Come Swing With Me!

~ Release by Frank Sinatra (see all versions of this release, 9 available)

Tracklist

1▼CD
#TitleLength
1Day by Day
double bass:
Joe Comfort (on 1961-03-20)
drums (drum set):
Irv Cottler (on 1961-03-20)
French horn:
James Craas (on 1961-03-20), William Culley (on 1961-03-20), Fred Fox (on 1961-03-20) and Gale H. Robinson (on 1961-03-20)
guitar:
Tony Rizzi (on 1961-03-20)
harp:
Kathryn Julye (on 1961-03-20)
piano:
Bill Miller (on 1961-03-20)
trombone:
C. E. Carpenter (on 1961-03-20), James Henderson (on 1961-03-20), Richard Kenney (on 1961-03-20), Lew McCreary (on 1961-03-20), Barrett O'Hara (on 1961-03-20), Jimmy Priddy (on 1961-03-20) and Kenneth Trimble (on 1961-03-20)
trumpet:
Johnny Best (on 1961-03-20), Conrad Gozzo (on 1961-03-20), Joe Graves (on 1961-03-20), Maurice Harris (on 1961-03-20), Manny Klein (on 1961-03-20), Vito N. Mangano (on 1961-03-20), James Salko (on 1961-03-20), Shorty Sherock (on 1961-03-20) and Rubin "Zeke" Zarchy (on 1961-03-20)
tuba:
Phil Stephens (on 1961-03-20)
vocals:
Frank Sinatra (on 1961-03-20)
orchestra:
Billy May & His Orchestra (on 1961-03-20)
conductor:
Billy May (on 1961-03-20)
arranger:
Billy May (on 1961-03-20)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
Day by Day (on 1961-03-20)
lyricist:
Sammy Cahn
composer:
Axel Stordahl and Paul Weston
publisher:
Barton Music Corp. and Hanover Music Corp.
2:38
2Sentimental Journey
double bass:
Joe Comfort (on 1961-03-20)
French horn:
James Craas (on 1961-03-20), William Culley (on 1961-03-20), Fred Fox (on 1961-03-20) and Gale H. Robinson (on 1961-03-20)
guitar:
Tony Rizzi (on 1961-03-20)
harp:
Kathryn Julye (on 1961-03-20)
instruments:
Johnny Best (on 1961-03-20)
piano:
Bill Miller (on 1961-03-20)
trombone:
C. E. Carpenter (on 1961-03-20), James Henderson (on 1961-03-20), Richard Kenney (on 1961-03-20), Lew McCreary (on 1961-03-20), Barrett O'Hara (on 1961-03-20), Jimmy Priddy (on 1961-03-20) and Kenneth Trimble (on 1961-03-20)
trumpet:
Johnny Best (on 1961-03-20), Conrad Gozzo (on 1961-03-20), Joe Graves (on 1961-03-20), Maurice Harris (on 1961-03-20), Manny Klein (on 1961-03-20), Vito N. Mangano (on 1961-03-20), James Salko (on 1961-03-20), Shorty Sherock (on 1961-03-20) and Rubin "Zeke" Zarchy (on 1961-03-20)
tuba:
Phil Stephens (on 1961-03-20)
vocals:
Frank Sinatra (on 1961-03-20)
orchestra:
Billy May & His Orchestra (on 1961-03-20)
conductor:
Billy May (on 1961-03-20)
arranger:
Heine Beau (on 1961-03-20)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
Sentimental Journey (on 1961-03-20)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
3:23
3Almost Like Being in Love
double bass:
Joe Comfort (on 1961-03-22)
drums (drum set):
Irv Cottler (on 1961-03-22)
French horn:
James Decker (on 1961-03-22), Vincent DeRosa (on 1961-03-22), Fred Fox (on 1961-03-22) and Richard Perissi (on 1961-03-22)
guitar:
Bobby Gibbons (on 1961-03-22)
harp:
Kathryn Julye (on 1961-03-22)
piano:
Bill Miller (on 1961-03-22)
trombone:
C. E. Carpenter (on 1961-03-22), James Henderson (on 1961-03-22), Lew McCreary (on 1961-03-22), Frank Rosolino (on 1961-03-22), Tommy Shepard (on 1961-03-22), Ken Shroyer (on 1961-03-22) and Kenneth Trimble (on 1961-03-22)
trumpet:
Johnny Best (on 1961-03-22), Conrad Gozzo (on 1961-03-22), Joe Graves (on 1961-03-22), Manny Klein (on 1961-03-22), Vito N. Mangano (on 1961-03-22), Shorty Sherock (on 1961-03-22), Ray Triscari (on 1961-03-22), Stu Williamson (on 1961-03-22) and Rubin "Zeke" Zarchy (on 1961-03-22)
tuba:
Phil Stephens (on 1961-03-22)
vocals:
Frank Sinatra (on 1961-03-22)
orchestra:
Billy May & His Orchestra (on 1961-03-22)
conductor:
Billy May (on 1961-03-22)
arranger:
Billy May (on 1961-03-22)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1961-03-22)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music, EMI U Catalog Inc., EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company, WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
Brigadoon (complete musical)
2:01
4Five Minutes More
double bass:
Joe Comfort (on 1961-03-22)
drums (drum set):
Irv Cottler (on 1961-03-22)
French horn:
James Decker (on 1961-03-22), Vincent DeRosa (on 1961-03-22), Fred Fox (on 1961-03-22) and Richard Perissi (on 1961-03-22)
guitar:
Bobby Gibbons (on 1961-03-22)
harp:
Kathryn Julye (on 1961-03-22)
piano:
Bill Miller (on 1961-03-22)
trombone:
C. E. Carpenter (on 1961-03-22), James Henderson (on 1961-03-22), Lew McCreary (on 1961-03-22), Frank Rosolino (on 1961-03-22), Tommy Shepard (on 1961-03-22), Ken Shroyer (on 1961-03-22) and Kenneth Trimble (on 1961-03-22)
trumpet:
Johnny Best (on 1961-03-22), Conrad Gozzo (on 1961-03-22), Joe Graves (on 1961-03-22), Manny Klein (on 1961-03-22), Vito N. Mangano (on 1961-03-22), Shorty Sherock (on 1961-03-22), Ray Triscari (on 1961-03-22), Stu Williamson (on 1961-03-22) and Rubin "Zeke" Zarchy (on 1961-03-22)
tuba:
Phil Stephens (on 1961-03-22)
vocals:
Frank Sinatra (on 1961-03-22)
orchestra:
Billy May & His Orchestra (on 1961-03-22)
conductor:
Billy May (on 1961-03-22)
arranger:
Billy May (on 1961-03-22)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
Five Minutes More (on 1961-03-22)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Melrose Music Corp.
2:35
5American Beauty Rose
double bass:
Joe Comfort (on 1961-03-21)
drums (drum set):
Irv Cottler (on 1961-03-21)
French horn:
James Decker (on 1961-03-21), Wally Linder (on 1961-03-21), Arthur Maebe (on 1961-03-21) and Claude Sherry (on 1961-03-21)
guitar:
Bobby Gibbons (on 1961-03-21)
harp:
Veryle Brilhart (on 1961-03-21)
piano:
Bill Miller (on 1961-03-21)
trombone:
C. E. Carpenter (on 1961-03-21), James Henderson (on 1961-03-21), Lew McCreary (on 1961-03-21), Frank Rosolino (on 1961-03-21), Tommy Shepard (on 1961-03-21), Ken Shroyer (on 1961-03-21) and Kenneth Trimble (on 1961-03-21)
trumpet:
Johnny Best (on 1961-03-21), Conrad Gozzo (on 1961-03-21), Manny Klein (on 1961-03-21), Vito N. Mangano (on 1961-03-21), Shorty Sherock (on 1961-03-21), Ray Triscari (on 1961-03-21) and Stu Williamson (on 1961-03-21)
tuba:
Phil Stephens (on 1961-03-21)
vocals:
Frank Sinatra (on 1961-03-21)
orchestra:
Billy May & His Orchestra (on 1961-03-21)
conductor:
Billy May (on 1961-03-21)
arranger:
Heine Beau (on 1961-03-21)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
American Beauty Rose (on 1961-03-21)
writer:
Arthur Altman, Hal David and Redd Evans
publisher:
Jefferson Music Corp.
