The Skeleton Key

~ Release by Edward Shearmur (see all versions of this release, 4 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Death Letter performer: Johnny Farmer and Organized Noize recording of: Death Letter lyricist and composer: Johnny Farmer	Johnny Farmer & Organized Noize	3:40
2	Opening Titles recording engineer and mixer: Chris Fogel producer: Edward Shearmur editor: Daryl Kell bass: Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney bassoon: Rose Corrigan, David Riddles and Allen Savedoff cello: Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman, Sebastian Toettcher, Cécilia Tsan and John Walz clarinet: Gary Bovyer, Donald Foster, James Kanter, Phillip O’Connor and Steve L. Roberts flute: Geri Rotella and Steve Kujala guitar: George Doering and Lyle Workman horn: Brian O'Connor, Jim Thatcher, Rick Todd and Phil Yao percussion: Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher shofar: David Zasloff trombone: Bill Booth, Alan Kaplan and Phil Teele valve trombone: Bill Reichenbach, Jr. viola: Brian Dembow, Evan Wilson, Matt Funes, Keith Greene, Shawn Mann, Darrin McCann and Shanti Randall violin: Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola, Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat, Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy, Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins, Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie orchestra: Hollywood Studio Symphony conductor: Edward Shearmur arranger: Alan Lomax phonographic copyright (℗) by: Varèse Sarabande Records, Inc. mixed at: Hyperion Sound in Los Angeles, California, United States recording of: Opening Titles (The Skeleton Key) orchestrator: Bob Elhai composer: Edward Shearmur	Edward Shearmur	3:00
3	Come On In My Kitchen recording engineer: Vincent Liebler executive producer: Art Satherly producer: Don Law guitar: Robert Johnson (on 1936-11-23) vocals: Robert Johnson (on 1936-11-23) phonographic copyright (℗) by: Soul Jam Records (in 2015) recorded at: Gunter Hotel in San Antonio, Texas, United States (on 1936-11-23) part of: Blues Hall of Fame: Classic of Blues Recording Single (number: 1989) recording of: Come On In My Kitchen (on 1936-11-23) lyricist and composer: Robert Johnson publisher: Copyright Control, King of Spades Music, Paul Rodriguez Music Ltd. and Standing Ovation Music	Robert Johnson	2:49
4	Barefoot Dancing recording of: Barefoot Dancing lyricist and composer: BlackBud	BlackBud	3:42
5	Ben Escapes recording engineer and mixer: Chris Fogel producer: Edward Shearmur editor: Daryl Kell bass: Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney bassoon: Rose Corrigan, David Riddles and Allen Savedoff cello: Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman, Sebastian Toettcher, Cécilia Tsan and John Walz clarinet: Gary Bovyer, Donald Foster, James Kanter, Phillip O’Connor and Steve L. Roberts flute: Geri Rotella and Steve Kujala guitar: George Doering horn: Brian O'Connor, Jim Thatcher, Rick Todd and Phil Yao percussion: Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher shofar: David Zasloff valve trombone: Bill Booth, Alan Kaplan, Bill Reichenbach, Jr. and Phil Teele viola: Brian Dembow, Evan Wilson, Matt Funes, Keith Greene, Shawn Mann, Darrin McCann and Shanti Randall violin: Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola, Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat, Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy, Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins, Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie orchestra: Hollywood Studio Symphony conductor: Edward Shearmur arranger: Alan Lomax phonographic copyright (℗) by: Varèse Sarabande Records, Inc. mixed at: Hyperion Sound in Los Angeles, California, United States recording of: Ben Escapes orchestrator: Bob Elhai composer: Edward Shearmur	Edward Shearmur	3:12
6	Do Watcha Wanna recording of: Do Watcha Wanna lyricist and composer: Keith Frazier and Kermit Ruffins	Rebirth Brass Band	3:25
7	61 Highway Blues performer: Mississippi Fred McDowell arranger: Alan Lomax and Mississippi Fred McDowell	Mississippi Fred McDowell	3:11
