The Complete Recordings on DG

~ Release by Seiji Ozawa (see all versions of this release, 1 available)

Tracklist

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1▼CD: Tchaikovsky: Romeo And Juliet, Fantasy Overture / Prokofiev: Romeo And Juliet, Ballet Suite / Berlioz: Scène d'amour
#	Title	Artist	Length
1	Romeo and Juliet, TH 42: Andante non tanto quasi Moderato: Allegro giusto - Moderato assai producer: Thomas Mowrey orchestra: San Francisco Symphony Orchestra (in 1972-06) conductor: Seiji Ozawa (in 1972-06) balance engineer: Jack E. Hunt (in 1972-06) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Calvin C. Flint Center for the Performing Arts in Cupertino, California, United States (in 1972-06) recording of: Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (in 1972-06) composer: Пётр Ильич Чайковский (in 1869) revised by: Пётр Ильич Чайковский (in 1870, in 1880) dedicated to: Милий Алексеевич Балакирев part of: The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39) revision of: Romeo and Juliet (1870, rarely performed)	Pyotr Ilyich Tchaikovsky	19:01
2	Romeo And Juliet, Ballet Suite, op. 64a, no. 2: I. The Montagues and the Capulets orchestra: San Francisco Symphony Orchestra conductor: Seiji Ozawa phonographic copyright (℗) by: Polydor International GmbH (in 1973) recording of: Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets composer: Сергей Сергеевич Прокофьев part of: Romeo and Juliet: Suite no. 2, op. 64ter	Sergei Prokofiev	4:25
3	Romeo And Juliet, Ballet Suite, op. 64a, no. 2: IV. Dance orchestra: San Francisco Symphony Orchestra conductor: Seiji Ozawa phonographic copyright (℗) by: Polydor International GmbH (in 1973) recording of: Romeo and Juliet: Suite no. 2, op. 64ter: IV. Dance composer: Сергей Сергеевич Прокофьев part of: Romeo and Juliet: Suite no. 2, op. 64ter	Sergei Prokofiev	2:04
4	Romeo And Juliet, Ballet Suite, op. 64a, no. 2: VII. Romeo at Juliet's Grave orchestra: San Francisco Symphony Orchestra conductor: Seiji Ozawa phonographic copyright (℗) by: Polydor International GmbH (in 1973) recording of: Romeo and Juliet: Suite no. 2, op. 64ter: VII. Romeo at Juliet's Grave composer: Сергей Сергеевич Прокофьев part of: Romeo and Juliet: Suite no. 2, op. 64ter	Sergei Prokofiev	5:23
5	Romeo And Juliet, Ballet Suite, op. 64a, no. 2: VI. Dance of the Maids from the Antilles orchestra: San Francisco Symphony Orchestra conductor: Seiji Ozawa phonographic copyright (℗) by: Polydor International GmbH (in 1973) recording of: Romeo and Juliet: Suite no. 2, op. 64ter: VI. Dance of the Girls with Lilies composer: Сергей Сергеевич Прокофьев part of: Romeo and Juliet: Suite no. 2, op. 64ter	Sergei Prokofiev	2:26
6	Romeo and Juliet, Ballet Suite, op. 64a, no. 1: VII. Death of Tybalt orchestra: San Francisco Symphony Orchestra conductor: Seiji Ozawa phonographic copyright (℗) by: Polydor International GmbH (in 1973) recording of: Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt composer: Сергей Сергеевич Прокофьев part of: Romeo and Juliet Suite no. 1, op. 64bis	Sergei Prokofiev	4:36
7	Roméo et Juliette, op. 17, H.79, Part 3: Scène d'amour orchestra: San Francisco Symphony Orchestra conductor: Seiji Ozawa phonographic copyright (℗) by: Polydor International GmbH (in 1973) partial recording of: Roméo et Juliette, op. 17 : Deuxième partie: Nº 3. Scène d'amour: Nuit sereine - Le Jardin de Capulet, silencieux et désert « Ohé ! Capulets, bonsoir ! » - Les jeunes Capulets sortant de la fête, passent en chantant des réminiscences de la musique du bal lyricist: Émile Deschamps composer: Hector Berlioz part of: Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)	Hector Berlioz	13:34