2:19
6Yes Indeed!
double bass:
Joe Comfort (on 1961-03-21)
drums (drum set):
Irv Cottler (on 1961-03-21)
French horn:
James Decker (on 1961-03-21), Wally Linder (on 1961-03-21), Arthur Maebe (on 1961-03-21) and Claude Sherry (on 1961-03-21)
guitar:
Bobby Gibbons (on 1961-03-21)
harp:
Veryle Brilhart (on 1961-03-21)
piano:
Bill Miller (on 1961-03-21)
trombone:
C. E. Carpenter (on 1961-03-21), James Henderson (on 1961-03-21), Lew McCreary (on 1961-03-21), Frank Rosolino (on 1961-03-21), Tommy Shepard (on 1961-03-21), Ken Shroyer (on 1961-03-21) and Kenneth Trimble (on 1961-03-21)
trumpet:
Johnny Best (on 1961-03-21), Conrad Gozzo (on 1961-03-21), Manny Klein (on 1961-03-21), Vito N. Mangano (on 1961-03-21), Shorty Sherock (on 1961-03-21), Ray Triscari (on 1961-03-21) and Stu Williamson (on 1961-03-21)
tuba:
Phil Stephens (on 1961-03-21)
vocals:
Frank Sinatra (on 1961-03-21)
orchestra:
Billy May & His Orchestra (on 1961-03-21)
conductor:
Billy May (on 1961-03-21)
arranger:
Billy May (on 1961-03-21)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
Yes Indeed (on 1961-03-21)
lyricist and composer:
Sy Oliver
2:33
7On the Sunny Side of the Street
double bass:
Joe Comfort (on 1961-03-20)
French horn:
James Craas (on 1961-03-20), William Culley (on 1961-03-20), Fred Fox (on 1961-03-20) and Gale H. Robinson (on 1961-03-20)
guitar:
Tony Rizzi (on 1961-03-20)
harp:
Kathryn Julye (on 1961-03-20)
instruments:
Johnny Best (on 1961-03-20)
piano:
Bill Miller (on 1961-03-20)
trombone:
C. E. Carpenter (on 1961-03-20), James Henderson (on 1961-03-20), Richard Kenney (on 1961-03-20), Lew McCreary (on 1961-03-20), Barrett O'Hara (on 1961-03-20), Jimmy Priddy (on 1961-03-20) and Kenneth Trimble (on 1961-03-20)
trumpet:
Johnny Best (on 1961-03-20), Conrad Gozzo (on 1961-03-20), Joe Graves (on 1961-03-20), Maurice Harris (on 1961-03-20), Manny Klein (on 1961-03-20), Vito N. Mangano (on 1961-03-20), James Salko (on 1961-03-20), Shorty Sherock (on 1961-03-20) and Rubin "Zeke" Zarchy (on 1961-03-20)
tuba:
Phil Stephens (on 1961-03-20)
vocals:
Frank Sinatra
orchestra:
Billy May & His Orchestra (on 1961-03-20)
conductor:
Billy May (on 1961-03-20)
arranger:
Heine Beau (on 1961-03-20)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
On the Sunny Side of the Street (on 1961-03-20)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd., Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
recording of:
On the Sunny Side of the Street (on 1961-03-20)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd., Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
2:42
8Don’t Take Your Love From Me
double bass:
Joe Comfort (on 1961-03-20)
French horn:
James Craas (on 1961-03-20), William Culley (on 1961-03-20), Fred Fox (on 1961-03-20) and Gale H. Robinson (on 1961-03-20)
guitar:
Tony Rizzi (on 1961-03-20)
harp:
Kathryn Julye (on 1961-03-20)
instruments:
Johnny Best (on 1961-03-20)
