Chronicle: The Complete Prestige Recordings

~ Release by Miles Davis (see all versions of this release, 2 available)

Tracklist

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1▼12" Vinyl
#TitleLength
A1Morpheus
double bass and double bass [bass]:
Percy Heath (on 1951-01-17)
drums (drum set):
Roy Haynes (on 1951-01-17)
piano:
John Lewis (on 1951-01-17)
tenor saxophone:
Sonny Rollins (on 1951-01-17)
trombone:
Bennie Green (on 1951-01-17) and Bernie Green (on 1951-01-17)
trumpet:
Miles Davis (on 1951-01-17)
recorded at:
Apex Studios in New York, New York, United States (on 1951-01-17)
recording of:
Morpheus (on 1951-01-17)
composer:
John Lewis
2:20
A2Down
double bass:
Percy Heath (on 1951-01-17)
drums (drum set):
Roy Haynes (on 1951-01-17)
piano:
John Lewis (on 1951-01-17)
tenor saxophone:
Sonny Rollins (on 1951-01-17)
trombone:
Bennie Green (on 1951-01-17) and Bernie Green (on 1951-01-17)
trumpet:
Miles Davis (on 1951-01-17)
recorded at:
Apex Studios in New York, New York, United States (on 1951-01-17)
recording of:
Down (on 1951-01-17)
composer:
Miles Davis
2:52
A3Blue Room (take 1)
double bass:
Percy Heath (on 1951-01-17)
drums (drum set):
Roy Haynes (on 1951-01-17)
piano:
John Lewis (on 1951-01-17)
tenor saxophone:
Sonny Rollins (on 1951-01-17)
trumpet:
Miles Davis (on 1951-01-17)
instrumental recording of:
Blue Room (on 1951-01-17)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (in 1926)
2:50
A4Blue Room (take 2)
bass:
Percy Heath
drums (drum set):
Roy Haynes
piano:
John Lewis
trumpet:
Miles Davis
recording of:
Blue Room
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (in 1926)
3:00
A5Whispering
bass, double bass and double bass [bass]:
Percy Heath (on 1951-01-17)
drums (drum set):
Roy Haynes (on 1951-01-17)
piano:
John Lewis (on 1951-01-17)
tenor saxophone:
Sonny Rollins (on 1951-01-17)
trombone:
Bennie Green (on 1951-01-17)
trumpet:
Miles Davis (on 1951-01-17)
recorded at:
Apex Studios in New York, New York, United States (on 1951-01-17)
cover recording of:
Whispering (on 1951-01-17)
lyricist:
Richard Coburn (in 1920) and Malvin Schönberger (in 1920)
composer:
Vincent Rose (in 1920) and John Schoenberger (in 1920)
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., Fisher Music Corp., Redwood Music Ltd. and Sherman, Clay & Co. (in 1920)
instrumental cover recording of:
Whispering (on 1951-01-17)
lyricist:
Richard Coburn (in 1920) and Malvin Schönberger (in 1920)
composer:
Vincent Rose (in 1920) and John Schoenberger (in 1920)
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., Fisher Music Corp., Redwood Music Ltd. and Sherman, Clay & Co. (in 1920)
recording of:
Whispering
lyricist:
Richard Coburn (in 1920) and Malvin Schönberger (in 1920)
composer:
Vincent Rose (in 1920) and John Schoenberger (in 1920)
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., Fisher Music Corp., Redwood Music Ltd. and Sherman, Clay & Co. (in 1920)
3:02
A6I Know
miscellaneous support:
Bob Weinstock (task: supervised by)
bass:
Percy Heath (on 1951-01-17)
double bass:
Percy Heath (on 1953-01-22)
drums (drum set):
Kenny Clarke and Roy Haynes (on 1951-01-17, on 1953-01-22)
piano:
John Lewis and Miles Davis (on 1951-01-17, on 1953-01-22)
tenor saxophone:
Sonny Rollins (on 1951-01-17, on 1953-01-22)
vibraphone:
Milt Jackson
recording of:
I Know (on 1953-01-22)
composer:
Miles Davis
2:39
A7Hibeck
alto saxophone:
Lee Konitz (on 1951-03-08)
bass:
Arnold Fishkind (on 1951-03-08)
drums (drum set):
Max Roach (on 1951-03-08)
guitar:
Billy Bauer (on 1951-03-08)
piano:
Sal Mosca (on 1951-03-08)
trumpet:
Miles Davis (on 1951-03-08)