2▼CD: Russo: Three Pieces for Blues Band and Symphony Orchestra / Bernstein: West Side Story Symphonic Dances
#	Title	Artist	Length
1	Three Pieces for Blues Band and Symphony Orchestra, op.50: I. 1st Part producer: Thomas Mowrey orchestra: San Francisco Symphony (in 1972-06) conductor: Seiji Ozawa (in 1972-06) performer: Jim Schwall (in 1972-06), The Siegel‐Schwall Band (in 1972-06) and Corky Siegel (in 1972-06) balance engineer: Karl-August Naegler recorded at: Calvin C. Flint Center for the Performing Arts in Cupertino, California, United States (in 1972-06) recording of: Three Pieces for Blues Band and Symphony Orchestra, op. 50: 1st Part (in 1972-06) composer: William Russo (in 1968) part of: Three Pieces for Blues Band and Symphony Orchestra, op. 50	William Russo	8:09
2	Three Pieces for Blues Band and Symphony Orchestra, op.50: II. 2nd Part producer: Thomas Mowrey solo violin: Stuart Canin (in 1972-06) orchestra: San Francisco Symphony (in 1972-06) conductor: Seiji Ozawa (in 1972-06) performer: Jim Schwall (in 1972-06), The Siegel‐Schwall Band (in 1972-06) and Corky Siegel (in 1972-06) balance engineer: Karl-August Naegler phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Calvin C. Flint Center for the Performing Arts in Cupertino, California, United States (in 1972-06) recording of: Three Pieces for Blues Band and Symphony Orchestra, op. 50: 2nd Part (in 1972-06) composer: William Russo (in 1968) part of: Three Pieces for Blues Band and Symphony Orchestra, op. 50	William Russo	8:58
3	Three Pieces for Blues Band and Symphony Orchestra, op.50: III. 3rd Part producer: Thomas Mowrey orchestra: San Francisco Symphony (in 1972-06) conductor: Seiji Ozawa (in 1972-06) performer: Jim Schwall (in 1972-06), The Siegel‐Schwall Band (in 1972-06) and Corky Siegel (in 1972-06) balance engineer: Karl-August Naegler recorded at: Calvin C. Flint Center for the Performing Arts in Cupertino, California, United States (in 1972-06) recording of: Three Pieces for Blues Band and Symphony Orchestra, op. 50: 3rd Part (in 1972-06) composer: William Russo (in 1968) part of: Three Pieces for Blues Band and Symphony Orchestra, op. 50	William Russo	7:05
4	"West Side Story": Symphonic Dances: I. Prologue orchestra: San Francisco Symphony conductor: 小澤征爾 recording of: Symphonic Dances from West Side Story: I. Prologue. Allegro moderato additional orchestrator: Irwin Kostal (in 1960) and Sid Ramin (in 1960) orchestrator and composer: Leonard Bernstein (in 1960) part of: Symphonic Dances from West Side Story	Leonard Bernstein	4:21
5	"West Side Story": Symphonic Dances: II. Somewhere orchestra: San Francisco Symphony conductor: 小澤征爾 recording of: Symphonic Dances from West Side Story: II. “Somewhere”. Adagio additional orchestrator: Irwin Kostal and Sid Ramin (in 1960) orchestrator and composer: Leonard Bernstein (in 1960) part of: Symphonic Dances from West Side Story	Leonard Bernstein	3:36
6	"West Side Story": Symphonic Dances: III. Scherzo orchestra: San Francisco Symphony conductor: 小澤征爾 recording of: Symphonic Dances from West Side Story: III. Scherzo. Vivace leggiero additional orchestrator: Irwin Kostal (in 1960) and Sid Ramin (in 1960) orchestrator and composer: Leonard Bernstein (in 1960) part of: Symphonic Dances from West Side Story	Leonard Bernstein	1:29
7	"West Side Story": Symphonic Dances: IV. Mambo orchestra: San Francisco Symphony conductor: 小澤征爾 recording of: Symphonic Dances from West Side Story: IV. Mambo. Presto additional orchestrator: Irwin Kostal (in 1960) and Sid Ramin (in 1960) orchestrator and composer: Leonard Bernstein (in 1960) part of: Symphonic Dances from West Side Story	Leonard Bernstein	2:26
8	"West Side Story": Symphonic Dances: V. Cha-cha orchestra: San Francisco Symphony conductor: 小澤征爾 recording of: Symphonic Dances from West Side Story: V. Cha-Cha (“Maria”). Andantino con grazia additional orchestrator: Irwin Kostal (in 1960) and Sid Ramin (in 1960) orchestrator and composer: Leonard Bernstein (in 1960) part of: Symphonic Dances from West Side Story	Leonard Bernstein	0:55
9	"West Side Story": Symphonic Dances: VI. Meeting Scene orchestra: San Francisco Symphony conductor: 小澤征爾 recording of: Symphonic Dances from West Side Story: VI. Meeting Scene. Meno mosso additional orchestrator: Irwin Kostal (in 1960) and Sid Ramin (in 1960) orchestrator and composer: Leonard Bernstein (in 1960) part of: Symphonic Dances from West Side Story	Leonard Bernstein	0:44
10	"West Side Story": Symphonic Dances: VII. Cool Fugue orchestra: San Francisco Symphony conductor: 小澤征爾 recording of: Symphonic Dances from West Side Story: VII. “Cool” Fugue. Allegretto additional orchestrator: Irwin Kostal (in 1960) and Sid Ramin (in 1960) orchestrator and composer: Leonard Bernstein (in 1960) part of: Symphonic Dances from West Side Story	Leonard Bernstein	3:30
11	"West Side Story": Symphonic Dances: VIII. Rumble orchestra: San Francisco Symphony conductor: 小澤征爾 recording of: Symphonic Dances from West Side Story: VIII. Rumble. Molto allegro additional orchestrator: Irwin Kostal (in 1960) and Sid Ramin (in 1960) orchestrator and composer: Leonard Bernstein (in 1960) part of: Symphonic Dances from West Side Story	Leonard Bernstein	1:55
12	"West Side Story": Symphonic Dances: IX. Finale orchestra: San Francisco Symphony conductor: 小澤征爾 recording of: Symphonic Dances from West Side Story: IX. Finale. Adagio additional orchestrator: Irwin Kostal (in 1960) and Sid Ramin (in 1960) orchestrator and composer: Leonard Bernstein (in 1960) part of: Symphonic Dances from West Side Story	Leonard Bernstein	2:47

