louis Alter
publisher:
Robbins Music
Lurlean Hunter3:15
16Crazy He Calls Me
recorded in:
New York, New York, United States (on 1960-08-12)
recording engineer:
Tom Dowd and Phil Iehle
producer:
Jerry Wexler
clarinet:
Rudy Rutherford (on 1960-08-12)
double bass [bass]:
George Duvivier (on 1960-08-12)
drums (drum set):
Don Lamond (on 1960-08-12)
guitar:
Jim Hall (on 1960-08-12)
piano:
Jimmy Jones (on 1960-08-12)
tenor saxophone:
Bud Freeman (on 1960-08-12)
trumpet:
Harry “Sweets” Edison (on 1960-08-12)
vocals:
Lurlean Hunter (on 1960-08-12)
conductor:
Jimmy Giuffre (on 1960-08-12)
arranger:
Jimmy Giuffre
cover recording of:
Crazy He Calls Me (on 1960-08-12)
lyricist:
Sidney Keith Russell
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation and ミュージック・セールス
Lurlean Hunter3:26
17Just Imagine
recorded in:
New York, New York, United States (on 1960-08-23)
recording engineer:
Tom Dowd and Phil Iehle
producer:
Jerry Wexler
clarinet:
Rudy Rutherford (on 1960-08-23)
double bass [bass]:
Trigger Alpert (on 1960-08-23)
drums (drum set):
Don Lamond (on 1960-08-23)
guitar:
Jim Hall (on 1960-08-23)
piano:
Jimmy Jones (on 1960-08-23)
tenor saxophone:
Bud Freeman (on 1960-08-23)
trumpet:
Harry “Sweets” Edison (on 1960-08-23)
vocals:
Lurlean Hunter (on 1960-08-23)
conductor:
Jimmy Giuffre (on 1960-08-23)
arranger:
Jimmy Giuffre
cover recording of:
Just Imagine (Good News) (on 1960-08-23)
writer:
Lew Brown, Buddy DeSylva and Ray Henderson
part of:
Good News (1947 film)
Lurlean Hunter3:32
18Blue & Sentimental
recorded in:
New York, New York, United States (on 1960-08-12)
recording engineer:
Tom Dowd and Phil Iehle
producer:
Jerry Wexler
clarinet:
Rudy Rutherford (on 1960-08-12)
double bass [bass]:
George Duvivier (on 1960-08-12)
drums (drum set):
Don Lamond (on 1960-08-12)
guitar:
Jim Hall (on 1960-08-12)
piano:
Jimmy Jones (on 1960-08-12)
tenor saxophone:
Bud Freeman (on 1960-08-12)
trumpet:
Harry “Sweets” Edison (on 1960-08-12)
vocals:
Lurlean Hunter (on 1960-08-12)
conductor:
Jimmy Giuffre (on 1960-08-12)
arranger:
Jimmy Giuffre
cover recording of:
Blue and Sentimental (on 1960-08-12)
composer:
Count Basie, Mack David and Jerry Livingston
Lurlean Hunter3:44
19The Song Is You
recorded in:
New York, New York, United States (on 1960-08-23)
recording engineer:
Tom Dowd and Phil Iehle
producer:
Jerry Wexler
clarinet:
Rudy Rutherford (on 1960-08-23)
double bass [bass]:
Trigger Alpert (on 1960-08-23)
drums (drum set):
Don Lamond (on 1960-08-23)
guitar:
Jim Hall (on 1960-08-23)
piano:
Jimmy Jones (on 1960-08-23)
tenor saxophone:
Bud Freeman (on 1960-08-23)
trumpet:
Harry “Sweets” Edison (on 1960-08-23)
vocals:
Lurlean Hunter (on 1960-08-23)
conductor:
Jimmy Giuffre (on 1960-08-23)
arranger:
Jimmy Giuffre
cover recording of:
The Song Is You (on 1960-08-23)
lyricist:
Oscar Hammerstein II
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. and T.B. Harms Co.
Lurlean Hunter1:49
20Then I’ll Be Tired of You
recorded in:
New York, New York, United States (on 1960-08-23)
recording engineer:
Tom Dowd and Phil Iehle
producer:
Jerry Wexler
clarinet:
Rudy Rutherford (on 1960-08-23)
double bass [bass]:
Trigger Alpert (on 1960-08-23)
drums (drum set):
Don Lamond (on 1960-08-23)
guitar:
Jim Hall (on 1960-08-23)
piano:
Jimmy Jones (on 1960-08-23)
tenor saxophone:
Bud Freeman (on 1960-08-23)
trumpet:
Harry “Sweets” Edison (on 1960-08-23)
vocals:
Lurlean Hunter (on 1960-08-23)
conductor:
Jimmy Giuffre (on 1960-08-23)
arranger:
Jimmy Giuffre
cover recording of:
Then I’ll Be Tired of You (on 1960-08-23)
lyricist:
Yip Harburg
composer:
Arthur Schwartz
Lurlean Hunter5:31
21Fool That I Am
recorded in:
New York, New York, United States (on 1960-08-23)
recording engineer:
Tom Dowd and Phil Iehle
producer:
Jerry Wexler
clarinet:
Rudy Rutherford (on 1960-08-23)
double bass [bass]:
Trigger Alpert (on 1960-08-23)
drums (drum set):
Don Lamond (on 1960-08-23)
guitar:
Jim Hall (on 1960-08-23)
piano:
Jimmy Jones (on 1960-08-23)
tenor saxophone:
Bud Freeman (on 1960-08-23)
trumpet:
Harry “Sweets” Edison (on 1960-08-23)
vocals:
Lurlean Hunter (on 1960-08-23)
conductor:
Jimmy Giuffre (on 1960-08-23)
arranger:
Jimmy Giuffre
cover recording of:
Fool That I Am (on 1960-08-23)
lyricist and composer:
Floyd Hunt
Lurlean Hunter3:47
22We’ll Be Together AgainLurlean Hunter4:06
23As Long as I Live
recorded in:
New York, New York, United States (on 1960-08-12)
recording engineer:
Tom Dowd and Phil Iehle
producer:
Jerry Wexler
clarinet:
Rudy Rutherford (on 1960-08-12)
double bass [bass]:
George Duvivier (on 1960-08-12)
drums (drum set):
Don Lamond (on 1960-08-12)
guitar:
Jim Hall (on 1960-08-12)
piano:
Jimmy Jones (on 1960-08-12)
tenor saxophone:
Bud Freeman (on 1960-08-12)
trumpet:
Harry “Sweets” Edison (on 1960-08-12)
vocals:
Lurlean Hunter (on 1960-08-12)
conductor:
Jimmy Giuffre (on 1960-08-12)
arranger:
Jimmy Giuffre
cover recording of:
As Long as I Live (on 1960-08-12)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
Lurlean Hunter2:08

Credits

Release

ASIN:US: B00004WJZR [info]