phonographic copyright (℗) by:
Prestige
recorded at:
Apex Studios in New York, New York, United States (on 1951-03-08)
recording of:
Hibeck (Hi Beck) (on 1951-03-08)
composer:
Lee Konitz
partial recording of:
Pennies From Heaven (on 1951-03-08)
lyricist:
Johnny Burke (in 1936)
composer:
Arthur Johnston (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
3:04
A8Odjenar
recording of:
Odjenar
composer:
George Russell
2:50
B1Ezz-Thetic
recording of:
Ezz-Thetic
composer:
George Russell
2:51
B2Yesterdays
recorded in:
New York, New York, United States (on 1951-03-08)
alto saxophone:
Lee Konitz (on 1951-03-08)
bass:
Arnold Fishkind
double bass:
Arnold Fishkind (on 1951-03-08)
drums (drum set):
Max Roach
guitar:
Billy Bauer (on 1951-03-08)
piano:
Sal Mosca (on 1951-03-08)
trumpet:
Miles Davis (on 1951-03-08)
instrumental recording of:
Yesterdays (on 1951-03-08)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
cover recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
2:24
B3Conception
producer:
Bob Weinstock
double bass:
Charles Mingus (on 1951-10-05) and Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (on 1951-10-05)
tenor saxophone:
Sonny Rollins (on 1951-10-05)
trumpet:
Miles Davis (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. and Prestige
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
recording of:
Conception (on 1951-10-05)
composer:
George Shearing
4:01
B4Bluing
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (on 1951-10-05)
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (on 1951-10-05)
tenor saxophone:
Sonny Rollins (on 1951-10-05)
trumpet:
Miles Davis (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc.
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
recording of:
Bluing (on 1951-10-05)
composer:
Miles Davis
publisher:
Second Floor Music
9:58
B5Dig
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (on 1951-10-05)
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (on 1951-10-05)
tenor saxophone:
Sonny Rollins (on 1951-10-05)
trumpet:
Miles Davis (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. and Prestige
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
recording of:
Dig (on 1951-10-05)
composer:
Miles Davis
publisher:
Jazz Horn Music and Second Floor Music
7:30
2▼12" Vinyl
#TitleLength
C1Out of the Blue
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (on 1951-10-05)
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (on 1951-10-05)
tenor saxophone:
Sonny Rollins (on 1951-10-05)
trumpet:
Miles Davis (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc.
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
recording of:
Out of the Blue (on 1951-10-05)
composer:
Miles Davis and Red Mitchell
publisher:
Second Floor Music
6:16
C2Denial
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (on 1951-10-05) and Sonny Rollins (on 1951-10-05)
bass and double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (on 1951-10-05)
tenor saxophone:
Sonny Rollins (on 1951-10-05)
trumpet:
Miles Davis (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. and Prestige
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
recording of:
Denial (on 1951-10-05)
composer:
Miles Davis
publisher:
Jazz Horn Music and Second Floor Music
7:37
C3My Old Flame
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (on 1951-10-05)
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (on 1951-10-05)
tenor saxophone:
Sonny Rollins (on 1951-10-05)
trumpet:
Miles Davis (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. and Prestige
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