piano:
Bill Miller (on 1961-03-20)
trombone:
C. E. Carpenter (on 1961-03-20), James Henderson (on 1961-03-20), Richard Kenney (on 1961-03-20), Lew McCreary (on 1961-03-20), Barrett O'Hara (on 1961-03-20), Jimmy Priddy (on 1961-03-20) and Kenneth Trimble (on 1961-03-20)
trumpet:
Johnny Best (on 1961-03-20), Conrad Gozzo (on 1961-03-20), Joe Graves (on 1961-03-20), Maurice Harris (on 1961-03-20), Manny Klein (on 1961-03-20), Vito N. Mangano (on 1961-03-20), James Salko (on 1961-03-20), Shorty Sherock (on 1961-03-20) and Rubin "Zeke" Zarchy (on 1961-03-20)
tuba:
Phil Stephens (on 1961-03-20)
vocals:
Frank Sinatra (on 1961-03-20)
orchestra:
Billy May & His Orchestra (on 1961-03-20)
conductor:
Billy May (on 1961-03-20)
arranger:
Heine Beau (on 1961-03-20)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
Don’t Take Your Love From Me (on 1961-03-20)
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
1:59
9That Old Black Magic
double bass:
Joe Comfort (on 1961-03-21)
drums (drum set):
Irv Cottler (on 1961-03-21)
French horn:
James Decker (on 1961-03-21), Wally Linder (on 1961-03-21), Arthur Maebe (on 1961-03-21) and Claude Sherry (on 1961-03-21)
guitar:
Bobby Gibbons (on 1961-03-21)
harp:
Veryle Brilhart (on 1961-03-21)
piano:
Bill Miller (on 1961-03-21)
trombone:
C. E. Carpenter (on 1961-03-21), James Henderson (on 1961-03-21), Lew McCreary (on 1961-03-21), Frank Rosolino (on 1961-03-21), Tommy Shepard (on 1961-03-21), Ken Shroyer (on 1961-03-21) and Kenneth Trimble (on 1961-03-21)
trumpet:
Johnny Best (on 1961-03-21), Conrad Gozzo (on 1961-03-21), Manny Klein (on 1961-03-21), Vito N. Mangano (on 1961-03-21), Shorty Sherock (on 1961-03-21), Ray Triscari (on 1961-03-21) and Stu Williamson (on 1961-03-21)
tuba:
Phil Stephens (on 1961-03-21)
vocals:
Frank Sinatra (on 1961-03-21)
orchestra:
Billy May & His Orchestra (on 1961-03-21)
conductor:
Billy May (on 1961-03-21)
arranger:
Heine Beau (on 1961-03-21)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
That Old Black Magic (on 1961-03-21)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:02
10Lover
double bass:
Joe Comfort (on 1961-03-22)
drums (drum set):
Irv Cottler (on 1961-03-22)
French horn:
James Decker (on 1961-03-22), Vincent DeRosa (on 1961-03-22), Fred Fox (on 1961-03-22) and Richard Perissi (on 1961-03-22)
guitar:
Bobby Gibbons (on 1961-03-22)
harp:
Kathryn Julye (on 1961-03-22)
piano:
Bill Miller (on 1961-03-22)
trombone:
C. E. Carpenter (on 1961-03-22), James Henderson (on 1961-03-22), Lew McCreary (on 1961-03-22), Frank Rosolino (on 1961-03-22), Tommy Shepard (on 1961-03-22), Ken Shroyer (on 1961-03-22) and Kenneth Trimble (on 1961-03-22)
trumpet:
Johnny Best (on 1961-03-22), Conrad Gozzo (on 1961-03-22), Joe Graves (on 1961-03-22), Manny Klein (on 1961-03-22), Vito N. Mangano (on 1961-03-22), Shorty Sherock (on 1961-03-22), Ray Triscari (on 1961-03-22), Stu Williamson (on 1961-03-22) and Rubin "Zeke" Zarchy (on 1961-03-22)
