The Ultimate Collection

~ Release by Julie London (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleLength
1Sophisticated Lady
producer:
Si Waronker
vocals:
Julie London
recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc., Famous Music Corporation (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:34
2Cry Me a River2:49
3Boy on a Dolphin2:10
4’Round Midnight2:53
5Love for Sale
recording of:
Love for Sale
lyricist and composer:
Cole Porter (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
2:38
6You’d Be So Nice to Come Home To
engineer:
John Kraus
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
trumpet:
Bob Flanigan (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
orchestra:
The Jimmy Rowles Orchestra (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
You’d Be So Nice to Come Home To (on 1960-03-04)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:14
7Blue Moon2:30
8Days of Wine and Roses2:52
9My Heart Belongs to Daddy
producer:
Richard Bock
double bass:
Monty Budwig (on 1965-07-12)
drums (drum set) and membranophone:
Colin Bailey (on 1965-07-12)
guitar:
Joe Pass (on 1965-07-12)
instruments:
The Bud Shank Quintet (on 1965-07-12)
piano:
Russ Freeman (on 1965-07-12)
woodwind:
Bud Shank (on 1965-07-12)
vocals:
Julie London (on 1965-07-12)
arranger:
Russ Freeman
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (on 1965-07-12)
lyricist and composer:
Cole Porter (in 1938)
publisher:
Chappell, Chappell & Co. and Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (in 1938)
publisher:
Chappell, Chappell & Co. and Chappell Music Ltd.
2:40
10When I Fall in Love3:21
11Two Sleepy People
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London (from 1959-08 until 1959-09)
conductor:
André Previn (from 1959-08 until 1959-09)
arranger:
André Previn
cover recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (from 1959-08 until 1959-09)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation, Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC
3:14
12The More I See You3:01
13’S Wonderful
engineer:
John Kraus (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
’S Wonderful (in 1955-08)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
1:33
14One for My Baby (and One More for the Road)
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn
arranger:
André Previn
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
4:08
15Moments Like This
recording of:
Moments Like This (from "College Swing")
lyricist:
Frank Loesser
composer:
Burton Lane
publisher:
Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC
2:40
2CD
#TitleLength
1Fly Me to the Moon (In Other Words)2:34
2I Love You
engineer:
John Kraus (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
I Love You (Mexican Hayride musical) (in 1955-08)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
1:51
3Let There Be Love2:02
4Mad About the Boy
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Pete King and His Orchestra
cover recording of:
Mad About the Boy
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
2:11
5Sentimental Journey2:25
6There Will Never Be Another You
engineer:
Chuck Britz and Joe Sidore
producer:
Calvin Carter
vocals:
Julie London
arranger:
Don Bagley
recording of:
There Will Never Be Another You
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:14
7Vaya con Dios2:40
8Our Day Will Come2:20
9In the Wee Small Hours of the Morning
engineer:
John Kraus
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (in 1960-08)
arranger:
Dick Reynolds
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
In the Wee Small Hours of the Morning (in 1960-08)
lyricist:
Bob Hilliard
composer:
David Mann
publisher:
Better Half Music Company, Bourne Co., Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
2:48
10I’m in the Mood for Love
engineer:
John Kraus (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood (in 1955-08)
guitar:
Barney Kessel (in 1955-08)
vocals:
Julie London (in 1955-08)
recording of:
I’m in the Mood for Love (in 1955-08)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (in 1935, in 1963) and EMI Music Publishing Ltd. (in 2016)
2:28
11Goodbye2:22
12Easy Street
engineer:
John Kraus (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
cover recording of:
Easy Street (in 1955-08)
lyricist and composer:
Alan Rankin Jones
publisher:
EMI Music Publishing Ltd., Johnstone-Montei Music and Robert Mellin Ltd.
3:14
13Every Time We Say Goodbye4:24
14Give a Little Whistle
engineer:
Chuck Britz and Joe Sidore
producer:
Calvin Carter
vocals:
Julie London
arranger:
Don Bagley
3:05
15Black Coffee
engineer:
John Kraus
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (in 1960-08)
arranger:
Dick Reynolds
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
Black Coffee (1948 song) (in 1960-08)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (in 1948)
publisher:
BMG Music Publishing, Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
2:58
3CD
#TitleLength
1Call Me Irresponsible2:50
2Diamonds Are a Girl’s Best Friend
producer:
Felix Slatkin
vocals:
Julie London
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
lyricist:
Leo Robin
composer:
Leo Robin and Jule Styne
publisher:
Dorsey Bros Music Ltd. and Music Sales Corporation
sub-publisher:
ミュージック・セールス
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
2:02
3Hot Toddy
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Hot Toddy (in 1958-07)
writer:
Ralph Flanagan and Herb Hendler
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. and Valley Entertainment Enterprises
1:52
4I’ve Got a Crush on You
engineer:
Chuck Britz and Joe Sidore
producer:
Calvin Carter
vocals:
Julie London
arranger:
Don Bagley
recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
2:14
5Baby, Won’t You Please Come Home2:12
6Bewitched2:54
7I Left My Heart in San Francisco2:49
8I Should Care3:19
9Love Letters2:53
10Love Must Be Catchin’
2:09
11It Could Happen to You3:13
12Memphis in June
producer:
Bobby Troup
vocals:
Julie London
conductor:
Pete King
arranger:
Pete King
recording of:
Memphis in June (in 1956)
lyricist:
Paul Francis Webster (in 1945)
composer:
Hoagy Carmichael (in 1945)
publisher:
Almo Music Corp. (in 1945), Universal Music Publishing International Ltd. (in 1945) and Webster Music Co. (in 1945)
2:00
13If I’m Lucky2:19
14I Got It Bad (and That Ain’t Good)
recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:59
15You Made Me Love You2:16