instrumental cover recording of:
My Old Flame (on 1951-10-05)
lyricist:
Sam Coslow
composer:
Arthur Johnston
publisher:
Famous Music Corporation
6:34
C4It's Only a Paper Moon
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (on 1951-10-05)
tenor saxophone:
Sonny Rollins (on 1951-10-05)
trumpet:
Miles Davis (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. and Prestige
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
instrumental recording of:
It’s Only a Paper Moon (on 1951-10-05)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music
5:26
D1Compulsion
recorded in:
New York, New York, United States (on 1953-01-30)
recording engineer:
Rudy van Gelder (on 1953-01-30)
bass and double bass:
Percy Heath (on 1953-01-30)
drums (drum set):
Philly Joe Jones (on 1953-01-30)
piano:
Walter Bishop, Jr. (on 1953-01-30)
tenor saxophone:
"Charlie Chan" (on 1953-01-30) and Sonny Rollins (on 1953-01-30)
trumpet:
Miles Davis (on 1953-01-30)
recorded at:
WOR Studios in New York, New York, United States (on 1953-01-30)
recording of:
Compulsion (on 1953-01-30)
composer:
Miles Davis
5:35
D2The Serpent's Tooth (take 1)
recording engineer:
Rudy van Gelder (on 1953-01-30)
bass:
Percy Heath (on 1953-01-30)
drums (drum set):
Philly Joe Jones (on 1953-01-30)
piano:
Walter Bishop, Jr. (on 1953-01-30)
tenor saxophone:
"Charlie Chan" (on 1953-01-30) and Sonny Rollins (on 1953-01-30)
trumpet:
Miles Davis (on 1953-01-30)
recorded at:
WOR Studios in New York, New York, United States (on 1953-01-30)
recording of:
The Serpent's Tooth, I
composer:
Miles Davis
6:56
D3The Serpent's Tooth (take 2)
recording engineer:
Rudy van Gelder (on 1953-01-30)
bass:
Percy Heath (on 1953-01-30)
drums (drum set):
Philly Joe Jones (on 1953-01-30)
piano:
Walter Bishop, Jr. (on 1953-01-30)
tenor saxophone:
"Charlie Chan" (on 1953-01-30) and Sonny Rollins (on 1953-01-30)
trumpet:
Miles Davis (on 1953-01-30)
recorded at:
WOR Studios in New York, New York, United States (on 1953-01-30)
recording of:
The Serpent's Tooth, I
composer:
Miles Davis
6:09
D4'Round About Midnight
recording engineer:
Rudy van Gelder (on 1953-01-30)
producer:
Ira Gitler
double bass:
Percy Heath (on 1953-01-30)
drums (drum set):
Philly Joe Jones (on 1953-01-30)
piano:
Walter Bishop, Jr. (on 1953-01-30)
tenor saxophone:
"Charlie Chan" (on 1953-01-30) and Sonny Rollins (on 1953-01-30)
trumpet:
Miles Davis (on 1953-01-30)
phonographic copyright (℗) by:
Prestige
recorded at:
WOR Studios in New York, New York, United States (on 1953-01-30)
instrumental cover recording of:
’Round Midnight (on 1953-01-30)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
is based on:
I Need You So
6:59
3▼12" Vinyl
#TitleLength
E1Tasty Pudding
double bass:
Leonard Gaskin (on 1953-02-19)
drums (drum set):
Kenny Clarke (on 1953-02-19)
piano:
John Lewis (on 1953-02-19)
tenor saxophone:
Al Cohn (on 1953-02-19) and Zoot Sims (on 1953-02-19)
trombone:
Sonny Truitt (on 1953-02-19)
trumpet:
Miles Davis (on 1953-02-19)
arranger:
Al Cohn
recorded at:
Beltone Studios in New York, New York, United States (on 1953-02-19)
recording of:
Tasty Pudding (on 1953-02-19)
composer:
Al Cohn
3:20
E2Willie the Wailer
double bass and double bass [bass]:
Leonard Gaskin (on 1953-02-19)
drums (drum set):
Kenny Clarke (on 1953-02-19)
piano:
John Lewis (on 1953-02-19)
tenor saxophone:
Al Cohn (on 1953-02-19) and Zoot Sims (on 1953-02-19)
trombone:
Sonny Truitt (on 1953-02-19)
trumpet:
Miles Davis (on 1953-02-19)
recorded at:
Beltone Studios in New York, New York, United States (on 1953-02-19)
recording of:
Willie The Wailer (Cohn) (on 1953-02-19)
composer:
Al Cohn
4:26
E3Floppy
double bass and double bass [bass]:
Leonard Gaskin (on 1953-02-19)
drums (drum set):
Kenny Clarke (on 1953-02-19)
piano:
John Lewis (on 1953-02-19)
tenor saxophone:
Al Cohn (on 1953-02-19) and Zoot Sims (on 1953-02-19)
trombone:
Sonny Truitt (on 1953-02-19)
trumpet:
Miles Davis (on 1953-02-19)
recorded at:
Beltone Studios in New York, New York, United States (on 1953-02-19)
recording of:
Floppy (on 1953-02-19)
composer:
Al Cohn
5:58
E4For Adults Only
double bass [bass]:
Leonard Gaskin (on 1953-02-19)
drums (drum set):
Kenny Clarke (on 1953-02-19)
piano:
John Lewis (on 1953-02-19)
tenor saxophone:
Al Cohn (on 1953-02-19) and Zoot Sims (on 1953-02-19)
trombone:
Sonny Truitt (on 1953-02-19)
trumpet:
Miles Davis (on 1953-02-19)
recorded at:
Beltone Studios in New York, New York, United States (on 1953-02-19)
recording of:
For Adults Only (on 1953-02-19)
composer:
Al Cohn
5:32
E5Miles Ahead
producer:
Ira Gitler
double bass:
Percy Heath (on 1953-05-19)
drums (drum set):
Max Roach (on 1953-05-19)
piano:
John Lewis (on 1953-05-19)
trumpet:
Miles Davis (on 1953-05-19)
recording of:
Miles Ahead (on 1953-05-19)
composer:
Miles Davis and Gil Evans
4:25
F1When Lights Are Low
double bass:
Percy Heath (on 1953-05-19)
drums (drum set):
Max Roach (on 1953-05-19)
piano:
John Lewis (on 1953-05-19)
trumpet:
Miles Davis (on 1953-05-19)
instrumental cover recording of:
When Lights Are Low (on 1953-05-19)
lyricist:
Spencer Williams
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
3:25
F2Tune Up
double bass:
Percy Heath (on 1953-05-19)
drums (drum set):
Max Roach (on 1953-05-19)
piano:
John Lewis (on 1953-05-19)
trumpet:
Miles Davis (on 1953-05-19)
phonographic copyright (℗) by:
Prestige
recorded at:
WOR Studios in New York, New York, United States (on 1953-05-19)
recording of:
Tune Up (on 1953-05-19)
composer:
Miles Davis
3:52
F3Smooch
double bass:
Percy Heath (on 1953-05-19)
drums (drum set):
Max Roach (on 1953-05-19)
piano:
Charles Mingus (on 1953-05-19)
trumpet:
Miles Davis (on 1953-05-19)
recording of:
Smooch (on 1953-05-19)
composer:
Miles Davis and Charles Mingus
3:02
F4Four
bass and double bass:
Percy Heath (on 1954-03-15)
drums (drum set):
Art Blakey (on 1954-03-15)
piano:
John Lewis (on 1954-03-15) and Horace Silver (on 1954-03-15)
trumpet:
Miles Davis (on 1954-03-15)
recording of:
Four (original instrumental version) (on 1954-03-15)
composer:
Miles Davis
4:00
F5Old Devil Moon
bass:
Percy Heath
double bass:
Percy Heath (on 1954-03-15)
drums (drum set):
Art Blakey (on 1954-03-15)
piano:
John Lewis (on 1954-03-15) and Horace Silver (on 1954-03-15)
trumpet:
Miles Davis (on 1954-03-15)
instrumental recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1954-03-15)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc., Chappell Music and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
3:22
F6Blue Haze
bass and double bass:
Percy Heath (on 1954-03-15)
drums (drum set):
Art Blakey (on 1954-03-15)
piano:
Horace Silver (on 1954-03-15)
trumpet:
Miles Davis (on 1954-03-15)
recording of:
Blue Haze (on 1954-03-15)
composer:
Miles Davis
6:30
4▼12" Vinyl
#TitleLength
G1Solar
recording engineer:
Rudy van Gelder (on 1954-04-03)
alto saxophone:
Davey Schildkraut (on 1954-04-03)
double bass:
Percy Heath (on 1954-04-03)
drums (drum set):
Kenny Clarke (on 1954-04-03)
piano:
Horace Silver (on 1954-04-03)
trumpet:
Miles Davis (on 1954-04-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-04-03)
recording of:
Solar (on 1954-04-03)
composer:
Miles Davis
publisher:
Prestige Music Co.