3▼CD: Berlioz: Symphonie fantastique
#	Title	Artist	Length
1	Symphonie fantastique, op. 14, H 48: I. Rêveries. Passions (Largo: Allegro agitato ed appassionato assai) producer: Thomas Mowrey orchestra: Boston Symphony Orchestra (in 1973-02) conductor: Seiji Ozawa (in 1973-02) balance engineer: Hans‐Peter Schweigmann (in 1973-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1973-02) recording of: Symphonie fantastique, op. 14: I. Rêveries, passions (in 1973-02) composer: Hector Berlioz (in 1830) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz	13:03
2	Symphonie fantastique, op. 14, H 48: II. Un bal (Valse: Allegro non troppo) producer: Thomas Mowrey orchestra: Boston Symphony Orchestra (in 1973-02) conductor: Seiji Ozawa (in 1973-02) balance engineer: Hans‐Peter Schweigmann (in 1973-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1973-02) recording of: Symphonie fantastique, op. 14: II. Un bal (in 1973-02) composer: Hector Berlioz (in 1830) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz	6:21
3	Symphonie fantastique, op. 14, H 48: III. Scène aux champs (Adagio) producer: Thomas Mowrey orchestra: Boston Symphony Orchestra (in 1973-02) conductor: Seiji Ozawa (in 1973-02) balance engineer: Hans‐Peter Schweigmann (in 1973-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1973-02) recording of: Symphonie fantastique, op. 14: III. Scène aux champs (in 1973-02) composer: Hector Berlioz (in 1830) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz	14:27
4	Symphonie fantastique, op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) producer: Thomas Mowrey orchestra: Boston Symphony Orchestra (in 1973-02) conductor: Seiji Ozawa (in 1973-02) balance engineer: Hans‐Peter Schweigmann (in 1973-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1973-02) recording of: Symphonie fantastique, op. 14: IV. Marche au supplice (in 1973-02) composer: Hector Berlioz (in 1830) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz	4:05
5	Symphonie fantastique, op. 14, H 48: V. Songe d'une nuit du Sabbat (Larghetto: Allegro - Ronde du Sabbat: Poco meno mosso) producer: Thomas Mowrey orchestra: Boston Symphony Orchestra (in 1973-02) conductor: Seiji Ozawa (in 1973-02) balance engineer: Hans‐Peter Schweigmann (in 1973-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1973-02) recording of: Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (in 1973-02) composer: Hector Berlioz (in 1830) quotes music from: Dies Irae (plainchant) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz	9:13

4▼CD: Berlioz: La Damnation de Faust
#	Title	Artist	Length
1	La Damnation de Faust, op. 24, H 111, Pt. 1: Scène I. "Le vieil hiver a fait place au printemps" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Première Partie : Scène 1. Les plaines de Hongrie « Le vieil hiver a fait place au printemps » (Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Première Partie	Hector Berlioz	5:36
2	La Damnation de Faust, op. 24, H 111, Pt. 1: Ronde des Paysans. "Les bergers quittent": Scène II. "Mais d'un éclat guerrier" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Première Partie : Scène 2. Ronde des paysans « Les bergers quittent leurs troupeaux » (Chœur, Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Première Partie	Hector Berlioz	4:12
3	La Damnation de Faust, op. 24, H 111, Pt. 1: Marche hongroise orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Première Partie : Scène 3. Une autre partie de la plaine « Mais d’un éclat guerrier » (Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Première Partie	Hector Berlioz	4:28
4	La Damnation de Faust, op. 24, H 111, Pt. 2: Scène III. "Sans regrets j'ai quitté les riantes campagnes" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 4. Nord de l’Allemagne « Sans regrets j’ai quitté les riantes campagnes » (Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	4:04
5	La Damnation de Faust, op. 24, H 111, Pt. 2: Chant de la fête de Pâques. "Christ vient de ressusciter!" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 4. Chant de la Fête de Pâques « Christ vient de ressusciter ! » (Chœur, Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	6:29
6	La Damnation de Faust, op. 24, H 111, Pt. 2: Scène IV. "O pure émotion!" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 5. « Hélas ! doux chants du ciel » … « Ô pure émotion ! » (Méphistophélès, Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	2:14
7	La Damnation de Faust, op. 24, H 111, Pt. 2: Scène V. Choeur de buveurs. "A boire encor!" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 6. La cave d’Auerbach à Leipzig. Chœur de buveurs « À boire encor ! » … « Oh ! qu’il fait bon » (Chœur, Méphistophélès, Brander) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	2:47
8	La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 6. Chanson de Brander « Certain rat, dans une cuisine » (Brander, Chœur, Méphistophélès) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	2:14
9	La Damnation de Faust, op. 24, H 111, Pt. 2: Fugue sur le thème de la chanson. "Amen" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 6 « Vrai Dieu ! messieurs » (Méphistophélès, Chœur) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	3:00
10	La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Méphistophélès. "Une puce gentille" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 6. Chanson de Méphistophélès « Une puce gentille » (Méphistophélès, Chœur) / « Assez ! Fuyons ces lieux » (Faust, Méphistophélès) composer: Hector Berlioz librettist: Hector Berlioz and Almire Gandonnière part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	3:40
11	La Damnation de Faust, op. 24, H 111, Pt. 2: Scène VI. Air de Méphistophélès. "Voici des roses" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 7. Bosquets et Prairies du Bord de l'Elbe. Air de Méphistophélès « Voici des roses » (Méphistophélès) composer: Hector Berlioz librettist: Hector Berlioz and Almire Gandonnière	Hector Berlioz	2:38
12	La Damnation de Faust, op. 24, H 111, Pt. 2: Songe de Faust. "Dors! heureux Faust" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 7. Songe de Faust : Chœur de Gnomes et de Sylphes « Dors ! dors ! Heureux Faust » (Chœur, Méphistophélès, Faust) composer: Hector Berlioz librettist: Hector Berlioz and Almire Gandonnière part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	6:07
13	La Damnation de Faust, op. 24, H 111, Pt. 2: Scène VII. "Margarita!" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	3:22
14	La Damnation de Faust, op. 24, H 111, Pt. 2: Choeurs de Soldats et Chanson d'Etudiants. "Villes entourées": "Jam nox stellata velamina pandit" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Deuxième Partie : Scène 8. Final : Chœur de soldats : « Villes entourées de murs et remparts ». Chanson d'étudiants : « Jam nox stellata velamina pandit » composer: Hector Berlioz librettist: Hector Berlioz and Almire Gandonnière part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	4:37

