Seven Classic Albums

~ Release by Maynard Ferguson (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1Our Love Is Here To Stay
16:05
2Air Conditioned
16:50
3Finger Snappin'
alto saxophone:
Herb Geller (on 1955-04-25)
baritone saxophone:
Bob Gordon (on 1955-04-25)
double bass [bass]:
Red Callender (on 1955-04-25)
drums (drum set):
Shelly Manne (on 1955-04-25)
piano:
Ian Bernhard (on 1955-04-25)
tenor saxophone:
Georgie Auld (on 1955-04-25)
trombone:
Milt Bernhart (on 1955-04-25)
trumpet:
Conte Candoli (on 1955-04-25)
trumpet and valve trombone:
Maynard Ferguson (on 1955-04-25)
arranger:
Bill Holman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-04-25)
3:54
4My New Flame
alto saxophone:
Herb Geller (on 1955-04-25)
baritone saxophone:
Bob Gordon (on 1955-04-25)
double bass [bass]:
Red Callender (on 1955-04-25)
drums (drum set):
Shelly Manne (on 1955-04-25)
piano:
Ian Bernhard (on 1955-04-25)
tenor saxophone:
Georgie Auld (on 1955-04-25)
trombone:
Milt Bernhart (on 1955-04-25)
trumpet:
Conte Candoli (on 1955-04-25)
trumpet and valve trombone:
Maynard Ferguson (on 1955-04-25)
arranger:
Bill Holman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-04-25)
4:09
5Autumn Leaves
recorded in:
Los Angeles, California, United States (on 1955-04-25)
alto saxophone:
Herb Geller (on 1955-04-25)
baritone saxophone:
Bob Gordon (on 1955-04-25)
bass:
Max Bennett (on 1955-04-25)
brass and trumpet and valve trombone:
Maynard Ferguson (on 1955-04-25)
double bass [bass]:
Red Callender (on 1955-04-25)
drums (drum set):
Sid Bulkin (on 1955-04-25) and Shelly Manne (on 1955-04-25)
piano:
Ian Bernard (on 1955-04-25)
tenor saxophone:
Georgie Auld (on 1955-04-25)
trombone:
Milt Bernhart (on 1955-04-25)
trumpet:
Conte Candoli (on 1955-04-25)
arranger:
Bill Holman
phonographic copyright (℗) by:
Fresh Sound Records
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-04-25) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-04-25)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1955-04-25)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc.
translated version of:
Les Feuilles mortes (Autumn Leaves)
3:19
6Inter-Space
alto saxophone:
Herb Geller (on 1955-04-25)
baritone saxophone:
Bob Gordon (on 1955-04-25)
double bass [bass]:
Red Callender (on 1955-04-25)
drums (drum set):
Shelly Manne (on 1955-04-25)
piano:
Ian Bernhard (on 1955-04-25)
tenor saxophone:
Georgie Auld (on 1955-04-25)
trombone:
Milt Bernhart (on 1955-04-25)
trumpet:
Conte Candoli (on 1955-04-25)
trumpet and valve trombone:
Maynard Ferguson (on 1955-04-25)
arranger:
Bill Holman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-04-25)
3:33
720 Rue De Mardid
recorded in:
Los Angeles, California, United States (on 1955-04-25)
alto saxophone:
Herb Geller (on 1955-04-25)
baritone saxophone:
Bob Gordon (on 1955-04-25)
bass:
Red Callender (on 1955-04-25)
brass and trumpet and valve trombone:
Maynard Ferguson (on 1955-04-25)
double bass [bass]:
Max Bennett (on 1955-04-25)
drums (drum set):
Sid Bulkin (on 1955-04-25) and Shelly Manne (on 1955-04-25)
piano:
Ian Bernard (on 1955-04-25)
tenor saxophone:
Georgie Auld (on 1955-04-25)
trombone:
Milt Bernhart (on 1955-04-25)
trumpet:
Conte Candoli (on 1955-04-25)
arranger:
Bill Holman
phonographic copyright (℗) by:
Fresh Sound Records
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-04-25) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-04-25)
5:04
8Super-G
