Die kompletten Werke, Volume 12: Kantaten, BWV 146-159

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. März/April 1973 (BWV 146); September 1976/Januar, Juni 1977 (BWV 147)
CD2 Aufnahme: Gedächtniskirche Stuttgart. September/Dezember 1977 (BWV 148); Juni 1983/Februar 1984 (BWV 149); Juni/Juli 1970 (BWV 150); Februar 1971 (BWV 151)
CD3 Aufnahme: Gedächtniskirche Stuttgart. März/April 1976 (BWV 152); September 1978 (BWV 153, 154); Februar 1971 (BWV 155)
CD4 Aufnahme: Gedächtniskirche Stuttgart. März/April 1973 (BWV 156); Oktober 1982/Juli 1983 (BWV 157); Juli 1983 (BWV 158); Juni/Juli 1983 (BWV 159)

Tracklist

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1▼CD: BWV 146-147
#	Title	Artist	Length
1	Kantate, BWV 146 "Wir müssen durch viel Trübsal": I. Sinfonia orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 146 "Wir müssen durch viel Trübsal": I. Sinfonia (from 1973-03 until 1973-04) composer: Johann Sebastian Bach (in 1728) arrangement of: Keyboard Concerto in D minor, BWV 1052: I. Allegro part of: Kantate, BWV 146 "Wir müssen durch viel Trübsal"	Johann Sebastian Bach	8:15
2	Kantate, BWV 146 "Wir müssen durch viel Trübsal": II. Coro "Wir müssen durch viel Trübsal" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 146 "Wir müssen durch viel Trübsal": II. Coro "Wir müssen durch viel Trübsal" (from 1973-03 until 1973-04) composer: Johann Sebastian Bach (in 1728) arrangement of: Keyboard Concerto in D minor, BWV 1052: II. Adagio part of: Kantate, BWV 146 "Wir müssen durch viel Trübsal"	Johann Sebastian Bach	6:46
3	Kantate, BWV 146 "Wir müssen durch viel Trübsal": III. Aria (Alt) "Ich will nach dem Himmel zu" alto vocals: Marga Höffgen orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 146 "Wir müssen durch viel Trübsal": III. Aria (Alt) "Ich will nach dem Himmel zu" (from 1973-03 until 1973-04) composer: Johann Sebastian Bach (in 1728) part of: Kantate, BWV 146 "Wir müssen durch viel Trübsal"	Johann Sebastian Bach	8:32
4	Kantate, BWV 146 "Wir müssen durch viel Trübsal": IV. Recitativo (Sopran) "Ach! wer doch schon im Himmel wär" soprano vocals: Helen Donath orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 146 "Wir müssen durch viel Trübsal": IV. Recitativo (Sopran) "Ach! wer doch schon im Himmel wär" (from 1973-03 until 1973-04) composer: Johann Sebastian Bach (in 1728) part of: Kantate, BWV 146 "Wir müssen durch viel Trübsal"	Johann Sebastian Bach	2:13
5	Kantate, BWV 146 "Wir müssen durch viel Trübsal": V. Aria (Sopran) "Ich säe meine Zähren" soprano vocals: Helen Donath orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 146 "Wir müssen durch viel Trübsal": V. Aria (Sopran) "Ich säe meine Zähren" (from 1973-03 until 1973-04) composer: Johann Sebastian Bach (in 1728) part of: Kantate, BWV 146 "Wir müssen durch viel Trübsal"	Johann Sebastian Bach	6:00
6	Kantate, BWV 146 "Wir müssen durch viel Trübsal": VI. Recitativo (Tenor) "Ich bin bereit" tenor vocals: Kurt Equiluz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 146 "Wir müssen durch viel Trübsal": VI. Recitativo (Tenor) "Ich bin bereit" (from 1973-03 until 1973-04) composer: Johann Sebastian Bach (in 1728) part of: Kantate, BWV 146 "Wir müssen durch viel Trübsal"	Johann Sebastian Bach	1:35
7	Kantate, BWV 146 "Wir müssen durch viel Trübsal": VII. Aria (Duetto Tenor, Bass) "Wie will ich mich freuen" bass vocals: Hanns-Friedrich Kunz tenor vocals: Kurt Equiluz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 146 "Wir müssen durch viel Trübsal": VII. Aria (Duetto Tenor, Bass) "Wie will ich mich freuen" (from 1973-03 until 1973-04) composer: Johann Sebastian Bach (in 1728) part of: Kantate, BWV 146 "Wir müssen durch viel Trübsal"	Johann Sebastian Bach	5:45
8	Kantate, BWV 146 "Wir müssen durch viel Trübsal": VIII. Choral "Denn wer selig dahin fähret" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 146 "Wir müssen durch viel Trübsal": VIII. Choral "Denn wer selig dahin fähret" (from 1973-03 until 1973-04) lyricist: Johann von Rist composer: Johann Sebastian Bach (in 1728) part of: Breitkopf 389 Choralgesänge (number: 360) part of: Kantate, BWV 146 "Wir müssen durch viel Trübsal"	Johann Sebastian Bach	1:04
9	Kantate, BWV 147 "Herz und Mund und Tat und Leben": I. Coro "Herz und Mund und Tat und Leben" choir vocals: Frankfurter Kantorei orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (from 1976-09 until 1977-06) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	4:36
10	Kantate, BWV 147 "Herz und Mund und Tat und Leben": II. Recitativo (Tenor) "Gebenedeiter Mund!" tenor vocals: Kurt Equiluz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (from 1976-09 until 1977-06) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	1:53
11	Kantate, BWV 147 "Herz und Mund und Tat und Leben": III. Aria (Alt) "Schäme dich, o Seele, nicht" alto vocals: Helen Watts orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (from 1976-09 until 1977-06) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	3:54