tuba:
Phil Stephens (on 1961-03-22)
vocals:
Frank Sinatra (on 1961-03-22)
orchestra:
Billy May & His Orchestra (on 1961-03-22)
conductor:
Billy May (on 1961-03-22)
arranger:
Heine Beau (on 1961-03-22)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
Lover (on 1961-03-22)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Chappell and Famous Music Corporation
1:52
11Paper Doll
double bass:
Joe Comfort (on 1961-03-22)
drums (drum set):
Irv Cottler (on 1961-03-22)
French horn:
James Decker (on 1961-03-22), Vincent DeRosa (on 1961-03-22), Fred Fox (on 1961-03-22) and Richard Perissi (on 1961-03-22)
guitar:
Bobby Gibbons (on 1961-03-22)
harp:
Kathryn Julye (on 1961-03-22)
piano:
Bill Miller (on 1961-03-22)
trombone:
C. E. Carpenter (on 1961-03-22), James Henderson (on 1961-03-22), Lew McCreary (on 1961-03-22), Frank Rosolino (on 1961-03-22), Tommy Shepard (on 1961-03-22), Ken Shroyer (on 1961-03-22) and Kenneth Trimble (on 1961-03-22)
trumpet:
Johnny Best (on 1961-03-22), Conrad Gozzo (on 1961-03-22), Joe Graves (on 1961-03-22), Manny Klein (on 1961-03-22), Vito N. Mangano (on 1961-03-22), Shorty Sherock (on 1961-03-22), Ray Triscari (on 1961-03-22), Stu Williamson (on 1961-03-22) and Rubin "Zeke" Zarchy (on 1961-03-22)
tuba:
Phil Stephens (on 1961-03-22)
vocals:
Frank Sinatra (on 1961-03-22)
orchestra:
Billy May & His Orchestra (on 1961-03-22)
conductor:
Billy May (on 1961-03-22)
arranger:
Billy May (on 1961-03-22)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
Paper Doll (on 1961-03-22)
lyricist and composer:
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co.
2:07
12I’ve Heard That Song Before
double bass:
Joe Comfort (on 1961-03-21)
drums (drum set):
Irv Cottler (on 1961-03-21)
French horn:
James Decker (on 1961-03-21), Wally Linder (on 1961-03-21), Arthur Maebe (on 1961-03-21) and Claude Sherry (on 1961-03-21)
guitar:
Bobby Gibbons (on 1961-03-21)
harp:
Veryle Brilhart (on 1961-03-21)
piano:
Bill Miller (on 1961-03-21)
trombone:
C. E. Carpenter (on 1961-03-21), James Henderson (on 1961-03-21), Lew McCreary (on 1961-03-21), Frank Rosolino (on 1961-03-21), Tommy Shepard (on 1961-03-21), Ken Shroyer (on 1961-03-21) and Kenneth Trimble (on 1961-03-21)
trumpet:
Johnny Best (on 1961-03-21), Conrad Gozzo (on 1961-03-21), Manny Klein (on 1961-03-21), Vito N. Mangano (on 1961-03-21), Shorty Sherock (on 1961-03-21), Ray Triscari (on 1961-03-21) and Stu Williamson (on 1961-03-21)
tuba:
Phil Stephens (on 1961-03-21)
vocals:
Frank Sinatra (on 1961-03-21)
orchestra:
Billy May & His Orchestra (on 1961-03-21)
conductor:
Billy May (on 1961-03-21)
arranger:
Billy May (on 1961-03-21)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
I’ve Heard That Song Before (on 1961-03-21)
lyricist:
Sammy Cahn (in 1942)
composer:
Jule Styne (in 1942)
publisher:
Cahn Music Company and Morley Music Co. Inc.