alto saxophone:
Herb Geller (on 1955-04-27)
baritone saxophone:
Bob Gordon (on 1955-04-27)
double bass [bass]:
Red Callender (on 1955-04-27)
drums (drum set):
Shelly Manne (on 1955-04-27)
piano:
Ian Bernhard (on 1955-04-27)
tenor saxophone:
Georgie Auld (on 1955-04-27)
trombone:
Milt Bernhart (on 1955-04-27)
trumpet:
Conte Candoli (on 1955-04-27)
trumpet and valve trombone:
Maynard Ferguson (on 1955-04-27)
arranger:
Bill Holman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-04-27)
7:38
9What Was Her Name
alto saxophone:
Herb Geller (on 1955-04-27)
baritone saxophone:
Bob Gordon (on 1955-04-27)
double bass [bass]:
Red Callender (on 1955-04-27)
drums (drum set):
Shelly Manne (on 1955-04-27)
piano:
Ian Bernhard (on 1955-04-27)
tenor saxophone:
Georgie Auld (on 1955-04-27)
trombone:
Milt Bernhart (on 1955-04-27)
trumpet:
Conte Candoli (on 1955-04-27)
trumpet and valve trombone:
Maynard Ferguson (on 1955-04-27)
arranger:
Bill Holman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-04-27)
5:09
10Yeah
alto saxophone:
Herb Geller (on 1955-04-27)
baritone saxophone:
Bob Gordon (on 1955-04-27)
double bass [bass]:
Red Callender (on 1955-04-27)
drums (drum set):
Shelly Manne (on 1955-04-27)
piano:
Ian Bernhard (on 1955-04-27)
tenor saxophone:
Georgie Auld (on 1955-04-27)
trombone:
Milt Bernhart (on 1955-04-27)
trumpet:
Conte Candoli (on 1955-04-27)
trumpet and valve trombone:
Maynard Ferguson (on 1955-04-27)
arranger:
Bill Holman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-04-27)
6:51
2▼CD
#TitleLength
1Introduction
1:14
2What Is This Thing Called Love
recorded in:
Los Angeles, California, United States (on 1954-08-14)
alto saxophone:
Herb Geller (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (on 1954-08-14)
piano:
Junior Mance (on 1954-08-14)
tenor saxophone:
Harold Land (on 1954-08-14)
trumpet:
Clifford Brown (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (on 1954-08-14)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1954-08-14)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
14:54
3Darn That Dream
recorded in:
Los Angeles, California, United States (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (on 1954-08-14)
piano:
Richie Powell (on 1954-08-14)
tenor saxophone:
Harold Land (on 1954-08-14)
trumpet:
Clifford Brown (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (on 1954-08-14)
vocals:
Dinah Washington (on 1954-08-14)
cover recording of:
Darn That Dream (on 1954-08-14)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp.
part of:
Swingin’ the Dream
5:14
4Move
cover recording of:
Move (on 1965-08-14)
composer:
Denzil Best
14:34
5My Funny Valentine / Don't Worry 'Bout Me / Bess, You Is My Woman Now / It Might As Well Be Spring
recorded in:
Los Angeles, California, United States (on 1954-08-14)
alto saxophone:
Herb Geller (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (on 1954-08-14)
piano:
Junior Mance (on 1954-08-14)
tenor saxophone:
Harold Land (on 1954-08-14)
trumpet:
Clifford Brown (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (on 1954-08-14)
medley including a recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1954-08-14)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
medley including a recording of:
Don’t Worry ’Bout Me (on 1954-08-14)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom and Ted Koehler
composer:
Rube Bloom (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd.
