Pops Stoppers: Greatest Hits of The Boston Pops Orchestra

~ Release by John Williams & The Boston Pops Orchestra (see all versions of this release, 2 available)

Annotation

Text on barcode mistakenly is 0208311299408 but barcode actually is 020831129947.

Tracklist

1▼Cassette
#TitleLength
A1The Flying Theme
producer:
John McClure
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (in 1982) and Universal International Music B.V. (in 1982)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
composer:
John Williams (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
3:47
A2Raiders of the Lost Ark March
producer:
John McClure
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (in 1982) and Universal International Music B.V. (in 1982)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1982)
recording of:
The Raiders March (Raiders of the Lost Ark) (in 1982)
composer:
John Williams
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
5:31
A3Star Trek: The Motion Picture (main title)
producer:
John McClure
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (in 1983-06)
arranger:
Jerry Goldsmith
phonographic copyright (℗) by:
Universal International Music B.V. (in 1983)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1983-06)
recording of:
Main Theme (Star Trek: The Motion Picture) (in 1983-06)
composer:
Jerry Goldsmith
publisher:
Sony/ATV Melody
version of:
Where No Man Has Gone Before (original Star Trek title theme)
4:09
A4New York, New York
producer:
John McClure
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (in 1982)
arranger:
Billy Byers
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1982)
recording of:
Theme from “New York, New York” (usually just titled “New York, New York”) (in 1982)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb
composer:
John Kander
publisher:
シンコーミュージック・パブリッシャーズ (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス and 香港商百代音樂股份有限公司台灣分公司
part of:
New York, New York (1977 musical film soundtrack)
3:23
A5Strike Up the Band
engineer:
Stanley Goodall, Jack Law and Michael Mailes
producer:
George Korngold
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (in 1980)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1980-06)
recording of:
Strike Up the Band! (unknown orchestration of the song) (in 1980-06)
composer:
George Gershwin
orchestration of:
Strike Up the Band (1927 Gershwin song)
2:50
A6There's No Business Like Show Business
producer:
John McClure
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (in 1983)
arranger:
Morton Stevens
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1983)
instrumental recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”) (in 1983)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell
part of:
Annie Get Your Gun
3:27
A7Tijuana Taxi
recording engineer:
John Newton
producer:
John McClure
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (in 1987-06)
arranger:
Richard Hayman
balance engineer:
Onno Scholtze
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1987-06)
recording of:
Tijuana Taxi (in 1987-06)
composer:
Ervan “Bud” Coleman
publisher:
Irving Music
2:53
A8Moonlight Serenade
engineer:
Stanley Goodall and John Newton
producer:
John McClure
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1984-05)
cover recording of:
Moonlight Serenade (original instrumental version) (in 1984-05)
composer and arranger:
Glenn Miller
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc., EMI United Partnership Ltd. and Sony Music Entertainment Inc.
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc., EMI United Partnership Ltd. and Sony Music Entertainment Inc.
3:50
B1Begin the Beguine
engineer:
Stanley Goodall and John Newton
producer:
John McClure
solo clarinet:
Thomas Ferrante (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (in 1984-05)
arranger:
Jerry Gray and Billy May
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Begin the Beguine (in 1984-05)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc., Warner Chappell Music Ltd., Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
3:18
B2In the Mood
engineer:
Stanley Goodall and John Newton
producer:
John McClure
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (in 1984-05)
arranger:
Glenn Osser
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1984-05)
recording of:
In the Mood (in 1984-05)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
I’m in the Mood
writer:
Bernard Besman and John Lee Hooker
publisher:
La Cienega Music and Warner Chappell Music Ltd.
3:30
B3Stompin' at the Savoy
engineer:
Stanley Goodall and John Newton
producer:
John McClure
bass drum:
Thomas Gauder (in 1984-05)
cymbal:
Frank Epstein (in 1984-05)
drums (drum set):
Fred Buda (in 1984-05)
membranophone:
Charles Smith (in 1984-05)
timpani:
Arthur Press (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (in 1984-05)
arranger:
Glenn Osser
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Stompin’ at the Savoy (in 1984-05)
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
2:41
B4Opus One
engineer:
Stanley Goodall and John Newton
producer:
John McClure
solo clarinet:
Thomas Ferrante (in 1984-05)
solo piano:
Jeremy Rosen (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (in 1984-05)
arranger:
Larry Wilcox
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1984-05)
recording of:
Opus One (1943 song) (in 1984-05)
lyricist:
Sidney Reginald Garris
composer:
Sy Oliver
publisher:
Embassy Music Corp. (on 1943-06-23)
part of:
New York, New York (1977 musical film soundtrack)
3:21
B5St. Louis Blues March
engineer:
Stanley Goodall, Jack Law and Michael Mailes
producer:
George Korngold
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (in 1980-06)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
St. Louis Blues (in 1980-06)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:04
B6Sophisticated Ladies - A Tribute to Duke Ellington
producer:
John McClure
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (in 1983)
arranger:
Ralph Burns
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1983)
medley including a recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1983)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music
part of:
The Real Book (compilation of jazz standards, Volume I)
medley including a recording of:
Mood Indigo (1930 jazz composition and song) (in 1983)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
medley including a recording of:
Sophisticated Lady (in 1983)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc., Famous Music Corporation (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
medley including a recording of:
Take the “A” Train (version with lyrics by Sherrill) (in 1983)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation
version of:
Take the “A” Train (original instrumental version)
8:24
B7When the Saints Go Marchin' In
producer:
John McClure
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (in 1984-06)
arranger:
Billy May
phonographic copyright (℗) by:
Philips Classics Productions (in 1996)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1984-06)
recording of:
When the Saints Go Marching In (in 1984-06)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
4:28