5▼CD: Berlioz: La Damnation de Faust
#	Title	Artist	Length
1	La Damnation de Faust, op. 24, H 111, Pt. 3: (Prélude: La retraite) orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Troisième Partie : Scène 9. Air de Faust « Merci, doux crépuscule ! » (Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Troisième Partie	Hector Berlioz	1:12
2	La Damnation de Faust, op. 24, H 111, Pt. 3: "Merci, doux crépuscule!": "Je l'entends!" (Faust / Méphistophélès, Faust) orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Troisième Partie : Scène 10. « Je l’entends ! » (Méphistophélès, Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Troisième Partie	Hector Berlioz	5:30
3	La Damnation de Faust, op. 24, H 111, Pt. 3: Scène X. "Que l'air est étouffant" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Troisième Partie : Scène 11. « Que l’air est étouffant ! » (Marguerite) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Troisième Partie	Hector Berlioz	2:58
4	La Damnation de Faust, op. 24, H 111, Pt. 3: Le roi de Thulé (Chanson gothique). "Autrefois un roi de Thulé" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Troisième Partie : Scène 11. Le Roi de Thulé (Chanson gothique) « Autrefois un roi de Thulé » (Marguerite) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Troisième Partie	Hector Berlioz	4:28
5	La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1I. Evocation. "Esprits des flammes inconstantes" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Troisième Partie : Scène 12. Évocation « Esprits des flammes inconstantes » (Méphistophélès) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Troisième Partie	Hector Berlioz	1:51
6	La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1II. "Maintenant chantons à cette belle" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Troisième Partie : Scène 12. Menuet des Feux follets … « Maintenant, chantons à cette belle … » (Méphistophélès) composer: Hector Berlioz librettist: Hector Berlioz and Almire Gandonnière part of: La Damnation de Faust, op. 24: Troisième Partie	Hector Berlioz	6:06
7	La Damnation de Faust, op. 24, H 111, Pt. 3: Sérénade de Méphistophélès. "Devant la maison" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Troisième Partie : Scène 12. Sérénade de Méphistophélès « Devant la maison » (Méphistophélès, Chœur) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Troisième Partie	Hector Berlioz	2:26
8	La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1III. "Grands dieux!" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Troisième Partie : Scène 13. Final: Duo « Grand Dieu ! Que vois‐je ? » … « Ange adoré » (Marguerite, Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Troisième Partie	Hector Berlioz	5:04
9	La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1IV. "Allons, il est trop tard!" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Troisième Partie : Scène 14. Final: Trio et chœur « Allons, il est trop tard ! » (Méphistophélès, Marguerite, Faust, Chœur) composer: Hector Berlioz librettist: Hector Berlioz and Almire Gandonnière part of: La Damnation de Faust, op. 24: Troisième Partie	Hector Berlioz	5:03
10	La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1V. Romance. "D'amour l'ardente flamme" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur) composer: Hector Berlioz librettist: Hector Berlioz and Almire Gandonnière part of: La Damnation de Faust, op. 24: Quatrième Partie part of: La Damnation de Faust, op. 24: Quatrième Partie	Hector Berlioz	8:38
11	La Damnation de Faust, op. 24, H 111, Pt. 4: "Au son des trompettes" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Troisième Partie : Scène 9. Prélude : Tambours et trompettes sonnant la retraite (Orchestre) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Troisième Partie	Hector Berlioz	2:15
12	La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VI. Invocation à la Nature. "Nature immense" tenor vocals and tenor vocals [Faust]: Stuart Burrows orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Quatrième Partie, scène 16. Invocation à la Nature « Nature immense, impénetrable et fière » (Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Quatrième Partie	Hector Berlioz	4:03
13	La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VII. Récitatif et Chasse. "A la voûte azurée" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Quatrième Partie, scène 17. Récitatif et chasse « À la voûte azurée » (Méphistophélès, Faust) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Quatrième Partie	Hector Berlioz	3:33
14	La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VIII. La course à l'abîme. "Dans mon choeur retentit sa voix" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Quatrième Partie, scène 18. « La course à l'abîme » … « Dans mon cœur » (Faust, chœur, Méphistophélès) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Quatrième Partie	Hector Berlioz	3:31
15	La Damnation de Faust, op. 24, H 111, Pt. 4: "Has! Irimirukarabrao! Has!": "Alors, l'Enfers se tut" (Choeur, Méphistophélès / Une Voix, Choeur) orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Quatrième Partie, scène 19. Épilogue: Sur la terre « Alors, l’Enfer se tut » (Chœur) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Quatrième Partie	Hector Berlioz	5:01
16	La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 2I. Le Ciel. "Laus! Laus!": Apothéose de Marguerite. "Remonte au ciel, âme naïve" orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa recording of: La Damnation de Faust : Quatrième Partie, scène 20. Épilogue dans le ciel « Laus ! Hosanna ! » / Apothéose de Marguerite « Remonte au ciel, âme naïve » (Chœur) composer: Hector Berlioz librettist: Hector Berlioz and Almire Gandonnière part of: La Damnation de Faust, op. 24: Quatrième Partie	Hector Berlioz	4:52

