Mass in B minor (16-Bit/44.1 kHz lossless)

~ Release by J.S. Bach; John Eliot Gardiner (see all versions of this release, 4 available)

Tracklist

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1▼Digital Media
#	Title	Artist	Length
1	Mass in B minor BWV 232: I. Kyrie: Kyrie eleison recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) countertenor vocals: Ashley Stafford (in 1985-02) mezzo-soprano vocals: Mary Nichols (in 1985-02) soprano vocals: Nancy Argenta (in 1985-02) tenor vocals: Wynford Evans (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	9:29
2	Mass in B minor BWV 232: II. Kyrie: Christe eleison recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky mezzo-soprano vocals: Carol Hall (in 1985-02) soprano vocals: Lynne Dawson (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:52
3	Mass in B minor BWV 232: III. Kyrie: Kyrie eleison recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:33
4	Mass in B minor BWV 232: IV. Gloria: Gloria in excelsis (attacca) recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	1:43
5	Mass in B minor BWV 232: V. Gloria: Et in terra pax recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky bass vocals: Richard Lloyd Morgan (in 1985-02) and Stephen Varcoe (in 1985-02) choir vocals: Monteverdi Choir (in 1985-02) countertenor vocals: Patrick Collin (in 1985-02) and Ashley Stafford (in 1985-02) soprano vocals: Nancy Argenta (in 1985-02), Jane Fairfield (in 1985-02) and Jean Knibbs (in 1985-02) tenor vocals: Andrew Murgatroyd (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:05
6	Mass in B minor BWV 232: VI. Gloria: Laudamus te recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky violin: Elizabeth Wilcock (in 1985-02) soprano vocals: Nancy Argenta (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:53
7	Mass in B minor BWV 232: VII. Gloria: Gratias agimus tibi recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:03
8	Mass in B minor BWV 232: VIII. Gloria: Domine Deus (attacca) recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky flute: Lisa Beznosiuk (in 1985-02) soprano vocals: Nancy Argenta (in 1985-02) tenor vocals: Howard Milner (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:18
9	Mass in B minor BWV 232: IX. Gloria: Qui tollis peccata mundi recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:19
10	Mass in B minor BWV 232: X. Gloria: Qui sedes ad dextram Patris recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky oboe [oboe d'amore]: Sophia McKenna (in 1985-02) countertenor vocals: Michael Chance (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:24
11	Mass in B minor BWV 232: XI. Gloria: Quoniam tu solus sanctus (attacca) recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky horn: Michael Thompson (in 1985-02) bass vocals: Stephen Varcoe (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:24
12	Mass in B minor BWV 232: XII. Gloria: Cum Sancto Spiritu recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky bass vocals: Stephen Varcoe (in 1985-02) choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:48

2▼Digital Media
#	Title	Artist	Length
1	Mass in B minor BWV 232: XIII. Credo: Credo in unum Deum recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	1:55
2	Mass in B minor BWV 232: XIV. Credo: Credo in unum Deum / Patrem omnipotentem recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	1:53
3	Mass in B minor BWV 232: XV. Credo: Et in unum Dominum recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky mezzo-soprano vocals: Mary Nichols (in 1985-02) soprano vocals: Patrizia Kwella (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:11
4	Mass in B minor BWV 232: XVI. Credo: Et incarnatus est recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:26
5	Mass in B minor BWV 232: XVII. Credo: Crucifixus recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky bass vocals: Stephen Varcoe (in 1985-02) choir vocals: Monteverdi Choir (in 1985-02) countertenor vocals: Michael Chance (in 1985-02) mezzo-soprano vocals: Carol Hall (in 1985-02) tenor vocals: Wynford Evans (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:09
6	Mass in B minor BWV 232: XVIII. Credo: Et resurrexit recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:49
7	Mass in B minor BWV 232: XIX. Credo: Et in Spiritum Sanctum recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky oboe [oboe d'amore]: Valerie Darke (in 1985-02) and Sophia McKenna (in 1985-02) bass vocals: Richard Lloyd-Morgan (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:30
8	Mass in B minor BWV 232: XX. Credo: Confiteor (attacca) recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:32
9	Mass in B minor BWV 232: XXI: Credo: Et exspecto resurrectionem recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:34
10	Mass in B minor BWV 232: XXII. Sanctus: Sanctus recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: The English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) and Polydor International GmbH (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:26
11	Mass in B minor BWV 232: XXIII. Sanctus: Osanna in excelsis recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: The English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) and Polydor International GmbH (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:36
12	Mass in B minor BWV 232: XXIV. Sanctus: Benedictus, qui venit recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky flute: Lisa Beznosiuk (in 1985-02) tenor vocals: Wynford Evans (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:48
13	Mass in B minor BWV 232: XXV. Sanctus: Osanna (da capo) recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:36
14	Mass in B minor BWV 232: XXVI. Agnus Dei: Agnus Dei recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky countertenor vocals: Michael Chance (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:47
15	Mass in B minor BWV 232: XXVII. Agnus Dei: Dona nobis pacem recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Dr. Steven Paul editor: Klaus Behrens and Gregor Zielinsky choir vocals: Monteverdi Choir (in 1985-02) orchestra: English Baroque Soloists (in 1985-02) conductor: John Eliot Gardiner (in 1985-02) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor (in 1985) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1985-02) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Dona nobis pacem part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:20

Credits

Release

purchase for download and streaming page:	https://www.qobuz.com/us-en/album/bach-js-mass-in-b-minor-bwv-232-messe-en-si-mineur-the-monteverdi-choir-english-baroque-soloists-john-eliot-gardiner/0002894155142 [info]

Release group

part of:	Norman Lebrecht's 100 Best Recordings of Classical Music (number: 74) (order: 74)

Discogs:	https://www.discogs.com/master/484187 [info]

Qobuz

Discogs