12	Kantate, BWV 147 "Herz und Mund und Tat und Leben": IV. Recitativo (Bass) "Verstockung kann Gewaltige verblenden" bass vocals: Wolfgang Schöne orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (from 1976-09 until 1977-06) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	1:49
13	Kantate, BWV 147 "Herz und Mund und Tat und Leben": V. Aria (Sopran) "Bereite dir, Jesu, noch itzo die Bahn" soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (from 1976-09 until 1977-06) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	4:08
14	Kantate, BWV 147 "Herz und Mund und Tat und Leben": VI. Choral "Wohl mir, daß ich Jesum habe" choir vocals: Frankfurter Kantorei orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (from 1976-09 until 1977-06) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	2:58
15	Kantate, BWV 147 "Herz und Mund und Tat und Leben": VII. Aria (Tenor) "Hilf, Jesu, hilf, daß ich auch dich bekenne" tenor vocals: Kurt Equiluz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (from 1976-09 until 1977-06) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	3:04
16	Kantate, BWV 147 "Herz und Mund und Tat und Leben": VIII. Recitativo (Alt) "Der höchsten Allmacht Wunderhand" alto vocals: Helen Watts orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (from 1976-09 until 1977-06) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	2:49
17	Kantate, BWV 147 "Herz und Mund und Tat und Leben": IX. Aria (Bass) "Ich will von Jesu Wundern singen" bass vocals: Wolfgang Schöne orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (from 1976-09 until 1977-06) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	3:14
18	Kantate, BWV 147 "Herz und Mund und Tat und Leben": X. Choral "Jesus bleibet meine Freude" choir vocals: Frankfurter Kantorei and Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1976-09 until 1977-06) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (in 1665) composer: Johann Sebastian Bach (in 1723) part of: Classic 100: Piano (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	2:53

2▼CD: BWV 148-151
#	Title	Artist	Length
1	Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Coro "Bringet dem Herrn Ehre seines Namens" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12) recording of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Coro "Bringet dem Herrn Ehre seines Namens" (from 1977-09 until 1977-01) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"	Johann Sebastian Bach	3:54
2	Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": II. Aria (Tenor) "Ich eile, die Lehren des Lebens zu hören" tenor vocals: Kurt Equiluz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12) recording of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": II. Aria (Tenor) "Ich eile, die Lehren des Lebens zu hören" (from 1977-09 until 1977-01) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"	Johann Sebastian Bach	5:12
3	Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": III. Recitativo (Alt) "So, wie der Hirsch nach frischem Wasser schreit" alto vocals: Helen Watts orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12) recording of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": III. Recitativo (Alt) "So, wie der Hirsch nach frischem Wasser schreit" (from 1977-09 until 1977-01) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"	Johann Sebastian Bach	1:35
4	Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": IV. Aria (Alt) "Mund und Herze steht dir offen" alto vocals: Helen Watts orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12) recording of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": IV. Aria (Alt) "Mund und Herze steht dir offen" (from 1977-09 until 1977-01) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"	Johann Sebastian Bach	5:57
5	Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": V. Recitativo (Tenor) "Bleib auch, mein Gott, in mir" tenor vocals: Kurt Equiluz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12) recording of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": V. Recitativo (Tenor) "Bleib auch, mein Gott, in mir" (from 1977-09 until 1977-01) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"	Johann Sebastian Bach	0:52
6	Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": VI. Choral "Amen zu aller Stund" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12) recording of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": VI. Choral "Amen zu aller Stund" (from 1977-09 until 1977-01) lyricist: Johann Heermann composer: Johann Sebastian Bach (in 1723) part of: Breitkopf 389 Choralgesänge (number: 29) part of: Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"	Johann Sebastian Bach	0:52
