| # | Title | Artist | Length |
|---|
| 1 | Messiah, HWV 56: Part II. “Surely he hath borne our griefs – And with His stripes we are healed”- engineer:
- Martin Atkinson and John Dunkerley
- choir vocals:
- Christ Church Cathedral Choir, Oxford (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- chorus master:
- Simon Preston (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 3:57 |
| 2 | Messiah, HWV 56: Part II. “All we like sheep have gone astray” | George Frideric Handel | 4:07 |
| 3 | Messiah, HWV 56: Part II. “All they that see him laugh him to scorn – He trusted in God”- engineer:
- Martin Atkinson and John Dunkerley
- choir vocals:
- Christ Church Cathedral Choir, Oxford (in 1979)
- tenor vocals:
- Paul Elliott (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- chorus master:
- Simon Preston (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 3:00 |
| 4 | Messiah, HWV 56: Part II. “Thy rebuke hath broken his heart – He was cut off out of the land of the living”- engineer:
- Martin Atkinson and John Dunkerley
- soprano vocals:
- Judith Nelson (in 1979)
- tenor vocals:
- Paul Elliott (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1979)
- composer:
- George Frideric Handel
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 3:38 |
| 5 | Messiah, HWV 56: Part II. “But thou didst not leave his soul in hell” | George Frideric Handel | 2:22 |
| 6 | Messiah, HWV 56: Part II. “Lift up your heads, O ye gates” | George Frideric Handel | 3:16 |
| 7 | Messiah, HWV 56: Part II. “Unto which of the angels said he at any time – Let all the angels of God worship him”- engineer:
- Martin Atkinson and John Dunkerley
- choir vocals:
- Christ Church Cathedral Choir, Oxford (in 1979)
- tenor vocals:
- Paul Elliott (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- chorus master:
- Simon Preston (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 1:44 |
| 8 | Messiah, HWV 56: Part II. “Thou art gone up on high” | George Frideric Handel | 2:55 |
| 9 | Messiah, HWV 56: Part II. “The Lord gave the word” | George Frideric Handel | 1:14 |
| 10 | Messiah, HWV 56: Part II. “How beautiful are the feet”- engineer:
- Martin Atkinson and John Dunkerley
- choir vocals:
- Christ Church Cathedral Choir, Oxford (in 1979)
- soprano vocals:
- Judith Nelson (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- is based on:
- Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano)
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 2:05 |
| 11 | Messiah, HWV 56: Part II. “Their sound is gone out” | George Frideric Handel | 1:21 |
| 12 | Messiah, HWV 56: Part II. “Why do the nations so furiously rage together? – Let us break their bonds asunder”- engineer:
- Martin Atkinson and John Dunkerley
- bass vocals and solo bass vocals:
- David Thomas (in 1979)
- choir vocals:
- Christ Church Cathedral Choir, Oxford (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- chorus master:
- Simon Preston (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 3:15 |
| 13 | Messiah, HWV 56: Part II. “He that dwelleth in heaven – Thou shalt break them”- engineer:
- Martin Atkinson and John Dunkerley
- tenor vocals:
- Paul Elliott (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1979)
- composer:
- George Frideric Handel
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | 2:11 |
| 14 | Messiah, HWV 56: Part II. “Hallelujah” | George Frideric Handel | 4:05 |
| 15 | Messiah, HWV 56: Part III. “I know that my Redeemer liveth” | George Frideric Handel | 5:35 |
| 16 | Messiah, HWV 56: Part III. “Since by man came death” | George Frideric Handel | 2:03 |
| 17 | Messiah, HWV 56: Part III. “Behold, I tell you a mystery – The trumpet shall sound”- engineer:
- Martin Atkinson and John Dunkerley
- bass vocals and solo bass vocals:
- David Thomas (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part III
- recording of:
- Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part III
| George Frideric Handel | 9:00 |
| 18 | Messiah, HWV 56: Part III. “Then shall be brought to pass – O Death, where is thy sting?”- engineer:
- Martin Atkinson and John Dunkerley
- contralto vocals:
- Carolyn Watkinson (in 1979)
- tenor vocals:
- Paul Elliott (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1979)
- composer:
- George Frideric Handel
- part of:
- Messiah, HWV 56: Part III
- recording of:
- Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part III
| George Frideric Handel | 1:24 |
| 19 | Messiah, HWV 56: Part III. “But thanks be to God” | George Frideric Handel | 2:17 |
| 20 | Messiah, HWV 56: Part III. “If God be for us” | George Frideric Handel | 4:22 |
| 21 | Messiah, HWV 56: Part III. “Worthy is the lamb that was slain” | George Frideric Handel | 3:45 |
| 22 | Messiah, HWV 56: Part III. “Amen” | George Frideric Handel | 3:37 |
