Messiah

~ Release by Georg Friedrich Händel; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 2 available)

Tracklist

| |

1▼CD
#	Title	Artist	Length
1	Messiah, HWV 56: Epigraph "And without Controversy" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer spoken vocals: John Elwes recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan	Charles Jennens	0:40
2	Messiah, HWV 56: Part I, I. Sinfonia sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 1. Symphony composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	3:07
3	Messiah, HWV 56: Part I, II. Accompagnato (Tenor) "Comfort ye, my people, saith your God" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer tenor vocals: John Elwes orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:55
4	Messiah, HWV 56: Part I, III. Air (Tenor): "Every valley shall be exalted" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer tenor vocals: John Elwes orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	3:15
5	Messiah, HWV 56: Part I, IV. Chorus: "And the glory of the Lord shall be revealed" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:48
6	Messiah, HWV 56: Part I, V. Accompagnato (Bass) "Thus saith the Lord of Hosts" bass vocals: David Thomas orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	1:27
7	Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?" alto vocals: Yoshikazu Mera orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” composer: George Frideric Handel version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	4:20
8	Messiah, HWV 56: Part I, VIIa. Chorus "And He shall purify the sons of Levi" orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:30
9	Messiah, HWV 56: Part I, VIIb. Recitative (Alto) "Behold, a virgin shall conceive" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer alto vocals: Yoshikazu Mera orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:29
10	Messiah, HWV 56: Part I, VIII. Air (Alto) "O thou that tellest good tidings to Zion", Chorus "O thou that tellest good tidings to Zion" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer alto vocals: Yoshikazu Mera choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	5:38
11	Messiah, HWV 56: Part I, IX. Recitative (Bass) "For behold, darkness shall cover the earth" orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:02
12	Messiah, HWV 56: Part I, X. Air (Bass) "The people that walked in darkness" orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	3:48
13	Messiah, HWV 56: Part I, XI. Chorus "For unto us a child is born" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	3:49
14	Messiah, HWV 56: Part I, XIIa. Pifa "Pastoral Symphony" orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:48
15	Messiah, HWV 56: Part I, XIIb. Recitative (Soprano) "There were Shepherds abiding in the Field" soprano vocals: Midori Suzuki orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:15
16	Messiah, HWV 56: Part I, XIIIa. Accompagnato (Soprano) "And lo, the Angel of the Lord" orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:17
17	Messiah, HWV 56: Part I, XIIIb. Recitative (Soprano) "And the Angle said unto them" orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:32
18	Messiah, HWV 56: Part I, XIV. Accompagnato (Soprano) "And suddenly there was with the Angel" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer soprano vocals: Midori Suzuki orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:16
19	Messiah, HWV 56: Part I, XV. Chorus "Glory to God in the highest" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	1:49
20	Messiah, HWV 56: Part I, XVIa. Air (Soprano) "Rejoice greatly, O daughter of Zion" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer soprano vocals: Midori Suzuki orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) composer: George Frideric Handel (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	4:12
21	Messiah, HWV 56: Part I, XVIb. Recitative (Soprano) "Then shall the eyes of the blind be opened" orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:31
22	Messiah, HWV 56: Part I, XVII. Duet (Soprano, Alto) "He shall feed His flock like a shepherd" orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	4:49
23	Messiah, HWV 56: Part I, XVIII. Chorus "His yoke is easy, His burden is light" orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:33
24	Messiah, HWV 56: Part II, XIX. Chorus "Behold the lamb of God" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	3:12
25	Messiah, HWV 56: Part II, XX. Air (Alto) "He was despised and rejected of men" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer alto vocals: Yoshikazu Mera orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	11:12