8	Violet’s Story recording engineer and mixer: Chris Fogel producer: Edward Shearmur editor: Daryl Kell bass: Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney bassoon: Rose Corrigan, David Riddles and Allen Savedoff cello: Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman, Sebastian Toettcher, Cécilia Tsan and John Walz clarinet: Gary Bovyer, Donald Foster, James Kanter, Phillip O’Connor and Steve L. Roberts flute: Geri Rotella and Steve Kujala guitar: George Doering and Lyle Workman horn: Brian O'Connor, Jim Thatcher, Rick Todd and Phil Yao percussion: Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher shofar: David Zasloff valve trombone: Bill Booth, Alan Kaplan, Bill Reichenbach, Jr. and Phil Teele viola: Brian Dembow, Evan Wilson, Matt Funes, Keith Greene, Shawn Mann, Darrin McCann and Shanti Randall violin: Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola, Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat, Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy, Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins, Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie orchestra: Hollywood Studio Symphony conductor: Edward Shearmur arranger: Alan Lomax phonographic copyright (℗) by: Varèse Sarabande Records, Inc. mixed at: Hyperion Sound in Los Angeles, California, United States recording of: Violet's Story orchestrator: Bob Elhai composer: Edward Shearmur	Edward Shearmur	2:29
9	Hoodoo Woman recording engineer and mixer: Chris Fogel producer: Edward Shearmur editor: Daryl Kell bass: Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney bassoon: Rose Corrigan, David Riddles and Allen Savedoff cello: Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman, Sebastian Toettcher, Cécilia Tsan and John Walz clarinet: Gary Bovyer, Donald Foster, James Kanter, Phillip O’Connor and Steve L. Roberts flute: Geri Rotella and Steve Kujala guitar: George Doering and Lyle Workman horn: Brian O'Connor, Jim Thatcher, Rick Todd and Phil Yao percussion: Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher shofar: David Zasloff valve trombone: Bill Booth, Alan Kaplan, Bill Reichenbach, Jr. and Phil Teele viola: Brian Dembow, Evan Wilson, Matt Funes, Keith Greene, Shawn Mann, Darrin McCann and Shanti Randall violin: Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola, Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat, Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy, Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins, Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie orchestra: Hollywood Studio Symphony conductor: Edward Shearmur arranger: Alan Lomax phonographic copyright (℗) by: Varèse Sarabande Records, Inc. mixed at: Hyperion Sound in Los Angeles, California, United States recording of: Hoodoo Woman orchestrator: Bob Elhai composer: Edward Shearmur	Edward Shearmur	2:45
10	God Moves on the Water recorded in: New Orleans, Louisiana, United States (on 1929-12-11) guitar: Blind Willie Johnson (on 1929-12-11) vocals: Blind Willie Johnson (on 1929-12-11) recording of: God Moves on the Water (on 1929-12-11) lyricist and composer: Blind Willie Johnson	Blind Willie Johnson	2:59
11	The Goldrush recording of: The Goldrush lyricist and composer: Joe Washbourn	Joe Washbourn	4:19
12	Saving Ben recording engineer and mixer: Chris Fogel producer: Edward Shearmur editor: Daryl Kell bass: Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney bassoon: Rose Corrigan, David Riddles and Allen Savedoff cello: Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman, Sebastian Toettcher, Cécilia Tsan and John Walz clarinet: Gary Bovyer, Donald Foster, Phillip O’Connor and Steve L. Roberts flute: Geri Rotella and Steve Kujala guitar: George Doering and Lyle Workman horn: Brian O'Connor, Jim Thatcher, Rick Todd and Phil Yao percussion: Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher shofar: David Zasloff trombone: Bill Booth, Alan Kaplan, Bill Reichenbach, Jr. and Phil Teele viola: Brian Dembow, Evan Wilson, Matt Funes, Keith Greene, Shawn Mann, Darrin McCann and Shanti Randall violin: Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola, Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat, Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy, Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins, Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie orchestra: Hollywood Studio Symphony conductor: Edward Shearmur arranger: Alan Lomax phonographic copyright (℗) by: Varèse Sarabande Records, Inc. mixed at: Hyperion Sound in Los Angeles, California, United States recording of: Saving Ben orchestrator: Bob Elhai composer: Edward Shearmur	Edward Shearmur	4:41
13	Iko Iko cover recording of: Iko Iko lyricist: James Crawford, Jr., Barbara Anne Hawkins, Rosa Lee Hawkins and Joan Marie Johnson composer: James Crawford, Jr., Barbara Anne Hawkins and Rosa Lee Hawkins publisher: Arc Music Corp., EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. and フジパシフィックミュージック BMG事業部 revision of: Jockomo	The Dixie Cups	2:04