6▼CD: Beethoven: Piano Concerto no. 5
#	Title	Artist	Length
1	Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro piano: Christoph Eschenbach (on 1973-10-10) orchestra: Boston Symphony Orchestra (on 1973-10-10) conductor: Seiji Ozawa (on 1973-10-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (on 1973-10-10) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (on 1973-10-10) composer: Ludwig van Beethoven (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven	20:19
2	Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso piano: Christoph Eschenbach (on 1973-10-10) orchestra: Boston Symphony Orchestra (on 1973-10-10) conductor: Seiji Ozawa (on 1973-10-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (on 1973-10-10) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (on 1973-10-10) composer: Ludwig van Beethoven (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven	9:19
3	Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo (Allegro) piano: Christoph Eschenbach (on 1973-10-10) orchestra: Boston Symphony Orchestra (on 1973-10-10) conductor: Seiji Ozawa (on 1973-10-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (on 1973-10-10) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (on 1973-10-10) composer: Ludwig van Beethoven (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven	10:28

7▼CD: Bartók: The Miraculous Mandarin / Ives: Symphony no. 4, Central Park in The Dark
#	Title	Artist	Length
1	The Miraculous Mandarin, BB 82, op. 19 (Sz.73): Suite orchestra: Boston Symphony Orchestra (in 1975-11) conductor: Seiji Ozawa (in 1975-11) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1975-11) recording of: The Miraculous Mandarin Suite, op. 19 (in 1975-11) composer: Béla Bartók is based on: The Miraculous Mandarin, BB 82, Sz. 73, op. 19	Béla Bartók	19:41
2	Symphony no. 4: I. Prelude (Walt Whitman) producer: Thomas W. Mowrey orchestra: Boston Symphony Orchestra (in 1976-02) conductor: Seiji Ozawa (in 1976-02) balance engineer: Hans‐Peter Schweigmann (in 1976-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1976-02) recording of: Symphony no. 4, S. 4: I. Prelude. Maestoso (in 1976-02) composer: Charles Ives (from 1910 until 1916) part of: Symphony no. 4, S. 4	Charles Ives	2:58
3	Symphony no. 4: II. Allegretto producer: Thomas W. Mowrey orchestra: Boston Symphony Orchestra (in 1976-02) conductor: Seiji Ozawa (in 1976-02) balance engineer: Hans‐Peter Schweigmann (in 1976-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1976-02) recording of: Symphony no. 4, S. 4: II. Comedy. Allegretto (in 1976-02) composer: Charles Ives (from 1910 until 1916) part of: Symphony no. 4, S. 4	Charles Ives	12:06
4	Symphony no. 4: III. Fugue. Andante moderato producer: Thomas W. Mowrey orchestra: Boston Symphony Orchestra (in 1976-02) conductor: Seiji Ozawa (in 1976-02) balance engineer: Hans‐Peter Schweigmann (in 1976-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1976-02) recording of: Symphony no. 4, S. 4: III. Fugue. Andante moderato (con moto) (in 1976-02) composer: Charles Ives (from 1910 until 1916) part of: Symphony no. 4, S. 4	Charles Ives	7:43
5	Symphony no. 4: IV. Very slowly: Largo maestoso producer: Thomas W. Mowrey choir vocals: Tanglewood Festival Chorus (in 1976-02) orchestra: Boston Symphony Orchestra (in 1976-02) conductor: Seiji Ozawa (in 1976-02) balance engineer: Hans‐Peter Schweigmann (in 1976-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1976-02) recording of: Symphony no. 4, S. 4: IV. Finale. Very slowly – Largo maestoso (in 1976-02) composer: Charles Ives (from 1910 until 1916) part of: Symphony no. 4, S. 4	Charles Ives	8:00
6	Central Park in The Dark producer: Thomas W. Mowrey orchestra: Boston Symphony Orchestra (in 1976-02) conductor: Seiji Ozawa (in 1976-02) balance engineer: Hans‐Peter Schweigmann (in 1976-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1976-02) recording of: Central Park in the Dark, S. 34 (in 1976-02) composer: Charles Ives (in 1906) part of: A Descriptive Catalogue of the Music of Charles Ives (number: S. 34) quotes music from: Hello! Ma Baby	Charles Ives	7:41

