Lazy Afternoon

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Who Is He (And What Is He to You?) producer: Benorce Blackmon, Melvin Dunlap, James Gadson, Ray Jackson and Bill Withers clavinet: Ray Jackson drums (drum set) and percussion: James Gadson electric bass guitar: Melvin Dunlap electric guitar: Benorce Blackmon lead vocals: Bill Withers strings arranger: Ray Jackson phonographic copyright (℗) by: Columbia Records (in 1972) recording of: Who Is He (And What Is He to You)? writer: Stanley McKenny and Bill Withers	Bill Withers	3:14
2	You'd Be So Nice to Come Home To cover recording of: You’d Be So Nice to Come Home To lyricist and composer: Cole Porter (in 1943) publisher: Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited part of: The 16th Academy Award for Best Original Song (number: 2)	Keiko Lee	2:56
3	That Lady phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1973) part of: NME: 50 Greatest Guitar Riffs of All Time (number: 17), Billboard: The 500 Best Pop Songs (number: 346) and Rolling Stone: 500 Greatest Songs of All Time (number: 349) recording of: That Lady writer: Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley, Rudolph Isley and Chris Jasper publisher: Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd. version of: Who’s That Lady	The Isley Brothers	5:35
4	Reasons engineer: George Massenburg co-producer: Charles Stepney producer: Maurice White arranger: Earth, Wind & Fire and Charles Stepney phonographic copyright (℗) by: CBS, Inc. (in 1975) samples from: That’s the Way of the World by Earth, Wind & Fire (in 1975-03) recording of: Reasons writer: Philip Bailey, Charles Stepney and Maurice White	Earth, Wind & Fire	5:01
5	Spinning Wheel engineer: Fred Catero and Roy Halee producer: James William Guercio alto saxophone and piano: Fred Lipsius bass: Jim Fielder drums (drum set) and percussion: Bobby Colomby flugelhorn and trumpet: Al Rubin and Lew Soloff flute, organ, piano and trombone: Dick Halligan guitar and harmonica: Steve Katz recorder and trombone: Jerry Hyman lead vocals: David Clayton‐Thomas vocals: Bobby Colomby, Dick Halligan and Steve Katz arranger: Blood, Sweat & Tears and Fred Lipsius recording of: Spinning Wheel lyricist and composer: David Clayton‐Thomas publisher: EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)	Blood, Sweat & Tears	4:08
6	Love TKO recording engineer and mixer: Ron A. Shaffer programming: Edwin “Tony” Nicholas executive producer: Brenda Dash and Mitchell Cohen producer: Gerald Levert and Edwin “Tony” Nicholas drums (drum set) and keyboard: Gerald Levert and Edwin “Tony” Nicholas guitar: Randy Bowland background vocals: Regina Belle and Gerald Levert vocals arranger: Gerald Levert phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1995) produced for: Trackhouse Productions cover recording of: Love T.K.O. writer: Eddie Gip Noble, Jr., Cecil Womack and Linda Womack publisher: Warner Chappell Music, Inc. and Warner–Tamerlane Publishing Corp. sub-publisher: ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部	Regina Belle	5:02
7	Sexual Healing producer: Marvin Gaye phonographic copyright (℗) by: CBS, Inc. (in 1982), Columbia Records (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (in 1982) part of: Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (number: 231) recording of: Sexual Healing writer: Odell Brown, Marvin Gaye and David Ritz publisher: April Music Publishing Inc., Blackwood Music Inc., Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)	Marvin Gaye	3:59
8	Aguas de Marca	Josee Koning	3:37
9	How Come How Long recording of: How Come, How Long writer: Babyface and Stevie Wonder	Babyface	5:13
10	Kiss and Say Goodbye recording of: Kiss and Say Goodbye lyricist and composer: Winfred Lovett publisher: Copyright Control, EMI Blackwood Music Inc. and EMI Songs Ltd.	The Manhattans	4:27
11	I'm Kissing You recording of: Kissing You writer: Tim Atack and Des’ree part of: William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)	Des’ree	4:51
12	Me and Mrs. Jones recording of: Me and Mrs. Jones writer: Kenneth Gamble, Cary Gilbert and Leon Huff publisher: Warner Chappell Music Ltd. sub-publisher: Yamaha Music Entertainment and ワーナー・チャペル音楽出版 Synch事業部	Billy Paul	4:50
13	Let's Fall in Love	Vic Damone Orchestra	1:59
14	It Ain't Necessarily So producer: John Hammond bass: Bill Lee (on 1960-12-19) drums (drum set): Belton Evans (on 1960-12-19) guitar: Lord Westbrook (on 1960-12-19) piano: Ray Bryant (on 1960-12-19) tenor saxophone: Warren Luckey (on 1960-12-19) vocals: Aretha Franklin (on 1960-12-19) arranger: J. Leslie McFarland phonographic copyright (℗) by: CBS, Inc. (in 1961) cover recording of: It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1960-12-19) lyricist: Ira Gershwin, Dorothy Heyward and DuBose Heyward composer: George Gershwin publisher: Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music, Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited was commissioned by: Gershwin Publishing Corp (in 1935) version of: Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)	Aretha Franklin	2:55
15	Mack the Knife bass: Arvell Shaw (in 1955) clarinet: Barney Bigard (in 1955) drums (drum set): Barrett Deems (in 1955) piano: Billy Kyle (in 1955) trombone: Trummy Young (in 1955) trumpet and lead vocals: Louis Armstrong (in 1955) recording of: Mack the Knife (1954 Blitzstein translation) (on 1955-09-28) lyricist: Bertolt Brecht composer: Kurt Weill translator: Marc Blitzstein (in 1954) publisher: Universal Edition translated version of: Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer	Louis Armstrong	3:24
16	Ain't No Sunshine recording engineer: Bill Halverson (in 1971) and Bill Lazarus (in 1971) producer: Booker T. Jones mixer: John Golden acoustic guitar: Stephen Stills (in 1971) drums (drum set): Al Jackson, Jr. (in 1971) electric bass guitar: Donald “Duck” Dunn (in 1971) lead vocals: Bill Withers (in 1971) strings arranger: Booker T. Jones phonographic copyright (℗) by: CBS Inc. (in 1971) and Columbia Records (in 1972) part of: BILLIONS CLUB, Billboard: The 500 Best Pop Songs (number: 179), Rolling Stone: 500 Greatest Songs of All Time (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309) recording of: Ain’t No Sunshine (in 1971) lyricist and composer: Bill Withers publisher: EMI Music, EMI Music Publishing Ltd. and EMI Songs Ltd.	Bill Withers	2:03

Credits

Release

Discogs:	https://www.discogs.com/release/557512 [info]

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