Jazz in Paris: Piano aux Champs-Élysées (3CDs boxset)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: I Made You Love Paris
#TitleArtistLength
1Avalon
membranophone:
Kansas Fields
Mary Lou Williams2:35
2Scratchin' in the Gravel
membranophone:
Kansas Fields
tenor saxophone:
Ray Lawrence
trumpet:
Nelson Williams
Mary Lou Williams3:35
3Rock Me
membranophone:
Jacques David
vocals:
Beryl Bryden
Mary Lou Williams3:10
4I Made You Love Paris
drums (drum set):
Kansas Fields
Mary Lou Williams2:33
5Nancy Is in Love With the Colonel
recorded in:
Paris, Île-de-France, France (in 1954)
double bass:
Buddy Banks (in 1954)
drums (drum set):
Kansas Fields (in 1954)
piano:
Mary Lou Williams (in 1954)
tenor saxophone:
Ray Lawrence (in 1954)
trumpet:
Nelson Williams (in 1954)
Mary Lou Williams3:10
6Swingin' for the Guys
membranophone:
Kansas Fields
Mary Lou Williams2:29
7Club Français Blues
membranophone:
Kansas Fields
Mary Lou Williams3:24
8Freight Train Blues
membranophone:
Jacques David
vocals:
Beryl Bryden
Mary Lou Williams3:11
9Memories of You
membranophone:
Kansas Fields
Mary Lou Williams3:10
10Leg'n Lou
membranophone:
Kansas Fields
tenor saxophone:
Ray Lawrence
trumpet:
Nelson Williams
Mary Lou Williams2:57
11Mary Lou Blues
membranophone:
Kansas Fields
tenor saxophone:
Ray Lawrence
trumpet:
Nelson Williams
Mary Lou Williams2:49
12Between the Devil and the Deep Blue Sea
double bass:
Alvin "Buddy" Banks (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
Between the Devil and the Deep Blue Sea (on 1954-01-14)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Mary Lou Williams2:16
13There's a Small Hotel
double bass:
Alvin "Buddy" Banks (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
There’s a Small Hotel (from “On Your Toes”) (on 1954-01-14)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (in 1936)
part of:
On Your Toes
part of:
Pal Joey
Mary Lou Williams3:10
14En ce temps-là
double bass:
Alvin "Buddy" Banks (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
En ce temps-là (from 1954-01-14 to present)
lyricist and composer:
Charles Trenet (in 1952)
Mary Lou Williams3:19
15Lover
double bass:
Alvin "Buddy" Banks (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
Lover (on 1954-01-14)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Chappell and Famous Music Corporation
Mary Lou Williams3:02
16Carioca
double bass:
Alvin "Buddy" Banks (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
Carioca (from "Flying Down to Rio") (on 1954-01-14)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
Mary Lou Williams2:38
17Nicole
double bass:
Alvin "Buddy" Banks (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
Mary Lou Williams3:29
18Tire tire l'aiguille
double bass:
Alvin "Buddy" Banks (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
Tire, tire l’aiguille (on 1954-01-14)
lyricist:
Eddy Marnay
composer:
Eddie Barclay and Emil Stern
publisher:
Éditions Métropolitaines
Mary Lou Williams2:34
19Autumn in New York
double bass:
Alvin "Buddy" Banks (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
Autumn in New York (1934) (on 1954-01-14)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc.
Mary Lou Williams2:31
2▼CD: Piano aux Champs-Élysées
#TitleArtistLength
1Art's Blues
recorded in:
Paris, Île-de-France, France (on 1956-03-13)
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donahue (on 1956-03-13) and Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
recording of:
Art's Blues (on 1956-03-13)
composer:
Art Simmons
Art Simmons3:27
2My Funny Valentine
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1956-03-13)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Art Simmons3:28
3Hommage to Neal Hefti
recorded in:
Paris, Île-de-France, France (on 1956-03-13)
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donahue (on 1956-03-13) and Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
recording of:
Hommage to Neal Hefti (on 1956-03-13)
composer:
Art Simmons
Art Simmons3:13
4Too Marvelous for Words
recorded in:
Paris, Île-de-France, France (on 1956-03-13)
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donahue (on 1956-03-13) and Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
instrumental recording of:
Too Marvelous for Words (on 1956-03-13)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation, Victoria Music Ltd., Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Art Simmons4:10
5The Lady Is a Tramp
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-03-13)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Art Simmons3:40
6What Is This Thing Called Love?
recorded in:
Paris, Île-de-France, France (on 1956-03-13)
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donahue (on 1956-03-13) and Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-03-13)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-03-13)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Art Simmons5:30
7Nice Work If You Can Get It
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
instrumental recording of:
Nice Work If You Can Get It (on 1956-03-13)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Art Simmons3:44
8Sail' Em
producer:
François Postif
double bass:
Richard Davis (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright3:47
9Things Ain't What They Used to Be
producer:
François Postif
double bass:
Richard Davis (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
instrumental recording of:
Things Ain’t What They Used to Be (on 1958-06-05)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc.
Ronnell Bright4:18
10Johnnie Pate's Blues
producer:
François Postif
double bass:
Richard Davis (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright4:30
11R and R Groove
producer:
François Postif
double bass:
Richard Davis (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright4:49
12The Champ
producer:
François Postif
double bass:
Richard Davis (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright2:34
13Easy Listening
producer:
François Postif
double bass:
Richard Davis (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright4:28
14Chasing Sarah
producer:
François Postif
double bass:
Richard Davis (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright3:46
15Doxology
producer:
François Postif
double bass:
Richard Davis (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright6:00
3▼CD: The Pianist / Les Blue Stars
#TitleArtistLength
1The Continental
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
The Continental (from the 1934 film "The Gay Divorcee") (in 1955)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc.
part of:
Academy Award for Best Original Song (number: 1934 winner)
Blossom Dearie2:46
2The Boy Next Door
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (in 1955)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music
part of:
Meet Me in St. Louis (1944 film)
Blossom Dearie2:51
3They Can't Take That Away From Me
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1955)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music, Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Blossom Dearie2:34
4Moonlight Saving Time (There Ought to Be A)
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
Moonlight Saving Time (in 1955)
writer:
Irving Kahal and Harry Richman
Blossom Dearie2:35
5The Surrey With the Fringe on Top
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
The Surrey With the Fringe on Top (in 1955)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing, EMI Music Publishing Ltd. and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Blossom Dearie2:56
6April in Paris
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
April in Paris (in 1955)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Blossom Dearie2:55
7Blue Moon
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
Blue Moon (in 1955)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing, EMI Robbins Catalog Inc., EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions
part of:
New York, New York (1977 musical film soundtrack)
Blossom Dearie2:43
8Down the Depths of the 90th Floor
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (in 1955)
lyricist and composer:
Cole Porter (in 1936)
Blossom Dearie3:25
9La Légende du pays des oiseaux
recorded in:
Paris, Île-de-France, France (in 1954-11)
piano:
Michel Legrand (in 1954-11)
trumpet and baritone vocals:
Roger Guérin (in 1954-11)
vibraphone and tenor vocals [lead]:
Fats Sadi (in 1954-11)
bass vocals:
Jean Mercadier (in 1954-11)
contralto vocals:
Blossom Dearie (in 1954-11) and Nadine Young (in 1954-11)
soprano vocals [first]:
Christiane Legrand (in 1954-11)
soprano vocals [second]:
Janine de Waleyne (in 1954-11)
tenor vocals [second]:
Christian Chevallier (in 1954-11)
piano arranger:
Michel Legrand
recording of:
La Légende du pays aux oiseaux (Lola) (French lyric version of "Lullaby of Birdland")
lyricist:
Jean Constantin
composer:
George Shearing
translated version of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Les Blue Stars2:50
10Lettre à Virginie
recorded in:
Paris, Île-de-France, France (in 1954-11)
trumpet and baritone vocals:
Roger Guérin (in 1954-11)
vibraphone and tenor vocals [lead]:
Fats Sadi (in 1954-11)
bass vocals:
Jean Mercadier (in 1954-11)
contralto vocals:
Blossom Dearie (in 1954-11) and Nadine Young (in 1954-11)
soprano vocals [first]:
Christiane Legrand (in 1954-11)
soprano vocals [second]:
Janine de Waleyne (in 1954-11)
tenor vocals [second]:
Christian Chevallier (in 1954-11)
Les Blue Stars3:04
11Toute ma joie
recorded in:
Paris, Île-de-France, France (in 1954-11)
trumpet and baritone vocals:
Roger Guérin (in 1954-11)
vibraphone and tenor vocals [lead]:
Fats Sadi (in 1954-11)
bass vocals:
Jean Mercadier (in 1954-11)
contralto vocals:
Blossom Dearie (in 1954-11) and Nadine Young (in 1954-11)
soprano vocals [first]:
Christiane Legrand (in 1954-11)
soprano vocals [second]:
Janine de Waleyne (in 1954-11)
tenor vocals [second]:
Christian Chevallier (in 1954-11)
Les Blue Stars2:43
12Embrasse-moi bien
recorded in:
Paris, Île-de-France, France (in 1954-11)
trumpet and baritone vocals:
Roger Guérin (in 1954-11)
vibraphone and tenor vocals [lead]:
Fats Sadi (in 1954-11)
bass vocals:
Jean Mercadier (in 1954-11)
contralto vocals:
Blossom Dearie (in 1954-11) and Nadine Young (in 1954-11)
soprano vocals [first]:
Christiane Legrand (in 1954-11)
soprano vocals [second]:
Janine de Waleyne (in 1954-11)
tenor vocals [second]:
Christian Chevallier (in 1954-11)
Les Blue Stars2:45

Credits

Release

ASIN:FR: B003PN5UJA [info]

Release group

part of:Jazz in Paris (number: Box2010) (order: 109)