8▼CD: Ravel: Boléro / Miroirs / Menuet antique / Alborada del gracioso / Pavane pour une infante défunte / La Valse
#	Title	Artist	Length
1	Boléro, M. 81: Original Version, M. 81 producer: Thomas Mowrey orchestra: Boston Symphony Orchestra (in 1974-04) conductor: Seiji Ozawa (in 1974-04) balance engineer: Joachim Niss and Gernot Westhäuser phonographic copyright (℗) by: Polydor International GmbH (in 1974) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-04) recording of: Boléro (in 1974-04) composer: Maurice Ravel (in 1928) publisher: Ed. Durand & Cie and Soc. Arima premiered at: Palais Garnier in Paris, Île-de-France, France (on 1928-11-22) part of: Classic 100: Music of France (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)	Maurice Ravel	15:03
2	Miroirs, M.43, Orch. Ravel: III. Une barque sur l'océan producer: Thomas Mowrey orchestra: Boston Symphony Orchestra (in 1975-04) conductor: Seiji Ozawa (in 1975-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1975) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1975-04) recording of: Miroirs: Une barque sur l’océan (for orchestra) (in 1975-04) orchestrator and composer: Maurice Ravel orchestration of: Miroirs: III. Une barque sur l’océan (for piano)	Maurice Ravel	7:41
3	Menuet antique: for Orchestra producer: Thomas Mowrey and Franz Christian Wulff orchestra: Boston Symphony Orchestra (in 1974-04) conductor: Seiji Ozawa (in 1974-04) balance engineer: Joachim Niss phonographic copyright (℗) by: Polydor International GmbH (in 1975) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-04) recording of: Menuet antique (for orchestra) (in 1974-04) orchestrator: Maurice Ravel (in 1929) composer: Maurice Ravel (in 1895) version of: Menuet antique (for piano)	Maurice Ravel	6:20
4	Alborada del gracioso, M 43: Orchestral version producer: Thomas Mowrey bassoon and solo bassoon: Sherman Walt orchestra: Boston Symphony Orchestra conductor: Seiji Ozawa balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1975) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-03) recording of: Alborada del gracioso (for orchestra, Ravel) orchestrator: Maurice Ravel (in 1918) composer: Maurice Ravel (from 1904 until 1905) orchestration of: Miroirs: IV. Alborada del gracioso (original for piano solo)	Maurice Ravel	7:38
5	Pavane pour une infante défunte, M.19 producer: Thomas Mowrey solo French horn: Charles Kavaloski orchestra: Boston Symphony Orchestra (in 1974-10) conductor: Seiji Ozawa (in 1974-10) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1975) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-10) recording of: Pavane pour une infante défunte (orchestrated version) (in 1974-10) orchestrator: Maurice Ravel (in 1910) composer: Maurice Ravel (in 1899) publisher: Editions Max Eschig part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a) orchestration of: Pavane pour une infante défunte (original version for solo piano)	Maurice Ravel	6:14
6	La Valse, M.72 producer: Thomas Mowrey orchestra: Boston Symphony Orchestra (in 1974-03) conductor: Seiji Ozawa (in 1974-03) balance engineer: Joachim Niss and Gernot Westhäuser phonographic copyright (℗) by: Polydor International GmbH (in 1974) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-03) recording of: La Valse (for orchestra) (in 1974-03) composer: Maurice Ravel (from 1919 until 1920) publisher: Ed. Durand & Cie and Soc. Arima part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 72)	Maurice Ravel	11:59