7	Kantate, BWV 149 "Man singet mit Freuden vom Sieg": I. Coro "Man singet mit Freuden vom Sieg" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02) recording of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg": I. Coro "Man singet mit Freuden vom Sieg" (from 1983-06 until 1984-02) composer: Johann Sebastian Bach (in 1728) part of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg"	Johann Sebastian Bach	4:23
8	Kantate, BWV 149 "Man singet mit Freuden vom Sieg": II. Aria (Bass) "Kraft und Stärke sei gesungen" bass vocals: Philippe Huttenlocher orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02) recording of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg": II. Aria (Bass) "Kraft und Stärke sei gesungen" (from 1983-06 until 1984-02) composer: Johann Sebastian Bach (in 1728) librettist: Martin Schalling (in 1728) part of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg"	Johann Sebastian Bach	2:26
9	Kantate, BWV 149 "Man singet mit Freuden vom Sieg": III. Recitativo (Alt) "Ich fürchte mich vor tausend Feinden nicht" alto vocals: Mechthild Georg orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02) recording of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg": III. Recitativo (Alt) "Ich fürchte mich vor tausend Feinden nicht" (from 1983-06 until 1984-02) composer: Johann Sebastian Bach (in 1728) librettist: Martin Schalling (in 1728) part of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg"	Johann Sebastian Bach	0:47
10	Kantate, BWV 149 "Man singet mit Freuden vom Sieg": IV. Aria (Sopran) "Gottes Engel weichen nie" soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02) recording of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg": IV. Aria (Sopran) "Gottes Engel weichen nie" (from 1983-06 until 1984-02) composer: Johann Sebastian Bach (in 1728) librettist: Martin Schalling (in 1728) part of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg"	Johann Sebastian Bach	5:17
11	Kantate, BWV 149 "Man singet mit Freuden vom Sieg": V. Recitativo (Tenor) "Ich danke dir, mein lieber Gott, dafür" tenor vocals: Aldo Baldin orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02) recording of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg": V. Recitativo (Tenor) "Ich danke dir, mein lieber Gott, dafür" (from 1983-06 until 1984-02) composer: Johann Sebastian Bach (in 1728) librettist: Martin Schalling (in 1728) part of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg"	Johann Sebastian Bach	0:47
12	Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VI. Aria (Duetto Alt, Tenor) "Seid wachsam, ihr heiligen Wächter" alto vocals: Mechthild Georg tenor vocals: Aldo Baldin orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02) recording of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VI. Aria (Duetto Alt, Tenor) "Seid wachsam, ihr heiligen Wächter" (from 1983-06 until 1984-02) composer: Johann Sebastian Bach (in 1728) librettist: Martin Schalling (in 1728) part of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg"	Johann Sebastian Bach	3:24
13	Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VII. Choral "Ach Herr, laß dein lieb Engelein" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02) recording of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VII. Choral "Ach Herr, laß dein lieb Engelein" (from 1983-06 until 1984-02) composer: Johann Sebastian Bach (in 1728) librettist: Martin Schalling (in 1569) part of: Breitkopf 389 Choralgesänge (number: 155) part of: Kantate, BWV 149 "Man singet mit Freuden vom Sieg"	Johann Sebastian Bach	2:01
14	Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (from 1704 until 1707) part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	Johann Sebastian Bach	1:23
15	Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (from 1704 until 1707) part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	Johann Sebastian Bach	3:42
16	Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" soprano vocals: Magdalene Schreiber orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (from 1704 until 1707) librettist: [anonymous] part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	Johann Sebastian Bach	1:37
17	Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (from 1704 until 1707) part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	Johann Sebastian Bach	2:07
18	Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" alto vocals: Margret Jetter bass vocals: Hanns-Friedrich Kunz tenor vocals: Peter Maus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (from 1704 until 1707) librettist: [anonymous] part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	Johann Sebastian Bach	1:23
19	Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (from 1704 until 1707) part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	Johann Sebastian Bach	2:11
