Art Pepper Meets the Rhythm Section

~ Release by Art Pepper (see all versions of this release, 22 available)

Annotation

Additional:
The SVICJ-41009 reissue is a three cd bundle called Modern Jazz Greats.
It contains raw reprints of a Contemporay, Riverside, and Prestige releases, namely:
* Art Pepper: Art Pepper meets the Rhythm Section
* Wynton Kelly: Kelly Blue
* Kenny Dorham: Quiet Kenny

Technically, the label is different for each of these releases, as the manufacturer (JVC) uses the imprints (leased by Concord). Though there's only one catalog #, this is a set with three different labels.

Tracklist

1▼CD
#TitleLength
1You'd Be So Nice to Come Home To
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (on 1957-01-19)
drums (drum set):
Philly Joe Jones (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-01-19)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
5:27
2Red Pepper Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (on 1957-01-19)
drums (drum set):
Philly Joe Jones (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Pepper (on 1957-01-19)
composer:
Garland
3:40
3Imagination
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (on 1957-01-19)
drums (drum set):
Philly Joe Jones (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
instrumental recording of:
Imagination (on 1957-01-19)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Bourne Co., Dorsey Brothers Music and Music Sales Corporation
recording of:
Imagination (on 1957-01-19)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Bourne Co., Dorsey Brothers Music and Music Sales Corporation
5:54
4Waltz Me Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (on 1957-01-19)
drums (drum set):
Philly Joe Jones (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Waltz Me Blues (on 1957-01-19)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
2:58
5Straight Life
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (on 1957-01-19)
drums (drum set):
Philly Joe Jones (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Straight Life (on 1957-01-19)
composer:
Art Pepper
4:02
6Jazz Me Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (on 1957-01-19)
drums (drum set):
Philly Joe Jones (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Jazz Me Blues (on 1957-01-19)
composer:
Tom Delaney
4:50
7Tin Tin Deo
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (on 1957-01-19)
drums (drum set):
Philly Joe Jones (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Tin Tin Deo (on 1957-01-19)
composer:
Walter “Gil” Fuller and Chano Pozo
publisher:
Consolidated Music, EMI Robbins Catalog Inc. and Music Sales Corp.
7:44
8Star Eyes
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (on 1957-01-19)
drums (drum set):
Philly Joe Jones (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Star Eyes (on 1957-01-19)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
5:14
9Birks Works
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (on 1957-01-19)
drums (drum set):
Philly Joe Jones (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Birk's Works (on 1957-01-19)
composer:
Dizzy Gillespie
4:19
10The Man I Love
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
6:37