| # | Title | Artist | Length |
|---|
| 1 | Jeep’s Blues | Duke Ellington | 4:43 |
| 2 | Goodbye Yellow Brick Road | Elton John | 3:14 |
| 3 | White Rabbit | Mayssa Karaa | 2:32 |
| 4 | 10538 Overture | Electric Light Orchestra | 4:40 |
| 5 | Live and Let Die- recording engineer:
- Bill Price (from 1972-10-19 until 1972-10-20)
- producer:
- George Martin (from 1972-10-19 until 1972-10-20) and Paul McCartney (from 1972-10-19 until 1972-10-20)
- mixer:
- Bill Price (on 1972-10-21)
- bass guitar:
- Denny Laine (from 1972-10-19 until 1972-10-20)
- bass guitar, electric guitar and percussion, piano and lead vocals:
- Paul McCartney (from 1972-10-19 until 1972-10-20)
- drums (drum set):
- Denny Seiwell (from 1972-10-19 until 1972-10-20)
- duck call and timpani:
- Ray Cooper (from 1972-10-19 until 1972-10-20)
- electric guitar:
- Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (from 1972-10-19 until 1972-10-20)
- percussion:
- Ray Cooper (from 1972-10-19 until 1972-10-20) and Denny Seiwell (from 1972-10-19 until 1972-10-20)
- background vocals:
- Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
- orchestrator:
- George Martin
- phonographic copyright (℗) by:
- MPL Communications Inc. and MPL Communications Ltd. (in 1973)
- additionally recorded at:
- Air Studios in London, England, United Kingdom (on 1972-10-20)
- recorded at:
- Air Studios in London, England, United Kingdom (on 1972-10-19)
- mixed at:
- Air Studios in London, England, United Kingdom (on 1972-10-21)
- recording of:
- Live and Let Die (from 1972-10-19 until 1972-10-20)
- writer:
- Linda McCartney and Paul McCartney
- publisher:
- EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing and MPL Communications Ltd.
- part of:
- The 46th Academy Award for Best Original Song (number: 2) and James Bond themes
| Wings | 3:12 |
| 6 | How Can You Mend a Broken Heart- recording engineer:
- Bryan Stott (in 1971-01)
- producer:
- Bee Gees and Robert Stigwood
- conductor:
- Bill Shepherd
- arranger:
- Bill Shepherd
- phonographic copyright (℗) by:
- Barry Gibb (in 1971), Maurice Gibb (in 1971) and Robin Gibb (in 1971)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1971)
- recorded at:
- IBC Studios in London, England, United Kingdom
- recording of:
- How Can You Mend a Broken Heart (in 1971-01)
- written in:
- Kensington, Kensington and Chelsea, London, England, United Kingdom
- writer:
- Barry Gibb and Robin Gibb
- publisher:
- Abigail Music (London) Ltd., BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc., Universal Music Careers and Universal Music Publishing International MGB Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Bee Gees | 3:57 |
| 7 | I Feel Love | Donna Summer | 5:55 |
| 8 | Don’t Leave Me This Way | Harold Melvin & The Blue Notes | 6:08 |
| 9 | Delilah | Tom Jones | 3:22 |
| 10 | I’ve Got Your Number | Jack Jones | 1:51 |
| 11 | Long Black Road | Electric Light Orchestra | 3:20 |
| 12 | A Horse With No Name | America | 4:11 |
| 13 | Stream of Stars | Jeff Lynne | 2:44 |
| 14 | Live to Live | Chris Stills | 3:07 |
| 15 | Irving Montage | Danny Elfman | 1:56 |