14	The Conjure Room recording engineer and mixer: Chris Fogel producer: Edward Shearmur editor: Daryl Kell bass: Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney bassoon: Rose Corrigan, David Riddles and Allen Savedoff cello: Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman, Sebastian Toettcher, Cécilia Tsan and John Walz clarinet: Gary Bovyer, Donald Foster, James Kanter, Phillip O’Connor and Steve L. Roberts flute: Geri Rotella and Steve Kujala guitar: George Doering and Lyle Workman horn: Brian O'Connor, Jim Thatcher, Rick Todd and Phil Yao percussion: Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher shofar: David Zasloff valve trombone: Bill Booth, Alan Kaplan, Bill Reichenbach, Jr. and Phil Teele viola: Brian Dembow, Evan Wilson, Matt Funes, Keith Greene, Shawn Mann, Darrin McCann and Shanti Randall violin: Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola, Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat, Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy, Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins, Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie orchestra: Hollywood Studio Symphony conductor: Edward Shearmur arranger: Alan Lomax phonographic copyright (℗) by: Varèse Sarabande Records, Inc. mixed at: Hyperion Sound in Los Angeles, California, United States recording of: The Conjure Room orchestrator: Bob Elhai composer: Edward Shearmur	Edward Shearmur	5:54
15	Conjure of Sacrifice recording engineer and mixer: Chris Fogel producer: Edward Shearmur editor: Daryl Kell bass: Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney bassoon: Rose Corrigan, David Riddles and Allen Savedoff cello: Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman, Sebastian Toettcher, Cécilia Tsan and John Walz clarinet: Gary Bovyer, Donald Foster, James Kanter, Phillip O’Connor and Steve L. Roberts flute: Geri Rotella and Steve Kujala guitar: George Doering and Lyle Workman horn: Brian O'Connor, Jim Thatcher, Rick Todd and Phil Yao percussion: Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher shofar: David Zasloff valve trombone: Bill Booth, Alan Kaplan, Bill Reichenbach, Jr. and Phil Teele viola: Brian Dembow, Evan Wilson, Matt Funes, Keith Greene, Shawn Mann, Darrin McCann and Shanti Randall violin: Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola, Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat, Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy, Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins, Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie orchestra: Hollywood Studio Symphony conductor: Edward Shearmur performer: Walter Breaux, Bruce "Sunpie" Barnes, Eluard Burt II, Fawn Lohnee Harris and Alfred Roberts arranger: Alan Lomax phonographic copyright (℗) by: Varèse Sarabande Records, Inc. mixed at: Hyperion Sound in Los Angeles, California, United States recording of: Conjure of Sacrifice orchestrator: Bob Elhai lyricist: Walter Breaux, Bruce "Sunpie" Barnes, Eluard Burt II, Fawn Lohnee Harris, Ehren Kruger and Alfred Roberts composer: Walter Breaux, Bruce "Sunpie" Barnes, Eluard Burt II, Fawn Lohnee Harris, Ehren Kruger, Alfred Roberts and Edward Shearmur	Edward Shearmur	2:41
16	Thank You Child recording engineer and mixer: Chris Fogel producer: Edward Shearmur editor: Daryl Kell bass: Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney bassoon: Rose Corrigan, David Riddles and Allen Savedoff cello: Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman, Sebastian Toettcher, Cécilia Tsan and John Walz clarinet: Gary Bovyer, Donald Foster, James Kanter, Phillip O’Connor and Steve L. Roberts flute: Geri Rotella and Steve Kujala guitar: George Doering and Lyle Workman horn: Brian O'Connor, Jim Thatcher, Rick Todd and Phil Yao percussion: Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher shofar: David Zasloff valve trombone: Bill Booth, Alan Kaplan, Bill Reichenbach, Jr. and Phil Teele viola: Brian Dembow, Evan Wilson, Matt Funes, Keith Greene, Shawn Mann, Darrin McCann and Shanti Randall violin: Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola, Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat, Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy, Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins, Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie orchestra: Hollywood Studio Symphony conductor: Edward Shearmur arranger: Alan Lomax phonographic copyright (℗) by: Varèse Sarabande Records, Inc. mixed at: Hyperion Sound in Los Angeles, California, United States recording of: Thank You Child orchestrator: Bob Elhai lyricist: Philip Frazier and Joan Marie Johnson composer: Philip Frazier, Joan Marie Johnson and Edward Shearmur	Edward Shearmur	2:04

Credits

Release

Discogs:	https://www.discogs.com/release/18748993 [info]

Release group

reviews:	http://scorenotes.com/skeleton.html [info] http://www.filmtracks.com/titles/skeleton_key.html [info] http://www.soundtrack.net/albums/database/?id=3843 [info]

Discogs