9▼CD: Ravel: Le Tombeau de Couperin / Ma mère l'Oye / Rapsodie espagnole
#	Title	Artist	Length
1	Le Tombeau de Couperin, M. 68, Orchestral version: I. Prélude orchestra: Boston Symphony Orchestra (in 1974-10) conductor: 小澤征爾 (in 1974-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-10) recording of: Le Tombeau de Couperin: I. Prélude (for orchestra) (in 1974-10) orchestrator: Maurice Ravel (in 1919) composer: Maurice Ravel (from 1914 until 1917) orchestration of: Le tombeau de Couperin: I. Prélude (for solo piano) part of: Le Tombeau de Couperin (for orchestra)	Maurice Ravel	3:26
2	Le Tombeau de Couperin, M. 68, Orchestral version: II. Forlane orchestra: Boston Symphony Orchestra (in 1974-10) conductor: 小澤征爾 (in 1974-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-10) recording of: Le Tombeau de Couperin: II. Forlane (for orchestra) (in 1974-10) orchestrator: Maurice Ravel (in 1919) composer: Maurice Ravel (from 1914 until 1917) orchestration of: Le tombeau de Couperin: III. Forlane (for solo piano) part of: Le Tombeau de Couperin (for orchestra)	Maurice Ravel	5:39
3	Le Tombeau de Couperin, M. 68, Orchestral version: III. Menuet oboe: Ralph Gomberg (in 1974-10) orchestra: Boston Symphony Orchestra (in 1974-10) conductor: 小澤征爾 (in 1974-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-10) recording of: Le Tombeau de Couperin: III. Menuet (for orchestra) (in 1974-10) orchestrator: Maurice Ravel (in 1919) composer: Maurice Ravel (from 1914 until 1917) orchestration of: Le tombeau de Couperin: V. Menuet (for solo piano) part of: Le Tombeau de Couperin (for orchestra)	Maurice Ravel	4:51
4	Le Tombeau de Couperin, M. 68, Orchestral version: IV. Rigaudon orchestra: Boston Symphony Orchestra (in 1974-10) conductor: 小澤征爾 (in 1974-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-10) recording of: Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra) (in 1974-10) orchestrator: Maurice Ravel (in 1919) composer: Maurice Ravel (from 1914 until 1917) orchestration of: Le tombeau de Couperin: IV. Rigaudon (for solo piano) part of: Le Tombeau de Couperin (for orchestra)	Maurice Ravel	3:00
5	Ma mère l'Oye, M. 60, Orchestral version: Prélude orchestra: Boston Symphony Orchestra (in 1974-04) conductor: Seiji Ozawa (in 1974-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-04) recording of: Ma mère l’Oye : Prélude: Très lent (in 1974-04) orchestrator and composer: Maurice Ravel (in 1912) publisher: Ed. Durand & Cie and Soc. Arima part of: Ma mère l’Oye (ballet)	Maurice Ravel	3:44
6	Ma mère l'Oye, M. 60, Orchestral version: Danse du rouet et scène: Interlude orchestra: Boston Symphony Orchestra (in 1974-04) conductor: Seiji Ozawa (in 1974-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-04) recording of: Ma mère l’Oye : Tableau I : Danse du rouet et scène (in 1974-04) orchestrator and composer: Maurice Ravel (in 1912) publisher: Ed. Durand & Cie and Soc. Arima part of: Ma mère l’Oye (ballet)	Maurice Ravel	3:40
7	Ma mère l'Oye, M. 60, Orchestral version: Pavane de la Belle au bois dormant orchestra: Boston Symphony Orchestra (in 1974-04) conductor: Seiji Ozawa (in 1974-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-04) recording of: Ma mère l’Oye : Tableau II : Pavane de la Belle au bois dormant (in 1974-04) orchestrator: Maurice Ravel (in 1911) composer: Maurice Ravel (from 1908 until 1910) publisher: Ed. Durand & Cie and Soc. Arima version of: Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains) part of: Ma mère l’Oye (ballet)	Maurice Ravel	2:21
8	Ma mère l'Oye, M. 60, Orchestral version: Les entretiens de la Belle et de la Bête orchestra: Boston Symphony Orchestra (in 1974-04) conductor: Seiji Ozawa (in 1974-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-04) recording of: Ma mère l’Oye : Tableau III : Les Entretiens de la Belle et de la Bête (in 1974-04) orchestrator: Maurice Ravel (in 1911) composer: Maurice Ravel (from 1908 until 1910) publisher: Ed. Durand & Cie and Soc. Arima version of: Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains) part of: Ma mère l’Oye (ballet)	Maurice Ravel	4:54
9	Ma mère l'Oye, M. 60, Orchestral version: Petit Poucet orchestra: Boston Symphony Orchestra (in 1974-04) conductor: Seiji Ozawa (in 1974-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-04) recording of: Ma mère l’Oye : Tableau IV : Petit Poucet (in 1974-04) orchestrator: Maurice Ravel (in 1911) composer: Maurice Ravel (from 1908 until 1910) publisher: Ed. Durand & Cie and Soc. Arima version of: Ma mère l’Oye: II. Petit poucet (pour piano à quatre mains) part of: Ma mère l’Oye (ballet)	Maurice Ravel	4:52
10	Ma mère l'Oye, M. 60, Orchestral version: Laideronnette, Impératrice des Pagodes orchestra: Orchestre Symphonique de Boston (in 1974-04) conductor: Seiji Ozawa (in 1974-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-04) recording of: Ma mère l’Oye : Tableau V : Laideronnette, impératrice des pagodes (in 1974-04) orchestrator: Maurice Ravel (in 1911) composer: Maurice Ravel (from 1908 until 1910) publisher: Ed. Durand & Cie and Soc. Arima version of: Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains) part of: Ma mère l’Oye (ballet)	Maurice Ravel	5:07
11	Ma mère l'Oye, M. 60, Orchestral version: Apothéose: Le jardin féerique orchestra: Orchestre Symphonique de Boston (in 1974-04) conductor: Seiji Ozawa (in 1974-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-04) recording of: Ma mère l’Oye : Tableau VI : Le Jardin féerique (in 1974-04) composer: Maurice Ravel publisher: Ed. Durand & Cie and Soc. Arima part of: Ma mère l’Oye (ballet) recording of: Ma mère l’Oye: V. Le Jardin féerique (pour orchestre) orchestrator: Maurice Ravel (in 1911) composer: Maurice Ravel (from 1908 until 1910) orchestration of: Ma mère l’Oye: V. Le Jardin féerique (pour piano à quatre mains) part of: Ma mère l’Oye (suite pour orchestre)	Maurice Ravel	3:31
12	Rapsodie espagnole, M. 54: I. Prélude à la nuit orchestra: Boston Symphony Orchestra (in 1974-03) conductor: Seiji Ozawa (in 1974-03) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-03) recording of: Rapsodie espagnole: I. Prélude à la nuit. Très modéré (orchestrated by Ravel) (in 1974-03) orchestrator: Maurice Ravel composer: Maurice Ravel (from 1907 until 1908) publisher: Ed. Durand & Cie and Soc. Arima orchestration of: Rapsodie espagnole: I. Prélude à la nuit. Très modéré (for piano duo) part of: Rapsodie espagnole (orchestrated by Ravel)	Maurice Ravel	3:54
13	Rapsodie espagnole, M. 54: II. Malagueña orchestra: Boston Symphony Orchestra (in 1974-03) conductor: Seiji Ozawa (in 1974-03) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-03) recording of: Rapsodie espagnole: II. Malagueña. Assez vif (orchestrated by Ravel) (in 1974-03) orchestrator: Maurice Ravel composer: Maurice Ravel (from 1907 until 1908) publisher: Ed. Durand & Cie and Soc. Arima orchestration of: Rapsodie espagnole: II. Malagueña. Assez vif (for piano duo) part of: Rapsodie espagnole (orchestrated by Ravel)	Maurice Ravel	2:05
14	Rapsodie espagnole, M. 54: III. Habanera orchestra: Boston Symphony Orchestra (in 1974-03) conductor: Seiji Ozawa (in 1974-03) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-03) recording of: Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (orchestrated by Ravel) (in 1974-03) orchestrator: Maurice Ravel composer: Maurice Ravel (from 1907 until 1908) publisher: Ed. Durand & Cie and Soc. Arima orchestration of: Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (for piano duo) part of: Rapsodie espagnole (orchestrated by Ravel)	Maurice Ravel	2:33
15	Rapsodie espagnole, M. 54: IV. Feria orchestra: Boston Symphony Orchestra (in 1974-03) conductor: Seiji Ozawa (in 1974-03) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-03) recording of: Rapsodie espagnole: IV. Feria. Assez animé (orchestrated by Ravel) (in 1974-03) orchestrator: Maurice Ravel composer: Maurice Ravel (from 1907 until 1908) publisher: Ed. Durand & Cie and Soc. Arima orchestration of: Rapsodie espagnole: IV. Feria. Assez animé (for piano duo) part of: Rapsodie espagnole (orchestrated by Ravel)	Maurice Ravel	6:15