4:42
G2You Don't Know What Love Is
recording engineer:
Rudy van Gelder (on 1954-04-03)
double bass:
Percy Heath (on 1954-04-03)
drums (drum set):
Kenny Clarke (on 1954-04-03)
piano:
Horace Silver (on 1954-04-03)
trumpet:
Miles Davis (on 1954-04-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-04-03)
instrumental recording of:
You Don’t Know What Love Is (on 1954-04-03)
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing, Universal Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
cover recording of:
You Don’t Know What Love Is
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing, Universal Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
4:21
G3Love Me or Leave Me
recording engineer:
Rudy van Gelder (on 1954-04-03)
alto saxophone:
Davey Schildkraut (on 1954-04-03)
double bass:
Percy Heath (on 1954-04-03)
drums (drum set):
Kenny Clarke (on 1954-04-03)
piano:
Horace Silver (on 1954-04-03)
trumpet:
Miles Davis (on 1954-04-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-04-03)
instrumental recording of:
Love Me or Leave Me (on 1954-04-03)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music, EMI Music Publishing Ltd., Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp., Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
6:55
G4I'll Remember April
recording engineer:
Rudy van Gelder (on 1954-04-03)
alto saxophone:
Davey Schildkraut (on 1954-04-03)
bass and double bass:
Percy Heath (on 1954-04-03)
drums (drum set):
Kenny Clarke (on 1954-04-03)
piano:
Horace Silver (on 1954-04-03)
trumpet:
Miles Davis (on 1954-04-03)
recorded at:
Hackensack Studio in Hackensack, New Jersey, United States (on 1954-04-03)
instrumental recording of:
I’ll Remember April (on 1954-04-03)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. and Universal Music Corp.
7:51
H1Blue 'n' Boogie
recording engineer:
Rudy van Gelder (on 1954-04-29)
double bass:
Percy Heath (on 1954-04-29)
drums (drum set):
Kenny Clarke (on 1954-04-29)
piano:
Horace Silver (on 1954-04-29)
tenor saxophone:
Lucky Thompson (on 1954-04-29)
trombone:
Jay Jay Johnson (on 1954-04-29)
trumpet:
Miles Davis (on 1954-04-29)
performer:
Miles Davis Sextet (on 1954-04-29)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-04-29)
recording of:
Blue ’n’ Boogie (on 1954-04-29)
composer:
Dizzy Gillespie and Frank Paparelli
8:16
H2Walkin'
recording engineer:
Rudy van Gelder (on 1954-04-29)
double bass:
Percy Heath (on 1954-04-29)
drums (drum set):
Kenny Clarke (on 1954-04-29)
piano:
Horace Silver (on 1954-04-29)
tenor saxophone:
Lucky Thompson (on 1954-04-29)
trombone:
Jay Jay Johnson (on 1954-04-29)
trumpet:
Miles Davis (on 1954-04-29)
performer:
Miles Davis Sextet (on 1954-04-29)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-04-29)
recording of:
Walkin’ (usually credited to Richard Carpenter) (on 1954-04-29)
composer:
[unknown]
13:25
5▼12" Vinyl
#TitleLength
I1Airegin
recording engineer:
Rudy van Gelder (on 1954-06-29)
double bass:
Percy Heath (on 1954-06-29)
drums (drum set):
Kenny Clarke (on 1954-06-29)
piano:
Horace Silver (on 1954-06-29)
tenor saxophone:
Sonny Rollins (on 1954-06-29)
trumpet:
Miles Davis (on 1954-06-29)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-06-29)
recording of:
Airegin (instrumental) (on 1954-06-29)
composer:
Sonny Rollins (in 1954)
publisher:
Prestige and Prestige Music
cover recording of:
Airegin (instrumental) (in 1956)
composer:
Sonny Rollins (in 1954)
publisher:
Prestige and Prestige Music
4:55
I2Oleo
recording engineer:
Rudy van Gelder (on 1954-06-29)
double bass:
Percy Heath (on 1954-06-29)
drums (drum set):
Kenny Clarke (on 1954-06-29)
piano:
Horace Silver (on 1954-06-29)
tenor saxophone:
Sonny Rollins (on 1954-06-29)
trumpet:
Miles Davis (on 1954-06-29)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-06-29)
recording of:
Oleo (on 1954-06-29)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs
5:00
I3Doxy
recorded in:
New York, New York, United States (on 1954-06-29)
recording engineer:
Rudy van Gelder (on 1954-06-29)
bass and double bass:
Percy Heath (on 1954-06-29)
drums (drum set):
Kenny Clarke (on 1954-06-29)
piano:
Horace Silver (on 1954-06-29)
tenor saxophone:
Sonny Rollins (on 1954-06-29)
trumpet:
Miles Davis (on 1954-06-29)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-06-29)
recording of:
Doxy (on 1954-06-29)
composer:
Sonny Rollins
4:50
I4But Not for Me (take 1)
recording engineer:
Rudy van Gelder (on 1954-06-29)
double bass:
Percy Heath (on 1954-06-29)
drums (drum set):
Kenny Clarke (on 1954-06-29)
piano:
Horace Silver (on 1954-06-29)
tenor saxophone:
Sonny Rollins (on 1954-06-29)
trumpet:
Miles Davis (on 1954-06-29)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-06-29)
recording of:
But Not for Me (on 1954-06-29)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
WB Music Corp. (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
5:40
I5But Not for Me (take 2)
recording engineer:
Rudy van Gelder (on 1954-06-29)
double bass:
Percy Heath (on 1954-06-29)
drums (drum set):
Kenny Clarke (on 1954-06-29)
piano:
Horace Silver (on 1954-06-29)
tenor saxophone:
Sonny Rollins (on 1954-06-29)
trumpet:
Miles Davis (on 1954-06-29)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-06-29)
recording of:
But Not for Me (on 1954-06-29)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
WB Music Corp. (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:35
J1Bags' Groove (take 1)
recorded in:
New York, New York, United States (on 1954-12-24)
double bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-12-24)
recording of:
Bags’ Groove (on 1954-12-24)
composer:
Milt Jackson
11:06
J2Bags' Groove (take 2)
double bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-12-24)
recording of:
Bags’ Groove (on 1954-12-24)
composer:
Milt Jackson
9:21
6▼12" Vinyl
#TitleLength
K1Bemsha Swing
bass and double bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
cover recording of:
Bemsha Swing (instrumental) (on 1954-12-24)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス and 日音 Synch事業部
9:21
K2The Man I Love (take 1)
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
5:40
K3The Man I Love (take 2)
bass and double bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
instrumental recording of:
The Man I Love (on 1954-12-24)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
7:57
L1Swing Spring
double bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-12-24)
recording of:
Swing Spring (on 1954-12-24)
composer:
Miles Davis
publisher:
Prestige Music Co. and Prestige Music ltd.
10:32
L2Will You Still Be Mine?
recording engineer:
Rudy van Gelder (on 1955-06-07)
producer:
Bob Weinstock (task: supervised by)
double bass:
Oscar Pettiford (on 1955-06-07)
drums (drum set):
Philly Joe Jones (on 1955-06-07)
piano:
Red Garland (on 1955-06-07)
trumpet:
Miles Davis (on 1955-06-07)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-07)
instrumental recording of:
Will You Still Be Mine? (on 1955-06-07)
lyricist:
Tom Adair
composer:
Matt Dennis
6:20
L3Green Haze
recording engineer:
Rudy van Gelder (on 1955-06-07)
producer:
Bob Weinstock (task: supervised by)
double bass:
Oscar Pettiford (on 1955-06-07)
drums (drum set):
Philly Joe Jones (on 1955-06-07)
piano:
Red Garland (on 1955-06-07)
trumpet:
Miles Davis (on 1955-06-07)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-07)
recording of:
Green Haze (on 1955-06-07)
composer:
Miles Davis
5:48
7▼12" Vinyl
#TitleLength
M1I Didn't
recording engineer:
Rudy van Gelder (on 1955-06-07)
producer:
Bob Weinstock (task: supervised by)
double bass:
Oscar Pettiford (on 1955-06-07)
drums (drum set):
Philly Joe Jones (on 1955-06-07)
piano:
Red Garland (on 1955-06-07)
trumpet:
Miles Davis (on 1955-06-07)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-07)
recording of:
I Didn't (on 1955-06-07)
composer:
Miles Davis
6:02
M2I See Your Face Before Me
recording engineer:
Rudy van Gelder (on 1955-06-07)
producer:
Bob Weinstock (task: supervised by)
double bass:
Oscar Pettiford (on 1955-06-07)
drums (drum set):
Philly Joe Jones (on 1955-06-07)
piano:
Red Garland (on 1955-06-07)
trumpet:
Miles Davis (on 1955-06-07)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-07)
instrumental recording of:
I See Your Face Before Me (on 1955-06-07)
lyricist and composer:
Howard Dietz and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
4:43
M3A Night in Tunisia
recording engineer:
Rudy van Gelder (on 1955-06-07)
producer:
Bob Weinstock (task: supervised by)
double bass:
Oscar Pettiford (on 1955-06-07)
drums (drum set):
Philly Joe Jones (on 1955-06-07)
piano:
Red Garland (on 1955-06-07)
trumpet:
Miles Davis (on 1955-06-07)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-07)
recording of:
Night in Tunisia (instrumental) (on 1955-06-07)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing
7:20
M4A Gal in Calico
recording engineer:
Rudy van Gelder (on 1955-06-07)
producer:
Bob Weinstock (task: supervised by)
double bass:
Oscar Pettiford (on 1955-06-07)
drums (drum set):
Philly Joe Jones (on 1955-06-07)
piano:
Red Garland (on 1955-06-07)
trumpet:
Miles Davis (on 1955-06-07)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-07)
instrumental recording of:
A Gal in Calico (on 1955-06-07)
lyricist:
Leo Robin
composer:
Arthur Schwartz
part of:
The 20th Academy Award for Best Original Song (number: 2)
5:15
N1Dr. Jackle
recording engineer:
Rudy van Gelder (on 1955-08-05)
alto saxophone:
Jackie McLean (on 1955-08-05)
double bass:
Percy Heath (on 1955-08-05)
drums (drum set):
Arthur Taylor (on 1955-08-05)
piano:
Ray Bryant (on 1955-08-05)
trumpet:
Miles Davis (on 1955-08-05)
vibraphone:
Milt Jackson (on 1955-08-05)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-08-05)
recording of:
Dr. Jackle (aka Dr. Jekyll) (on 1955-08-05)
composer:
Jackie McLean
publisher:
Prestige Music and Prestige Music ltd.
8:47
N2Minor March
8:12
N3Bitty Ditty
recording engineer:
Rudy van Gelder (on 1955-08-05)
alto saxophone:
Jackie McLean (on 1955-08-05)
double bass and double bass [bass]:
Percy Heath (on 1955-08-05)
drums (drum set):
Arthur Taylor (on 1955-08-05)
piano:
Ray Bryant (on 1955-08-05)
trumpet:
Miles Davis (on 1955-08-05)
vibraphone:
Milt Jackson (on 1955-08-05)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-08-05)
instrumental recording of:
Bitty Ditty (on 1955-08-05)
lyricist and composer:
Thad Jones
publisher:
D-Accord Music inc. and Jazz Workshop
recording of:
Bitty Ditty (on 1955-08-05)
lyricist and composer:
Thad Jones
publisher:
D-Accord Music inc. and Jazz Workshop
6:31
8▼12" Vinyl
#TitleLength
O1Changes
recording engineer:
Rudy van Gelder (on 1955-08-05)
alto saxophone:
Jackie McLean (on 1955-08-05)
double bass:
Percy Heath (on 1955-08-05)
drums (drum set):
Arthur Taylor (on 1955-08-05)
piano:
Ray Bryant (on 1955-08-05)
trumpet:
Miles Davis (on 1955-08-05)
vibraphone:
Milt Jackson (on 1955-08-05)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-08-05)
recording of:
Blues Changes (on 1955-08-05)
composer:
Ray Bryant
publisher:
Prestige Music Co. and Prestige Music ltd.
