Mass in B minor

~ Release by J. S. Bach; Danco, Ferrier, Pears, Boyce, BBC Chorus, Boyd Neel Orchestra, George Enescu (see all versions of this release, 1 available)

Annotation

Missing Artist

This recording has other reissues. However, the BBC one does not enlist Norman Walker as bass singer.

More info: https://bach-cantatas.com/Vocal/BWV232-Enescu.htm
https://www.allmusic.com/album/js-bach-mass-in-b-minor-mw0001849284

Tracklist

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1▼CD
#TitleArtistLength
1Mass in B minor, BWV 232: I. Missa: Kyrie eleison
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach10:59
2Mass in B minor, BWV 232: I. Missa: Christe eleison
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
contralto vocals:
Kathleen Ferrier (on 1951-07-17)
soprano vocals:
Suzanne Danco (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:46
3Mass in B minor, BWV 232: I. Missa: Kyrie eleison
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
4Mass in B minor, BWV 232: I. Missa: Gloria in excelsis Deo
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:15
5Mass in B minor, BWV 232: I. Missa: Et in terra pax
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:17
6Mass in B minor, BWV 232: I. Missa: Laudamus te
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
contralto vocals:
Kathleen Ferrier (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:50
7Mass in B minor, BWV 232: I. Missa: Gratias agimus tibi
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:44
8Mass in B minor, BWV 232: I. Missa: Domine Deus
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
soprano vocals:
Suzanne Danco (on 1951-07-17)
tenor vocals:
Peter Pears (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:40
9Mass in B minor, BWV 232: I. Missa: Qui tollis peccata mundi
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:39
10Mass in B minor, BWV 232: I. Missa: Qui sedes ad dextram Patris
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
contralto vocals:
Kathleen Ferrier (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:59
11Mass in B minor, BWV 232: I. Missa: Quoniam tu solus Sanctus
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
bass vocals:
Bruce Boyce (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:21
12Mass in B minor, BWV 232: I. Missa: Cum Sancto Spiritu
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:02
2▼CD
#TitleArtistLength
1Mass in B minor, BWV 232: II. Symbolum Nicenum: Credo in unum Deum
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:50
2Mass in B minor, BWV 232: II. Symbolum Nicenum: Patrem omnipotentem
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:37
3Mass in B minor, BWV 232: II. Symbolum Nicenum: Et in unum Dominum
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
contralto vocals:
Kathleen Ferrier (on 1951-07-17)
soprano vocals:
Suzanne Danco (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:24
4Mass in B minor, BWV 232: II. Symbolum Nicenum: Et incarnatus est
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:42
5Mass in B minor, BWV 232: II. Symbolum Nicenum: Crucifixus
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:36
6Mass in B minor, BWV 232: II. Symbolum Nicenum: Et resurrexit
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:59
7Mass in B minor, BWV 232: II. Symbolum Nicenum: Et in Spiritum Sanctum Dominum
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
bass vocals:
Bruce Boyce (on 1951-07-17)
contralto vocals:
Kathleen Ferrier (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:56
8Mass in B minor, BWV 232: II. Symbolum Nicenum: Confiteor
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:59
9Mass in B minor, BWV 232: II. Symbolum Nicenum: Et expecto
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:04
10Mass in B minor, BWV 232: III. Sanctus: Sanctus
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:57
11Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: Osanna in excelsis
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:21
12Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: Benedictus
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
tenor vocals:
Peter Pears (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:43
13Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: Agnus Dei
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
contralto vocals:
Kathleen Ferrier (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:54
14Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: Dona nobis pacem
harpsichord:
George Malcolm (on 1951-07-17)
horn:
Douglas Moore (on 1951-07-17)
organ:
Charles Spinks (on 1951-07-17)
choir vocals:
BBC Chorus (on 1951-07-17)
orchestra:
The Boyd Neel Orchestra (on 1951-07-17)
conductor:
George Enescu (on 1951-07-17)
chorus master:
Leslie Woodgate (on 1951-07-17)
recorded at:
Broadcasting House: Concert Hall in London, England, United Kingdom (on 1951-07-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (on 1951-07-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach8:16

Credits

Release

remastering:Marcus Herzog
Christoph Ruda
part of:BBC Legends (number: 4008) (order: 8)
Discogs:https://www.discogs.com/release/4940271 [info]