Lover Man

~ Release by Sarah Vaughan (see all versions of this release, 2 available)

Tracklist

1CD
#TitleLength
1Lover Man
cover recording of:
Lover Man (on 1945-05-11)
lyricist:
Jimmy Davis (in 1942), Roger “Ram” Ramirez (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez, Jimmy Davis (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (ended), MCA Music Publishing (ended) and Universal Music Corp.
3:23
2What a Difference a Day Made2:48
3Ain’t Missbehavin’
producer:
George Treadwell
clarinet:
Tony Scott (on 1950-05-18)
double bass:
Billy Taylor Jr. (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (on 1950-05-18)
trumpet:
Miles Davis (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd., EMI Music, Redwood Music and Redwood Music Ltd.
3:02
4Goodnight My Love
clarinet:
Tony Scott (on 1950-05-18)
double bass:
Billy Taylor Jr. (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (on 1950-05-18)
trumpet:
Miles Davis (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell & His All Stars (on 1950-05-18)
cover recording of:
Goodnight, My Love (1936) (on 1950-05-18)
lyricist:
Harry Revel
composer:
Mack Gordon
3:30
5It Might as Well Be Spring
producer:
George Treadwell
clarinet:
Tony Scott (on 1950-05-18)
double bass:
Billy Taylor Jr. (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (on 1950-05-18)
trumpet:
Miles Davis (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1950-05-18)
lyricist:
Oscar Hammerstein II (in 1945)
composer:
Richard Rodgers (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc., Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
3:14
6Mean to Me2:57
7Come Rain or Come Shine
recorded in:
New York, New York, United States
producer:
George Treadwell
bass:
Billy Taylor Jr. (on 1950-05-19)
clarinet:
Tony Scott (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (on 1950-05-19)
solo electric guitar:
Mundell Lowe
solo tenor saxophone:
Budd Johnson
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (on 1950-05-19)
trumpet:
Miles Davis (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Come Rain or Come Shine (on 1950-05-19)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc., S.A. Music Co. and Warner/Chappell Music Scandinavia AB
3:25
8Nice Work If You Can Get It
recorded in:
New York, New York, United States (on 1950-05-19)
producer:
George Treadwell
bass:
Billy Taylor Jr. (on 1950-05-19)
clarinet:
Tony Scott (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (on 1950-05-19)
solo trumpet:
Miles Davis (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
George Treadwell & His All Stars and with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:37
9East of the Sun
producer:
Zev Feldman (on 1978-05-31)
clarinet:
Tony Scott
double bass:
Walter Booker (on 1978-05-31) and Billy Taylor Jr. (on 1978-05-31)
drums (drum set):
Jimmy Cobb (on 1978-05-31) and J.C. Heard (on 1978-05-31)
electric guitar:
Mundell Lowe (on 1978-05-31)
piano:
Jimmy Jones (on 1978-05-31) and Carl Schroeder (on 1978-05-31)
tenor saxophone:
Budd Johnson (on 1978-05-31)
trombone:
Bennie Green (on 1978-05-31)
trumpet:
Miles Davis (on 1978-05-31)
vocals:
Sarah Vaughan (on 1978-05-31)
recorded at:
Rosy's in New Orleans, Louisiana, United States (on 1978-05-31)
live cover recording of:
East of the Sun (and West of the Moon) (on 1978-05-31)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
3:09
10Perdido
cover recording of:
Perdido (with lyrics)
lyricist:
Ervin Drake (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris
publisher:
Tempo Music, Inc.
version of:
Perdido (original instrumental version)
2:32
11Deep Purple
cover recording of:
Deep Purple
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose
publisher:
Robbins Music
3:10
12Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster
writer:
George David Weiss
composer:
George Shearing
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部
4:03
13He’s My Guy
cover recording of:
He’s My Guy (on 1954-12-16)
lyricist:
Don Raye
composer:
Gene de Paul
4:15
14April in Paris
cover recording of:
April in Paris (on 1954-12-16)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
6:22
15Embraceable You
recorded in:
New York, New York, United States (on 1954-12-18)
double bass:
Joe Benjamin (on 1954-12-18)
drums (drum set):
Roy Haynes (on 1954-12-18)
vocals:
Sarah Vaughan (on 1954-12-18)
conductor:
Ernie Wilkins (on 1954-12-18)
arranger:
Ernie Wilkins
cover recording of:
Embraceable You (on 1954-12-18)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:51
16Sometimes I’m Happy
cover recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
3:00
17How High the Moon2:38
18Over the Rainbow3:30