French Touch

~ Release by Debussy (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistLength
1Arabesques, L. 74: N° 1 : Andante con moto
producer:
Christopher Pope
piano:
Jean‐Yves Thibaudet (from 1994-10-15 until 1994-10-18)
recorded at:
Saint George’s, Bristol in Bristol, England, United Kingdom (from 1994-10-15 until 1994-10-18)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (from 1994-10-15 until 1994-10-18)
composer:
Claude Debussy (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy3:41
2Arabesques, L. 74: N° 2 : Allegretto scherzando
producer:
Christopher Pope
piano:
Jean‐Yves Thibaudet (from 1994-10-15 until 1994-10-18)
recorded at:
Saint George’s, Bristol in Bristol, England, United Kingdom (from 1994-10-15 until 1994-10-18)
recording of:
Deux arabesques, L. 66, CD 74 : No. 2. Allegretto scherzando (for piano) (from 1994-10-15 until 1994-10-18)
composer:
Claude Debussy (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy2:54
3Petite Suite, L. 71: I. En bateau
recording engineer:
Thijs Hoekstra
producer:
Hermine Sterringa and Stan Taal
editor:
Carl Schuurbiers
piano:
Katia Labèque (in 1996-11) and Marielle Labèque (in 1996-11)
piano four hands:
Katia & Marielle Labèque (in 1996-11)
balance engineer:
Stan Taal
recorded at:
Galaxy Studios in Mol, Antwerpen, Flanders, Belgium (in 1996-11)
recording of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands) (in 1996-11)
composer:
Claude Debussy (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:52
4Petite Suite, L. 71: II. Cortège
recording engineer:
Thijs Hoekstra
producer:
Hermine Sterringa and Stan Taal
editor:
Carl Schuurbiers
piano:
Katia Labèque (in 1996-11) and Marielle Labèque (in 1996-11)
piano four hands:
Katia & Marielle Labèque (in 1996-11)
balance engineer:
Stan Taal
recorded at:
Galaxy Studios in Mol, Antwerpen, Flanders, Belgium (in 1996-11)
recording of:
Petite Suite, L. 65, CD 71a : II. Cortège (for piano 4-hands) (in 1996-11)
composer:
Claude Debussy (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:33
5Petite Suite, L. 71: III. Menuet
recording engineer:
Thijs Hoekstra
producer:
Hermine Sterringa and Stan Taal
editor:
Carl Schuurbiers
piano:
Katia Labèque (in 1996-11) and Marielle Labèque (in 1996-11)
piano four hands:
Katia & Marielle Labèque (in 1996-11)
balance engineer:
Stan Taal
recorded at:
Galaxy Studios in Mol, Antwerpen, Flanders, Belgium (in 1996-11)
recording of:
Petite Suite, L. 65, CD 71a : III. Menuet (for piano 4-hands) (in 1996-11)
composer:
Claude Debussy (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:35
6Petite Suite, L. 71: IV. Ballet
recording engineer:
Thijs Hoekstra
producer:
Hermine Sterringa and Stan Taal
editor:
Carl Schuurbiers
piano:
Katia Labèque (in 1996-11) and Marielle Labèque (in 1996-11)
piano four hands:
Katia & Marielle Labèque (in 1996-11)
balance engineer:
Stan Taal
recorded at:
Galaxy Studios in Mol, Antwerpen, Flanders, Belgium (in 1996-11)
recording of:
Petite Suite, L. 65, CD 71a : IV. Ballet (for piano 4-hands) (in 1996-11)
composer:
Claude Debussy (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:40
7Marche écossaise sur un thème populaire, L. 83b
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris
conductor:
Manuel Rosenthal
recording of:
Marche écossaise sur un thème populaire, L. 77, CD 83b (for orchestra)
composer:
Claude Debussy (from 1893 until 1908)
premiered at:
[concert]
publisher:
Editions Jobert (in 1911)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (number: L. 77) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 83b)
orchestration of:
Marche écossaise sur un thème populaire, L. 77, CD 83a (for piano 4-hands)
Claude Debussy9:47
8Suite bergamasque, L. 82 : III. Clair de lune
piano:
Jean‐Yves Thibaudet
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (from 1890 until 1905)
part of:
Classic 100: Piano (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:46
9Prélude à l’après-midi d’un faune, L. 87a
orchestra:
Royal Concertgebouw Orchestra (in 1959-06)
conductor:
Jean Fournet (in 1959-06)
recorded at:
Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1959-06)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1959-06)
composer:
Claude Debussy (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur
premiered at:
[concert]
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 87)
Claude Debussy10:10
10Quatuor à cordes en sol mineur, op. 10, L. 91: III. Andantino, doucement expressif
string quartet:
Loewenguth Quartet
recording of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 : III. Andantino, doucement expressif
composer:
Claude Debussy (from 1892 until 1893)
