Cantatas, BWV 80–82

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistLength
1Kantate, BWV 80 “Ein feste Burg ist unser Gott”: I. Coro “Ein feste Burg ist unser Gott”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany (in 1983-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1983-09)
composer:
Johann Sebastian Bach (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach6:10
2Kantate, BWV 80 “Ein feste Burg ist unser Gott”: II. Aria (Bass) con Choral (Sopran) “Alles, was von Gott geboren”
bass vocals:
Philippe Huttenlocher
soprano vocals:
Arleen Augér
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany (in 1983-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1983-09)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:55
3Kantate, BWV 80 “Ein feste Burg ist unser Gott”: III. Recitativo (Bass) “Erwäge doch, Kind Gottes”
bass vocals:
Philippe Huttenlocher
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany (in 1983-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1983-09)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:59
4Kantate, BWV 80 “Ein feste Burg ist unser Gott”: IV. Aria (Sopran) “Komm in mein Herzenshaus”
soprano vocals:
Arleen Augér
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany (in 1976-04)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1976-04)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:35
5Kantate, BWV 80 “Ein feste Burg ist unser Gott”: V. Choral “Und wenn die Welt voll Teufel wär”
bass vocals:
Dietrich Fischer‐Dieskau
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07) and Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany (in 1983-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1983-09)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:28
6Kantate, BWV 80 “Ein feste Burg ist unser Gott”: VI. Recitativo (Tenor) “So stehe dann bei Christi blutgefärbten Fahne”
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany (in 1983-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1983-09)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:22
7Kantate, BWV 80 “Ein feste Burg ist unser Gott”: VII. Duetto (Alt, Tenor) “Wie selig sind doch die, die Gott im Munde tragen”
alto vocals:
Gabriele Schreckenbach
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany (in 1983-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1983-09)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:26
8Kantate, BWV 80 “Ein feste Burg ist unser Gott”: VIII. Choral “Das Wort sie sollen lassen stahn”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany (in 1983-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1983-09)
lyricist:
Martin Luther
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:14
9Kantate, BWV 81 “Jesus schläft, was soll ich hoffen”: I. Aria (Alt) “Jesus schläft, was soll ich hoffen?”
alto vocals:
Júlia Hamari
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 1971-02 until 1983-10)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach5:02
10Kantate, BWV 81 “Jesus schläft, was soll ich hoffen”: II. Recitativo (Tenor) “Herr, warum trittest du so ferne?”
vocals:
Adalbert Kraus
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": II. Recitativo (Tenor) "Herr, warum trittest du so ferne?" (from 1971-02 until 1983-10)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:21
11Kantate, BWV 81 “Jesus schläft, was soll ich hoffen”: III. Aria (Tenor) “Die schäumenden Wellen von Belials Bächen”
tenor vocals:
Adalbert Kraus
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": III. Aria (Tenor) "Die schäumenden Wellen von Belials Bächen" (from 1971-02 until 1983-10)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach3:16
12Kantate, BWV 81 “Jesus schläft, was soll ich hoffen”: IV. Arioso (Bass) “Ihr Kleingläubigen, warum seid ihr so furchtsam?”
bass vocals:
Siegmund Nimsgern
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": IV. Arioso (Bass) "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (in 1983-07)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:30
13Kantate, BWV 81 “Jesus schläft, was soll ich hoffen”: V. Aria (Bass) “Schweig, aufgetürmtes Meer!”
bass vocals:
Siegmund Nimsgern
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": V. Aria (Bass) "Schweig, aufgetürmtes Meer!" (from 1971-02 until 1983-10)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach5:22
14Kantate, BWV 81 “Jesus schläft, was soll ich hoffen”: VI. Recitativo (Alt) “Wohl mir, mein Jesus spricht ein Wort”
alto vocals:
Júlia Hamari
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VI. Recitativo (Alt) "Wohl mir, mein Jesus spricht ein Wort" (from 1971-02 until 1983-10)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:35
15Kantate, BWV 81 “Jesus schläft, was soll ich hoffen”: VII. Choral “Unter deinen Schirmen”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VII. Choral "Unter deinen Schirmen" (from 1971-02 until 1983-10)
lyricist:
Johann Franck
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 197)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:13
16Kantate, BWV 82 “Ich habe genug”: I. Aria (Bass) “Ich habe genug, ich habe den Heiland”
bass vocals:
Dietrich Fischer‐Dieskau
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1983-07)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:39
17Kantate, BWV 82 “Ich habe genug”: II. Recitativo (Bass) “Ich habe genug! Mein Trost ist nur allein”
bass vocals:
Dietrich Fischer‐Dieskau
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1983-07)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:35
18Kantate, BWV 82 “Ich habe genug”: III. Aria (Bass) “Schlummert ein, ihr matten Augen”
bass vocals:
Dietrich Fischer‐Dieskau
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1983-07)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach9:18
19Kantate, BWV 82 “Ich habe genug”: IV. Recitativo (Bass) “Mein Gott! wenn kömmt das schöne: Nun!”
bass vocals:
Dietrich Fischer‐Dieskau
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1983-07)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:54
20Kantate, BWV 82 “Ich habe genug”: V. Aria (Bass) “Ich freue mich auf meinen Tod”
bass vocals:
Dietrich Fischer‐Dieskau
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-07)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1983-07)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:54