medley including a recording of:
It Might as Well Be Spring (State Fair) (on 1954-08-14)
lyricist:
Oscar Hammerstein II (in 1945)
composer:
Richard Rodgers (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc., Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
medley including a recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-08-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
11:31
6The Fugue
engineer:
Bob Arnold
producer:
Rudy Traylor
alto saxophone:
Jimmy Ford (from 1958-05-06 until 1958-05-08)
baritone saxophone:
Jay Cameron (from 1958-05-06 until 1958-05-08)
bass:
Jimmy Rowse (from 1958-05-06 until 1958-05-08)
brass:
Maynard Ferguson (from 1958-05-06 until 1958-05-08)
drums (drum set):
Jake Hanna (from 1958-05-06 until 1958-05-08)
piano:
John Bunch (from 1958-05-06 until 1958-05-08)
tenor saxophone:
Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08)
trombone:
Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08)
trumpet:
Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08)
recorded at:
Capitol Studios in New York, New York, United States (from 1958-05-06 until 1958-05-08)
3:35
7Fan It, Janet
engineer:
Bob Arnold
producer:
Rudy Traylor
alto saxophone:
Jimmy Ford (from 1958-05-06 until 1958-05-08)
baritone saxophone:
Jay Cameron (from 1958-05-06 until 1958-05-08)
bass:
Jimmy Rowse (from 1958-05-06 until 1958-05-08)
brass:
Maynard Ferguson (from 1958-05-06 until 1958-05-08)
drums (drum set):
Jake Hanna (from 1958-05-06 until 1958-05-08)
piano:
John Bunch (from 1958-05-06 until 1958-05-08)
tenor saxophone:
Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08)
trombone:
Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08)
trumpet:
Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08)
recorded at:
Capitol Studios in New York, New York, United States (from 1958-05-06 until 1958-05-08)
3:14
8The Waltz
engineer:
Bob Arnold
producer:
Rudy Traylor
alto saxophone:
Jimmy Ford (from 1958-05-06 until 1958-05-08)
baritone saxophone:
Jay Cameron (from 1958-05-06 until 1958-05-08)
bass:
Jimmy Rowse (from 1958-05-06 until 1958-05-08)
brass:
Maynard Ferguson (from 1958-05-06 until 1958-05-08)
drums (drum set):
Jake Hanna (from 1958-05-06 until 1958-05-08)
piano:
John Bunch (from 1958-05-06 until 1958-05-08)
tenor saxophone:
Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08)
trombone:
Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08)
trumpet:
Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08)
recorded at:
Capitol Studios in New York, New York, United States (from 1958-05-06 until 1958-05-08)
4:02
9Tag Team
recorded in:
New York, New York, United States (on 1958-05-08)
engineer:
Bob Arnold
producer:
Rudy Traylor
alto saxophone:
Jimmy Ford (from 1958-05-06 until 1958-05-08)
baritone saxophone:
Jay Cameron (from 1958-05-06 until 1958-05-08)
bass:
Jimmy Rowse (from 1958-05-06 until 1958-05-08)
brass:
Maynard Ferguson (from 1958-05-06 until 1958-05-08)
drums (drum set):
Jake Hanna (from 1958-05-06 until 1958-05-08)
piano:
John Bunch (from 1958-05-06 until 1958-05-08)
tenor saxophone:
Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08)
trombone:
Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08)
trumpet:
Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08)
recorded at:
Capitol Studios in New York, New York, United States (from 1958-05-06 until 1958-05-08)
5:08
10And We Listened
5:46
11Slide's Derangement
engineer:
Bob Arnold
producer:
Rudy Traylor
alto saxophone:
Jimmy Ford (from 1958-05-06 until 1958-05-08)
baritone saxophone:
Jay Cameron (from 1958-05-06 until 1958-05-08)
bass:
Jimmy Rowse (from 1958-05-06 until 1958-05-08)
brass:
Maynard Ferguson (from 1958-05-06 until 1958-05-08)
drums (drum set):
Jake Hanna (from 1958-05-06 until 1958-05-08)
piano:
John Bunch (from 1958-05-06 until 1958-05-08)
tenor saxophone:
Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08)
trombone:
Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08)
trumpet:
Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08)
recorded at:
Capitol Studios in New York, New York, United States (from 1958-05-06 until 1958-05-08)
7:55
3▼CD
#TitleLength
1Frame For The Blues
5:35
2Humbug
engineer:
Bob Arnold
producer:
Rudy Traylor
alto saxophone:
Jimmy Ford (from 1958-05-06 until 1958-05-08)
baritone saxophone:
Jay Cameron (from 1958-05-06 until 1958-05-08)
bass:
Jimmy Rowse (from 1958-05-06 until 1958-05-08)
brass:
Maynard Ferguson (from 1958-05-06 until 1958-05-08)
drums (drum set):
Jake Hanna (from 1958-05-06 until 1958-05-08)
piano:
John Bunch (from 1958-05-06 until 1958-05-08)
tenor saxophone:
Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08)
trombone:
Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08)
trumpet:
Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08)
recorded at:
Capitol Studios in New York, New York, United States (from 1958-05-06 until 1958-05-08)
3:29
3Three Little Foxes
engineer:
Bob Arnold
producer:
Rudy Traylor
alto saxophone:
Jimmy Ford (from 1958-05-06 until 1958-05-08)
baritone saxophone:
Jay Cameron (from 1958-05-06 until 1958-05-08)
bass:
Jimmy Rowse (from 1958-05-06 until 1958-05-08)
brass:
Maynard Ferguson (from 1958-05-06 until 1958-05-08)
drums (drum set):
Jake Hanna (from 1958-05-06 until 1958-05-08)
piano:
John Bunch (from 1958-05-06 until 1958-05-08)
tenor saxophone:
Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08)
trombone:
Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08)
trumpet:
Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08)
recorded at:
Capitol Studios in New York, New York, United States (from 1958-05-06 until 1958-05-08)
4:03
4Night Letter
14:06
5Somebidy Loves Me
15:44
6Jazz Bary
4:26
7Foxy
5:10
8Newport
recorded in:
New York, New York, United States (on 1960-03-15)
8:41
9Got The Spirit
producer:
Teddy Reig
alto saxophone:
Jimmy Ford (from 1960-03-15 until 1960-03-22)
baritone saxophone:
Frank Hittner (from 1960-03-15 until 1960-03-22)
bass:
Aubrey Tosin (from 1960-03-15 until 1960-03-22)
brass:
Maynard Ferguson (from 1960-03-15 until 1960-03-22)
drums (drum set):
Stu Martin (from 1960-03-15 until 1960-03-22)
piano:
Jaki Byard (from 1960-03-15 until 1960-03-22)
tenor saxophone:
Joe Farrell (from 1960-03-15 until 1960-03-22) and Willie Maiden (from 1960-03-15 until 1960-03-22)
trombone:
Charles Greenlee (from 1960-03-15 until 1960-03-22) and Mike Zagatini (from 1960-03-15 until 1960-03-22)
trumpet:
Augustino 'Chet' Ferretti (from 1960-03-15 until 1960-03-22), Don Ellis (from 1960-03-15 until 1960-03-22) and Rick Kiefer (from 1960-03-15 until 1960-03-22)
recorded at:
Capitol Studios in New York, New York, United States (from 1960-03-15 until 1960-03-22)
3:55
10Sometimes I Feel Like A Motherless Child
2:54
4▼CD
#TitleLength
1Ol' Man River
7:03
2Three More Foxes
7:11
3Oleo
producer:
Teddy Reig
alto saxophone:
Jimmy Ford (on 1959-06-17)
baritone saxophone:
John Lanni (on 1959-06-17)
bass:
Jimmy Rowser (on 1959-06-17)
drums (drum set):
Frankie Dunlop (on 1959-06-17)
piano:
Joe Zawinul (on 1959-06-17)
tenor saxophone:
Carmen Leggio (on 1959-06-17) and Willie Maiden (on 1959-06-17)
trombone:
Slide Hampton (on 1959-06-17) and Don Sebesky (on 1959-06-17)
trumpet:
Don Ellis (on 1959-06-17), Clyde Reasinger (on 1959-06-17) and Jerry Tyree (on 1959-06-17)
trumpet and valve trombone:
Maynard Ferguson (on 1959-06-17)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1959-06-17)
cover recording of:
Oleo (on 1959-06-17)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs
9:14
4Starfire
producer:
Teddy Reig
alto saxophone:
Jimmy Ford (on 1959-06-17)
baritone saxophone:
John Lanni (on 1959-06-17)
bass:
Jimmy Rowser (on 1959-06-17)
drums (drum set):
Frankie Dunlop (on 1959-06-17)
piano:
Joe Zawinul (on 1959-06-17)
tenor saxophone:
Carmen Leggio (on 1959-06-17) and Willie Maiden (on 1959-06-17)