20	Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (from 1970-06 until 1970-07) composer: Johann Sebastian Bach (from 1704 until 1707) librettist: [anonymous] part of: Kantate, BWV 150 "Nach dir, Herr, verlanget mich"	Johann Sebastian Bach	2:57
21	Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" soprano vocals: Nobuko Gamo-Yamamoto orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" (in 1971-02) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	Johann Sebastian Bach	9:45
22	Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Bass) "Erfreue dich, mein Herz" bass vocals: Hanns-Friedrich Kunz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Bass) "Erfreue dich, mein Herz" (in 1971-02) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	Johann Sebastian Bach	1:31
23	Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alt) "In Jesu Demut kann ich Trost" alto vocals: Hildegard Laurich orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alt) "In Jesu Demut kann ich Trost" (in 1971-02) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	Johann Sebastian Bach	5:17
24	Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenor) "Du teurer Gottessohn" tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenor) "Du teurer Gottessohn" (in 1971-02) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	Johann Sebastian Bach	0:57
25	Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" choir vocals: Frankfurter Kantorei orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" (in 1971-02) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Nikolaus Hermann (in 1560) part of: Breitkopf 389 Choralgesänge (number: 235) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	Johann Sebastian Bach	0:40

3▼CD: BWV 152-155
#	Title	Artist	Length
1	Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia orchestra: The Bach Ensemble conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (from 1976-03 until 1976-04) premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach	3:36
2	Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Bass) "Tritt auf die Glaubensbahn" bass vocals: Wolfgang Schöne orchestra: The Bach Ensemble conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (from 1976-03 until 1976-04) premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach	3:07
3	Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Bass) "Der Heiland ist gesetzt" vocals: Wolfgang Schöne orchestra: The Bach Ensemble conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (from 1976-03 until 1976-04) premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach	1:58
4	Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" soprano vocals: Arleen Augér orchestra: The Bach Ensemble conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (from 1976-03 until 1976-04) premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach	3:57
5	Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Sopran, Bass) "Es ärgre sich die kluge Welt" bass vocals: Wolfgang Schöne soprano vocals: Arleen Augér orchestra: The Bach Ensemble conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (from 1976-03 until 1976-04) premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach	1:30
6	Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto "Wie soll ich dich, Liebster der Seelen, umfassen?" bass vocals: Wolfgang Schöne soprano vocals: Arleen Augér orchestra: The Bach Ensemble conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (from 1976-03 until 1976-04) premiered in: Weimar, Thüringen, Germany (on 1714-12-30) composer: Johann Sebastian Bach (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach	4:37
7	Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: David Denicke part of: Breitkopf 389 Choralgesänge (number: 5) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach	0:56
8	Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen" alto vocals: Ann Murray orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach	0:43
9	Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir" bass vocals: Walter Heldwein orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: Jesaja 41, 10 part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach	1:59
10	Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott" tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach	1:43
11	Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: Paul Gerhardt part of: Breitkopf 389 Choralgesänge (number: 160) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach	1:02
12	Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter" vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach	2:34
13	Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz" bass vocals: Walter Heldwein orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach	1:50
14	Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf" alto vocals: Ann Murray orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach	2:27