10▶CD: Ravel: Daphnis et Chloé

11▶CD: Brahms: Symphony no. 2 / Rossini: Semiramide Overture / Paganini: Moto perpetuo

12▶CD: Berlioz: Roméo et Juliette

13▶CD: Berlioz: Roméo et Juliette

14▶CD: Russo: Street Music / Gershwin: An American in Paris

15▶CD: Glazunov: Chant du Ménestrel / Shostakovich: Cello Concerto no. 2 / de Falla: El sombrero de tres picos

16▶CD: Korsakov: Scheherazade / Bartók: Music for Strings, Percussion and Celesta

17▶CD: Tchaikovsky: Symphony no. 5

18▶CD: Mozart: Clarinet Concerto, Bassoon Concerto / Takemitsu: Quatrain, A Flock Descends into the Pentagonal Garden

19▶CD: Brahms: Symphony no. 1

20▶CD: Respighi: Pines of Rome / Roman Festivals / Fountains of Rome

21▶CD: Mahler: Symphony no. 1

22▶CD: Berg: Violin Concerto / Stravinsky: Violin Concerto

23▶CD: Respighi: Ancient Airs And Dances

24▶CD: Tchaikovsky: Swan Lake

25▶CD: Tchaikovsky: Swan Lake

26▶CD: Offenbach: Les Contes d'Hoffmann

27▶CD: Offenbach: Les Contes d'Hoffmann

28▶CD: Prokofiev: Romeo and Juliet

29▶CD: Prokofiev: Romeo and Juliet

30▶CD: Fauré: Pelléas et Mélisande / Après un Rêve

31▶CD: Chabrier: España / Gounod: Faust / Thomas: Mignon Overture / Offenbach: Gaîté parisienne

32▶CD: Liszt: Piano Concertos nos. 1 & 2 / Totentanz

33▶CD: Poulenc: Gloria / Stabat Mater

34▶CD: Tchaikovsky: Symphony no. 4 / Capriccio Italien

35▶CD: Tchaikovsky: Symphony no. 5 / 1812 Overture

36▶CD: Bartók: Viola Concerto / Bartók: Music for Strings, Percussion and Celesta

37▶CD: Prokofiev: Symphonies nos. 1 & 6

38▶CD: Prokofiev: Symphonies nos. 2 & 7

39▶CD: Prokofiev: Symphonies nos. 3 & 4

40▶CD: Prokofiev: Symphony no. 5 / Lieutenant Kijé, Symphonic Suite

41▶CD: Honegger: Jeanne d'Arc au bûcher Oratorio dramatique

42▶CD: Tchaikovsky: The Nutcracker / The Sleeping Beauty Suite

43▶CD: Tchaikovsky: The Nutcracker / The Sleeping Beauty Suite

44▶CD: Bartók: Violin Concerto no. 2 / Moret: En reve

45▶CD: Franck: Symphony in D / Poulenc: Concerto for Organ, Strings and Percussion

46▶CD: Poulenc: Concert Champêtre

47▶CD: Shostakovich: Violin Concerto no. 2 / Schumann: Violin Concerto

48▶CD: Mendelssohn: A Midsummer Night's Dream

49▶CD: Rachmaninoff: Piano Concertos nos. 1 & 2

50▶CD: Prokofiev: Piano Concerto no. 2 / Ravel: Piano Concerto in G major

Credits

Release

discography entry:	https://www.deutschegrammophon.com/en/catalogue/products/seiji-ozawa-complete-recordings-3554 [info]