| # | Title | Length |
|---|
| 1 | Save Us- assistant recording engineer:
- Laurence Anslow, Tom Bailey, Jamie Kirkham, Eddie Klein, Adam Miller and John Prestage
- recording engineer:
- Sam Okell
- engineer:
- Matt Wiggins
- producer:
- Paul Epworth
- assistant mixer:
- Kevin Mills and Geoff Swan
- mixer:
- Mark “Spike” Stent
- bass and guitar:
- Paul McCartney (in 2012-01)
- drums (drum set):
- Paul Epworth (in 2012-01)
- vocals:
- Paul McCartney (in 2012-01)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 2013, in 2018) and MPL Communications Ltd. (in 2013, in 2018)
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (in 2012-01) and Wolf Tone Studios in London, England, United Kingdom (in 2012-01, in 2012-03)
- recording of:
- Save Us (in 2012-01)
- written in:
- London, England, United Kingdom
- writer:
- Paul Epworth and Paul McCartney
- publisher:
- MPL Communications Inc.
| 2:39 |
| 2 | Alligator- recording engineer:
- Josh Blair, Tyler Hartman, Jamie Kirkham, Eddie Klein, Robert Mallory and Alan O'Connell
- producer:
- Mark Ronson
- assistant mixer:
- Kevin Mills and Geoff Swan
- mixer:
- Mark “Spike” Stent
- bass, celesta, glockenspiel and synthesizer and percussion:
- Paul McCartney (in 2012-01)
- drums (drum set):
- Abe Laboriel Jr. (in 2012-01)
- guitar:
- Rusty Anderson (in 2012-01), Paul McCartney (in 2012-01) and Brian Ray (in 2012-01)
- keyboard:
- Paul Wickens (in 2012-01)
- vocals:
- Paul McCartney (in 2012-01)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 2013, in 2018) and MPL Communications Ltd. (in 2013, in 2018)
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (in 2012-01)
- recording of:
- Alligator (in 2012-01)
- lyricist and composer:
- Paul McCartney
- publisher:
- MPL Communications Inc.
| 3:27 |
| 3 | On My Way to Work- assistant recording engineer:
- Iain Berryman, Chris Bolster, Gordon Davidson, Nicolas Essig, Jamie Kirkham, Eddie Klein, Bill Rahko and Seb Truman
- recording engineer:
- Sam Okell
- programming:
- Toby Pitman
- assistant sound engineer:
- Kevin Mills
- producer:
- Giles Martin
- assistant mixer:
- Kevin Mills and Geoff Swan
- mixer:
- Mark “Spike” Stent
- accordion and piano:
- Paul Wickens (from 2013-02 until 2013-03)
- bass, drums (drum set), guitar [Ciguitar] and piano and percussion:
- Paul McCartney (from 2013-02 until 2013-03)
- cello:
- Caroline Dale (from 2013-02 until 2013-03), Katherine Jenkinson (from 2013-02 until 2013-03) and Chris Worsey (from 2013-02 until 2013-03)
- double bass:
- Steve McManus (from 2013-02 until 2013-03) and Richard Pryce (from 2013-02 until 2013-03)
- guitar:
- Rusty Anderson (from 2013-02 until 2013-03), Paul McCartney (from 2013-02 until 2013-03), Brian Ray (from 2013-02 until 2013-03) and Paul Wickens (from 2013-02 until 2013-03)
- viola:
- Peter Lale (from 2013-02 until 2013-03) and Rachel Robson (from 2013-02 until 2013-03)
- violin:
- Nina Foster (from 2013-02 until 2013-03), Patrick Kiernan (from 2013-02 until 2013-03), Laura Melhuish (from 2013-02 until 2013-03) and Cathy Thompson (from 2013-02 until 2013-03)
- vocals:
- Paul McCartney (from 2013-02 until 2013-03)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 2013, in 2018) and MPL Communications Ltd. (in 2013, in 2018)
- recorded at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom (from 2013-02 until 2013-03)
- recording of:
- On My Way to Work (from 2013-02 until 2013-03)
- lyricist and composer:
- Paul McCartney
- publisher:
- MPL Communications Inc.
| 3:43 |
| 4 | Queenie Eye- assistant recording engineer:
- Laurence Anslow, Tom Bailey, Nicolas Essig, Jamie Kirkham, Eddie Klein, Adam Miller, John Prestage and Bill Rahko
- assistant sound engineer:
- Kevin Mills
- engineer:
- Matt Wiggins
- producer:
- Paul Epworth and Paul McCartney
- assistant mixer:
- Kevin Mills and Geoff Swan
- mixer:
- Mark “Spike” Stent
- drums (drum set):
- Paul Epworth (in 2012-01)
- guitar, Moog, bass, lap steel guitar, mellotron, piano, synthesizer and tambourine and percussion:
- Paul McCartney (in 2012-01)
- vocals:
- Paul McCartney (in 2012-01)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 2013, in 2018) and MPL Communications Ltd. (in 2013, in 2018)
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (in 2012-01)
- recording of:
- Queenie Eye (in 2012-01)
- writer:
- Paul Epworth and Paul McCartney
- publisher:
- MPL Communications Inc.