15	Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: Martin Moller part of: Breitkopf 389 Choralgesänge (number: 9) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach	1:45
16	Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren" tenor vocals: Aldo Baldin and Adalbert Kraus orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-09) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 154 "Mein liebster Jesus ist verloren"	Johann Sebastian Bach	1:58
17	Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an" tenor vocals: Aldo Baldin orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-09) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 154 "Mein liebster Jesus ist verloren"	Johann Sebastian Bach	0:41
18	Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter" choir vocals: Gächinger Kantorei Stuttgart orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-09) composer: Johann Sebastian Bach (in 1724) librettist: Martin Jahn part of: Breitkopf 389 Choralgesänge (number: 365) part of: Kantate, BWV 154 "Mein liebster Jesus ist verloren"	Johann Sebastian Bach	1:02
19	Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden" alto vocals: Ann Murray and Helen Watts orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-09) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 154 "Mein liebster Jesus ist verloren"	Johann Sebastian Bach	3:32
20	Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß" bass vocals: Walter Heldwein orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-09) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 154 "Mein liebster Jesus ist verloren"	Johann Sebastian Bach	1:37
21	Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes" tenor vocals: Aldo Baldin orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-09) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 154 "Mein liebster Jesus ist verloren"	Johann Sebastian Bach	2:16
22	Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden" alto vocals: Ann Murray and Helen Watts tenor vocals: Aldo Baldin orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-09) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 154 "Mein liebster Jesus ist verloren"	Johann Sebastian Bach	3:44
23	Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht" choir vocals: Gächinger Kantorei Stuttgart orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-09) composer: Johann Sebastian Bach (in 1724) librettist: Christian Keymann part of: Breitkopf 389 Choralgesänge (number: 244) part of: Kantate, BWV 154 "Mein liebster Jesus ist verloren"	Johann Sebastian Bach	0:59
24	Kantate, BWV 155 "Mein Gott, wie lang, ach lange": I. Recitativo "Mein Gott, wie lang, ach lange" soprano vocals: Ingeborg Reichelt orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 155 "Mein Gott, wie lang, ach lange": I. Recitativo "Mein Gott, wie lang, ach lange" (in 1971-02) premiered in: Weimar, Thüringen, Germany (on 1716-01-19) composer: Johann Sebastian Bach (in 1716) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 155 "Mein Gott, wie lang, ach lange"	Johann Sebastian Bach	2:00
25	Kantate, BWV 155 "Mein Gott, wie lang, ach lange": II. Aria (Duetto Alt, Tenor) "Du mußt glauben, du mußt hoffen" alto vocals: Norma Lerer tenor vocals: Friedreich Melzer orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 155 "Mein Gott, wie lang, ach lange": II. Aria (Duetto Alt, Tenor) "Du mußt glauben, du mußt hoffen" (in 1971-02) premiered in: Weimar, Thüringen, Germany (on 1716-01-19) composer: Johann Sebastian Bach (in 1716) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 155 "Mein Gott, wie lang, ach lange"	Johann Sebastian Bach	4:35
26	Kantate, BWV 155 "Mein Gott, wie lang, ach lange": III. Recitativo (Bass) "So sei, o Seele! sei zufrieden!" bass vocals: Hanns-Friedrich Kunz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 155 "Mein Gott, wie lang, ach lange": III. Recitativo (Bass) "So sei, o Seele! sei zufrieden!" (in 1971-02) premiered in: Weimar, Thüringen, Germany (on 1716-01-19) composer: Johann Sebastian Bach (in 1716) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 155 "Mein Gott, wie lang, ach lange"	Johann Sebastian Bach	2:27
27	Kantate, BWV 155 "Mein Gott, wie lang, ach lange": IV. Aria (Sopran) "Wirf, mein Herze, wirf dich noch" soprano vocals: Ingeborg Reichelt orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 155 "Mein Gott, wie lang, ach lange": IV. Aria (Sopran) "Wirf, mein Herze, wirf dich noch" (in 1971-02) premiered in: Weimar, Thüringen, Germany (on 1716-01-19) composer: Johann Sebastian Bach (in 1716) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 155 "Mein Gott, wie lang, ach lange"	Johann Sebastian Bach	2:58
28	Kantate, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht" (in 1971-02) premiered in: Weimar, Thüringen, Germany (on 1716-01-19) composer: Johann Sebastian Bach (in 1716) librettist: Paul Speratus (in 1524) part of: Breitkopf 389 Choralgesänge (number: 88) part of: Kantate, BWV 155 "Mein Gott, wie lang, ach lange"	Johann Sebastian Bach	1:02