part of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 (String Quartet in G minor, Op. 10, L. 85, CD 91)
Claude Debussy7:56
11Pelléas et Mélisande, L. 93: Acte 2, scène 3 : «Oui, c’est ici, nous y sommes» (Pelléas, Mélisande)
baritone vocals [Pelléas]:
Camille Maurane
soprano vocals [Mélisande]:
Janine Micheau
orchestra:
Orchestre des Concerts Lamoureux
conductor:
Jean Fournet
recording of:
Pelléas & Mélisande: Acte II, Scène III. “Oui, cʼest ici, nous y sommes” (Pelléas, Mélisande)
writer:
Claude Debussy (from 1893 until 1902)
librettist:
Maurice Maeterlinck
part of:
Pelléas et Mélisande: Acte II, Scène 3: Devant une grotte
Claude Debussy4:33
12Pour le piano, L. 95: I. Prélude
producer:
Christopher Pope
piano:
Jean‐Yves Thibaudet (from 1995-08-09 until 1995-08-12)
recorded at:
Saint George’s, Bristol in Bristol, England, United Kingdom (from 1995-08-09 until 1995-08-12)
recording of:
Pour le piano, L. 95, CD 95: I. Prélude. À Mademoiselle M.W. de Romilly. Assez animé et très rythmé - Tempo di cadenza - Tempo I (from 1995-08-09 until 1995-08-12)
composer:
Claude Debussy (from 1894 until 1901)
dedicated to:
Mademoiselle Worms de Romilly
part of:
Pour le piano, L. 95, CD 95
Claude Debussy3:53
13Pour le piano, L. 95: II. Sarabande
producer:
Christopher Pope
piano:
Jean‐Yves Thibaudet (from 1995-08-09 until 1995-08-12)
recorded at:
Saint George’s, Bristol in Bristol, England, United Kingdom (from 1995-08-09 until 1995-08-12)
recording of:
Pour le piano, L. 95, CD 95: II. Sarabande. À Madame E. Rouart (née Y. Lerolle). Avec une élégance grave et lente (from 1995-08-09 until 1995-08-12)
composer:
Claude Debussy (from 1894 until 1901)
dedicated to:
Yvonne Lerolle
is based on:
Images oubliées, L. 87, CD 94 : II. Dans le mouvement d’une ‘Sarabande’, c’est-à-dire avec une élégance grâve et lente, même un peu vieux portrait, souvenir du Louvre, etc. (for piano)
part of:
Pour le piano, L. 95, CD 95
Claude Debussy6:34
14Pour le piano, L. 95: III. Toccata
producer:
Christopher Pope
piano:
Jean‐Yves Thibaudet (from 1995-08-09 until 1995-08-12)
recorded at:
Saint George’s, Bristol in Bristol, England, United Kingdom (from 1995-08-09 until 1995-08-12)
recording of:
Pour le piano, L. 95, CD 95: III. Toccata. À N.G. Coronio. Vif (from 1995-08-09 until 1995-08-12)
composer:
Claude Debussy (from 1894 until 1901)
dedicated to:
Nicolas G. Coronio
part of:
Pour le piano, L. 95, CD 95
Claude Debussy3:44
15Chansons de Bilitis, L. 97: I.La Flûte de Pan
engineer:
Michael Mailes (in 1967-05)
producer:
James Mallinson
piano:
John Wustman (in 1967-05)
soprano vocals:
Régine Crespin (in 1967-05)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1967-05)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (in 1967-05)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:52
16Chansons de Bilitis, L. 97: II. La Chevelure
engineer:
Michael Mailes (in 1967-05)
producer:
James Mallinson
piano:
John Wustman (in 1967-05)
soprano vocals:
Régine Crespin (in 1967-05)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1967-05)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (in 1967-05)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy4:01
17Chansons de Bilitis, L. 97: III. Le Tombeau des naïades
engineer:
Michael Mailes (in 1967-05)
producer:
James Mallinson
piano:
John Wustman (in 1967-05)
soprano vocals:
Régine Crespin (in 1967-05)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1967-05)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (in 1967-05)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:47
2▼CD
#TitleArtistLength
1Nocturnes, L. 98a: I. Nuages (Modéré – Un peu animé)
producer:
Karl-August Naegler
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (in 1993-03)
composer:
Claude Debussy (from 1897-12 until 1899-12)
premiered at:
[concert]
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:15
2Nocturnes, L. 98a: II. Fêtes (Animé et très rythmé – Modéré mais toujours très rythmé)
producer:
Karl-August Naegler
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (in 1993-03)
composer:
Claude Debussy (from 1897-12 until 1899-12)
premiered at:
[concert]
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:31
3Nocturnes, L. 98a: III. Sirènes (Modérément animé)
producer:
Karl-August Naegler
choir vocals:
Ladies of the Cleveland Orchestra Chorus (in 1993-03)
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (in 1993-03)
chorus master:
Gareth Morrell (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : III. Sirènes (in 1993-03)
composer:
Claude Debussy (from 1897-12 until 1899-12)
premiered at:
[concert]
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy9:40
4Estampes, L. 108: I. Pagodes
