Sharp Notes

~ Release by Bill Evans (see all versions of this release, 1 available)

Tracklist

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1▼CD: Portrait in Jazz
#TitleArtistLength
1Come Rain or Come Shine
recording engineer:
Jack Higgins (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (on 1959-12-28)
piano:
Bill Evans (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
Come Rain or Come Shine (on 1959-12-28)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc., S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Bill Evans Trio3:21
2Autumn Leaves (take 1 stereo)
recording engineer:
Jack Higgins (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (on 1959-12-28)
piano:
Bill Evans (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1959-12-28)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc.
translated version of:
Les Feuilles mortes (Autumn Leaves)
Bill Evans Trio6:00
3Witchcraft
recording engineer:
Jack Higgins (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (on 1959-12-28)
piano:
Bill Evans (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
Witchcraft (on 1959-12-28)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp.
Bill Evans Trio4:35
4When I Fall in Love
recording engineer:
Jack Higgins (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (on 1959-12-28)
piano:
Bill Evans (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental cover recording of:
When I Fall in Love (on 1959-12-28)
lyricist:
Edward Heyman
composer:
Victor Young
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Intersong U.S.A., Northern Music, Victor Young Publishing, Inc. and Warner/Chappell North America Limited
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Bill Evans Trio4:55
5Peri's Scope
recording engineer:
Jack Higgins (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (on 1959-12-28)
piano:
Bill Evans (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
recording of:
Peri's Scope (on 1959-12-28)
composer:
Bill Evans
publisher:
Acorn Music Corp. and TRO-Folkways Music Publishers, Inc.
part of:
The Real Book (compilation of jazz standards, Volume I)
Bill Evans Trio3:15
6What Is This Thing Called Love?
recording engineer:
Jack Higgins (on 1959-12-28)
producer:
Orrin Keepnews
bass, double bass and double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (on 1959-12-28)
piano:
Bill Evans (on 1959-12-28)
performer:
Bill Evans (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1959-12-28)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
instrumental cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1959-12-28)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Bill Evans Trio4:36
7Spring Is Here
recording engineer:
Jack Higgins (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (on 1959-12-28)
piano:
Bill Evans (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
Spring Is Here (on 1959-12-28)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. and United Partnership Ltd.
Bill Evans Trio5:07
8Some Day My Prince Will Come
recording engineer:
Jack Higgins (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (on 1959-12-28)
piano:
Bill Evans (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
Someday My Prince Will Come (on 1959-12-28)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Bill Evans Trio4:55
9Blue in Green (take 3)
recording engineer:
Jack Higgins (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (on 1959-12-28)
piano:
Bill Evans (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
recording of:
Blue in Green (on 1959-12-28)
composer:
Miles Davis and Bill Evans
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp.
Bill Evans Trio5:25
2▼CD: New Jazz Conceptions
#TitleLength
1I Love You
recording engineer:
Jack Higgins (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
I Love You (Mexican Hayride musical) (from 1956-09-18 until 1956-09-27)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
3:54
2Five
recording engineer:
Jack Higgins (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Five (from 1956-09-18 until 1956-09-27)
composer:
Bill Evans
publisher:
Folkways Music Publishers Inc., TRO-Acorn Music and TRO-Folkways Music Publishers, Inc.
4:01
3I Got It Bad and That Ain't Good
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (from 1956-09-18 until 1956-09-27)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (from 1956-09-18 until 1956-09-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
1:38
4Conception
recording engineer:
Jack Higgins (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Conception (from 1956-09-18 until 1956-09-27)
composer:
George Shearing
4:46
5Easy Living
recording engineer:
Jack Higgins (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
Easy Living (from 1956-09-18 until 1956-09-27)
lyricist:
Leo Robin
writer:
Ralph Rainger (in 1937) and Leo Robin (in 1937)
composer:
Ralph Rainger and Leo Robin
publisher:
Famous Music Corporation (in 1937, in 1964)
3:51
6Displacement
recording engineer:
Jack Higgins (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Displacement (from 1956-09-18 until 1956-09-27)
writer:
Bill Evans
2:35
7Speak Low
recording engineer:
Jack Higgins (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
Speak Low (One Touch of Venus) (from 1956-09-18 until 1956-09-27)
lyricist:
Ogden Nash
composer:
Kurt Weill
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
5:09
8Waltz for Debby
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (from 1956-09-18 until 1956-09-27)
recording of:
Waltz for Debby (instrumental) (from 1956-09-18 until 1956-09-27)
composer:
Bill Evans
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
1:19
9Our Delight
recording engineer:
Jack Higgins (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Our Delight (from 1956-09-18 until 1956-09-27)
composer:
Tadd Dameron
4:43
10My Romance
recording engineer:
Jack Higgins (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
My Romance (from 1956-09-18 until 1956-09-27)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (in 1935)
publisher:
Chappell & Co., Inc., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc., Warner Chappell Music Ltd., Williamson Music Company, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Jumbo
1:58
3▼CD: Everybody Digs Bill Evans
#TitleLength
1Minority
recorded in:
New York, New York, United States (on 1958-12-15)
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Minority (on 1958-12-15)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
5:22
2Young And Foolish
recording engineer:
Jack Higgins (on 1958-12-15)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Young and Foolish (on 1958-12-15)
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music
5:54
3Lucky To Be Me
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
On the Town: Lucky to Be Me (on 1958-12-15)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB, Warner Bros. and Warner Bros. Music
part of:
On the Town
3:40
4Night And Day
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1958-12-15)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
7:36
5Epilogue
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
recording of:
Epilogue (on 1958-12-15)
composer:
Bill Evans
publisher:
Folkways Music and TRO-Acorn Music
0:41
6Tenderly
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Tenderly (on 1958-12-15)
lyricist:
Jack Lawrence (in 1946)
composer:
Walter Gross (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:33
7Peace Piece
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-15)
recording of:
Peace Piece (on 1958-12-15)
composer:
Bill Evans
publisher:
Acorn Music Corp., Folkways Music and TRO-Acorn Music
6:43
8What Is There To Say
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
What Is There to Say? (on 1958-12-15)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
4:54
9Oleo
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Oleo (on 1958-12-15)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs
4:08

Credits

Release

ASIN:UK: B004IWP6KK [info]