2▼CD
#	Title	Artist	Length
1	Messiah, HWV 56: Part II, XXI. Chorus "Surely, He hath borne our griefs" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	1:51
2	Messiah, HWV 56: Part II, XXII. Chorus "And with His stripes" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	1:34
3	Messiah, HWV 56: Part II, XXIII. Chorus "All we like sheep have gone astray" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	4:00
4	Messiah, HWV 56: Part II, XXIV. Accompagnato (Tenor) "All they that see Him laugh Him to scorn" tenor vocals: John Elwes orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	0:46
5	Messiah, HWV 56: Part II, XXV. Chorus "He trusted in God that He would deliver Him" choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	2:18
6	Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart" tenor vocals: John Elwes orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	1:47
7	Messiah, HWV 56: Part II, XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow" tenor vocals: John Elwes orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	1:47
8	Messiah, HWV 56: Part II, XXVIII. Accompagnato (Soprano): "He was cut off out of the land of the living" soprano vocals: Midori Suzuki orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	0:17
9	Messiah, HWV 56: Part II, XXIX. Air (Soprano) "But Thou didst not leave His soul in hell" soprano vocals: Midori Suzuki orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	2:11
10	Messiah, HWV 56: Part II, XXXa. Chorus "Lift up your heads, O ye gates" choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	3:01
11	Messiah, HWV 56: Part II, XXXb. Recitative (Tenor) "Unto which of the angels said He at any time" tenor vocals: John Elwes orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	0:22
12	Messiah, HWV 56: Part II, XXXI. Chorus "Let all the angels of God worship Him" choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	1:26
13	Messiah, HWV 56: Part II, XXXII. Air (Soprano) "Thou art gone up on high" soprano vocals: Midori Suzuki orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) composer: George Frideric Handel (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	2:53
14	Messiah, HWV 56: Part II, XXXIII. Chorus "The Lord gave the world" choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	1:13
15	Messiah, HWV 56: Part II, XXXIVa. Air (Soprano) "How beautiful are the feet of them" soprano vocals: Midori Suzuki orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	2:19
16	Messiah, HWV 56: Part II, XXXVa. Chorus "Their sound is gone out into all lands" choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) composer: George Frideric Handel (in 1745) is based on: Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	1:44
17	Messiah, HWV 56: Part II, XXXVI. Air (Bass) "Why do the nations so furiously rage together" bass vocals: David Thomas orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	1:23
18	Messiah, HWV 56: Part II, XXXVIIa. Chorus "Let us break their bonds asunder" choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	1:45
19	Messiah, HWV 56: Part II, XXXVIIb. Recitative (Tenor) "He that dwelleth in heaven shall laugh them to scorn" tenor vocals: John Elwes orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	0:13
20	Messiah, HWV 56: Part II, XXXVIII. Air (Tenor) "Thou shalt break them with a rod of iron" tenor vocals: John Elwes orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	2:07
21	Messiah, HWV 56: Part II, XXXIX. Chorus "Hallelujah!" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	3:47
22	Messiah, HWV 56: Part III, XL. Air (Soprano) "I know that my Redeemer liveth" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer soprano vocals: Midori Suzuki orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel	5:33
23	Messiah, HWV 56: Part III, XLI. Chorus "Since by man came death" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel	2:05
24	Messiah, HWV 56: Part III, XLII. Accompagnato (Bass) "Behold, I tell you a mystery" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer bass vocals: David Thomas orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel	0:40
25	Messiah, HWV 56: Part III, XLIIIa. Air (Bass) "The trumpet shall sound" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer bass vocals: David Thomas orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel	8:50
26	Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written" alto vocals: Yoshikazu Mera orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) composer: George Frideric Handel part of: Messiah, HWV 56: Part III	Georg Friedrich Händel	0:17
27	Messiah, HWV 56: Part III, XLIV. Duet (Alto, Tenor) "O Death, where is thy sting?" alto vocals: Yoshikazu Mera tenor vocals: John Elwes orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel	1:46
28	Messiah, HWV 56: Part III, XLV. Chorus "But thanks be to God who giveth us the victory" choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel	2:09
29	Messiah, HWV 56: Part III, XLVI. Air (Soprano) "If God be for us, who can be against us?" soprano vocals: Midori Suzuki orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel	4:27
30	Messiah, HWV 56: Part III, XLVII. Chorus "Worthy is the Lamb that was slain", Chorus "Amen" sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki recorded at: The Shoin Women's University Chapel in Kobe, Hyogo, Japan recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel	7:30

Credits

Release

orchestra:	Bach Collegium Japan
conductor:	鈴木雅明

Messiah

Release events

Labels

Release information

Genres: (none)

Other tags: (none)

Tracklist

Credits

Release