7:08
O2In Your Own Sweet Way
recording engineer:
Rudy van Gelder (on 1956-03-16)
bass:
Paul Chambers (on 1956-03-16)
drums (drum set):
Art Taylor (on 1956-03-16)
piano:
Tommy Flanagan (on 1956-03-16)
tenor saxophone:
Sonny Rollins (on 1956-03-16)
trumpet:
Miles Davis (on 1956-03-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-03-16)
recording of:
In Your Own Sweet Way (original instrumental composition) (on 1956-03-16)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
instrumental recording of:
In Your Own Sweet Way (original instrumental composition)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
4:30
O3No Line
recording engineer:
Rudy van Gelder (on 1956-03-16)
bass:
Paul Chambers (on 1956-03-16)
drums (drum set):
Art Taylor (on 1956-03-16)
piano:
Tommy Flanagan (on 1956-03-16)
tenor saxophone:
Sonny Rollins (on 1956-03-16)
trumpet:
Miles Davis (on 1956-03-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-03-16)
5:34
O4Vierd Blues
recording engineer:
Rudy van Gelder (on 1956-03-16)
bass:
Paul Chambers (on 1956-03-16)
drums (drum set):
Art Taylor (on 1956-03-16)
piano:
Tommy Flanagan (on 1956-03-16)
tenor saxophone:
Sonny Rollins (on 1956-03-16)
trumpet:
Miles Davis (on 1956-03-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-03-16)
recording of:
Vierd Blues (on 1956-03-16)
composer:
Miles Davis (in 1956)
publisher:
Prestige Music Co.
6:45
P1Stablemates
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
cover recording of:
Stablemates (on 1955-11-16)
composer:
Benny Golson
5:19
P2How Am I to Know?
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
instrumental cover recording of:
How Am I to Know? (on 1955-11-16)
lyricist:
Dorothy Parker
composer:
Jackie King
publisher:
Robbins Music
4:37
P3Just Squeeze Me
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
instrumental cover recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1955-11-16)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (in 1941)
7:25
P4The Theme
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
recording of:
The Theme (on 1955-11-16)
composer:
Miles Davis
5:47
9▼12" Vinyl
#TitleLength
Q1There Is No Greater Love
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
instrumental cover recording of:
There Is No Greater Love (on 1955-11-16)
lyricist:
Marty Symes
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation and World Music, Inc.
recording of:
There Is No Greater Love
lyricist:
Marty Symes
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation and World Music, Inc.
5:17
Q2S'posin'
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
instrumental cover recording of:
S’posin’ (on 1955-11-16)
lyricist:
Andy Razaf
composer:
Paul Denniker
publisher:
Mayfair Music Corp.
5:13
Q3In Your Own Sweet Way
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
In Your Own Sweet Way (original instrumental composition) (on 1956-05-11)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
5:40
Q4It Could Happen to You
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
It Could Happen to You (on 1956-05-11)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
5:30
R1Diane
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
Diane (from 1927 film “Seventh Heaven”) (on 1956-05-11)
lyricist:
Lew Pollack
composer:
Ernö Rapée
part of:
The Girl’s Suite
7:50
R2Trane's Blues
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Trane's Blues (on 1956-05-11)
composer:
John Coltrane (in 1956)
is based on:
Vierd Blues
8:32
R3Something I Dreamed Last Night
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
Something I Dreamed Last Night (on 1956-05-11)
lyricist:
Herb Magidson and Jack Yellen
composer:
Sammy Fain
6:07
10▼12" Vinyl
#TitleLength
S1Surrey With the Fringe on Top
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
The Surrey With the Fringe on Top (on 1956-05-11)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing, EMI Music Publishing Ltd. and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
9:02
S2Ahmad's Blues
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
cover recording of:
Ahmad’s Blues (on 1956-05-11)
composer:
Ahmad Jamal
7:21
S3Salt Peanuts
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
cover recording of:
Salt Peanuts (on 1956-05-11)
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp.
recording of:
Salt Peanuts
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp.
6:06
T1Woodyn' You
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
cover recording of:
Woody ’n’ You (on 1956-05-11)
composer:
Dizzy Gillespie
recording of:
Woody ’n’ You
composer:
Dizzy Gillespie
4:45
T2It Never Entered My Mind
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
It Never Entered My Mind (on 1956-05-11)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
Chappell & Co., Inc. and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
5:20
T3When I Fall in Love
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
When I Fall in Love (on 1956-05-11)
lyricist:
Edward Heyman
composer:
Victor Young
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Intersong U.S.A., Northern Music, Victor Young Publishing, Inc. and Warner/Chappell North America Limited
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
4:21
T4Four
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Four (original instrumental version) (on 1956-05-11)
composer:
Miles Davis
7:11
T5The Theme (take 2)
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
The Theme (on 1956-05-11)
composer:
Miles Davis
1:02
11▶12" Vinyl
12▶12" Vinyl