Classic Rock Hits

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistLength
1Working for the WeekendLoverboy3:42
2Baby Hold OnEddie Money3:03
3FrankensteinThe Edgar Winter Group4:46
4Two Out of Three Ain’t BadMeat Loaf5:25
5Eight Miles HighThe Byrds3:36
6Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1977, in 1978), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), Columbia Records (in 1978), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd., Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
Toto3:57
7Evil Woman
engineer:
Jimmy Iovine and Reinhold Mack
producer:
Jeff Lynne
bass:
Kelly Groucutt (from 1975-05 until 1975-06)
cello:
Melvyn Gale (from 1975-05 until 1975-06) and Hugh McDowell (from 1975-05 until 1975-06)
clavinet, Moog and piano:
Richard Tandy (from 1975-05 until 1975-06)
drums (drum set) and percussion:
Bev Bevan (from 1975-05 until 1975-06)
guitar:
Jeff Lynne (from 1975-05 until 1975-06) and Richard Tandy (from 1975-05 until 1975-06)
violin:
Mik Kaminski (from 1975-05 until 1975-06)
background vocals:
Susan Collins (from 1975-05 until 1975-06), Ellie Greenwich (from 1975-05 until 1975-06), Nancy O'Neill (from 1975-05 until 1975-06) and Margaret Raymond (from 1975-05 until 1975-06)
lead vocals:
Jeff Lynne (from 1975-05 until 1975-06)
conductor:
Louis Clark
arranger:
Louis Clark, Jeff Lynne and Richard Tandy
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975, in 2005) and Sony Music Entertainment Inc. (in 1975)
recorded at:
De Lane Lea Studios in Soho, Westminster, London, England, United Kingdom (from 1975-05 until 1975-06), Musicland Studios in München, Bayern, Germany (from 1975-05 until 1975-06) and The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975-05 until 1975-06: background vocals)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
recording of:
Evil Woman (from 1975-05 until 1975-06)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
Electric Light Orchestra4:20
8More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge
acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS Records Inc. (in 1976), CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston
part of:
VH1: 100 Greatest Hard Rock Songs (number: 39), Billboard: The 500 Best Pop Songs (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd., Warner Chappell Music, Warner Chappell Music Ltd., WB Music Corp. and Pure Songs (in 1976)
Boston4:45
9Carry On Wayward Son
assistant engineer:
Jeff Glixman
engineer:
Bill Evans
producer:
Jeff Glixman
acoustic guitar:
Rich Williams (from 1975 until 1976)
bass guitar:
Dave Hope (from 1975 until 1976)
clavinet, Moog and synthesizer [Oberheim synthesizer]:
Kerry Livgren (from 1975 until 1976)
drums (drum set) and percussion:
Phil Ehart (from 1975 until 1976)
electric guitar:
Kerry Livgren (from 1975 until 1976) and Richard Williams (from 1975 until 1976)
organ, synthesizer and lead vocals:
Steve Walsh (from 1975 until 1976)
piano:
Kerry Livgren (from 1975 until 1976) and Steve Walsh (from 1975 until 1976)
viola and violin:
Robby Steinhardt (from 1975 until 1976)
background vocals:
Robby Steinhardt (from 1975 until 1976) and Steve Walsh (from 1975 until 1976)
arranger:
Kansas
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1976, in 2001)
recorded at and mixed at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (number: 96)
recording of:
Carry On Wayward Son (from 1975 until 1976)
lyricist and composer:
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (from 1976 to present) and EMI Blackwood Music Inc. (from 1976 to present)
sub-publisher:
フジパシフィックミュージック SBK事業部
Kansas5:23
10Cat Scratch FeverTed Nugent3:40
11Rock and Roll Hoochie Koo
phonographic copyright (℗) by:
CBS Records Inc. (in 1973)
recording of:
Rock and Roll, Hoochie Koo
lyricist and composer:
Rick Derringer
publisher:
Universal Music Careers
Rick Derringer3:44
12Take It on the RunREO Speedwagon4:01
13(Don’t Fear) the ReaperBlue Öyster Cult5:08
2CD
#TitleArtistLength
1Down BoysWarrant4:01
2Black BettyRam Jam3:59
3Tuff Enuff
engineer:
Carey Taylor
producer:
Dave Edmunds
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 96)
recording of:
Tuff Enuff
lyricist and composer:
Kim Wilson
publisher:
Hello Mr. Wilson
The Fabulous Thunderbirds3:23
4Flirtin’ With Disaster
recording engineer and mixer:
Gary Ladinsky
assistant engineer:
Cary Pritikin and Bill Vermillion
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment France (in 1979)
recorded at:
Bee Jay Recording Studios in Orlando, Florida, United States (in 1979) and Record Plant in Hollywood, Los Angeles, California, United States (in 1979)
mixed at:
Record Plant in Hollywood, Los Angeles, California, United States
recording of:
Flirtin' With Disaster (in 1979)
writer:
Danny Joe Brown, Dave Hlubek and Banner Thomas
Molly Hatchet5:00
5You’ve Got Another Thing Comin’Judas Priest5:09
65309 Jenny
assistant engineer:
Catharina "Mix" Masters (from 1981-07 until 1981-08)
engineer:
Toby Scott (from 1981-07 until 1981-08)
producer:
Jim Keller and Chuck Plotkin
bass guitar [bass]:
Jon Lyons (from 1981-07 until 1981-08)
drums (drum set) [drums]:
Victor Carberry (from 1981-07 until 1981-08)
guitar, piano and lead vocals:
Tommy Heath (from 1981-07 until 1981-08)
guitar [lead guitar]:
Jim Keller (from 1981-07 until 1981-08)
keyboard [keyboards]:
Steve LeGassick (from 1981-07 until 1981-08)
percussion and background vocals [harmonies]:
John Cowsill (from 1981-07 until 1981-08)
vocals:
Jim Keller (from 1981-07 until 1981-08)
recorded at:
Clover Recorders in Hollywood, Los Angeles, California, United States (from 1981-07 until 1981-08)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 4), VH1: 100 Greatest Songs of the 80’s (number: 36) and Billboard: The 500 Best Pop Songs (number: 494)
recording of:
867‒5309/Jenny (from 1981-07 until 1981-08)
lyricist and composer:
Alex Call and Jim Keller
Tommy Tutone3:47
7Pretty in PinkThe Psychedelic Furs4:01
8And We DancedThe Hooters3:48
9The Final CountdownEurope5:12
10Voices Carry’Til Tuesday4:22
11Cum On Feel the NoiseQuiet Riot4:52
12Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan, Ben Fowler, Lolly Grodner, Robert Hart, John Herman, Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero and Steve Thompson
additional keyboard:
Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
lead vocals:
Alice Cooper (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc., EMI April Music Inc., EMI Music Publishing Australia Pty. Limited, EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc., Sony Music Publishing, Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal, Universal Music Publishing, Universal Music Publishing Group, Universal Music Publishing Ltd., Universal PolyGram International Publishing, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB, Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4:30
13What I Like About You
producer:
Peter Solley
phonographic copyright (℗) by:
Epic Records (in 1979) and Nemperor Records, Inc. (in 1979)
recorded at:
Coconut Recording in Miami, Florida, United States (in 1979-10)
part of:
VH1: 100 Greatest Songs of the 80’s (number: 97) and Billboard: The 500 Best Pop Songs (number: 483)
recording of:
What I Like About You (in 1979-10)
writer:
Jimmy Marinos, Wally Palmar and Mike Skill
publisher:
EMI April Music Inc. and EMI Music Publishing Australia Pty. Limited
part of:
Freaky Friday (2003)
The Romantics2:56
3CD
#TitleArtistLength
1Black Magic Woman
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (on 1970-07-04)
congas:
Michael Carabello (on 1970-07-04) and Jose Chepito Áreas (on 1970-07-04)