trombone:
Slide Hampton (on 1959-06-17) and Don Sebesky (on 1959-06-17)
trumpet:
Don Ellis (on 1959-06-17), Clyde Reasinger (on 1959-06-17) and Jerry Tyree (on 1959-06-17)
trumpet and valve trombone:
Maynard Ferguson (on 1959-06-17)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1959-06-17)
recording of:
Starfire (on 1959-06-17)
composer:
Benny Golson
4:53
5The Mark Of Jazz
producer:
Teddy Reig
alto saxophone:
Jimmy Ford (on 1959-06-17)
baritone saxophone:
John Lanni (on 1959-06-17)
bass:
Jimmy Rowser (on 1959-06-17)
drums (drum set):
Frankie Dunlop (on 1959-06-17)
piano:
Joe Zawinul (on 1959-06-17)
tenor saxophone:
Carmen Leggio (on 1959-06-17) and Willie Maiden (on 1959-06-17)
trombone:
Slide Hampton (on 1959-06-17) and Don Sebesky (on 1959-06-17)
trumpet:
Don Ellis (on 1959-06-17), Clyde Reasinger (on 1959-06-17) and Jerry Tyree (on 1959-06-17)
trumpet and valve trombone:
Maynard Ferguson (on 1959-06-17)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1959-06-17)
recording of:
The Mark of Jazz (on 1959-06-17)
6:45
6Nightlife
producer:
Teddy Reig
alto saxophone:
Jimmy Ford (on 1959-06-17)
baritone saxophone:
John Lanni (on 1959-06-17)
bass:
Jimmy Rowser (on 1959-06-17)
drums (drum set):
Frankie Dunlop (on 1959-06-17)
piano:
Joe Zawinul (on 1959-06-17)
tenor saxophone:
Carmen Leggio (on 1959-06-17) and Willie Maiden (on 1959-06-17)
trombone:
Slide Hampton (on 1959-06-17) and Don Sebesky (on 1959-06-17)
trumpet:
Don Ellis (on 1959-06-17), Clyde Reasinger (on 1959-06-17) and Jerry Tyree (on 1959-06-17)
trumpet and valve trombone:
Maynard Ferguson (on 1959-06-17)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1959-06-17)
cover recording of:
Five Spot After Dark (on 1959-06-17)
writer:
Benny Golson
4:36
7Stella By Starlight
producer:
Teddy Reig
alto saxophone:
Jimmy Ford (on 1959-06-17)
baritone saxophone:
John Lanni (on 1959-06-17)
bass:
Jimmy Rowser (on 1959-06-17)
drums (drum set):
Frankie Dunlop (on 1959-06-17)
piano:
Joe Zawinul (on 1959-06-17)
tenor saxophone:
Carmen Leggio (on 1959-06-17) and Willie Maiden (on 1959-06-17)
trombone:
Slide Hampton (on 1959-06-17) and Don Sebesky (on 1959-06-17)
trumpet:
Don Ellis (on 1959-06-17), Clyde Reasinger (on 1959-06-17) and Jerry Tyree (on 1959-06-17)
trumpet and valve trombone:
Maynard Ferguson (on 1959-06-17)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1959-06-17)
cover recording of:
Stella by Starlight (on 1959-06-17)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young
composer:
Victor Young (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
6:07
8Lonely Time
producer:
Teddy Reig
alto saxophone:
Jimmy Ford (on 1959-06-17)
baritone saxophone:
John Lanni (on 1959-06-17)
bass:
Jimmy Rowser (on 1959-06-17)
drums (drum set):
Frankie Dunlop (on 1959-06-17)
piano:
Joe Zawinul (on 1959-06-17)
tenor saxophone:
Carmen Leggio (on 1959-06-17) and Willie Maiden (on 1959-06-17)
trombone:
Slide Hampton (on 1959-06-17) and Don Sebesky (on 1959-06-17)
trumpet:
Don Ellis (on 1959-06-17), Clyde Reasinger (on 1959-06-17) and Jerry Tyree (on 1959-06-17)
trumpet and valve trombone:
Maynard Ferguson (on 1959-06-17)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1959-06-17)
4:45
9Back In The Satellite Again
producer:
Teddy Reig
alto saxophone:
Jimmy Ford (on 1959-06-17)
baritone saxophone:
John Lanni (on 1959-06-17)
bass:
Jimmy Rowser (on 1959-06-17)
drums (drum set):
Frankie Dunlop (on 1959-06-17)
piano:
Joe Zawinul (on 1959-06-17)
tenor saxophone:
Carmen Leggio (on 1959-06-17) and Willie Maiden (on 1959-06-17)
trombone:
Slide Hampton (on 1959-06-17) and Don Sebesky (on 1959-06-17)
trumpet:
Don Ellis (on 1959-06-17), Clyde Reasinger (on 1959-06-17) and Jerry Tyree (on 1959-06-17)
trumpet and valve trombone:
Maynard Ferguson (on 1959-06-17)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1959-06-17)
recording of:
Back In The Satellite Again (on 1959-06-17)
composer:
Willie Maiden
2:51