piano:
Pascal Rogé (in 1977)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1978)
recording of:
Estampes, L. 100: I. Pagodes. Modérément animé (for piano) (in 1977)
composer:
Claude Debussy (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy5:07
5Estampes, L. 108: II. La Soirée dans Grenade
piano:
Pascal Rogé (in 1977)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1978)
recording of:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera (in 1977)
composer:
Claude Debussy (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy5:50
6Estampes, L. 108: III. Jardins sous la pluie
piano:
Pascal Rogé (in 1977)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1978)
recording of:
Estampes, L. 100: III. Jardins sous la pluie. Net et vif (for piano) (in 1977)
composer:
Claude Debussy (in 1903-07)
is based on:
Images oubliées, L. 87, CD 94 : III. Quelques aspects de ‘Nous n’irons plus au bois’ parce qu’il fait un temps insupportable (for piano)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy3:21
7L’Isle joyeuse, L. 109
engineer:
Nicolas Bartholomée
producer:
André Poulain
piano:
Philippe Cassard (from 1991-05-19 until 1991-05-21)
recorded at:
Abbaye Royale de Fontevraud in Fontevraud-l'Abbaye, Maine-et-Loire, Pays-de-la-Loire, France (from 1991-05-19 until 1991-05-21)
recording of:
L’Isle joyeuse, L. 106, CD 109 (for piano) (from 1991-05-19 until 1991-05-21)
composer:
Claude Debussy (from 1903 until 1904-08)
premiered at:
[concert]
part of:
Catalogue François Lesure des œuvres de Claude Debussy (number: L. 106) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 109)
Claude Debussy6:07
8La Mer, L. 111a: I. De l’aube à midi sur la mer (Très lent)
producer:
Karl-August Naegler
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (in 1993-03)
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:45
9La Mer, L. 111a: II. Jeux de vagues (Allegro, dans un rythme très souple)
producer:
Karl-August Naegler
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (in 1993-03)
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:05
10La Mer, L. 111a: III. Dialogue du vent et de la mer (animé et tumultueux)
producer:
Karl-August Naegler
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (in 1993-03)
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:41
11Deux Danses, L. 113: I. Danse sacrée
harp:
Suzanne Cotelle
orchestra:
Orchestre des Concerts Lamoureux
conductor:
Igor Markevitch
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse sacrée
composer:
Claude Debussy (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Claude Debussy5:06
12Deux Danses, L. 113: II. Danse profane
harp:
Suzanne Cotelle
orchestra:
Orchestre des Concerts Lamoureux
conductor:
Igor Markevitch
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse profane
composer:
Claude Debussy (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Claude Debussy4:39
3▼CD
#TitleArtistLength
1Fêtes galantes (Deuxième recueil), L. 114: I. Les Ingénus
executive producer:
Prof. Elsa Schiller
producer:
Wolfgang Lohse
editor:
Walther Sommer
piano:
Dalton Baldwin (in 1961-05)
baritone vocals:
Gérard Souzay (in 1961-05)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1962)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1961-05)
recording of:
Fêtes galantes II, L. 104: I. Les Ingénus (in 1961-05)
lyricist:
Paul Verlaine
composer:
Claude Debussy (in 1904)
part of:
Fêtes galantes (Deuxième recueil), L. 104, CD 114
Claude Debussy2:08
2Fêtes galantes (Deuxième recueil), L. 114: II. Le Faune
executive producer:
Prof. Elsa Schiller
producer:
Wolfgang Lohse
editor:
Walther Sommer
piano:
Dalton Baldwin (in 1961-05)
baritone vocals:
Gérard Souzay (in 1961-05)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1962)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1961-05)
recording of:
Fêtes galantes II, L. 104: II. Le Faune (in 1961-05)
lyricist:
Paul Verlaine
composer:
Claude Debussy (in 1904)
part of:
Fêtes galantes (Deuxième recueil), L. 104, CD 114
Claude Debussy1:43
3Fêtes galantes (Deuxième recueil), L. 114: III. Colloque sentimental
executive producer:
Prof. Elsa Schiller
producer:
Wolfgang Lohse
editor:
Walther Sommer
piano:
Dalton Baldwin (in 1961-05)
baritone vocals:
Gérard Souzay (in 1961-05)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1962)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1961-05)
recording of:
Fêtes galantes II, L. 104: III. Colloque sentimental (in 1961-05)
lyricist:
Paul Verlaine
composer:
Claude Debussy (in 1904)
part of:
Fêtes galantes (Deuxième recueil), L. 104, CD 114
Claude Debussy4:17
4Images pour orchestre: II. Iberia, L. 118a: I. Par les rues et par les chemins (Assez animé)