guitar:
Carlos Santana (on 1970-07-04)
keyboard:
Gregg Rolie (on 1970-07-04)
membranophone:
Michael Shrieve (on 1970-07-04)
timbales:
Jose Chepito Áreas (on 1970-07-04)
vocals:
Gregg Rolie (on 1970-07-04) and Carlos Santana (on 1970-07-04)
phonographic copyright (℗) by:
Columbia Records (in 1970), Sony BMG Music Entertainment (in 1970) and Sony Music Entertainment Inc. (in 1970, in 1974)
recorded at:
Wally Heider Studios in San Francisco, California, United States (on 1970-07-04)
cover recording of:
Black Magic Woman (on 1970-07-04)
lyricist and composer:
Peter Green
publisher:
Bourne Music Ltd., Copyright Control, King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
recording of:
Black Magic Woman
lyricist and composer:
Peter Green
publisher:
Bourne Music Ltd., Copyright Control, King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
Santana3:17
2Runaway TrainSoul Asylum4:26
3Cult of PersonalityLiving Colour4:56
4Mississippi QueenMountain2:32
5Fantasy
producer:
Aldo Nova
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 78)
recording of:
Fantasy
lyricist and composer:
Aldo Caporuscio
publisher:
Sony/ATV Songs LLC
Aldo Nova4:01
6Melissa (live)The Allman Brothers Band5:28
7Walk Like an Egyptian
producer:
David Kahne
mixer:
David Leonard
bass guitar:
Michael Steele
drums (drum set):
Debbi Peterson
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs, Vicki Peterson and Michael Steele
phonographic copyright (℗) by:
Columbia Records (in 1985) and Sony Music Entertainment Inc. (in 1985)
part of:
VH1: 100 Greatest Songs of the 80’s (number: 14)
recording of:
Walk Like an Egyptian
lyricist and composer:
Liam Sternberg (until 1984-01)
publisher:
Peer International Corporation
part of:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles3:25
8The House Is Rockin’Stevie Ray Vaughan & Double Trouble2:25
9BarracudaHeart4:23
10Lido Shuffle
engineer:
Tom Perry
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
trumpet:
Chuck Findley (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Columbia Records (in 1976) and Sony BMG Music Entertainment (in 1976)
recording of:
Lido Shuffle (in 1975-09)
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music, Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. and Warner Chappell Music
sub-publisher:
Sony Music Publishing (Japan) Inc., ソニー・ミュージックパブリッシング A事業部 and ヤマハミュージックEH(CM)
Boz Scaggs3:42
11Jimmy Olsen’s BluesSpin Doctors4:40
12Shapes of Things
engineer:
Ken Scott
producer:
Mickie Most
steel guitar:
Jeff Beck (from 1968-05-14 until 1968-05-26)
lead vocals:
Rod Stewart (from 1968-05-14 until 1968-05-26)
recording of:
Shapes of Things (from 1968-05-14 until 1968-05-26)
writer:
Jim McCarty, Keith Relf and Paul Samwell-Smith
publisher:
EMI Unart Catalog Inc., J. Albert & Son P/L, Them Young Boys Music and Yardbirds Music
Jeff Beck Group3:20
13Sweet Jane
phonographic copyright (℗) by:
Sony BMG Music Entertainment (in 1972)
cover recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
Mott the Hoople4:22
14Hurdy Gurdy Man
recorded in:
London, England, United Kingdom (in 1968)
producer:
Mickie Most
acoustic guitar and tambura:
Donovan Leitch (in 1968)
bass:
John Paul Jones (in 1968)
drums (drum set):
Clem Cattini (in 1968)
electric guitar:
Allan Holdsworth (in 1968) and Jimmy Page (in 1968)
vocals:
Donovan Leitch (in 1968)
arranger:
John Paul Jones
phonographic copyright (℗) by:
EMI Records Ltd. (in 1968)
recording of:
Hurdy Gurdy Man (in 1968)
lyricist and composer:
Donovan Leitch
publisher:
Donovan Music Ltd.
Donovan3:18

Credits

Release

design:Richard Nelson
manufactured by:Sony Music
copyrighted (©) by and phonographic copyright (℗) by:Sony Music Entertainment Inc. (in 2001)
Discogs:https://www.discogs.com/release/7831239 [info]
ASIN:US: B00005NKK9 [info]