part of:
The 15th Academy Award for Best Original Song (number: 2)
recording of:
I’ve Heard That Song Before (on 1961-03-21)
lyricist:
Sammy Cahn (in 1942)
composer:
Jule Styne (in 1942)
publisher:
Cahn Music Company and Morley Music Co. Inc.
part of:
The 15th Academy Award for Best Original Song (number: 2)
2:30
13I Love You
producer:
Voyle Gilmore
double bass:
Phil Stephens
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
piano:
Bill Miller
saxophone and woodwind:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash and Ted Romersa
trombone:
Milt Bernhart, Joe Howard, Jimmy Priddy and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Rubin "Zeke" Zarchy
vocals:
Frank Sinatra (on 1953-04-30)
orchestra:
The Nelson Riddle Orchestra (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recorded at:
[unknown] (on 1953-04-30) and KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-04-30)
recording of:
I Love You (on 1953-04-30)
lyricist:
Harlan Thompson
writer and composer:
Harry Archer and Harlan Thompson
publisher:
Chappell & Co., Inc. and SBK Feist Catalog, Inc.
2:28
14Why Should I Cry Over You?
bass trombone:
George Roberts
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bob Bain
piano:
Bill Miller
saxophone and woodwind:
Sam Donahue, Jack Dumont, Joe Koch, Wilbur Schwartz and Buck Skalak
trombone:
Milt Bernhart, Joe Howard and Lloyd Ulyate
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
vocals:
Frank Sinatra
orchestra:
Nelson Riddle and His Orchestra
conductor:
Nelson Riddle
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-12-08)
recording of:
Why Should I Cry Over You
writer:
Chester Conn and Ned Miller
2:41
15How Could You Do a Thing Like That to Me?
producer:
Voyle Gilmore
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Jack Marshall
marimba:
Max Albright
piano:
Ray Johnson and Bill Miller
saxophone and woodwind:
Chuck Gentry, Skeets Herfurt, Plas Johnson, Irving “Babe” Russin and Wilbur Schwartz
trombone:
Walter Benson, Ed Kusby, Dick Noel and Pullman “Tommy” Pederson
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Manny Klein and Vito N. Mangano
vocals:
Frank Sinatra (on 1955-03-07)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-07)
conductor:
Nelson Riddle (on 1955-03-07)
arranger:
Nelson Riddle and Billy May (on 1955-03-07)
recorded at:
[unknown] (in 1953-04)
recording of:
How Could You Do a Thing Like That to Me (a.k.a. Sultry Serenade) (on 1955-03-07)
writer:
Allan Roberts and Tyree Glenn
2:43
16River, Stay ’way From My Door
vocals:
Frank Sinatra
conductor:
Nelson Riddle
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-04-13)
recording of:
River Stay Way From My Door
lyricist:
Mort Dixon
composer:
Mort Dixon and Harry M. Woods
publisher:
Olde Clover Leaf Music and Shapiro, Bernstein & Co., Inc.
2:37
17I Gotta Right to Sing the Blues
alto saxophone:
Harry Klee and William Schwartz
baritone saxophone and bass clarinet:
Chuck Gentry
cello:
Justin Ditullio, Ray Kramer, Edgar Lustgarten and Eleanor Slatkin
clarinet and saxophone:
Justin Gordon and Jules Jacob
double bass:
Ralph Peña
drums (drum set):
Irv Cottler
flute:
Justin Gordon, Harry Klee and William Schwartz
guitar:
Al Viola
harp:
Verlye Mills
oboe:
Jules Jacob
percussion and timpani:
Emil Richards
piano:
Bill Miller
trombone:
Joe Howard, Ed Kusby, Pullman “Tommy” Pederson and Bill Schaefer
trumpet:
Conrad Gozzo, Vito N. Mangano, Uan Rasey and Shorty Sherock
violin:
Victor Arno, Israel Baker, Jacques Gasselin, James Getzoff, Anatol Kaminsky, Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1962-03-06)
conductor:
Lloyd "Skip" Martin
arranger:
Lloyd "Skip" Martin
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (on 1962-03-06)
recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc.
2:56