producer:
Vittorio Negri
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (from 1963-05-18 until 1963-05-21)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy7:13
5Images pour orchestre: II. Iberia, L. 118a: II. Les Parfums de la nuit (Lent et rêveur)
producer:
Vittorio Negri
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (from 1963-05-18 until 1963-05-21)
recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy8:06
6Images pour orchestre: II. Iberia, L. 118a: III. Le Matin d’un jour de fête (Dans un rythme de marche lointaine, alerte et joyeuse)
producer:
Vittorio Negri
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (from 1963-05-18 until 1963-05-21)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy4:49
7Children’s Corner, L. 119: I. Docteur Gradus ad Parnassum
piano:
Jacques Février
recording of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:14
8Children’s Corner, L. 119: II. Jimbo’s Lullaby (Berceuse des éléphants)
piano:
Jacques Février
recording of:
Children’s Corner, L. 113: II. Jimbo’s Lullaby (original piano version)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:47
9Children’s Corner, L. 119: III. Serenade for the Doll (Sérénade à la poupée)
piano:
Jacques Février
recording of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:48
10Children’s Corner, L. 119: IV. The snow is dancing (La Neige danse)
piano:
Jacques Février
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:58
11Children’s Corner, L. 119: V. The little Shepherd (Le Petit berger)
piano:
Jacques Février
recording of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:27
12Children’s Corner, L. 119: VI. Golliwogg’s cake walk
piano:
Jacques Février
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:57
13Préludes, Premier livre, L. 125: VIII. La Fille aux cheveux de lin
producer:
Otto Ernst Wohlert
piano:
Monique Haas (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:46
14Préludes, Premier livre, L. 125: IX. La Sérénade interrompue
producer:
Otto Ernst Wohlert
piano:
Monique Haas (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: IX. La sérénade interrompue. Modérément animé (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:29
15Préludes, Premier livre, L. 125: X. La Cathédrale engloutie
producer:
Sid McLauchlan
piano:
Hélène Grimaud (in 2014-12)
recorded at:
Park Avenue Armory in New York, New York, United States (in 2014-12)
live recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 2014-12)
composer:
Claude Debussy (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy6:03
16Préludes, Deuxième livre, L. 131: I. Brouillards
solo piano:
Pierre‐Laurent Aimard (in 2012-05)
recorded at:
Salle de Musique in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: I. Brouillards. Modéré (Préludes, Book II: 1. Brouillards) (in 2012-05)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:29
17Préludes, Deuxième livre, L. 131: II. Feuilles mortes
solo piano:
Pierre‐Laurent Aimard (in 2012-05)
recorded at:
Salle de Musique in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: II. Feuilles mortes. Lent et mélancolique (Préludes, Book II: 2. Feuilles mortes) (in 2012-05)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:31
18Préludes, Deuxième livre, L. 131: XII. Feux d’artifice
solo piano:
Pierre‐Laurent Aimard (in 2012-05)
recorded at:
Salle de Musique in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 2012-05)
recording of:
Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (in 2012-05)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:33
19Sonate en ré mineur, L. 144: I. Prologue (Lent)
cello:
Maurice Gendron (in 1964-11)
piano:
Jean Françaix (in 1964-11)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: I. Prologue (Sonata for Cello and Piano: I. Prologue) (in 1964-11)
composer:
Claude Debussy (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy5:00
20Sonate en ré mineur, L. 144: II. Sérénade (Modérément animé)
cello:
Maurice Gendron (in 1964-11)
piano:
Jean Françaix (in 1964-11)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: II. Sérénade (Sonata for Cello and Piano: II. Serenade) (in 1964-11)
composer:
Claude Debussy (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy3:51
21Sonate en ré mineur, L. 144: III. Finale (Allegro moderato ma risoluto)
cello:
Maurice Gendron (in 1964-11)
piano:
Jean Françaix (in 1964-11)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: III. Finale (Sonata for Cello and Piano: III. Finale) (in 1964-11)
composer:
Claude Debussy (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy3:00

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ASIN:FR: B077MYF48Z [info]