Stan Getz & The Oscar Peterson Trio + Getz Meets Mulligan In Hi Fi

~ Release by Stan Getz (see all versions of this release, 1 available)

Tracklist

1CD
#TitleLength
1I Want To Be Happy
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1957-10-10)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
7:34
2Pennies From Heaven
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
instrumental recording of:
Pennies From Heaven (on 1957-10-10)
lyricist:
Johnny Burke (in 1936)
composer:
Arthur Johnston (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
5:13
3Ballad Medley
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
medley including a instrumental recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1957-10-10)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc., Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited and Williamson Music Company
part of:
Pal Joey
medley including a instrumental recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1957-10-10)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
medley including a instrumental recording of:
I Can’t Get Started (on 1957-10-10)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell’s • Sydney, Music Sales Corporation and Universal Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
medley including a instrumental recording of:
I Don’t Know Why (on 1957-10-10)
lyricist:
Roy Turk (in 1931)
composer:
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. and Redwood Music
medley including a instrumental recording of:
Polka Dots and Moonbeams (on 1957-10-10)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
ABC Music Co., Bourne Co., Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation, My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部
10:09
4I'm Glad There Is You
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
medley including a instrumental recording of:
I’m Glad There Is You (on 1957-10-10)
writer:
Jimmy Dorsey and Paul Madeira
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
recording of:
I’m Glad There Is You
writer:
Jimmy Dorsey and Paul Madeira
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
4:38
5Tour's End
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
recording of:
Tour's End (on 1957-10-10)
composer:
Stan Getz
publisher:
JATAP Publishing Co.
sub-publisher:
French Fried Music
4:55
6I Was Doing All Right
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
instrumental recording of:
I Was Doing All Right (on 1957-10-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
4:07
7Bronx Blues
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
recording of:
Bronx Blues (on 1957-10-10)
composer:
Stan Getz
publisher:
JATAP Publishing Co.
sub-publisher:
French Fried Music
5:30
8Let's Fall In Love
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
Let’s Fall in Love (on 1957-10-12)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. and Francis, Day & Hunter Ltd.
6:27
9Anything Goes
recorded in:
Los Angeles, California, United States (on 1957-10-12)
baritone saxophone and tenor saxophone:
Stan Getz and Gerry Mulligan
double bass:
Ray Brown
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
Anything Goes (on 1957-10-12)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd. and Warner Bros., Inc.
part of:
Anything Goes
3:35
10Too Close For Comfort
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
Too Close for Comfort (Mr. Wonderful) (on 1957-10-12)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
publisher:
Carlin Music Corporation and Memory Lane Music Ltd.
6:55
11That Old Feeling
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
That Old Feeling (on 1957-10-12)
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2)
5:56
12This Can't Be Love
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
This Can’t Be Love (on 1957-10-12)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
Warner/Chappell
8:45
13A Ballad
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
recording of:
A Ballad
composer:
Gerry Mulligan
publisher:
Criterion Music Corp.
5:41