4▼CD: BWV 156-159
#	Title	Artist	Length
1	Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia orchestra: The Bach Ensemble and Bach‐Collegium Stuttgart conductor: Helmuth Rilling phonographic copyright (℗) by: Hänssler Classic (from 1994 to present) recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (from 1973-03 until 1973-04) premiered in: Leipzig, Sachsen, Germany (in 1729) composer: Johann Sebastian Bach (in 1729) is based on: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056 part of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"	Johann Sebastian Bach	2:48
2	Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": II. Aria (Tenor) con Choral (Sopran) "Ich steh mit einem Fuß im Grabe" soprano vocals: Figuralchor der Gedächtniskirche Stuttgart tenor vocals: Kurt Equiluz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": II. Aria (Tenor) con Choral (Sopran) "Ich steh mit einem Fuß im Grabe" (from 1973-03 until 1973-04) premiered in: Leipzig, Sachsen, Germany (in 1729) composer: Johann Sebastian Bach (in 1729) librettist: Johann Hermann Schein (in 1628) part of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"	Johann Sebastian Bach	5:41
3	Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": III. Recitativo (Bass) "Mein Angst und Not" bass vocals: Wolfgang Schöne orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": III. Recitativo (Bass) "Mein Angst und Not" (from 1973-03 until 1973-04) premiered in: Leipzig, Sachsen, Germany (in 1729) composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1727) part of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"	Johann Sebastian Bach	1:44
4	Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen" alto vocals: Hildegard Laurich orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen" (from 1973-03 until 1973-04) premiered in: Leipzig, Sachsen, Germany (in 1729) composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1727) part of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"	Johann Sebastian Bach	4:48
5	Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": V. Recitativo (Bass) "Und willst du, daß ich nicht soll kranken" vocals: Wolfgang Schöne orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": V. Recitativo (Bass) "Und willst du, daß ich nicht soll kranken" (from 1973-03 until 1973-04) premiered in: Leipzig, Sachsen, Germany (in 1729) composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1727) part of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"	Johann Sebastian Bach	1:07
6	Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit" choir vocals: Figuralchor der Gedächtniskirche Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04) recording of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit" (from 1973-03 until 1973-04) premiered in: Leipzig, Sachsen, Germany (in 1729) composer: Johann Sebastian Bach (in 1729) librettist: Kaspar Bienemann (in 1582) part of: Breitkopf 389 Choralgesänge (number: 150) part of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"	Johann Sebastian Bach	1:07
7	Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": I. Duetto (Tenor, Bass) "Ich lasse dich nicht, du segnest mich denn!" bass vocals: Philippe Huttenlocher tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-10 until 1983-07) recording of: Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": I. Duetto (Tenor, Bass) "Ich lasse dich nicht, du segnest mich denn!" (from 1982-10 until 1983-07) premiered in: Pomßen, Sachsen, Germany (on 1727-02-06) composer: Johann Sebastian Bach (in 1727) part of: Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"	Johann Sebastian Bach	4:10
8	Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": II. Aria (Tenor) "Ich halte meinen Jesum feste" tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-10 until 1983-07) recording of: Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": II. Aria (Tenor) "Ich halte meinen Jesum feste" (from 1982-10 until 1983-07) premiered in: Pomßen, Sachsen, Germany (on 1727-02-06) composer: Johann Sebastian Bach (in 1727) librettist: Christian Friedrich Henrici (in 1727) part of: Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"	Johann Sebastian Bach	6:28
9	Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": III. Recitativo (Tenor) "Mein lieber Jesu du" tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-10 until 1983-07) recording of: Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": III. Recitativo (Tenor) "Mein lieber Jesu du" (from 1982-10 until 1983-07) premiered in: Pomßen, Sachsen, Germany (on 1727-02-06) composer: Johann Sebastian Bach (in 1727) librettist: Christian Friedrich Henrici (in 1727) part of: Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"	Johann Sebastian Bach	1:27