| 3:48 |
| 5 | Early Days | 4:08 |
| 6 | New- assistant recording engineer:
- Nicolas Essig, Jamie Kirkham, Eddie Klein and Bill Rahko
- recording engineer:
- Sam Okell
- assistant sound engineer:
- Kevin Mills
- additional producer:
- Giles Martin
- producer:
- Mark Ronson
- assistant mixer:
- Kevin Mills and Geoff Swan
- mixer:
- Mark “Spike” Stent
- baritone saxophone:
- Dave Bishop (in 2012-01)
- bouzouki [Bouzouki with pencils]:
- Rusty Anderson (in 2012-01)
- congas and Wurlitzer electric piano, bass, bouzouki [Bouzouki with pencils], harpsichord, maracas, mellotron and piano:
- Paul McCartney (in 2012-01)
- drums (drum set):
- Abe Laboriel Jr. (in 2012-01)
- guitar:
- Rusty Anderson (in 2012-01) and Brian Ray (in 2012-01)
- tenor saxophone:
- Jamie Talbot (in 2012-01)
- trumpet:
- Steve Sidwell (in 2012-01)
- background vocals:
- Rusty Anderson (in 2012-01), Abe Laboriel Jr. (in 2012-01), Brian Ray (in 2012-01) and Paul Wickens (in 2012-01)
- vocals:
- Paul McCartney (in 2012-01)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 2013, in 2018) and MPL Communications Ltd. (in 2013, in 2018)
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (in 2012-01)
- recording of:
- New (in 2012-01)
- written in:
- London, England, United Kingdom
- lyricist and composer:
- Paul McCartney
- publisher:
- MPL Communications Inc.
| 2:57 |
| 7 | Appreciate | 4:29 |
| 8 | Everybody Out There- assistant recording engineer:
- Laurence Anslow, Tom Bailey, Iain Berryman, Chris Bolster, Gordon Davidson, Nicolas Essig, Adam Miller, John Prestage, Bill Rahko and Seb Truman
- recording engineer:
- Jamie Kirkham and Eddie Klein
- programming:
- Toby Pitman
- assistant sound engineer:
- Kevin Mills
- producer:
- Giles Martin
- assistant mixer:
- Kevin Mills and Geoff Swan
- mixer:
- Mark “Spike” Stent
- alto flute:
- Eliza Marshall (from 2013-02 until 2013-03) and Anna Noakes (from 2013-02 until 2013-03)
- baritone guitar:
- Brian Ray (from 2013-02 until 2013-03)
- bass and keyboard, mellotron and piano:
- Paul McCartney (from 2013-02 until 2013-03)
- cello:
- Caroline Dale (from 2013-02 until 2013-03), Katherine Jenkinson (from 2013-02 until 2013-03) and Chris Worsey (from 2013-02 until 2013-03)
- double bass:
- Steve McManus (from 2013-02 until 2013-03) and Richard Pryce (from 2013-02 until 2013-03)
- drums (drum set):
- Abe Laboriel Jr. (from 2013-02 until 2013-03)
- foot stomps [Foot stamp]:
- Giles Martin (from 2013-02 until 2013-03)
- guitar:
- Rusty Anderson (from 2013-02 until 2013-03), Paul McCartney (from 2013-02 until 2013-03) and Brian Ray (from 2013-02 until 2013-03)
- keyboard:
- Toby Pitman (from 2013-02 until 2013-03)
- viola:
- Peter Lale (from 2013-02 until 2013-03) and Rachel Robson (from 2013-02 until 2013-03)
- violin:
- Nina Foster (from 2013-02 until 2013-03), Patrick Kiernan (from 2013-02 until 2013-03), Laura Melhuish (from 2013-02 until 2013-03) and Cathy Thompson (from 2013-02 until 2013-03)
- vocals:
- Paul McCartney (from 2013-02 until 2013-03)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 2013, in 2018) and MPL Communications Ltd. (in 2013, in 2018)
- recorded at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom (from 2013-02 until 2013-03)
- recording of:
- Everybody Out There (from 2013-02 until 2013-03)
- lyricist and composer:
- Paul McCartney
- publisher:
- MPL Communications Inc.
| 3:21 |
| 9 | Hosanna | 3:30 |
| 10 | I Can Bet- assistant recording engineer:
- Laurence Anslow, Tom Bailey, Nicolas Essig, Adam Miller, John Prestage and Bill Rahko
- recording engineer:
- Sam Okell
- programming:
- Toby Pitman
- assistant sound engineer:
- Kevin Mills
- producer:
- Giles Martin
- assistant mixer:
- Kevin Mills and Geoff Swan
- mixer:
- Mark “Spike” Stent
- guitar:
- Rusty Anderson (from 2013-02 until 2013-03) and Paul McCartney (from 2013-02 until 2013-03)
- Hammond organ:
- Paul Wickens (from 2013-02 until 2013-03)
- Moog, Wurlitzer electric piano, bass, drums (drum set) and tape [tape loops] and percussion:
- Paul McCartney (from 2013-02 until 2013-03)
- vocals:
- Paul McCartney (from 2013-02 until 2013-03)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 2013, in 2018) and MPL Communications Ltd. (in 2013, in 2018)
- recorded at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom (from 2013-02 until 2013-03)
- recording of:
- I Can Bet (from 2013-02 until 2013-03)
- lyricist and composer:
- Paul McCartney
- publisher:
- MPL Communications Inc.
| 3:22 |
| 11 | Looking at Her | 3:05 |
| 12 | Road | 4:36 |
