| # | Title | Length |
|---|
| A1 | Let the Good Times Roll- producer:
- Esmond Edwards
- baritone saxophone:
- Jerome Richardson (in 1976-03)
- bass:
- Rudy Aikels (in 1976-03) and Louis Villery (in 1976-03)
- drums (drum set):
- Harold Potier (in 1976-03) and John Starks (in 1976-03)
- guitar:
- Milton Hopkins (in 1976-03), Johnny Jones (in 1976-03), B.B. King (in 1976-03) and Ray Parker Jr. (in 1976-03)
- organ:
- James Toney (in 1976-03)
- piano:
- Robert Anderson (in 1976-03)
- tenor saxophone:
- Red Holloway (in 1976-03)
- trombone:
- Garnett Brown (in 1976-03) and Benny Powell (in 1976-03)
- trumpet:
- Albert Aarons (in 1976-03), Oscar Brashear (in 1976-03) and Snooky Young (in 1976-03)
- vocals:
- Bobby Bland (in 1976-03) and B.B. King (in 1976-03)
- performer:
- Bobby “Blue” Bland
- arranger:
- Johnny Pate
- phonographic copyright (℗) by:
- Geffen Records (in 1976) and MCA Records, Inc. (in 1976)
- recorded at:
- Cocoanut Grove in Los Angeles, California, United States (in 1976-03)
- mixed at:
- ABC Recording Studios in Los Angeles, California, United States
- live cover recording of:
- Let the Good Times Roll (in 1976-03)
- writer:
- Fleecie Moore (in 1946) and Sam Theard (in 1946)
- publisher:
- Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
- cover recording of:
- Let the Good Times Roll
- writer:
- Fleecie Moore (in 1946) and Sam Theard (in 1946)
- publisher:
- Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
- live recording of:
- Let the Good Times Roll
- writer:
- Fleecie Moore (in 1946) and Sam Theard (in 1946)
- publisher:
- Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
- recording of:
- Let the Good Times Roll
- writer:
- Fleecie Moore (in 1946) and Sam Theard (in 1946)
- publisher:
- Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
| 5:40 |
| A2 | Medley: Stormy Monday Blues / Strange Things Happen- producer:
- Esmond Edwards
- live medley including a cover recording of:
- Call It Stormy Monday (but Tuesday Is Just as Bad)
- lyricist and composer:
- T‐Bone Walker
- publisher:
- Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Songs Of The Knoll, 日音 Synch事業部, Peermusic III, Ltd. (until 2018-11-01), Gregmark Music Inc (from 1959 to present), Lord and Walker Publishing (from 1959 to present) and Raleigh Music Group (from 2018-11-01 to present)
- sub-publisher:
- EMI Music Scandinavia AB (in 1994)
- live medley including a cover recording of:
- Strange Things Happening
- writer:
- Percy Mayfield
- publisher:
- Venice Music, Inc.
| 6:58 |
| A3 | Feel So Bad | 8:22 |
| B1 | Medley: Mother-In-Law Blues / Mean Old World | 8:40 |
| B2 | Everyday (I Have the Blues) | 3:58 |
| B3 | Medley: The Thrill Is Gone / I Ain't Gonna Be the First to Cry- producer:
- Esmond Edwards
- live medley including a cover recording of:
- I Ain't Gonna Be the First to Cry
- writer:
- Mitchell Bottler, Michael Price and Dan Walsh
- publisher:
- American Broadcasting Music, Inc.
- live medley including a recording of:
- The Thrill Is Gone
- writer:
- Roy Hawkins (in 1951) and Rick Darnell (in 1951)
- publisher:
- BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
| 14:35 |