10	Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": IV. Aria, Recitativo ed Arioso (Bass) "Ja, ja, ich halte Jesum feste" bass vocals: Philippe Huttenlocher orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-10 until 1983-07) recording of: Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": IV. Aria, Recitativo ed Arioso (Bass) "Ja, ja, ich halte Jesum feste" (from 1982-10 until 1983-07) premiered in: Pomßen, Sachsen, Germany (on 1727-02-06) composer: Johann Sebastian Bach (in 1727) librettist: Christian Friedrich Henrici (in 1727) part of: Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"	Johann Sebastian Bach	5:55
11	Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": V. Choral "Meinen Jesum laß ich nicht" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-10 until 1983-07) recording of: Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": V. Choral "Meinen Jesum laß ich nicht" (from 1982-10 until 1983-07) premiered in: Pomßen, Sachsen, Germany (on 1727-02-06) composer: Johann Sebastian Bach (in 1727) librettist: Christian Keymann (in 1658) and Christian Friedrich Henrici (in 1727) part of: Breitkopf 389 Choralgesänge (number: 245) part of: Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"	Johann Sebastian Bach	0:59
12	Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" bass vocals: Philippe Huttenlocher orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07) recording of: Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" (in 1983-07) composer: Johann Sebastian Bach (from 1728 until 1731) librettist: [anonymous] part of: Kantate, BWV 158 "Der Friede sei mit dir"	Johann Sebastian Bach	1:37
13	Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral "Welt, ade, ich bin dein müde" bass vocals: Philippe Huttenlocher orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07) recording of: Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (in 1983-07) composer: Johann Sebastian Bach (from 1728 until 1731) librettist: Johann Georg Albinus (in 1649) part of: Kantate, BWV 158 "Der Friede sei mit dir"	Johann Sebastian Bach	5:50
14	Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" bass vocals: Philippe Huttenlocher orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07) recording of: Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" (in 1983-07) composer: Johann Sebastian Bach (from 1728 until 1731) librettist: [anonymous] part of: Kantate, BWV 158 "Der Friede sei mit dir"	Johann Sebastian Bach	1:28
15	Kantate, BWV 158 "Der Friede sei mit dir": IV. Choral "Hier ist das rechte Osterlamm" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07) recording of: Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm" (in 1983-07) composer: Johann Sebastian Bach (from 1728 until 1731) librettist: Martin Luther (in 1524) part of: Kantate, BWV 158 "Der Friede sei mit dir"	Johann Sebastian Bach	1:14
16	Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso (Alt) "Sehet, wir gehn hinauf gen Jerusalem" alto vocals: Júlia Hamari orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-07) recording of: Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem" (from 1983-06 until 1983-07) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) part of: Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"	Johann Sebastian Bach	3:39
17	Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" alto vocals: Júlia Hamari orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-07) recording of: Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (from 1983-06 until 1983-07) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) librettist: Paul Gerhardt (in 1656) part of: Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"	Johann Sebastian Bach	4:15
18	Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" vocals: Aldo Baldin orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-07) recording of: Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" (from 1983-06 until 1983-07) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"	Johann Sebastian Bach	1:23
19	Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" bass vocals: Philippe Huttenlocher orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-07) recording of: Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" (from 1983-06 until 1983-07) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"	Johann Sebastian Bach	5:48
20	Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-07) recording of: Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" (from 1983-06 until 1983-07) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) librettist: Paul Stockmann (in 1633) part of: Breitkopf 389 Choralgesänge (number: 194) part of: Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"	Johann Sebastian Bach	1:17

Die kompletten Werke, Volume 12: Kantaten, BWV 146-159

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